A Versace Medusa silver plated sauce ladle, made for Versace by Rosenthal. The ladle is great quality, and has a pleasing feel in the hand. The ladle has the Versace Medusa head on the front, and a bead pattern on the rear. It is engraved "Versace Rosenthal 150". The ladle comes in it's original Versace box, with the Medusa logo and "Rosenthal studio-linie" in gold print. This ladle retails for Euro 345 on the Rosenthal website.
An antique silver whisky noggin, also called a Chota Peg, complete with antique silver whiskey wine label. The noggin is the traditional conical shape, with cut glass star base, glass handle and silver pouring collar and lid with thumb piece. The hallmarks are clear on both the rim and the lid. The noggin comes with a small kidney shaped wine label with original chain, engraved "Whiskey", also with clear London hallmarks for 1908 and Hukin & Heath makers mark, a respected firm. Whisky noggins were popular in Edwardian times, they contain a 1 gill (30 ml) measure, so a generous double tot, and were made to be taken to bed. They were also popular amongst British expats in India during the Raj period, where they were called "Chota Peg", or little drink, also "go to bed" drink. Joshua and John Maxfield, founded in 1855 in Sheffield, were celebrated at the Jewellers Exhibition of 1913 for "the extent and variety of novelties which they have placed on the market" Culme, Gold & Silversmiths pg 319. They had a showro...
A Peruvian sterling silver Arts & Crafts tray, made by Industria Peruana and branded Old Cuzco. The tray is rectangular, and has three separate compartments, so quite practical for serving snacks. It is a pleasing weight, a pleasure to hold and use. The tray has a reeded rim with 6 shells completing the decoration. The tray is clearly hand made, slightly irregular, we really like this tray. It is hallmarked on the base "Old Cuzco Peruana Industria 925".
A beautiful pair of Salters Company silver spoons, with the Salters Company coat of arms, and motto "Sal Sapit Omnia" (salt flavours all) on a banner wrapped around the stem. The bowls have a traditional shell design, these are very attractive spoons. The back of the armorial is embossed with the date "May 12 1853", which commemorates the date the Salters Company acquired ownership of it's Irish estates. The spoons are very good quality, are a good weight, and are perfectly preserved in their original box. The box reads "Carrington & Co. To his Majesty the King and Her Majesty Queen Alexandra, 130 Regent St W". Carrington & Co was established in 1873 by John Bodman Carrington, it still trades today. They were a very prestigious firm when these spoons were made, they had Royal warrants from Queen Victoria, Kings Edward VII and George V, as well as Czar Nicholas of Russia. The Salters Company is one of the 12 great livery companies of London, ranked 9th in order of precedence. Their origins were in the salt tr...
An interesting set of 6 Danish silver coin bowls, each with a different 2 Kronor Danish coin. The bowls have a textured gadrooned rope border, and sit on a small circular foot that protects the coins. The bowls are 830 standard silver. The coins range in date from 1875 to 1958, and include: 1. Christian IX 1875, 2. Christian IX 1903, 1863-1903 , 3.Christian IX / Frederik VIII 1906, 4. Christian X 1870-1930, 5. Christian X 1912-1937, 6. Frederik IX Princesse Margrethe 1958. All 6 bowls are clearly hallmarked "SKAARUP 830S". Jacob Skaarup worked in Copenhagen between 1927 and 1948, given one of the bowls is 1958 we assume the business carried on beyond 1948.
Two interesting pairs of sterling silver wine labels, we have grouped them together as they are almost identical in style and we believe they were made by the same maker. All the labels are kidney shaped, and have a double reeded border. The first pair are gilded, chains are also gilded, the chains are shorter on this pair. They are engraved "Tia Maria" and Mandarine", both names are unrecorded in the book "Wine Labels 1730-2003", although "Mandarinette" is recorded. The second pair are engraved "Chartreuse" and "Kirsch", the engraving has black fill, the chains are longer on this pair. All 4 labels are hallmarked "925" indicating sterling silver, no other marks are present.
A celtic sterling silver large sized circular bowl in the shape of a quaich, with applied celtic zoomorphic border on rim and foot. The bowl sits on a circular rim, the handles are supported by cast scrolling arms, also with celtic knots. The bowl is extremely good quality and gauge, and is nicely proportioned. The celtic design is very intricate, with mythical beasts clearly visible, and celtic knots. The hallmarks are clear for Birmingham 1939, the makers mark is partially struck but still identifiable as Barker Brothers Silver Ltd, this mark was in use between 1930 and 1959. This bowl could be used as a rose or fruit bowl.
