A nine carat gold fishing rod and reel brooch, with a cast silver and enamel rainbow trout jumping over the rod. The fish has lovely detail, and the colours are realistic, the enamel work perfect, with no damage. The rod is segmented, overall this is a lovely brooch. The rod is hallmarked 9CT for 9 carat gold in 2 places, and also makers mark A&W, the fish is stamped SILVER. The box is also good quality, leather and silk, and reads "Terry & Co, Goldsmiths & Silversmiths, Corner of Cross St & King St, Manchester. We have traced an advert of theirs to 1967.
A sterling silver and white enamel Guildhall School of Music & Drama medallion, perfectly preserved in it's original box. The medallion is good quality, a pleasing weight, with music scrolls, mask and City of London crest. The medallion reads "DIPLOMA L.G.S.M.", for Licentiate of the Guildhall of the School of Music. The back is engraved "Albert Edward Honey Teachers' Flute", surrounded by laurel wreath. Albert Honey was born in Devon in 1919, he was principal flute for the Band of Royal Dragoons during the war. He then joined the Scottish National Orchestra from 1951-1954 and BBC Review Orchestra 1954-1964. He then emigrated to South Africa to teach at Rhodes University in Grahamstown, he retired in 1984 after being awarded M.Mus and Ph.D. He palayed in the National Symphony Orchestra after retirement and died in 2001. The hallmarks are clear.
A fabulous cast silver vine leaf wine label, pierced for Sherry, made by Benjamin Smith II for Rundell & Bridge. The label is single leaf, symmetrical in design, with textured finish, with a vine branch for attachment to the chain. The label is large and heavy, at 41 grammes one of the heaviest we have encountered. Most vine leaf labels are stamped from dies, and as such are much lighter. The book "Wine Labels 1730 -2003" notes that "Philip Rundell and Benjamin Smith III produced elegant cast symmetrical leaf labels" (page 90), and they depict a similar label, for Burgundy (fig 342, page 91), but with different vine stem design. The hallmarks are clear for 1832, no town mark is present. The makers mark BS in rectangular shield is clearly visible, but slightly obscured by the underlying texture of the leaf. This is mark 230 in Grimwade "London Goldsmiths" for Benjamin Smith II, different in shape and style from the marks used by Benjamin Smith III, his son, so at odds with quote from Wine Labels above. Benjami...
An exceptionally large Danish silver serving spoon, in the Old Danish pattern (Dobbelt riflet), wih matching large bowl. The spoon is single struck, the pattern has a reeded edge, and the handle is fluted. This type of extremely large serving spoon is unique to Denmark, very suitable for serving a generous portion. The hallmarks include the Danish 3 towers mark (well struck but date letter not visible), makers mark VELTZIN, and an additional mark which reads 13L4G, which we think is a standard mark for 13 loth silver (812 purity). The makers mark Veltzin appears rare, we have not been able to trace this maker, or confirm the meaning of the 13L4G mark, all assistance welcome. We have sold a similar spoon S1293, and have a similar example S 11029.
An interesting solid gold bar brooch, with a natural gold nugget, set with a round brilliant diamond. The nugget is a beautiful shape and size, approximately 5 grams, with tiny quartz crystals confirming it is natural. The diamond is approximately .20 carats, 0.4 mm diameter, is a round brilliant cut, colour G/H and clarity VS. The bar brooch itself is 15 carat gold, it is hallmarked 15C, and has makers mark CM. This brooch is accompanied by a valuation certificate from The Gem Lab Gemmological Services, confirming replacement value of R 20800, and confirming the diamond and gold details above.
A delightful sterling silver Christening bowl or porringer, decorated with the "Three Bears" of Goldilocks fame walking past engraved trees. The bowl is good quality, quite heavy, the bears are cast and applied, the detail is lovely. The bowl is engraved "Mappin & Webb Ltd, London & Sheffield", and all the hallmarks are excellent. Mappin and Webb was founded in 1859, it still exists today and is one of Britain's most prestigious brands. In addition to Royal Warrants, Mappin and Webb are the Crown Jeweller. The was produced just after the end of World War II, silver was very cheap, items from this period are often heavy and superb quality. One of the nicest Christening present a baby could hope to receive. Note - we have 2 matching items, a plate and mug, S 1981 and S1982.
