A lovely set of 6 antique sterling silver coffee spoons (also called demitasse or 5 o'clock teaspoons), in the Marguerite pattern, which was designed by William Codman in 1901. The pattern has flowers and foliage, these are dainty and pretty spoons. No monogrammes are present, and all 6 spoons are clearly hallmarked "STERLING PAT. 1901", and the Gorham lion, anchor and gothic G. Gorham Corporation, which still exists today, was founded in 1831, they dominated the solid silver flatware market in the USA for 125 years (Gorham Silver, page 50).
A Tiffany sterling silver crumb scoop in the Hampton pattern, this scoop is excellent quality and weight, as you would expect from Tiffany. The scoop has a wide flat horizontal blade, with a rim on 3 sides to retain crumbs brushed from the table. Crumb Scoops arrived mid 19th century, and can still be seen in use in some high end restaurants and cruise ships. The Hampton pattern was designed by Charles Blake and was introduced in 1934, it is Art Deco in style, it has an architectural finial (like a pedestal) and matching bands lower down the handle. It was named after Hampton Court, the country palace of King Henry VIII, Tiffany describes the pattern as "both modern and classic, it's proportions harmonious like great architecture". The scoop is hallmarked "TIFFANY & CO M STERLING" on the side of the handle, the M refers to the period 1907-1947, when John Moore II was Director, so we can date this piece between 1934 and 1947.
Two interesting early 20th century American sterling silver hand forged Arts & Crafts silver spoons, by 2 of the leading silversmiths of the period. The first is by Old Newbury Crafters (ONC), in the panel antique pattern, with long narrow handle, fiddle handle and teardrop shaped bowl, with a pronounced rim around the back edge of the bowl. It is hallmarked "STERLING ONC", clearly struck, this mark was used before 1955. Hammer marks can be seen on the back of the bowl. The second is by Stone Sterling, founded in 1901 by Arthur J Stone, the "Dean of American Silversmiths". This spoon is slightly larger, it has an almost heart shaped bowl, and long elegant handle with pointed terminal. It is hallmarked with the STONE hammer mark, STERLING, and letter E, which denotes it was made by one of Stone's assistants, George C Erickson, between 1915 and 1932. Old Newbury Crafters was established in 1915, and still operating today, with 2 silversmiths, using traditional hand forging. The Boston Globe wrote "Paul Revere w...
A pair of Gorham sterling Medallion serving implements, the first a pastry fork and the second a pickle knife. Both have the medallion motif of a classical femaile looking left, with hair braids, the face is strong. Both are pierced with the "tulip cut", the knife also has bright cut engraving. Both have the original owners initials MMC in Gothic script engraved on the back. Gorham medallion pattern was designed by George Wilkinson in 1864, it is a multi-motif pattern, with 4 different medallion options. Medallion pattern proved popular, it was copied by numerous other firms, but the original Gorham items are most collectable today. The hallmarks are clear on both pieces, and include Gorham makers mark, PAT 1864 and STERLING. Gorham Corporation, which still exists today, was founded in 1831, they dominated the solid silver flatware market in the USA for 125 years (Gorham Silver, page 50). The medallion pattern was even retailed by Tiffany.
An interesting coin silver American single struck Kings shape Thread and Shell pattern teaspoon, made by Samuel Kirk between 1824 and 1827. Whilst we describe this as a teaspoon, it is a large and heavy teaspoon, perfect for eating dessert. Single struck flatware means the pattern is only struck on one side, this only occurred in Scotland in the UK. The spoon has the original owners engraved family crest, a human head with full beard. The spoon has 3 hallmarks, makers mark S.Kirk in serrated rectangular punch for Samuel Kirk, Baltimore Coat of Arms large oval shield mark (quality mark), date letter C for 1824 - 1827, these are all well struck and clear. This dates to a very interesting period in US silver history, Baltimore between 1814 and 1830 was the only place and date where hallmarks were required on silver in the USA. The State Legislature of Maryland passed the Assay Act of 1814, which set the quality standard at 917, the Act was repealed in 1830 due to opposition by the affected silversmiths, includ...
An interesting coin silver American Fiddle pattern tablespoon, made by Samuel Kirk in 1822. The spoon has original owners script initials JMC. The spoon has 4 hallmarks, makers mark S.Kirk in script in rectangular punch for Samuel Kirk, Baltimore Coat of Arms shield mark in clipped corner rectangle (quality mark), date letter F for 1822 and Head of Liberty mark. This dates to a very interesting period in US silver history, Baltimore between 1814 and 1830 was the only place and date where hallmarks were required on silver in the USA. The State Legislature of Maryland passed the Assay Act of 1814, which set the quality standard at 917, the Act was repealed in 1830 due to opposition by the affected silversmiths, including Kirk, who petitioned for its repeal. Thomas Warner was the Baltimore Assayer between 1814 and 1823, so he would have struck these marks. Samuel Kirk began working as a silversmith 1815, he founded the very successful firm of S. Kirk & Sons in 1846, it became the oldest surviving silversmithing ...