A Tiffany sterling silver crumb scoop in the Hampton pattern, this scoop is excellent quality and weight, as you would expect from Tiffany. The scoop has a wide flat horizontal blade, with a rim on 3 sides to retain crumbs brushed from the table. Crumb Scoops arrived mid 19th century, and can still be seen in use in some high end restaurants and cruise ships. The Hampton pattern was designed by Charles Blake and was introduced in 1934, it is Art Deco in style, it has an architectural finial (like a pedestal) and matching bands lower down the handle. It was named after Hampton Court, the country palace of King Henry VIII, Tiffany describes the pattern as "both modern and classic, it's proportions harmonious like great architecture". The scoop is hallmarked "TIFFANY & CO M STERLING" on the side of the handle, the M refers to the period 1907-1947, when John Moore II was Director, so we can date this piece between 1934 and 1947.
A sterling silver tray, engraved "Troon Golf Club", above the club crest and motto "TAM ARTE QUAM MARTE", translated "as much by skill as by strength". The dish is rectangular with octagonal sides, the rim is engine turned with a wavy pattern. The tray is small, we imagine a pin tray, or perhaps to hold golf tees. The crest consists of 5 golf clubs entwined by a snake. The hallmarks are clear. Troon Golf club was established in 1878, and frequently hosts the British Open Championship (8 hosted so far, Hendrik Stenson won the 2016 Open at Troon). The par 3 eighth "Postage Stamp" is one of the most famous of all golf holes. Troon was awarded Royal status in 1978 to celebrate it's centenary, hence the lack of Royal on this dish made in 1933.
A fabulous sterling silver basting spoon (gravy or serving spoon) in the popular Fiddle, Thread and Shell pattern, with engraved Marais Family coat of arms, which is very clear. The basting spoon is a substantial size and weight, the quality is excellent. The hallmarks are very clear, including makers mark D&J W, for Daniel & John Wellby, who worked between 1827 and 1974 from Garrick Street, London. The Marais family coat of arms is described as "Azure, a chain sable fesswise, in chief a crescent reversed and a base of two hills vert" - Pama, Heraldry of South African Families, page 53, depicted on Plate 18, no 280, of the Bell Krynauw Collection. It dates back to Charles Marais of the farm Plasir de Merle, who arrived in the Cape in 1688, and was "murdered by a Hottentot on the farm in 1689". Note - we have other matching items with the Marais Family armorial.
A sterling silver wine coaster, with a finely pierced attractive border, and a central circular silver plaque (for engraving). The coaster has a wooden base with 4 circular grooves, the base has blue felt to protect the table. The silver plaque has never been engraved. The condition is pleasing, often these coasters have suffered damage to the piercing, this one is in excellent condition. The hallmarks are clear, Springbok head (South African standard mark post 1975), S925, and makers mark E T in separate punches, for E Tiessen, Manufacturing Jewellers who worked from 14 Juta Street, Braamfontein, Johannesburg, in the 1970's. This style of pierced wine coaster first appeared in the 1780's.
A Liberty & Co Arts and Crafts sterling silver milk (or cream) jug, with a planished (hand hammered) squat circular body, with a high pouring lip. The jug is decorated with embossed celtic style buttons (4) and matching border, with a little heart shaped design. The jug sits on 3 button feet, and has a plain handle. The jug is clearly hallmarked with Liberty's distinctive L&Co in diamond shaped punch mark, along with Birmingham hallmarks for 1928. The jug also has a design number, 50014, perhaps some-one with access to the Liberty archives will be able to do further research. Arthur Liberty used his shop to showcase the work of leading designers, including Archibald Knox, Rex Silver, Bernard Cuzner and Jessie King (Liberty's, Biography of a Shop, A Adburgham, 1975, pg 81). It is possible this jug was designed by one of these designers. The Liberty store founded in 1875, and still thrives today. Their current Tudor Revival building on Great Marlborough Street was completed in 1924, using the timbers of 2 wars...
A fabulous pair of antique silver tea knives (or butter knives), made in Sheffield but retailed in Oban, Scotland by R Drummond & Son. The knives have green hardstone handles, beautifully shaped, we guess Scottish green agate. The blades are nicely shaped and engraved, the hallmarks (which are excellent on both knives) are camoflagued in the engraving. The blades are blunt, so made for spreading, not for cutting, in the days everyone had their own knife for tea. The backs of both blades are clearly punched "R Drummond & Son, Oban", so we know they were retailed from their jewellery store in Queens Park, Oban. They also had a store in Stirling which traded between 1865 and 1904. Their advert has survived, and reads "Goldsmiths, Watchmakers and Opticians". Levesley Brothers worked between 1897 and 1916. The set is perfectly preserved in its original box.
An Arts & Crafts silver sauce boat, with planished (hand hammered) body and a beautiful curvi-linear bi-furcating handle. The sauce boat has 3 feet, and is the traditional shape with a deep lip, very suitable for pouring. The hand hammered body and handle picks up the light, this is a lovely item. The handle is Art Nouveau in shape and style. The hallmarks are very well struck and clear, including makers mark G.U for George Unite & Sons, the business was founded in 1825 by George Unite, who apprenticed with Joseph Willmore, it still trades today.
