A magnificent Elkington silver salver, of very generous proportions, circular with a cast border decorated with 4 faces (the 4 seasons), and an elaborate shell and scroll border. The salver is exceptional quality and weight, weighing 4.65 kilogrammes (164 ounces), so this is a very large and heavy salver. The salver rests on 8 shell feet (4 double feet). It has very clear hallmarks, and is also stamped "Elkington & Co, 31921", which is probably a pattern number. The four faces are as follows:
1. Old man with flowing beard
2. Young woman with wheat sheaves
3. Young woman with roses
4. Young woman with vines and grapes.
The border is cast, as can be seen in the photograph of the back of the rim.
An extremely rare early Georgian silver teapot, made in 1737 by Richard Zouch, who was clearly a master craftsman. The teapot is fluted, made with 64 individual strips of silver, which gives the teapot a very attractive look and feel. The 64 strips alternate between rounded and flat, giving the teapot a lovely look and feel. The teapot is quite small, as is usual for this period, when tea was still an expensive commodity. The spout is straight, as is usual for teapots between 1725 and 1740, when they became curved. The finial is an ivory disk, the lid has the same fluted pattern as the body, but is made from a single piece of silver. The handle is turned fruitwood, C shaped with a thumb piece for easy pouring. The teapot has a circular raised foot, which has protected the hallmarks, which are excellent. The makers mark RZ under acorn is very clear (Grimwade 2464), which was used by Zouch between 1734 and 1739. The lid is unmarked. Richard Zouch was freed in 1737, he worked from Chequer Court in Charing Cross...
An early Georgian silver salver with wavy outline and gadrooned rim, set on 3 stepped pad feet, with an imposing coat of arms which is well engraved and very clear. The salver is a good size and weight (over 1 kilogramme), and the hallmarks are very clear.The coat of arms belongs to a peer of the realm, which is indicated by the presence of an open coronet above the armorial, and "supporters" on either side. The arms are "quartered" (4 different coat of arms, indicating several marriages to heiresses, bringing new arms to the family). The motto "Agincourt" indicates participation in the famous battle between England and France in 1415. The salver has an old worn label on the back, which records the family names of the coat of arms - Spencer, ?arnegie (Carnegie?), Fraser, Berkeley. Marks on the rear of the salver show the possibility that the crest has been let in (a later addition) which was common practice when a families' coat of arms changed through marriage (the updated coat of arms would be added to the ...
Art Deco octagonal sweet dish with Ivory handles, with very clear hallmarks. This dish could also be used for teabags, and would fit very nicely with the Deco tea service (item S179).
Beautifully made coffeepot with chased detail, a wooden handle and an ivory finial. Very fine maker, as evidenced by the royal warrant. Very clear hallmarks, (including lid) and "Garrards, Panton Street London" on base. It is interesting to note that even the securing nut that holds the finial in place is hallmarked - true quality!
Melon shaped teaservice of extremely good gauge, consisting of teapot, creamer and sugarbowl, with gilt interior. The design is beautiful, and has angular engraving. This set is extremely well made, with fantastic attention to detail - the teapot hinge is an example of this (see photo). All 3 pieces are fully hallmarked with clear hallmarks, including the teapot lid. A truly beautiful tea service by very fine makers.
A beautiful and classic Art Deco silver tea service, consisting of teapot, coffeepot, milk jug and sugarbowl. The set is extremely well made, and is a very good weight. The set has ivory handles and finials, and deco engraving. The milk jug and sugarbowl have gilt interiors. All four pieces are fully hallmarked, with clear hallmarks. Viners are well known for their deco silver.
A lovely octagonal bachelors 4 piece tea and coffee service, consisting of teapot, coffeepot, sugarbowl and milkjug, all of exceptional quality and weight, by a very fine maker. The set are replicas of an early Georgian style circa 1720, with each and every detail faithful to the original style. This includes shape, handles, finials, even the hinges and spouts are correct. All are fully hallmarked with clear hallmarks, including the lids. The coffeepot, sugarbowl and creamer are all 1932, the teapot is 1939, but in exactly the same style by the same maker. Heming & Co, a prestigous firm with premises in Regent Street, London, was amalgamated into William Bruford in 1981.
Rectangular, plain but elegant teapot on 4 ball feet, characteristic of the style between 1805 and 1810. Wooden handle and ivory finial. Beautiful tree stump crest, excellent hallmarks, including lid.
A beautiful Arts and Craft teapot and sugarbowl, with rosewood handles attached with silver rivets, and a conch shell motif, inspired by an Aztec design. These are from the Spratling First Design Period (1931-1946), and have the WS Print circle hallmark and Sterling mark. Spratling was an American architect who settled in Taxco, Mexico, and revived the art of silversmithing there. A similar teapot (but with a silver handle) is illustrated on page 47 of the book Spratling Silver, Centennial Edition, by Sandraline Cederwall and Hal Riney.
4 piece tea service comprising teapot, hot water jug, creamer and sugar, by the well known craftsman A.E. Jones. They are beautifully made, with spot hammered bodies and cast disc feet. A simple design of an embossed band with roses is present, as is the engraved initial R. All pieces are fully hallmarked with clear hallmarks, including the lids and even the finial screwnut.
Bright cut helmet shaped cream jug with beaded rim and square base, very typical of the period. Clear hallmarks, with evidence hallmarks were applied before the bright cut engraving. Cartouche has initials engraved on it. Very interesting makers name!
