A rare 9 carat gold Currie Cup medallion, issued by the South African Football Association, which would have been presented to members of the South African Rugby Team who won the Currie Cup. The medallion is lovely and depicts a springbok and a wildebeest, presumably standing on Robben Island with Table Mountain, Cape Town in the background. The front reads "South African Football Association", the back reads "Currie Cup won by", with the space for the name and the year left blank. This dates back to before the Second World War, before the word rugby was used in the organisation's title. The medallion has 4 hallmarks, springbok head indication South African origin, 9ct for 9 carat gold, date letter Z and makers mark "SAM" for South African Mint. We have tentatively dated this to 1938, as the only other one we have seen is dated 1938, perhaps the trophy was interrupted by the arrival of World War II, hence the lack of inscription.
A silver prize fob medallion, of the Surbiton Motor Club (just outside London), awarded for the London to Barnstaple race in 1927. The medallion is beautiful, and features a maiden in flowing dress holding a laurel wreath, and a shield with 3 fish, we assume the crest of the Surbiton motor club. The medallion is well made, the detail is excellent, this would make an attractive necklace pendant. The rear of the medallion has a laurel wreath, and is engraved "London Barnstaple 1927 A.W. Alliston". The hallmarks are clear.
An antique silver and gold fob medallion, still in original box, marked "Fattorini & Sons, Goldsmiths, Bradford". The gold plaque is engraved "1904 E.P.R.F.U. Cup", we imagine Eastern Province Rugby Football Union (of South Africa). The back is engraved "Olympic F.C. (football club), 2nd Team, G. Brown". The hallmarks are excellent, this is also stamped "Fattorini Bradford".
Fattorini & Sons was a jewellery business established by Italian immigrants, they specialised in sports trophies and medals. They made both the FA Cup and the Rugby League Challenge Cup, both still in use today.
An Arts & Crafts hand made silver dish, with a green enamel silver "button" with celtic design, surrounded by a rope border. The dish is hand hammered, with each hammer mark visible, this is a lovely little dish. It is embossed "A.E.S., 20th Dec 1913", so possibly made as a Christening present. Ramsden & Carr specialised in unique hand made and individually designed presentation pieces (Judith Miller, Arts & Crafts Collectors Guide, pg 171), this dish is a good example. They have been described as "the most important exponent of the Arts and Crafts movement in English silver" - Art Nouveau &Art Deco Silver, Annelise Krekel-Aalberse, pg 27). The hallmarks are clear, and include makers mark Rn&Cr, struck twice on the base of the dish. One mark is very clear, the other is only partially visible.
A regimental silver match box cover (large size matchbox), with gold crest of the 21st Empress of India Lancers. The box is engraved "Presented by MJ Stapylton Late 21st Hussars", and stands on 4 bun feet. The box is hallmarked, but these are now worn due to over zealous polishing in the mess. The box is also engraved "Asprey London". Major Miles John Stapylton of the Yorkshire Hussars and 21st Lancers was Lord of the Manor of Eston in Myton, York. He was born in 1869 and married in 1900, he had 3 children. The regimental history is interesting. The were designated 21st Hussars in India in 1861, and in 1897 they were re-designated and equipped as 21st Lancers in Cairo. In 1898 they were the only regular cavalry to serve with the army sent to re-conquer Sudan to end Dervish rule. In the now famous Charge at Omdurman, they lost 21 men and won 3 Victoria Crosses. Winston Churchill participatedin this action as a lieutenant. As a result of the charge, they were awarded the title "21st Empress of India Lancers" by...
A circular silver bowl, with the crest of the Worshipful Company of Ironmongers, and the date 1937 engraved on it. The 2 lizards or salamanders are used in the crest of the Ironmongers as they could reputably survive fire. The Company of Ironmongers is one of the 12 great livery companies, 10th in order of precedence (The Goldsmiths are 5th). The bowl was made to commemorate the coronation of King George VI in 1937, and would probably have been distributed to it's freemen. The company is still active today, and its hall (destroyed during WW1) can be rented out for functions. The hallmarks are clear, including makers mark C.E, who has not been identified, but who worked between 1924 and 1956 (www.silvermakersmarks.co.uk, on our links page).
An interesting 17th century style silver notched 2 pronged fork, a replica of the earliest known English table fork. The fork has 3 notches at the top of the stem, a rare feature seen occasionally on puritan spoons. The original, made in 1632, is known as the Manners Fork, and is in the V&A museum in London. The original belonged to the Rutland family of Haddon Hall, and has the crest of John Manners, 8th Earl of Rutland. This fork is a good gauge, very pleasing to use, we tested it on cold meats and olives! The hallmarks are excellent, and include makers mark FH for Francis Howard, the firm worked between 1900 and 1986. A real talking point for your dinner table.
