A British Bulldog Club antique sterling silver trophy spoon, which is in excellent condition. The spoon features a well modelled bulldog head, above legend "THE BRITISH BULLDOG CLUB". The spoon is based on a single struck Kings pattern, but was specially commissioned by the club who wanted to present a more useful trophy than a medal. The club was established in 1892, and still operates today (although I doubt they still have such beautiful silver spoon trophies!). The hallmarks are clear, this spoon was made in Birmingham in 1906 by J A Restall & Co, who worked between 1881 and 1934.
A Scottish Provincial silver tablespoon, made in Aberdeen by Peter Ross between 1819 and 1822. The spoon is Fiddle pattern, and has original owners engraved initials AGC. The hallmarks are clear. The hallmarks include makers mark PR between two A hallmarks for Aberdeen. Ross was admitted as an Aberdeen hammerman in 1819, but only lived for 3 more years until 1822 (Aberdeen Silver by Michael Wilson). His legacy is Fiddle pattern flatware, he is not known to have produced other silver items. Note - We have a matching pair of tablespoons S 1891.
A collection of 10 sterling silver and enamel souvenir shooting trophy spoons, all with 2 rifles as the handles. Six spoons have crossed rifles, 4 spoons have enamel finials, and 7 are from Africa (Nyasaland, Northern Rhodesia, Southern Rhodesia - now Malawi, Zambia and Zimbabwe), with one from South Africa. The spoons include:
1. Nyasaland Volunteer Reserve, RMSB 1952, bare chested labourer crest, London 1911, Wakely & Wheeler, gilded bowl, fabulous quality
2. Nyasaland Volunteer Reserve, bare chested labourer crest, London 1912, Wakely & Wheeler, gilded bowl, fabulous quality
3. Birmingham Forward, enamel city crest of mural crown and arm with hammer (industry), Birmingham 1902, Arthur Fenwick
4. NVR Blantyre Limbe, RMSB 1954, enamel crest of leopard, Birmingham 1952, James Fenton
5. NVR Blantyre Limbe, RMSB 1953, crest of leopard, Birmingham 1953, James Fenton
6. Northern Rhodesia Rifle Association, fish eagle holding fish, no hallmarks
7. Southern Rhodesia Defence Forces, Lion holding tusk, Sheffi...
A Cape silver salt spoon, in the Fiddle pattern, with original gilded bowl, and original owners initials TB. The original gilding is a light lemon colour, worn and scratched from use, but still clearly visible and quite charming. The hallmarks are clear, and include makers mark PD for Peter Clarke Daniel, alongside pseudo hallmarks date letter B in indented punch and Georgian duty mark (Welz mark 42, page 148, Cape Silver). Peter Clarke Daniel was born in Dublin, he arrived in the Cape with the 1820 settlers as a child.
A pair of Arts & Crafts Danish silver tablespoons, in a modernist Georg Jensen style Martele pattern, with matching cheese knife. The pattern is planished, or hand hammered, (Martele is French for hammer, Gorham uses the Martele brand for its hand hammered range), this creates an uneven surface which reflects the light, so a very pleasing pattern. The pattern also has balls and scrolls. The spoons are hand hammered on the front side of the handle only, but the bowls are planished on both sides. The spoons have original owners initials CC engraved on the back, the knife has no engraving. All 3 items have 2 clear hallmarks, the Danish 3 tower silver guarantee mark for 826/1000 grade, with date letters (the spoons are 1925 and the knife is 1927). They also have assay masters mark CFH for Christian F. Heise, who worked between 1904 and 1932.
