A magnificent pair of Arts & Crafts silver Apostle spoons, made by George Henry Hart of the Guild of Handicraft. The spoons are clearly made by hand, with cast finials and hand hammered bowl, with clearly visible hammer marks. The quality of these spoons is fabulous, we love them! The spoons have a stylised beaded rattail, quite unusual, but a lovely feature. The Apostle figure wears a hooded cowl, and has his hands crossed in front of his body. The figure sits on a traditional hexagonal seal top, the stem of the spoon is rounded. The hallmarks on both spoons are very clear, including makers mark "GofH", (without Ltd, in use between 1900 and 1908). The Guild of Handicraft went into liquidation in 1908, the business was continued by George Henry Hart, who designed these spoons, possibly for Prinknash Abbey. The business is still operating today, and run by Julian Hart, great grandson of George Hart (see www.hartsilversmiths.co.uk), in the beautiful village of Chipping Campden, well worth a visit. We rec...
A lovely set of six Art Deco coffee spoons, with unusual pierced design, celtic in appearance. They were retailed by Boodle & Dunthorpe, Goldsmiths of Lord Street, Liverpool, and are still in their original box. Boodle and Dunthorpe (Boodles) was founded in 1798 in Liverpool, and are still in the Lord Street premises in Liverpool. Boodles is a highly respected firm, they made the octagonal silver wedding cake stand for HRH Princess Elizabeth, now Queen. The spoons were made in 1939, just before the outbreak of World War II. The hallmarks on all 6 spoons are perfect.
An antique Danish silver christening spoon, this is a 19th century replica of a 16th century spoon, originally used for Royal coronations. This is a beautiful spoon, extremely good quality, it has a lovely feel. The circular bowl is engraved in traditional style, the gilded front with Madonna holding 2 babies, one with a crown, and surrounded by traditional religious inscription in ancient Scandinavian (translation assistance would be most welcome!). The back of the bowl is engraved with St Olaf of Norway, holding battleaxe and orb, standing on a lion with crowned head, also surrounded by inscription. The cast handle of the spoon is very decorative, a head above a warrior with sword, above traditional implements (thor hammer, hand). The back of the handle has an attractive celtic design. The hallmarks include makers mark A.M (possible Anton Michelson?), the Copenhagen town mark (3 towers), date letter for 1868, and assay masters mark SG for Simon Groth, who worked between 1863 and 1904. Wayne Bednersh, author...
A very rare set of 4 Palm pattern soup spoons, made by George Adams of Chawner & Co, who were the most important mid 19th century firm of spoon makers (Pickford, Jacksons Hallmarks, pg 56). The spoons are exceptional quality and weight, just under 100 grammes each, they are a joy to hold. The spoons are engraved with the original owners initials, "JK & CK". The Palm pattern is described as "very rare, produced by Chawner & Co, in whose pattern book it appears" by Pickford in his book "Silver Flatware, pg 148". The book also has a photo of a Palm pattern fork and spoon from the V&A museum. The spoons are beautifully made, with good detail on the palm leaves. The hallmarks on all 4 spoons are extremely clear, marked on the bowl to prevent damage to the pattern. Two interesting journeymans marks are also present, 3 dots and K, probably the craftsmen involved in making the spoons. A Palm pattern tablespoon sold as lot 73, Finial postal auction January 2012. Please note we also have a Palm pattern butter knife, S1...
An early Cape silver tablespoon, in the Hanoverian pattern (with turned up end). The pip at the top of the stem is very pronounced, sufficient that the spoon can "hang" from a finger!. This spoon also has a very unusual "fat" drop, also with a pronounced pip, we have not seen this feature before. This probably indicates the spoon was made early on in Schmidt's career. The spoon has makers mark DHS for Daniel Heinrich Schmidt, described by Heller (History of Cape Silver) as the Cape's "Greatest Silversmith". This spoon is extremely good quality, it is pleasing to hold. The second mark is the bunch of grapes used by Schmidt.