A lovely 9 carat gold HMS Conway rowing medallion, awarded to L.H. Barradell, rowing at position 5 (we assume of 8). The medallion is beautifully cast, with a very realistically modelled ship. The medallion is perfectly preserved in its original box, marked "Old Fields Limited, Post Office Place, Church St, Liverpool". The hallmarks are very clear and include "9" and "375" indicating 9 carat gold. HMS Conway was a 19th century wooden battleship, used as a Naval Training School for cadets. It was stationed on the Mersey in Liverpool, which accounts for the origin of the medallion. It operated between 1859 and 1953. The motto was "Quit Ye Like Men Be Strong". L.H. Barradell rose to the rank of Commander, he completed his career in Kenya. He was awarded the Legion of Honour (Crois de Chevalier) by the President of the French Republic in recognition of his services during the war (www.hmsconway.org web site).
A rare Victorian silver postal scale, in full working order. The scale is intended for measuring postal items, so that the correct postage could be applied. This scale would have been used in a wealthy household, not a Post Office. The front is engraved "Postal Scale" on top, on the side "Postal Union Rates 2 1/2 d for each 1/2 ounce." To the left is engraved "English Rates" above measuring scale from 1d - 4d in 1/2 increments. To the right are 2 measures, 1 marked "LB" for pounds (scale 0 to 1 LB), to the right "OZ" for ounces measuring from 1-16. The engraving is exquisite, this is a lovely item. The base is rectangular with a Chippendale rim. The scale also has a knob (for adjusting scale) behind the pan, and a silver screw for opening the scale. The side of the scale is fully hallmarked, a registration number RD 308820, is also present. The top pan is also hallmarked, these are worn from polishing. Levi & Salaman were established in 1870, they were known for their high quality silver novelties...
A pair of Royal silver belt buckles, bearing the coat of arms of the House of Bourbon, which produced Kings and Queens for both France and Spain for hundreds of years. The central shield contains 3 Fleur-De-Lys, this was established by King Charles VI of France (who died in 1422) in honour of the Holy Trinity. The shield is topped by the Royal crown, and is surrounded by scrolls. The shield also has a "Golden Fleece" suspended from it, indicating membership of the Order of the Golden Fleece, which was established in 1430 by the Duke of Burgundy. The order still exists today, most European Royalty, including Queen Elizabeth II of Britain and King Juan Carlos of Spain are members. The buckles are stamped, and both have a silver bar for attachment to a belt. The bars are both hallmarked with 2 hallmarks. The first is a cross pattee (Maltese Cross) in circular punch, which has arms that are narrow at the centre and broader at the perimeter. This cross was used by the Knights Templar during the Crusades. The cross...
An antique sterling silver thimble, size 10, with a panelled gold band over the sterling silver. The panelled bands alternate between larger concave panels and smaller convex panels, with a decorative floral band between each panel. The interior of the thimble is marked "10, STERLING, and anchor", and the gold panelling is marked with makers mark SBC, with a large S, and smaller B and C inside the S. This is the mark for Stern Brothers & Co of Philadelphia, who were well regarded makers of antique silver thimbles. Stern used the combination of the SBC makers mark and anchor between 1908 and 1912, hence we can accurately date this thimble. Prior to 1908 they only used the anchor, after 1912 they used a GBC makers mark, as the firm changed names to Goldsmith Stern. They folded in 1933, a victim of the great depression.
We had previously incorrectly ascribed this mark to Simon Brothers, also thimble manufacturers of Philadelphia.
A typical Art Nouveau silver belt buckle, probably a nurses belt buckle. The buckle is an interesting shape, and has an Art Nouveau Female head, with flowing locks and flower in hair. The head is actually a separate piece of silver, also hallmarked, which provides depth to the buckle. The buckle is also engraved with different flowers and leaves.
A lovely replica 16th century spoon, made to commemorate Queen Elizabeth II's Silver Jubilee in 1977. The spoon has a gilded royal crown finial, traditional fig shaped bowl, hexagonal stem, and the Royal Coat of Arms on the back of the bowl. The Royal Coat of Arms has the motto " Dieu et Mon Droit", translated "God and my Right". The spoon is very good quality, as you would expect from Mappin & Webb, who hold a Royal warrant, and has a lovely feel. The hallmarks are excellent, with the Sheffield rose townmark in the bowl, as is usual on 16th century spoons. The spoon also has an additional hallmark, the Queen's jubilee mark, which was only used in 1977. This spoon would make a very suitable Christening present.
An interesting ornate antique silver belt buckle, with a cast "devils head" complete with horns, moustache, beard and toothy grin, which has been applied on a pierced background, complete with stylised lions heads and scrolling foliage. We imagine the buckle has some significance, perhaps to commemorate a popular opera or play at the time. Devils and demons were often portrayed on silver items in late Victorian times, some examples can be seen on the Acsas website (http://www.ascasonline.org/windowD20.html). Both parts of the buckle are hallmarked, the hallmarks are small but clear. The makers makr is HB cojoined. Hayes Brothers (William and Harry) worked from 73 Great Hampton Street, Birmingham, between 1889 and 1896, they specialised in buckles and small silver objects.