Outstanding example of Dutch Art Deco silver, by a highly regarded silversmith and designer Harm Ellens, who executed designs for Hooykaas in the twenties (source Krekel-Aalberse, Art Nouveau and Art Deco Silver). The teapot, cream jug and lidded sugar basin have ebonised wooden handles and finials, in 833 silver. All 3 pieces are a good weight, and pleasing to use. All 3 pieces are fully hallmarked with clear hallmarks, including the teapot and sugarbowl lids. The hallmarks include makers mark HH, Lion Passant for 833 standard silver, (with keymark indicating it was made for export), Perseus duty mark with mint mark M on helmet, indicating Schoonhoven assay office, date letter M for 1922 (source Tardy, International hallmarks). The base of each also has the hallmark M2 and a scratched number 42299.
An interesting antique silver milk (or cream) jug, hallmarked in Exeter but possibly made in Devon. It is oblong in shape, with an unusual cast rim with different types of flowers and thistles, and a very fine engraved band of scrolling foliage around the body. The jug has an ornate leaf and rose capped scroll handle, and 4 bun feet. The jug, casting and engraving is very fine quality, the work of a master craftsman. The 5 hallmarks are all clear, including makers mark SL. The base has an engraved number "10", possibly an inventory number. The oblong shape was popular for tea services between 1805 and 1815 in London, we often see a style lag in provincial centres. Simon Levy produced Exeter hallmarked silver between 1818 and 1832. Of Jewish origin, he was buried in the Jewish burial ground in Exeter, just outside the Roman wall. He was the son of Emanuel Levy, also a silversmith. They resided in the parish of St Thomas, Devon.
A magnificent and rare early Brittania standard silver coffee pot of very good quality, with handle at right angles to the spout, in the Queen Anne style. The pot has a high domed lid with baluster finial, a stand-away hinge, and an octagonal swan neck spout with "Ducks Head" terminal.The pot itself is the tapering plain cylindrical shape with spreading foot, and the handle is turned fruitwood. The coffee pot is plain except for a lovely contemporary armorial, a diamond shaped logenze surrounded by plumes, with the arms of Newdigate (gules three lion's gambs erased argent) impaling a lion rampant reguardant gules. The logenze indicates ownership by a widow of the Newdigate family, as the lozenge is the only vehicle for a widow to display her arms.
This plain style is usually called Queen Anne, the shape of coffee pots changed circa 1723, when the lid became flattened and the spout moved opposite the handle (Judith Banister, 3 Centuries of Silver Coffee Pots). As is usual for coffee pots of this era, it is qu...
An extremely rare miniature silver coffee pot by the Huguenot John Hugh Le Sage, subordinate goldsmith to the King. The coffee pot is early Rococo style, with relief chasing of flowers and scrolls around the base and border below the cover. As is expected with early Rococo (1740 - 1750), large areas are left blank, only after 1750 did full Rococo develop which filled in the blanks. The swan neck spout is leaf wrapped, and the wooden handle has a typical double C scroll. The lid, which is richly decorated, has a stepped dome cover and acorn finial. The pot also has a tucked in base and stand-away hinge. The only hallmarks are the makers mark (script JS underneath crown) struck 3 times on the base (Grimwade 1680, Jacksons pg 192). As per the plate act of 1739, silver toys were exempted from assay, and only required the makers mark.
A number of silver toys have been attributed to John Hugh Le Sage, many of which today reside in museums, including the Henry Ford Museum (USA) and the Victoria & Albert Museum (V&...
An interesting Roman reproduction Scottish silver tea strainer, with a stylised dolphin handle. The bowl is circular, with holes in radiating circles, and has a substantial rim. The handle is lovely, the dolphin tail is cleverly curved, to allow it to loop over a finger whilst the thumb holds the tail in place. The dolphin has a large mouth, 3 fins around the head, and the body is decorated with dots. The strainer is very good quality, and is a pleasure to use. The hallmarks are very clear, makers mark B&S in serrated punch, Scottish thistle, Edinburgh castle and date letter U. An additional hallmark is present, a stylised "S" in a diamond punch. Brook and Son were the leading Scottish silversmiths in the early 20th century, they operated between 1891 and 1939 from 87 George Street (Hamilton and Inches today). This strainer is a reproduction of a Roman spoon that was part of the Traprain Law treasure hoard, which was discovered by George Pringle at Traprain Law, East Lothian, in 1919. The hoard dates from 40...
A miniature Continental silver teapot, with a magnificent birds head spout, with lovely detail. The teapot is oval shaped, and is decorated with an attractive band of vertical leaves, with a similar pattern repeated on the lid. The lid is domed and has a ball finial. the handle is dark composite, securely attached with brass pins. The teapot is a pleasing weight and is very good quality, clearly the work of a master craftsman. The makers mark ZV is distinct and clear, this is accompanied by another partially struck mark, a shield with 3 vertical staves under a band, with dots above (a crown?). We have not identified either mark, assistance most welcome! Note - This teapot is very similar to a normal sized teapot by Johann Diedrich Laue, Hamburg circa 1815, lot 1052 in the Woolley & Wallis sale, October 2010, which has a similar shape and acanthus leaf border.
A magnificent and rare Dutch silver tea caddy, octagonal with baluster shape, with pull off domed lid with 4 sided pointed terminal. The caddy has lovely decoration, combining flowers, shells and acanthus leaves in a simple but effective style. The decoration is all hand engraved, and is a little crude. The caddy is well made and is a good weight, individual hammer marks can be seen on the inside. The caddy is quite small, as is usual for these early octagonal baluster tea caddies, when tea was an expensive commodity. Tea would have been poured from the caddy directly into the teapot, this style pre-dates caddy spoons (Delieb, Investing in Silver, pg 27, where an English version of similar style to this caddy is depicted).
The hallmarks are clear and include date letter V for 1754, makers mark V.M in heart for Andreas Cornelis Muller (Schadee, Zilverschatten, Drie Eeuwen Rotterdams Zilver, pg 233), citymark for Rotterdam, Dutch lion assay mark (935 silver, this is higher grade silver than sterling 925 stand...