Schmidt was originally a soldier and sword cutler from Germany, he arrived in the Cape in 1768 with the VOC (Dutch East India Company). He worked until 1811 (Welz, Cape Silver, pg 139).
A rare and beautiful set of 6 silver and enamel mocca spoons, complete with "coffee bean" terminal, gilded bowls, and beautifully enamelled back of bowls in chinoiserie style. These are gorgeous spoons with 6 very different pictures, beautifully enamelled with rich colours, including gold. Two scenes depict pagodas, and one has a Chinese figure complete with fan, golden trident and some Chinese script. The 4th spoon has a gold geometric design on deep blue enamel, with arrows and flowers. The final 2 (our favourites) have a floral theme. The spoons are in their original box, "By Appointment to HM the King, the Goldsmiths & Silversmiths Company Ltd, 112 Regent Street, London". The Goldsmiths & Silversmiths amalgamated with Garrards in 1952, now part of Mappin & Webb. The hallmarks on all 6 spoons are clear.
A rare set of early Scottish Provincial tablespoons from Aberdeen, in the Old English pattern. The spoons all have engraved initial "P", which is contemporary. The spoons are early, and have a double drop. The spoons have pleasing dimensions, and are a good weight. The hallmarks include makers mark "AT" in script for Alexander Thompson, who worked between 1770 and 1779 in Aberdeen. The second mark is "ABD.n" in script, for Aberdeen (see Jackson pg 584). All 8 spoons are hallmarked, but some hallmarks have been slightly compressed during shaping of the spoons, and some are lightly struck or worn. Alexander Thompson was apprenticed to Coline Allan (one of Aberdeen's finest silversmiths), he was free in 1770, but unfortunately died young in 1779. He made very high quality spoons (Michael Wilson, Aberdeen Silver, A Collectors Guide, pg 32, which is a book we highly recommend).
A very interesting collection of 10 silver replica spoons, all in 16th century style, made to commemorate the silver jubilee of Queen Elizabeth II in 1977. These are lovely spoons, all very good quality, with very clear hallmarks, and are faithful replicas of the originals, mostly in museums. The spoons include:
1. Leicester spoon, Seal Top, circa 1600
2. Wrythen Knob spoon, London 1500
3. Maidenhead spoon, London 1521 (Blessed Virgin Mary)
4. Owl Knopped spoon, London 1506, original set of 6 at Corpus Christi College, Oxford
5. Lion Sejant, London 1570
6. Cone spoon, London 1538 - "Fruitlet Knop"
7. Pudsey spoon, London 1525, Tudor rose on seal (Mayer Museum, Liverpool)
8. Seal Top spoon, London 1544
9. Leicester spoon, seal top circa 1600, Brittania silver
10. Lion Sejant, London 1570, Brittania silver
The first 8 spoons (sterling) were made by CJ Vander in London (one dated 1976 without jubilee mark), the last 2 were made by Garrards in Sheffield, in the higher grade Brittania silver (950). Seve...
A Cape silver tablespoon in the Old English pattern, with a very rare Cape silver hallmark. The spoon is good quality and weight, well preserved, and has a colonial V shaped drop. The hallmarks include makers mark WM, and a very rare Cape silver stub mark that is not depicted in Cape Silver by Welz (Welz shows the regular Cape stub mark, used by 5 silversmiths including Moore, with 4 pseudo English marks). This stub mark has the lion passant, a gothic capital A, smiling leopards head and Queen Victoria duty mark, with detailed hair. As can be seen, this is a very different stub from the one usually seen, struck with a different punch (Welz mark 100). This rare stub mark is depicted by Heller (History of Cape Silver) as MM62 (pg 154), the regular Cape stub mark is MM61 (see also our articles section for an article on the Cape stub). The hallmarks are very well struck, this is a perfect example. A third stub mark, including an anchor, is also depicted in Heller (MM63), this same mark is also present in Morrison...