A fabulous set of 6 Tiffany Sterling silver Indian Chrysanthemum tablespoons, in immaculate condition, they could not be better. The pattern is truly beautiful, it extends right down the back of the spoon bowls as well. All 6 spoons are clearly hallmarked "TIFFANY & Co STERLING PAT.1880.M, the M indicates these are early pieces (the pattern was produced from 1880-1934). This must be one of the most beautiful example of hallmarks, with the design wrapping over and through the hallmarks. Each individual spoon weighs 120 grams, certainly the heaviest tablespoons we have encountered (the very best quality English tablespoons can reach 100 grammes). Indian Chrysanthemum has been described as "one of the most magnificent and celebrated sterling silver designs of the 19th century. Chrysanthemum represents one of the last great designs of the Victorian period" -(www.replacements.com), it was designed by Charles Grosjean. "Master silversmith Charles T. Grosjean joined the Tiffany firm as the Superintendent of Silverwa...
A fabulous pair of Baltimore silver tablespoons, in the Kings pattern, by Samuel Kirk of Baltimore, and bearing Baltimore assay marks for 1824-1826. The spoons are very good quality and gauge, unlike many American spoons of the period, which were often thinner and lighter than their English counterparts. They are single struck (in Scottish fashion), the back of both spoons is engraved Lyon, we assume the original owner. In addition to makers mark S.Kirk in script in rectangular punch, the spoons have the oval Baltimore Coat of Arms quality mark, in rectangular punch with cut corners, and date letter C, used by Assay Master LeRoy Atkinson between 1824 and 1826 (see www.imperialhalfbushel.com for information on these marks). These date to an interesting period in American silver history, Baltimore between 1814 and 1830 was the only place and date where hallmarks were required on silver in the USA, following the passing of the Assay Act by the State Legislature of Maryland in 1814 (it was unpopular so repealed i...
A collection of ten American sterling silver souvenir spoons, 5 of which have decorated bowls and 6 of which have decorated stems, 2 decorated front and back, and 2 are gilded. As is usual for these American souvenir spoons, the details are lovely. The spoons include:
1. California, by Gorham, Golden Gate bowl, Eureka, Sutters Fort and California on front, State Capitol, Mission Dolores and Golden gate on back - a lovely spoon
2. Honolulu, maker R in wing, Surf Rider
3. Boulder Dam
4. Philadelphia, Hamilton & Diesinger, Founding Father
5. Hawaii, 1959, maker EJTC, 50TH State, Aloha Tower, Hawaii front, Admitted to the Union Aug 21 1959, The Aloha State rear
6. Washington, Abram French Co, Tip Top House 1852, Washington
7. Detroit, Mechanics Sterling, Detroit Harbour bowl
8. Detroit, Mechanics Sterling, Belle Isle Bridge bowl
9. Detroit, Mechanics Sterling, Water Works Park bowl
10. Chicago, Whiting, Ft Dearborn bowl.
A set of 18 Wallace Georgian Colonial pattern sterling silver forks, 12 are table forks and 6 are salad forks, which are very suitable for use as cake forks. The forks have 4 prongs, and the pattern is quite elegant but restrained. The design of the forks is different front and back, the front a shaped pedestal, the back a lovely foliage design. All 18 forks are hallmarked "WALLACE STERLING with stags head, and PAT.AP'LD FOR", standing for patent applied for. Wallace Silversmiths dates back to 1835, and is still in existence today, this pattern was made from 1932 to 1965. The forks have no monogrammes.
A Coin silver American tablespoon in the Fiddle pattern, made by A F Burbank in Boston, Massachusetts, made around 1853. The spoon is the usual American Fiddle pattern, quite different to English Fiddle pattern, with flat broad handle and pointed bowl. The spoon has very clear hallmarks, A.F. Burbank. and Boston, which are both well struck and very clear. This is the earlier Burbank mark, the later one is incuse, hence we believe this spoon was made early in his career. The spoon has a 3rd hallmark, a very small swan in oval punch (tiny but very clear), this is a French import mark used between 1893 and 1970, indicating legal fineness, so this spoon spent some time in France (Tardy, international Hallmarks, pg 208). The term "Coin Silver" is used for American silver flatware made before 1870 that is not Sterling, slightly lower grade at 90% silver (sterling is 92.5%), made from melted coins, prior to discovery of silver in the USA.
A Tiffany silver baby or child's spoon and fork, intended as a Christening present. These are quite small, suitable for use by a toddler, they are really sweet. The pattern on the back and front has a double reeded edge, terminating in a V shape in the bowl. The fork tines are quite fat and blunt, so not dangerous. Both are hallmarked "Tiffany & Co Sterling M", the M indicating a date between 1907 and 1947.