A collection of 10 sterling silver rifle shooting trophy and Boer War souvenir spoons. Five spoons have enamel finials, 8 spoons are shooting trophies and 2 spoons are Boer War. The spoons include:
1. P.E.R.C. (Port Elizabeth Rifle Club), E.F. Wilson, 103, enamel shooting range (round medallion), Birmingham 1928, Birmingham Medallion Company, gilded
2. P.E.R.C. (Port Elizabeth Rifle Club), E.F. Wilson, 1927, 100, enamel bulls eye, gilded, crossed rifles, Birmingham 1925, Birmingham Medallion Company
3. & 4. - Toll Gate Miniature Rifle Club, enamel finials with twisted stems, Birmingham 1912, William James Dingley, both engraved "Won by"
5. Man at Arms Competition, Lovely shooting soldier handle, Birmingham 1912, William James Dingley, engraved "Won by EF WILSON PET GRC, score 98, 18 Jan 1913
6. & 7. - Rifle Club, crossed rifles, Birmingham 1909 and 1911, Elkington & Co, engraved "D Coy CP Rifles and A Coy PWCRCPR", nice quality
8. Bloemfontein Rifle Club (English and Afrikaans), City armorial, gilded, B...
An early Cape silver Fiddle pattern dessert spoon, by one of the most highly renowned Cape Silversmiths, Johannes Casparus Lotter (I). The spoon has an engraved family crest of a bird (possibly a dove), this is well engraved. The hallmarks are excellent, and include makers mark .JCL struck twice in between 3 floral devices with 7 petals. This particular combination of marks is not illustrated by Welz in his book Cape Silver and Silversmiths, it is a combination of marks 76 (a distinctive .JCL maker mark), only used by Johannes Casparus Lotter (I), and mark 78, where the 7 petal floral device is used by his son Johannes Casparus Lotter (II). These hallmarks are particularly well struck, so much so that damage to the bottom left corner of the makers mark punch .JCL can clearly be seen. This leads us to believe the punch was well worn, and given this is a Fiddle pattern spoon we can assume this spoon was made towards the end of his career. Given the floral device has only been recorded in work by his son Johanne...
A pair of Georgian Irish silver serving spoons, made by William Ward of Dublin. The spoons are Fiddle pattern, we have described them as serving spoons as they are noticeably larger than tablespoons, very suitable for use as serving spoons. The spoons both have an interesting engraved family crest, a hand above heart, this is well engraved. The hallmarks are clear on both spoons, makers mark W.W (mark 580 in Irish Silver by Douglas Bennett, page 180), date letter I for 1805, and Hibernia and Harp Crowned in rectangular punches with canted corners. Note the absence of a duty mark, which only came into use in 1807 in Ireland. William Ward was a noted spoonmaker, he was freed in 1774 and died in 1822.
An interesting coin silver American Fiddle pattern tablespoon, made by Samuel Kirk in 1822. The spoon has original owners script initials JMC. The spoon has 4 hallmarks, makers mark S.Kirk in script in rectangular punch for Samuel Kirk, Baltimore Coat of Arms shield mark in clipped corner rectangle (quality mark), date letter F for 1822 and Head of Liberty mark. This dates to a very interesting period in US silver history, Baltimore between 1814 and 1830 was the only place and date where hallmarks were required on silver in the USA. The State Legislature of Maryland passed the Assay Act of 1814, which set the quality standard at 917, the Act was repealed in 1830 due to opposition by the affected silversmiths, including Kirk, who petitioned for its repeal. Thomas Warner was the Baltimore Assayer between 1814 and 1823, so he would have struck these marks. Samuel Kirk began working as a silversmith 1815, he founded the very successful firm of S. Kirk & Sons in 1846, it became the oldest surviving silversmithing ...
A lovely Dutch silver sugar sifter in the Empire style, made by Pieter Kuijlenburg in Schoonhoven in 1830. The sifter ladle has a wide oval curved bowl, quite deep, with a beaded rim, and intricate piercing of the bowl. The centre is an eight pointed star, with 8 radiating arrows interspersed with patterned dots, surrounded by a cross and semi circle pattern. The curved, elegant handle has a pointed terminal, it is beautifully engraved with a bright cut pattern, including stems with leaves and flowers. The Empire style is a Neo-Classical revival style, that became popular in France, Belgium and the Netherlands after the rise of Napoleon. The hallmarks include makers mark PKB under kappie for Pieter Kuijlenburg, Lion passant 2nd standard (833 purity), Minerva head duty mark, and date letter script V for 1830 (the date letter struck inside the bowl). Kuijlenburg worked in Schoonhoven as a silversmith between 1818 and 1831, he was born in 1791 and died in 1868, he had 6 children including Adrianus who was also a...