A rare arts and crafts silver spoon, possibly a jam spoon, made for the iconic Liberty's department store in London. The spoon is very unusual, with a design and decoration we have not seen before. The spoon is hand made, and has a very heavy gauge, this is a lovely spoon to hold and use. The spoon has a "knob" on the stem, which adds to the attractiveness but which also has a practical use in increasing the grip. The engraved decoration is very simple floral design, the circles have been punched in. The small circles, both on the handle and in the bowl, were used to simulate rivets. The hallmarks are very clear, the L&Co makers mark in diamond punch is clear but slightly worn. The spoon also has it's own unique design number, 2339, perhaps some-one with access to the Liberty archives will be able to do further research. It is also interesting to note that this spoon was made early on during the First World War, before production was diverted to the war effort. Liberty used his shop to showcase the work of le...
A beautiful pair of Salters Company silver spoons, with the Salters Company coat of arms, and motto "Sal Sapit Omnia" (salt savours all) on a banner wrapped around the stem. The gilded bowls have a traditional shell design, these are very attractive spoons. The spoons are very good quality, are a good weight, and are perfectly preserved in their original box. The box also has the Salters Company coat of arms and motto on the lid, this is also a good quality box. The Salters Company is one of the 12 great livery companies of London, ranked 9th in order of precedence. Their origins were in the salt trade of medieval London, now they are a charitable organisation, focusing on chemistry. The Goldsmiths & Silversmiths Company was established in 1880 at 112 Regent Street, they amalgamated with Garrards in 1952. As can be seen from the box, they carried the Royal warrant, "By appointment to H.M. the King". The hallmarks on both spoons are very clear.
A Chinese Export (or China Trade silver) silver tablespoon, with excellent pseudo hallmarks. The spoon is Fiddle pattern, and has an attractive and well engraved family crest, a Lion's head erased, which is contemporary. The hallmarks include pseudo sterling lion, pseudo crowned leopard's head, date letter "C', and pseudo Georgian duty mark. We have tentatively ascribed these marks to Cutshing, we would welcome other opinions. These marks are typical of the pseudo English marks deliberately created by Chinese silversmiths, for the export market. Cutshing are "widely recognised as producing some of the finest silver from the early China Trade period (1785-1840)" - www.chinese-export-silver.com, article on Cutshing.
A beautiful American sterling silver flatware pattern, Baltimore Rose, or Balto Rose for short. This spoon is a very pleasing weight and is well made, the detail and texture makes this spoon a pleasure to hold and use. The roses are in relief, the modelling is superb. The back of the spoon has a blank cartouche for engraving. The hallmarks include "Sterling", the "diamond circle diamond" device of Schofield Sterling, and "Balto Rose". Frank Schofield founded the business in 1903, he was a die cutter and he cut the dies for Baltimore Rose. The company was acquired by Stieff in 1967 (Encyclopedia of American Silver Manufacturers, Rainwater, pg 295). This spoon would make an ideal Christening present.
A rare Scottish Provincial silver soup ladle, made in Banff by John Keith. This is a beautiful ladle, long and elegant, it is also very substantial, a pleasure to use. The ladle is Old English, and has a contemporary engraved initial "M". The ladle also has an unusual drop, bowl shaped with a ridge. The hallmarks include makers mark "IK" for John Keith, capital letter "B" (thought to represent Banff), and capital letter "M" (used by Keith , possibly to represent a date letter). The hallmarks are clearly legible, but the bottom left of both the "B" and "M" mark is not visible, probably as a result of not being well struck. We have dated this ladle to circa 1790, so early on in Keiths career.
