A Darlington Dog Show antique silver jam or marmalade spoon, presented as a trophy in 1912. The spoon is excellent quality, very good weight and feel in the hand, a pleasure to use. The traditional scalloped jam spade bowl has a circular embossed armorial or crest, with bulls head and covered wagons, surrounded by "DARLINGTON DOG SHOW", and the date 1912 engraved beneath. The spoon handle is also lovely, it appears to be a variant of the Windsor pattern (Ian Pickford, Silver Flatware, page 162. The hallmarks are very clear, the spoon also has a registration number meaning the design was protected by Atkin Brothers. The Darlington Dog Show dates back to 1860, when dogs were added to the Darlington Horse and Foal Society, it still exists today, see www.darlingtondogshowsociety.weebly.com. It has championship show status from the Kennel club, is held at Ripon race-track, events attract over 10000 dogs.
A lovely pair of Old English pattern tablespoons, with Leopards head family crest. The leopard is quite realistically engraved, and looks quite fierce. The hallmarks are excellent, as good as they could be, a journeyman's mark (the silversmith who made the spoons in the Wallis workshop) of 2 dots is also present. What is of interest about these hallmarks is the double cusp on the duty mark, to the right and base, this mark was only used between 6 July 1797 and 28 May 1798, 6 July being the date at which duty on silver was doubled from sixpence to one shilling. Jackson shows the 2 cusps to the left and base, this mark was never used on spoons, it was only used on tongs and knife blades that did not require the London town mark (Tony Dove, in an article entitled "The cusped duty used at the assay offices from 1797", in the Finial Vol. 14-04). 1797 was the first year a cusp was used, it was used again periodically when duty changed. The different assay offices applied the usage of cusps differently.
A rare Irish Provincial teaspoon in the Fiddle pattern, made in Cork by Samuel Green circa 1800, with a very rare Irish retailers mark. The teaspoon is quite long with a narrow bowl, and is hallmarked with incuse makers mark SG for Samuel Green, incuse STERLING guarantee mark, and retailers mark L.O.H in a rectangular punch, which is believed to be for Laurence O'Hagan, a watchmaker and presumably retailer in Limerick. Laurence O'Hagan, Watchmaker appears in the Hibernian Journal in 1791 on his marriage to Miss Quinn and again in 1804 on his marriage to Miss Bryan (source Silver Forums at 925-1000.com, on the Limerick and Irish Retailers marks pages). All the hallmarks are clear, especially the retailer mark, the G from STERLING is only partially struck. Irish provincial silver is quite rare, and often the hallmarks are worn or poorly punched, so this spoon is a nice example. Cork did not have an assay office, so the silversmiths adopted an unofficial STERLING mark to denote the 925 quality standard. This i...
A fabulous Arts & Crafts silver child's spoon, with a hedgehog finial, made by Francis Cooper, son of the famous John Paul Cooper, who was one of the leaders of the Arts and Crafts movement. Silver by Francis Cooper is quite rare, and is seldom seen (see www.antiquesilverspoons.co.uk for a beautiful tea strainer by Francis Cooper). The spoon has a well modeled hedgehog finial, mounted on a disc with 6 supports, one support is part of the spoon stem detail. The bowl is hand hammered at the back but smooth in front, with the drop and rat-tail part of the bowl. The spoon is exceptionally well made, and given it's superb gauge is a delight to hold (if you have small hands!). The hallmarks are very clear, and include gothic script FC makers mark and the Queens head Silver Jubilee mark for 1977. Francis Cooper (1906-1980, so this spoon was one of the last he produced) worked for his father as a metalworker from 1924 until his death in 1933. John Paul Cooper was an architect turned metalworker, who headed up metal...