Two interesting 19th century Spanish silver tablespoons, both with excellent hallmarks. Both spoons are 930 grade, so slightly higher grade than sterling (925). Both spoons are the same pattern, similar to Old English, but with a Continental flavour. The bowls have pronounced tips, no drops are present and the stems are flattened with an elegant oval stem. Both spoons have contemporary engraved initials, JL and I with lots of flourishes. Both spoons have 3 distinct hallmarks, denoting town, maker and assay master. The Barcelona spoon has town mark BAR under Maltese Cross in a domate punch, this mark was used circa 1825 (courtesy of Spanish silver website www.munozarce.com). The assay masters mark is P.FLORENSA, with P.FLO above RENSA. The makers mark is JA CARRERAS for Jacint Carreras. The Palma spoon has town mark M under palm tree in Loboid punch for Palma de Mallorca, this mark was used on large items in the 19th century (Tardy pg 108). The second mark is assay master A FORTEZA, the third mark is maker J M...
An Exeter silver sifter ladle in the Fiddle pattern, with an engraved family crest featuring a dog or wolf. The sifter is the traditional shape, with beautiful scroll and cross-hatch piercing. The hallmarks are excellent, and include makers mark JAP, Victoria duty mark, lion passant, castle town mark and date letter gothic C for 1839. James Andrew Page worked between 1833 and 1862 in Plymouth, he died in 1898. In 1862 the business became Page, Keen & Page, which survived being destroyed by bombs in 1941, and merged with Bowdens in 1970. Page, Keen & Page produced interesting silver replica spoons complete with early Plymouth hallmarks.
Two Cape silver tablespoons (not a pair), but both in Old English pattern and both by Johannes Combrink. The first has engraved owners initials JM in script, this spoon has excellent hallmarks, makers mark IC and the anchor (Welz mark 25), and a rounded drop. It also has the initials AFDT struck on the back of the stem, we assume another owner. The second has a slightly wider handle, no initials, and very clear makers mark IC (Welz mark 32).
A rare set of Old English Military Thread and Shell pattern (also called Military Shell) tableforks and dessertspoons (3 of each). These are good quality, the forks around 90 grammes each and the spoons over 60. All 6 have an engraved family crest, a raised lion facing right between 2 horns. The pattern has the regular Thread and Shell pattern, double struck (on both sides), but with scrolls instead of shoulders, as with all Military variants (Pickford, Silver Flatware, page 117). Pickford describes this pattern as "a rare pattern illustrated in the Chawner & Co Pattern book, Appendix page 218", where the Chawner book shows this pattern, termed as "Military Shell". Pickford did not illustrate a photographic example of this pattern , a further indication of its rarity. The hallmarks on all 6 items are very clear, makers mark GA for George Adams of Chawner & Co, and London date letter P for 1870. In addition, all pieces carry additional journeyman's marks (Y, K, 3 petal flower, O), so the particular silversmit...
A delightful antique silver Christening present, a child's feeding spoon decorated with a scene from J.M. Barrie's Peter Pan, depicting Captain Hook, complete with hook and pistol, running away from the crocodile, with the Jolly Roger pirate ship in the background. The handle, which forms a circle (traditional baby feeding spoon), is also decorated with Peter Pan playing his flute, and 2 scenes with rabbits. The detail is lovely, as can be seen in the photos. The hallmarks are very clear, and include a registration number "Rd No 611912", indicating the design was registered to prevent copying by other firms. Levi & Salaman was established in 1870, and was merged into Barker Brothers in 1921 (Culme, Directory Gold and Silversmiths). They were highly regarded, particularly for good quality souvenir spoons. They made a number of variations of these nursery rhyme spoons, including "this little pig (S 1535) and "hey diddle diddle (S120) featured on our website. They also made a "little miss muffet" version.
A set of 6 Irish silver dessert spoons, in the Fiddle pattern with rat-tails, a feature of Irish flatware of the period. The spoons have original owners engraved initials WMH. The hallmarks on all 6 are excellent, and include makers mark IB for James Brady, who worked between 1821 and 1842. The spoons also have the retailer's mark, NEILL, which is very clear on all the spoons. Irish retailers were among the first to mark flatware, early adopters of corporate branding. NEILL was a leading Belfast retailer, first established by Robert Neill in 1803, the firm survived until 1960.