A rare set of Georg Jensen Beaded pattern ice cream (or sorbet) spoons (6), made in very limited quantities. The spoons are small teaspoon size, and have flat oval bowls for eating ice cream, the bowls are planished (hand beaten marks, hand forged). The beaded pattern (Kugle in Danish, Jensen pattern # 7) has a beaded pattern around the lower edge of the handle, it was designed by Jensen himself in 1916, described as "an elegant composition, that remains contemporary in design while imparting a timeless quality" - Georg Jensen, Tradition of Splendid Silver, page 267. All 6 spoons are hallmarked with Danish marks GJ in circular bead with 925 standard mark, and English import marks for 1925, with importers mark GS for George Stockwell & Co, (imported Jensen silver between 1909 and 1931).
A 15 carat gold and enamel RAF (Royal Air Force) sweetheart brooch, with red and green enamel, perfectly preserved in it's original leather and silk box. The only hallmark present is 15CT for fifteen carat gold. The box is lovely, and reads "Royal Appointment, Gieves Ltd, 21 Old Bond St London W1". Gieves is now Gieves and Hawkes after the acquisition of Hawkes in 1974, they hold Royal Warrants for the Royal Family and the Prince of Wales, now at 1 Savile Row.
A "New Nautilus" novelty silver sugar sifter, complete with patent and registration number. The bowl of the sifter is a nautilus shell, the top edge of the shell has 28 pierced leaf shaped sifter holes, the shell is realistically modeled. The handle is joined to the shell at right angles, to allow ease of use during sifting. The handle has an interesting unknown pattern, not found in the book " Silver Flatware" by Pickford, it appears to be a variant of Albert pattern, and is single struck. The hallmarks are clear, the handle also has a registration number indicating the design was registered. The shell has a patent number, PAT 17124, so this design was patented as well, quite unusual for silver flatware. The nautilus is a living fossil, dating back 500 million years, it is a cephalopod named after Sailor in Greek. Nautilus shell cups decorated in silver and gold became popular in the 16th century, the nautilus became popular again in Victorian times, first as spoon warmers, this sifter design is late Victori...
A beautiful pair of miniature antique silver pastry servers, perfectly preserved in their original box. The servers are in the Kings Husk pattern, single struck, this is a variant of the Kings pattern without the central honeysuckle decoration, and a husk shell. Both servers are a similar size and shape, one had a flat spade shape blade and the other has a serrated prong front, so quite versatile. The hallmarks on both are very clear. The box reads "By Appointment to his Excellency The Governor of Cape Colony, Morris Bros, Jewellers & Silversmiths, Kimberley & Johannesburg". We have not been able to trace any information about Morris Brothers, all assistance welcome. Note - We have now traced a 1905 advert for John Round & Son, they claim to be "The largest spoon and fork makers in the world".
A rare pair of Tudor pattern sauce ladles, made by Chawner & Co, the leading flatware maker of Victorian England. The ladles are fabulous quality, and in excellent condition, they could not be better. The Tudor pattern is a Gothic Revival pattern, it has 2 small scroll circular projections on each side of the stem, this differentiates it from the "Straight Tudor" pattern. Both ladles are clearly hallmarked, they also carry the British Registry design number and date chart diamond, which rarely occurs on silver flatware - class I for metal, date letter v for 1850, and R 14 indicating 14 August. The presence of the design mark indicates the Chawner design to protect their innovative design. Tudor is described by Pickford (Silver Flatware page 150) as "a rare Chawner & Co pattern registered August 14th 1850, along with Straight Tudor, it appears in the Chawner Pattern book (page 218). Odd pieces may on rare occasions, be found, but building a service would be extremely difficult". The Tudor pattern is showcased...
A set of six Victorian Scottish silver spoons, with matching tongs, in a Grecian pattern variant, not present in the book Silver Flatware by Ian Pickford, so we believe to be rare. The spoons can best be described as very large teaspoons, but definitely more suitable for eating dessert. The spoons and tongs have original owners engraved initials CS in fancy script. The pattern is very similar to Grecian, but noticeable differences include a shell at the top of the stem, and small beads as a border of the stem. The pattern is single struck, as is usual for Scottish flatware. Grecian pattern is a mid 19th century pattern, first exhibited by George Adams of Chawner & Co. at the Great Exhibition of 1851, the pattern is also present in the Chawner pattern book (pages 144, 145 and 218 of Pickford book above). The hallmarks are excellent on all 7 items, they could not be clearer, and include the Glasgow town mark with tree and fish. Robert Scott worked from Buchanan Street, Glasgow between 1849 and 1927. We really l...