A delightful silver vinaigrette, one of the smaller ones we have seen. The vinaigrette is decorated with an attractive, irregular pattern, and has a vacant cartouche. The grill is plain, with a light yellow gilding, the interior of the box has a lovely reddy gold gilding. The hallmarks are clear, and include Georgian duty mark, makers mark L&Co (Jackson pg 355), sterling lion, anchor town mark for Birmingham, and date letter X for 1821.The grill is also hallmarked with a lion, before the holes were stamped.
The vinaigrette was an essential fashion accessory at the beginning of the 19th century, it contained scented vinegar on a sponge, used "to restore the sickly back to vigorous health" (Helliwell, Collecting small silverware, pg 148). Ledsam and Vale (1818-1826) are highly regarded makers, they were joined by Wheeler in 1826.
An interesting antique silver miniature scale, with 2 circular weighing pans mounted on 4 supports, resting on a table with a drawer with handle. Four weights of different sizes are also present, along with 2 bars, we assume lifters to manouvre the weights. The table is rectangular, on 4 feet with a skirt, and is decorated with S shaped scrolls. The scale is 835 grade silver, typical of continental silver (and slightly lower grade than 925 sterling silver). The scale contains a number of interesting hallmarks, but as they are quite small they are difficult to decipher. The first mark is ZII, which is the Netherlands import mark for 835 grade silver, indicating the scale was imported into the Netherlands at some stage (Tardy, International Hallmarks, pg 327). The second mark is Ad81 in a rectangular punch, we assume a makers mark? (suggestions welcome!). The 3rd mark is 835 in an oval punch (silver purity mark), the 4th mark is tiny and difficult to read, looks like "42NO" in a six sided punch, which would be ...
A good quality antique silver replica of what is commonly referred to as "The Tudor Cup", which became famous when it was sold (as part of the Dunn-Gardner collection) at Christies auction in 1901 for GBP 4100, the highest price ever paid for a piece of silver at that time. John Dunn-Gardner, of Soham Manor, had a legendary collection of silver, the sale covered 6 volumes. The original cup of 1521, with scallop shell makers mark, is also known as the Holms cup, named after a previous owner. The original cup is now part of the collection of the Royal Scottish Museum, who purchased it in 1958 for GBP 9500. The museum's resources were augmented by the National Art Collection's fund, the Pilgrim Trust, the Worshipful Company of Goldsmiths, H.M. Treasury and 2 private donors, enabling the cup to be kept in Great Britian (Ian Finlay, Silver in the Royal Scottish Museum, Connoisseur June 1959), where the original cup is pictured. The original cup is also pictured in the book "Old London Silver" by Howard (pg 100).
A lovely antique silver child's porringer, in traditional Queen Anne style, although it was made in Georgian times. The porringer has a central cartouche with script initials MB, which are Victorian in style so would have been added by a later owner. The porringer is decorated with curved lobes and flutes, and the cartouche is surrounded by foliage. The porringer also has punched floral decoration, and the S shaped handles are banded. The gauge is quite thin, more suited for display than for use. The base of the porringer is engraved "RB over IG, 1769", in contemporary engraving, indicating the porringer could have originally been a wedding present, or a christening present for a child born the following year. Porringers of the small (child's size) size are quite rare, few have survived.
The hallmarks are very clear, and although the makers mark punch has some wear, it is still legible.
A Spanish silver porringer, inset with a Spanish eight reale coin (one of the famous "pieces of eight") dated 1618, the reign of Philip III (1578-1621). The porringer is hand beaten, with the individual hammer marks clearly visible, creating an attractive pattern. The rim is folded over, and the cast flat handle has a scrolling design. The handle is quite crudely cast, we believe a sign of age. We have dated the porringer 17th century to co-incide with the date of the coin, but it could be later, with an old coin inset. The coin is well preserved on both sides. The reverse reads "Hispania RVM REX 1618" (King of the Spanish), with 2 castles and lion rampants in quatrefoil design (Arms of Castile & Leon). The obverse has the crowned Hapsburg shield, with the Segovia aqueduct mint mark and assayer initial A to the left, and VIII (8 reales) demarcation to the right. It reads "Philippus III DG".
The porringer has 4 hallmarks, but given their proximity to the rim are only partially struck, so they are not clearly ...
An antique silver picture frame, in Art Nouveau form, depicting 3 farm workers in the fields cutting hay with scythes, with a village church in the background, with the motto "Peace hath her victories, Milton". The quote by Milton (1608-1674) apparently in a letter to Lord General Cromwell, is the first line of a sonnet "Peace hath her victories, no less renowned than war". This line is amongst the most remembered of Milton's work. The hallmarks are small but clear, and the frame also has a registration number (to protect the design being copied). This frame has a new black velvet backing professionally done, the original velvet backings on these antique picture frames is often in very poor condition. With the new backing, this frame is suitable for daily use and display.