An interesting set of good quality sterling silver teaspoons, with an unusual Art Deco stylised floral design. The design has 3 leaves on a long stem between 2 bars, with balls (berries?) above and below the bars, oval above and round below. The top of the spoons has an oval shield and pointed terminal, this is quite an elegant design. All 6 spoons have clear hallmarks on the back of the bowl, with makers mark O.W&S, we believe Owen Williams & Sons of Sheffield. Any information about this design would be most welcome.
A Cape Silver lemoen lepel, (orange spoon), in very good condition, and with very clear makers mark. This spoon is typical of the Cape lemoen lepels, with pointed terminal and bowl, the bowl itself eye shaped and quite deep. The spoon has typical Cape engraving, with a 4 petal flower and wrigglework along the edges of the handles. It also has a distinctive V joint connecting handle to bowl. The IC makers mark is well struck and clear (Welz mark 32 with canted corners). Welz describes orange spoons as"probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). As far as we are aware, only Jan Lotter and Johannes combrink made lemoen lepels, probably between 1800 and 1815. Note - this spoon matches the pair S 1922.
An interesting Swiss Silver preserve set, consisting of a matching fork and slotted spoon in their original box. They are 800 grade silver, and both the spoon bowl and fork (excluding handle) are gilded, to protect the silver from corrosive salt. The matching handles are a beaded pattern, with the pattern on the back different from the pattern on the front. The spoon has seven slots in an attractive pattern, the fork has 4 tines. Both items are clearly hallmarked with the Jezler makers mark and 800 standard mark. The original box has a retailers label, which reads "Otto Leuenberger, Uhren & Bijoutier, Langnau (Bern) - Brugg (Aargau)".
A stylish set of six sterling silver coffee spoons, with an unusual but attractive shell design, we have not encountered this design before. The spoons are perfectly preserved in their original box, the box reads "James Dixon & Sons, Sheffield, Made in England", we assume the retailer. All 6 spoons are clearly hallmarked. Atkin Brothers was a well known firm founded by Henry Atkin in 1851, it survived over 100 years until it was acquired by C.J. Vander in 1958.
A British Bulldog Club antique sterling silver trophy spoon, which is in excellent condition. The spoon features a well modelled bulldog head, above legend "THE BRITISH BULLDOG CLUB". The spoon is based on a single struck Kings pattern, but was specially commissioned by the club who wanted to present a more useful trophy than a medal. The club was established in 1892, and still operates today (although I doubt they still have such beautiful silver spoon trophies!). The hallmarks are clear, this spoon was made in Birmingham in 1906 by J A Restall & Co, who worked between 1881 and 1934.
A Scottish Provincial silver tablespoon, made in Aberdeen by Peter Ross between 1819 and 1822. The spoon is Fiddle pattern, and has original owners engraved initials AGC. The hallmarks are clear. The hallmarks include makers mark PR between two A hallmarks for Aberdeen. Ross was admitted as an Aberdeen hammerman in 1819, but only lived for 3 more years until 1822 (Aberdeen Silver by Michael Wilson). His legacy is Fiddle pattern flatware, he is not known to have produced other silver items. Note - We have a matching pair of tablespoons S 1891.
A collection of 10 sterling silver and enamel souvenir shooting trophy spoons, all with 2 rifles as the handles. Six spoons have crossed rifles, 4 spoons have enamel finials, and 7 are from Africa (Nyasaland, Northern Rhodesia, Southern Rhodesia - now Malawi, Zambia and Zimbabwe), with one from South Africa. The spoons include:
1. Nyasaland Volunteer Reserve, RMSB 1952, bare chested labourer crest, London 1911, Wakely & Wheeler, gilded bowl, fabulous quality
2. Nyasaland Volunteer Reserve, bare chested labourer crest, London 1912, Wakely & Wheeler, gilded bowl, fabulous quality