An interesting gold miner or prospectors gold brooch, consisting of a gold spade, pick and rope, with 3 real 24 carat gold nuggets - the largest central on the handles, with smaller nuggets on the spade and pick end. The spade blade has stamped "rivets", the gold safety chain and safety pin is attached to the spade blaed. The brooch pin is also gold, but a redder colour compared to the bright gold nuggets, spade and pick. The brooch has no hallmarks, we believe the spade, pick and rope to be 18 carat, the nuggets pure 24 carat and possibly the pin is 9 carat. These brooches became popular at the turn of the 20th century, worn to advertise success in the goldfields.
A pair of antique Irish silver sugar tongs in the Fiddle pattern, with engraved initials MMG. The tongs are a good weight and in excellent condition. The hallmarks are very clear, they could not be better. Philip Weekes worked between 1816 and 1848, he was apprenticed to Samuel Neville. The makers mark has a dot between the letters, this mark does not appear in Irish Silver by Bennett.
An Art Deco silver and bakelite Globe teapot, made in Germany during the 1930's. The teapot is completely spherical, the spout has a triangular opening in the top for opening. The base is a circular bakelite disk, with silver nut which screws onto teapot, the bakelite handle is ear shaped and the bakelite finial is half moon shaped. The teapot is quite small, single serving size. The teapot has 2 hallmarks, 800 purity mark and makers mark of what looks like interlocking SHF in circle (but could be different sequence?).
A rare Georg Jensen sterling silver # 42 pattern fork, this design has been called pea pod. The fork is hand hammered, with hammer marks visible, this is a lovely fork, exceptional quality. The fork has 4 tines, and at 14.5 cm length could be either a Child's fork, or small serving fork (ideal for cold cuts). The design is informally known as pea pod, but officially just called pattern # 42. The design is lovely, with 6 cast peas alongside a series of leaves, it has also incorrectly been described as "flattened magnolia". Georg Jensen himself produced this design in 1918, it is one of the "Numbered Ornamental Pieces" that were made in small quantities so not often found. It is depicted in the book "Georg Jensen A Traditional of Splendid Silver", by Janet Drucker, pages 290 and 291, we highly recommend this book. The hallmarks are clear, 42 (pattern number) above Georg Jensen in dotted oval, above "STERLING DENMARK".
A matching pair of sterling silver sauce or gravy boats, with Celtic design and mythical beast handles. The boats have an applied celtic knot rim, and 3 celtic horseshoe feet. The hallmarks are clear on both sauce boats. Deakin & Francis was established in 1786, it still trades today, and has built a strong reputation for diverse and fine quality silverware.
A pair of sterling silver serving spoons, with large bowls, ideal for serving decent portions. The spoons have rounded bowls with good depth, the handles are decorated with a bright cut border with small engraved flowers. The spoons are a pleasing weight, and have been perfectly preserved in their original box. The hallmarks on both spoons are excellent. The box is also in good condition, marked "Depree & Young Ltd, Silversmiths, Exeter", just missing lid closure clasp. Depree & Young traded from High Street, Exeter, from Victorian times (originally Depree, Raeburn and Young until 1908), they were Gold & Silversmiths, Watchmakers & Jewellers.
A set of Art Deco sterling silver demitasse or coffee spoons, perfectly preserved in original box. The spoons have a horseshoe shaped bowl, and long elegant tapered handles. All 6 spoons have clear hallmarks. The box reads "L Pinn & Co, Jewellers, 43-45 Adderley Street, Cape Town. Lazerus Pinn was a Lithuanian emigrant who arrived in Cape Town in the 1880's, he opened the jewellery store in 1893, it has remained in the family and still trades today under the leadership of Jeremy Pinn.
A Liberty & Co Arts and Crafts sterling silver sugar bowl, with a planished (hand hammered) squat circular body. The jug is decorated with embossed celtic style buttons (8) and matching border, with a little heart shaped design. The bowl sits on 4 button feet, and has plain handles. The bowl is clearly hallmarked with Liberty's distinctive L&Co in diamond shaped punch mark, along with Birmingham hallmarks for 1928. The bowl also has a design number, 50014, perhaps some-one with access to the Liberty archives will be able to do further research. Arthur Liberty used his shop to showcase the work of leading designers, including Archibald Knox, Rex Silver, Bernard Cuzner and Jessie King (Liberty's, Biography of a Shop, A Adburgham, 1975, pg 81). It is possible this bowl was designed by one of these designers. The Liberty store founded in 1875, and still thrives today. Their current Tudor Revival building on Great Marlborough Street was completed in 1924, using the timbers of 2 warships. Note- we have a matching ...