A beautiful American sterling silver flatware pattern, Baltimore Rose, or Balto Rose for short. This spoon is a very pleasing weight and is well made, the detail and texture makes this spoon a pleasure to hold and use. The roses are in relief, the modelling is superb. The back of the spoon has a blank cartouche for engraving. The hallmarks include "Sterling", the "diamond circle diamond" device of Schofield Sterling, and "Balto Rose". Frank Schofield founded the business in 1903, he was a die cutter and he cut the dies for Baltimore Rose. The company was acquired by Stieff in 1967 (Encyclopedia of American Silver Manufacturers, Rainwater, pg 295). This spoon would make an ideal Christening present.
An antique sterling silver thimble, size 10, with a panelled gold band over the sterling silver. The panelled bands alternate between larger concave panels and smaller convex panels, with a decorative floral band between each panel. The interior of the thimble is marked "10, STERLING, and anchor", and the gold panelling is marked with makers mark SBC, with a large S, and smaller B and C inside the S. This is the mark for Stern Brothers & Co of Philadelphia, who were well regarded makers of antique silver thimbles. Stern used the combination of the SBC makers mark and anchor between 1908 and 1912, hence we can accurately date this thimble. Prior to 1908 they only used the anchor, after 1912 they used a GBC makers mark, as the firm changed names to Goldsmith Stern. They folded in 1933, a victim of the great depression.
We had previously incorrectly ascribed this mark to Simon Brothers, also thimble manufacturers of Philadelphia.
A lovely example of an American souvenir spoon, which were very popular at the turn of the 20th century, and one of the finest we have encountered. The spoon depicts a Canadian Indian, complete with bow and arrows, tomahawk, feather headdress, Canada ribbon, and delightfully detailed moccasins. This is a rare spoon, the Indian here is not depicted in "Collectible Souvenir Spoons", the authority on souvenir spoons, by Wayne Bednersh. The spoon bowl depicts Brandon College, Brandon, Manitoba, and the Indian figure is holding the enamelled Royal Coat of Arms of the UK, with quarters of England, Scotland and Ireland, under the Royal Crown. This was used in Canada prior to the confederation in 1867, so it is a little mysterious why a Canadian spoon from 1900 is still using these arms. Brandon College was founded in 1899 as a Baptist institution, and was completed in 1901, this spoon would have commemorated the opening. Over 200 students of Brandon College fought during WWI, 2 were awarded the Victoria Cross. Brand...
American coin silver tablespoon in the Old English pattern, with "long drop" usually associated with earlier Hanoverian pattern spoons. The tablespoon has the initials RB crudely engraved with an interesting device between them, quite attractive overall, has a Colonial feel. "Coin silver" refers to silver produced from coins, which applies to all American silver prior to 1865, when silversmiths started using the higher grade "Sterling" standard. Samuel Alexander worked at South Second Street between 1797 and 1808 (Ensko, American Silversmiths), first alone, then in partnership with Christian Wiltberger (Wiltberger & Alexander). The spoon has a"colonial" feel, the quality not quite what you would expect from English spoons of the period.
A lovely late Victorian American Sterling silver hand mirror, by the highly regarded Gorham company. The mirror is embossed in deep relief with roses, with very fine detail. The quality is exceptional, this is a lovely item, a real work of art by a master craftsman. The hallmarks are clear, the Gorham Lion, Anchor and Gothic G, "Sterling" and date letter O.
A Tiffany sterling silver Olympian pattern sugar tongs, of very good quality, and with no monograms. Olympian pattern depicts various different scenes from Greek mythology, and has been described as the most elaborate and complex of all Tiffany flatware patterns. This scene shows Pan with 4 nymphs or satyrs, with horns and goat leg hindquarters, one nymph with erect phallus (which must be pretty unique on a flatware pattern!), demonstrating Pan's status as fertility God. Ther tongs are hallmarked "M Tiffany & Co Sterling PAT 1878". The M indicates a date between 1875 and 1891.
A Tiffany silver bleeding bowl, with flat pierced handle, in the traditional style. This bowl is very good quality, as you would expect from Tiffany. Bleeding bowls (known as porringers in the USA) were used extensively in the 17th century, different themes abound as to their use. Today they are often used as wine tasters, which is probably what this bowl was intended for. The base is stamped "Tiffany & Co, Sterling, 383". They are also popular as Christening gifts.
Attractive set of antique Tiffany sterling flatware in the rare Tiffany pattern, comprising matching set of Tablespoons, Tableforks, Dessertspoons and Dessertforks (6 of each). The Tiffany pattern (pattern No 1 in the book "Tiffany Silver Flatware, 1845-1905) was designed by Edward C Moore, and was the first pattern he designed. The pattern is lovely, described as "Renaissance Revival, with modified Greek double scroll with shell like antefix and honeysuckle blossom" in the Tiffany Flatware book. It was produced between 1869 and 1917. In 1956 this pattern was re-introduced as the Beekman pattern, which does not have the intriguing scrolls that protrude halfway up the stems. Each piece has a monogram JHC, and each is clearly hallmarked "C Tiffany & Co, Sterling, PAT 1889". They are of exceptional quality, as you would expect from Tiffany, and are all a good weight. The Tiffany Silver Flatware book describes this pattern as "rare, seldom seen" (page 171). This pattern was the first flatware pattern that Tiffany...