3. Birmingham Forward, enamel city crest of mural crown and arm with hammer (industry), Birmingham 1902, Arthur Fenwick
4. NVR Blantyre Limbe, RMSB 1954, enamel crest of leopard, Birmingham 1952, James Fenton
5. NVR Blantyre Limbe, RMSB 1953, crest of leopard, Birmingham 1953, James Fenton
6. Northern Rhodesia Rifle Association, fish eagle holding fish, no hallmarks
7. Southern Rhodesia Defence Forces, Lion holding tusk, Sheffi...
A pair of Arts & Crafts Danish silver tablespoons, in a modernist Georg Jensen style Martele pattern, with matching cheese knife. The pattern is planished, or hand hammered, (Martele is French for hammer, Gorham uses the Martele brand for its hand hammered range), this creates an uneven surface which reflects the light, so a very pleasing pattern. The pattern also has balls and scrolls. The spoons are hand hammered on the front side of the handle only, but the bowls are planished on both sides. The spoons have original owners initials CC engraved on the back, the knife has no engraving. All 3 items have 2 clear hallmarks, the Danish 3 tower silver guarantee mark for 826/1000 grade, with date letters (the spoons are 1925 and the knife is 1927). They also have assay masters mark CFH for Christian F. Heise, who worked between 1904 and 1932.
A collection of 10 sterling silver rifle shooting trophy and Boer War souvenir spoons. Five spoons have enamel finials, 8 spoons are shooting trophies and 2 spoons are Boer War. The spoons include:
1. P.E.R.C. (Port Elizabeth Rifle Club), E.F. Wilson, 103, enamel shooting range (round medallion), Birmingham 1928, Birmingham Medallion Company, gilded
2. P.E.R.C. (Port Elizabeth Rifle Club), E.F. Wilson, 1927, 100, enamel bulls eye, gilded, crossed rifles, Birmingham 1925, Birmingham Medallion Company
3. & 4. - Toll Gate Miniature Rifle Club, enamel finials with twisted stems, Birmingham 1912, William James Dingley, both engraved "Won by"
5. Man at Arms Competition, Lovely shooting soldier handle, Birmingham 1912, William James Dingley, engraved "Won by EF WILSON PET GRC, score 98, 18 Jan 1913
6. & 7. - Rifle Club, crossed rifles, Birmingham 1909 and 1911, Elkington & Co, engraved "D Coy CP Rifles and A Coy PWCRCPR", nice quality
8. Bloemfontein Rifle Club (English and Afrikaans), City armorial, gilded, B...
An early Cape silver Fiddle pattern dessert spoon, by one of the most highly renowned Cape Silversmiths, Johannes Casparus Lotter (I). The spoon has an engraved family crest of a bird (possibly a dove), this is well engraved. The hallmarks are excellent, and include makers mark .JCL struck twice in between 3 floral devices with 7 petals. This particular combination of marks is not illustrated by Welz in his book Cape Silver and Silversmiths, it is a combination of marks 76 (a distinctive .JCL maker mark), only used by Johannes Casparus Lotter (I), and mark 78, where the 7 petal floral device is used by his son Johannes Casparus Lotter (II). These hallmarks are particularly well struck, so much so that damage to the bottom left corner of the makers mark punch .JCL can clearly be seen. This leads us to believe the punch was well worn, and given this is a Fiddle pattern spoon we can assume this spoon was made towards the end of his career. Given the floral device has only been recorded in work by his son Johanne...
A pair of Georgian Irish silver serving spoons, made by William Ward of Dublin. The spoons are Fiddle pattern, we have described them as serving spoons as they are noticeably larger than tablespoons, very suitable for use as serving spoons. The spoons both have an interesting engraved family crest, a hand above heart, this is well engraved. The hallmarks are clear on both spoons, makers mark W.W (mark 580 in Irish Silver by Douglas Bennett, page 180), date letter I for 1805, and Hibernia and Harp Crowned in rectangular punches with canted corners. Note the absence of a duty mark, which only came into use in 1807 in Ireland. William Ward was a noted spoonmaker, he was freed in 1774 and died in 1822.