A rare Cape silver Basting (or serving) spoon, by the Cape's "Greatest Silversmith" Daniel Heinrich Schmidt, as described by Heller in History of Cape Silver. The spoon is Hanoverian in style, with a very pronounced "turn up" end, almost 90 degrees to the spoon handle, a strong pip and a rib on the front of the handle. The spoon also has a double drop, and the stem changes from rounded to flattened. The spoon is a very good guage, with solid bowl and strong tip, very suitable for use. The hallmarks include makers mark HNS (mark 174 and 175 in Welz, Cape Silver) and a bunch of grapes. This was described as an unknown maker by Welz, but it is now accepted that this is the mark of Daniel Schmidt, with some wear and damage to the punch so the D looks more like an H (see Welz marks 108 and 109). The presence of the bunch of grapes, identical to that used by Schmidt, confirms this. The only other Cape silversmith to use a bunch of grapes was Jan Lotter, his bunch is quite distinctly different. Further confirmation ...
An interesting antique military silver trophy spoon, awarded by the NRA (National Rifle Association) of Britain as a shooting trophy. The spoon has a NRA medallion set into it, with a scroll engraved "NRA" above the English Coat of Arms, complete with motto's "Dieu et Mon Droit" and "Honi Soit Qui Mal Y Pense" above an enamelled badge with 2 running antelope. The spoon is substantial and very good quality, with scrolls surrounding the coat of arms, and a leaf pattern on the stem. The back of the spoon is engraved "Emma Thresh Trophy 1921". The Emma Thresh Trophy belongs to the Natal Carbineers, South Africa's senior regiment. The trophy itself is 16 kilograms of silver, and was donated in 1903 by Emma Thresh, as the shooting trophy for Colonial Forces. The spoon also has a registration number, RD444590, which appears twice on the spoon.
A Scottish provincial toddy ladle in the Old English pattern, with circular bowl and a long, elegant, curving handle. The ladle is engraved with script initials AP, which are contemporary. The hallmarks include makers mark DM struck twice, either side of the Dundee town mark, a "Pot of Lilies". The pot of lilies is the arms of the burgh of Dundee (Jackson pg 598), the pot has 2 handles, clearly visible here. The hallmarks are clear, with slight wear to the lilies at the top of the mark. David Manson worked between 1809 and 1818, his work is quite rare.
An interesting set of 4 Scottish silver dessert spoons in the Old English pattern, made by a highly regarded silversmith, Patrick Robertson. The spoons are bottom marked, and are engraved with a floral device. The hallmarks are excellent, including makers mark "PR" for Patrick Robertson, which is well struck. Robertson had a long and distinguished career, he worked between 1751 and 1790. He was born in 1729, and was apprenticed to Edward Lothian in 1743. He was Deacon in 1755 and 1765, and was a member of the Royal Company of Archers. He was related to the architect Robert Adam ("Silver Made in Scotland", Dalgleish and Fothringham).
Two sterling silver Apostle spoons, the first St. Jude and the second St. James the Greater. Both Apostles are well modeled, with lovely detail. St. Jude carries an axe, St. James a staff and bible. Both spoons are from a set (no 146) which originally contained 13 spoons, issued by The Heritage Collection in 1978, limited to 1000 sets. The hallmarks are clear, and include maker mark CM (Cape Mint, part of the Pagliari Group), STG for Sterling silver, antelope head for South Africa, and date letter E for 1978. Both spoons have the Apostle's name engraved on the stem.
An interesting antique silver spoon, used as a prize in a rifle shooting competition in Natal (now Kwazulu Natal), South Africa. The stem has the cast inscription "For Making Central Bulls Eye", the back of the bowl has an applied plaque, the emblem of the Natal Rifle Association. It contains a seated Boer soldier on a horse, with the motto "Semper Parati" (Always Prepared), and the date 1862, we assume the date the association was formed. The horse and rider are well modelled, as can be seen in the photos. Semper Parati is now the motto of the Boy Scout movement, perhaps Baden Powell encountered it during his time in South Africa during the Boer war.
The spoon was made by the highly regarded Levi & Salaman, and has Birmingham hallmarks for 1905.