A Danish silver Skonvirke (Arts & Crafts) cream ladle, made by the respected Danish silversmith Evald Nielsen in 1924. The ladle is the No 4 pattern, which has organic flowing scrolls in relief, so quite pleasing to hold. The ladle is hand hammered, with the planish marks visible in the bowl and the stem. The ladle has a flat circular bowl with a narrow lip, about 0.7 cm deep. The ladle is 830 grade silver, as is usual for Danish silver. The well struck hallmarks include "Evald Nielsen" in an attractive script, with "No 4" indicating pattern, date letter "ANNO 1924", the letter "S" surrounded by dots in shaped punch for silver, and "830" in oval punch surrounded by dots for grade of silver. Evald Nielsen worked between 1905 and 1958 from Copenhagen, he designed all his own designs (as opposed to his contemporary Georg Jensen). He won numerous awards internationally, and his silver can be seen in numerous museums, including the Metropolitan in New York, V&A in London, and Kunstmuseum in Denmark. Nielsen produ...
A collection of 10 sterling silver Royal souvenir spoons. Six spoons have enamel finials, 1 has enamel bowl as well. Six spoons are English, 3 are Canadian and 1 is Dutch. 4 spoons commemorate coronations. The spoons include:
1. Edward VII in commemoration of the Coronation, Westminster Abbey 1902, Birmingham 1901, Henry Griffiths & Sons, Abbey in bowl
2. Edward VII, Birmingham 1901, S Blanckensee & Sons, Edward in bowl, pierced cast Edward handle, gilded, a lovely spoon
3. Victoria Queen and Empress, London 1898, Saunders & Shepherd, imported F mark, gilded
4. King George V, Mary Queen Consort, Crowned at Westminster June 22 1911, Birmingham 1910, BH Joseph & Co, coronation chair in cast handle
5. Elizabeth II, Crowned 1953, Birmingham 1952, Mappin & Webb, coronation hallmark, "Fire Triumphs over Materials" for JK Smit & Sons, diamond drilling company
6. Royal visit to South Africa, King George VI and Queen Mother, South African coat of arms, Dutch dagger hallmark and makers mark for Van Kempen
A fabulous set of 6 Tiffany Sterling silver Indian Chrysanthemum tablespoons, in immaculate condition, they could not be better. The pattern is truly beautiful, it extends right down the back of the spoon bowls as well. All 6 spoons are clearly hallmarked "TIFFANY & Co STERLING PAT.1880.M, the M indicates these are early pieces (the pattern was produced from 1880-1934). This must be one of the most beautiful example of hallmarks, with the design wrapping over and through the hallmarks. Each individual spoon weighs 120 grams, certainly the heaviest tablespoons we have encountered (the very best quality English tablespoons can reach 100 grammes). Indian Chrysanthemum has been described as "one of the most magnificent and celebrated sterling silver designs of the 19th century. Chrysanthemum represents one of the last great designs of the Victorian period" -(www.replacements.com), it was designed by Charles Grosjean. "Master silversmith Charles T. Grosjean joined the Tiffany firm as the Superintendent of Silverwa...
A set of 6 Old English pattern Cape silver tablespoons, made by Johannes Combrink. All 6 spoons have engraved owners initials G, we assume the original owner. This set has been made by hand, there are slight differences in length, also differences in the shape of the handle, with some having narrower ends. One spoon also has a noticeably larger bowl than the other 5, so perhaps made at a different time. The drop on 2 spoons is also slightly longer, overall interesting but subtle differences between the spoons. The hallmarks also exhibit differences, three spoons are struck with makers mark IC three times, the other three are struck with makers mark IC four times (similar to the English duty dodgers). The orientation of the marks also differs, some are struck vertically and some sideways, so it appears the silversmith struck marks quite randomly. This mark is 29 or mark 30 in the book Cape Silver by Welz, the C is quite close the the I, and has short arms, almost looks like a K. The slightly larger spoon, whic...