An interesting coin silver American Fiddle pattern tablespoon, made by Samuel Kirk in 1822. The spoon has original owners script initials JMC. The spoon has 4 hallmarks, makers mark S.Kirk in script in rectangular punch for Samuel Kirk, Baltimore Coat of Arms shield mark in clipped corner rectangle (quality mark), date letter F for 1822 and Head of Liberty mark. This dates to a very interesting period in US silver history, Baltimore between 1814 and 1830 was the only place and date where hallmarks were required on silver in the USA. The State Legislature of Maryland passed the Assay Act of 1814, which set the quality standard at 917, the Act was repealed in 1830 due to opposition by the affected silversmiths, including Kirk, who petitioned for its repeal. Thomas Warner was the Baltimore Assayer between 1814 and 1823, so he would have struck these marks. Samuel Kirk began working as a silversmith 1815, he founded the very successful firm of S. Kirk & Sons in 1846, it became the oldest surviving silversmithing ...
A lovely Dutch silver sugar sifter in the Empire style, made by Pieter Kuijlenburg in Schoonhoven in 1830. The sifter ladle has a wide oval curved bowl, quite deep, with a beaded rim, and intricate piercing of the bowl. The centre is an eight pointed star, with 8 radiating arrows interspersed with patterned dots, surrounded by a cross and semi circle pattern. The curved, elegant handle has a pointed terminal, it is beautifully engraved with a bright cut pattern, including stems with leaves and flowers. The Empire style is a Neo-Classical revival style, that became popular in France, Belgium and the Netherlands after the rise of Napoleon. The hallmarks include makers mark PKB under kappie for Pieter Kuijlenburg, Lion passant 2nd standard (833 purity), Minerva head duty mark, and date letter script V for 1830 (the date letter struck inside the bowl). Kuijlenburg worked in Schoonhoven as a silversmith between 1818 and 1831, he was born in 1791 and died in 1868, he had 6 children including Adrianus who was also a...
Two interesting 19th century Spanish silver tablespoons, both with excellent hallmarks. Both spoons are 930 grade, so slightly higher grade than sterling (925). Both spoons are the same pattern, similar to Old English, but with a Continental flavour. The bowls have pronounced tips, no drops are present and the stems are flattened with an elegant oval stem. Both spoons have contemporary engraved initials, JL and I with lots of flourishes. Both spoons have 3 distinct hallmarks, denoting town, maker and assay master. The Barcelona spoon has town mark BAR under Maltese Cross in a domate punch, this mark was used circa 1825 (courtesy of Spanish silver website www.munozarce.com). The assay masters mark is P.FLORENSA, with P.FLO above RENSA. The makers mark is JA CARRERAS for Jacint Carreras. The Palma spoon has town mark M under palm tree in Loboid punch for Palma de Mallorca, this mark was used on large items in the 19th century (Tardy pg 108). The second mark is assay master A FORTEZA, the third mark is maker J M...
An Exeter silver sifter ladle in the Fiddle pattern, with an engraved family crest featuring a dog or wolf. The sifter is the traditional shape, with beautiful scroll and cross-hatch piercing. The hallmarks are excellent, and include makers mark JAP, Victoria duty mark, lion passant, castle town mark and date letter gothic C for 1839. James Andrew Page worked between 1833 and 1862 in Plymouth, he died in 1898. In 1862 the business became Page, Keen & Page, which survived being destroyed by bombs in 1941, and merged with Bowdens in 1970. Page, Keen & Page produced interesting silver replica spoons complete with early Plymouth hallmarks.
Two Cape silver tablespoons (not a pair), but both in Old English pattern and both by Johannes Combrink. The first has engraved owners initials JM in script, this spoon has excellent hallmarks, makers mark IC and the anchor (Welz mark 25), and a rounded drop. It also has the initials AFDT struck on the back of the stem, we assume another owner. The second has a slightly wider handle, no initials, and very clear makers mark IC (Welz mark 32).