A lovely Queen Anne replica teapot, itself antique as over 100 years old, a faithful copy of the earliest known English silver teapots. The teapot is small, due to the rarity of tea during the period, it would be termed bachelor size today. The teapot is pear shaped, with a domed lid topped by urn finial, stand-away hinge, raised circular foot, and octagonal curved spout. The wooden handle is the traditional shape, with thumb piece for easy pouring. The weight and quality are excellent, this teapot is a pleasure to use. An original teapot, dated 1715 and valued at over GBP 12000, is depicted in the book "Price Guide to Antique Silver, Peter Waldron, page 269, this replica is an almost exact copy. The hallmarks are clear, including makers mark JA for James Aitchison of Princes Street, Edinburgh, Goldsmith to the Queen (Victoria), Prince of Wales and Duke of Edinburgh. Aitchison worked between 1877 and 1910, he was a town councillor, and was involved in the building of Usher Hall. His home in Edinburgh is now t...
An interesting Needham's Patent mechanical silver calling card case, with a ribbed sliding mechanism to push out a calling card. The case is rectangular, with a hinged lid, the sliding mechanism is easy to control with the thumb. Both the case and lid are clearly hallmarked, the lid is also stamped PATENT. These have also been described as vesta cases for long vestas, the slide being the matchstrike, we think this attribution is incorrect. Henry Williamson worked between 1894 and 1914, so a career cut off by the advent of World War I. Note - we have 2 similar examples of this needhams patent card case.
A set of 13 sterling silver Apostle spoons, as follows: The Master, St. Peter, St. John, St. Matthew, St. Andrew, St. Philip, St. Jude, St. James the Greater, St. James the Less, St. Matthias, St. Simon, St. Thomas, and St. Bartholomew. The Apostles are well modeled, with lovely detail, as can be seen from the photographs. For example, St. Peter has keys, St. Simon a saw, St Andrew a cross, St. Jude an axe, and St. James a staff and bible. The spoons are from a set (no 117), issued by The Heritage Collection in 1978, limited to 1000 sets. The hallmarks are clear, and include maker mark CM (Cape Mint, part of the Pagliari Group), STG for Sterling silver, antelope head for South Africa, and date letter E for 1978. All the spoons have the Apostle's name engraved on the stem, and the set number 117. They come complete with original signed certificate and explanatory booklet, with information on all the apostles, origin and how they were made, also the original advertising letter. Note: We have sold a previous set...
An interesting pair of Scottish sterling silver triangular bowls, reproductions from the Traprain Treasure. The bowls have a large beaded rim, and rest on a circular foot, the bowls are quite deep, so useful for a number of items. They are quite heavy and well made. The hallmarks are very clear, Scottish thistle, Edinburgh castle and date letter D, along with "Brook & Son, St George St Edinburgh, and "Traprain Treasure 1919, Authorised Reproductions". Brook and Son were the leading Scottish silversmiths in the early 20th century, they operated between 1891 and 1939 from 87 George Street, they had a Royal Warrant from King George V (Hamilton and Inches today). The bowls are reproductions of a Roman bowl that was part of the Traprain Law treasure hoard, which was discovered by George Pringle at Traprain Law, East Lothian, in 1919. The hoard dates from 400 AD, and consisted of 160 pieces, mostly cut up ready for melting. William Brook was the silversmith involved in conserving and trying to reconstruct the origi...
A beautiful Arts and Crafts silver dish, with planished hand hammered surface, by Leslie Durbin. The dish is oval in shape, and sits on an oval reeded foot, the 2 ends have a slight overlap, it is a lovely shape. The dish is excellent quality, and quite heavy, it is a pleasure to pick up. The hallmarks are clear, and include makers mark LGD for Leslie Durbin. Leslie Durbin was one of the most admired silversmiths of the 20th century, his silver is in the Royal collection, he was also honoured with a 1 man exhibition at the Goldsmiths hall entitled "50 Years of Silversmithing" in 1982. He produced the silver components for the Stalingrad Sword during WW II, he also designed British coinage. He apprenticed with Omar Ramsden, his students included Benney, Mellor and Robert Welsh. Durbin is included as one of the top 50 British silversmiths of his era in the book "Designer British Silver 1930-1985", pgs 186-193, by Andrew & Pearson, a book we highly recommend.
A set of three sterling silver items, namely ladle, saltspoon and butterknife, in the popular Fiddle, Thread and Shell pattern, with engraved Marais Family coat of arms, which is very clear on all 3 items. The ladle is a pleasing size and weight,108 grammes, the quality is excellent on all 3 items. The hallmarks are very clear, including makers mark D&J W, for Daniel & John Wellby, who worked between 1827 and 1974 from Garrick Street, London. The Marais family coat of arms is described as "Azure, a chain sable fesswise, in chief a crescent reversed and a base of two hills vert" - Pama, Heraldry of South African Families, page 53, depicted on Plate 18, no 280, of the Bell Krynauw Collection. It dates back to Charles Marais of the farm Plasir de Merle, who arrived in the Cape in 1688, and was "murdered by a Hottentot on the farm in 1689". Note - we have other matching items with the Marais Family armorial.