A Cape silver soup ladle in the Fiddle pattern, it is quite large and of good weight, with a substantial bowl size, definitely larger than usual. In addition to it's large bowl, the handle is wider than usual, and the drop is large and rounded, more European in style than English. Overall it has a very appealing Colonial charm, quite different from English examples of the period, so probably from early in Twentyman's career, before his flatware more closely resembled English examples. The ladle has an original engraved owners crest, a running stag, the engraving also Colonial in style, the body of the stag a little too long, the engraving still crisp and clear, we really like it. The crest can be described as "Argent, a stag trippant attired and unguled", this is the South African crest of the McCarthy family (Pama, Heraldry of South African Families, page 205). The hallmarks are very clear, makers mark LT for Lawrence Twentyman, and pseudo English hallmarks (duty mark, castle town mark, and date letter C) -...
An Irish Provincial toddy ladle in the Fiddle pattern, with original owners engraved initial H. The ladle has an old and crudely done repair to the bowl, a circular piece has been let in, the solder marks clearly visible, approximately 1.5 cm in diameter. These toddy ladles are usually Scottish in origin, but Irish examples are known, one is illustrated in the book "Celebration of Limerick Silver, page 132. The ladle is clearly hallmarked "STERLING" in rectangular punch with rounded corners, the letters irregular, so clearly a provincial "home made" punch. No makers mark is present. This sterling hallmark was used by Irish provincial makers, Cork but also Limerick, to denote the standard, these are rare items today. Given the repair we cannot recommend this ladle for use, but hopefully it is of interest to a collector researching different variations of the Sterling marks.
An interesting silver medallion, made to commemorate the World Championship Fly Casting event held in 1968 in Lenzerheide, Switzerland. The medallion reads "1968 LENZERHEIDE CHVR SWITZERLAND SCHAFT WELTMEISTER CHAMPION ATVDMOND WORLD CHAMPIONSHIP CASTING IXII" in an interesting font, the other side has stylised design with a flower. The medallion is marked 900 (silver grade), maker LM Co., designer Gia Pedretti (Guiliano Pedretti, an artist and sculptor, 1924-2012). The event was held by the ICSF (International Casting Sport Federation) , for the World Championship on Water Fly Casting event
A lovely Irish silver Bright Cut Celtic Point tablespoon, with traditional Dublin Star cut on the terminal. The spoon has an oval cartouche, with engraved family crest of a Griffin holding branch with leaves, this is crisp and clear. The spoon is bottom marked, and unusually has excellent hallmarks (bottom marked hallmarks are oftern squashed), they could not be better. The include Dublin Hibernia and Harp Crowned, date letter O for 1786, and makers mark J.S for John Shiels (or Sheils) who worked between 1762 and 1790.
A Cape silver tablespoon in the Old English pattern, of good gauge, very suitable for use. Whilst the spoon is Old English pattern, the drop is definitely not English in style, it has a European flavour (which shows the different influences on Cape Silversmiths of the time). The hallmarks are very clear, makers mark WGL, this is very clearly struck in rectangular outline, which is unusual for this makers mark which is usually worn. The home made punch letters can clearly be seen, and the rectangular outline means it was struck early in his career before the punch became worn. The makers mark is between 2 oval "face" device marks, regularly used by Lotter (mark 88 in Welz, Cape Silver). We are not convinced this is a face as depicted by Welz, more research is required. The Lotter family are important in the history of Cape silver, with 12 members of the family known to have produced silver. Willem Godfried, who made this spoon, worked from 1810 - 1835, and is known for good quality work. David Heller described...
A beautiful sterling silver antique cheese scoop, in the Indian pattern, made by Whiting of New York and retailed by N. Harding & Co. of Boston (Haverhill). The scoop bowl is gold washed, and has lovely bright cut engraving (flowers with pattern) on the back of the bowl. The scoop has 2 engraved initials on the front, an ornate P and M, and on the back is engraved "Fathers Day 02" (for 1902). This spoon is described as a cheese scoop in the pattern books, but the extreme foldover of the bowl shows it was designed for Stilton cheese. The hallmarks are clear, including Whiting lion makers mark, "PAT 1874 STERLING", retailers mark N Harding & Co (slightly worn but still visible), and additional marks 3 and A near the makers mark. We can date this scoop between 1874 when the pattern was designed by Charles Osborne, and 1889 which is the year Harding & Co closed (operated 1851-1889). We really like this cheese scoop.The Whiting Manufacturing Company was established in 1866, and was a supplier to Tiffany. They wer...
A beautiful pair of sterling silver fruit serving spoons, made by Bailey & Co of Philadelphia between 1871 and 1878. The spoons have bright cut bowls which are gold washed, the handles also have a lovely design with palm leaves, we have not been able to identify the pattern (assistance welcome). The spoons have engraved owners initials MII in fancy script. The hallmarks are clear on both spoons, "STERLING PAT 1871, 1A, BAILEY & Co." The bowls also have an additional hallmark, an ornate shield with fancy design. Bailey & Co worked between 1832 and 1878 when they became Bailey, Banks & Biddle, they still exist today. Joseph & Charles Bailey are remembered for excellent quality, these spoons are no exception. The firm claimed the distinction of being the first to introduce the sterling 925 British standard to the American public, at the time the standard was 900 (Rainwater, Encyclopedia of American Silver Manufacturers, page 33).
A Irish Georgian silver tablespoon, in the Old English pattern, with original owners engraved initials PRM. The spoon has a lovely feel, full of character, with quite a large bowl. The hallmarks are bottom marked, and very clear, they could not be better. They include Dublin Hibernia, Crowned Harp, date letter R for 1765 and makers mark C.S in diamond punch, with star above and below, very distinctive. Skinner worked between 1739 and 1765, so this spoon was made right at the end of his career. He was a highly respected silversmith, he was elected Warden in 1751, Master in 1754 and in 1755 was elected to the Dublin City Common Council (Bennett, Collecting Irish Silver, page 153).
A mixed set of antique American sterling silver, comprising of an olive spoon and olive fork. The spoon is Towle Empire pattern, patent 1894, with gold wash pierced bowl, this is a beautiful spoon. It was designed by George P Tilton, and has no monogramme. The fork is by Clark & Biddle, made between 1866 and 1870, it has a twisted stem, 3 tines with barbs, and intricate engraving. The fork has engraved owners initial P in fancy script, and is also engraved on the back "Thanksgiving 02", we assume 1902. Both items are clearly hallmarked.
An Irish Provincial silver Bright Cut Celtic Point tablespoon, made in Cork and hallmarked in Dublin in 1804. The spoon is quite large, over 23 cm, and has intricate bright cut engraving, the quality is excellent. The spoon has engraved family crest of a Boar's head, this too is beautifully engraved, and very crisp and clear. The hallmarks are clear, Dublin hallmarks for 1804, and JK in script makers mark for Joseph Kinselagh of Cork, he worked between 1802 and 1807, he may have been a descendant of earlier silversmith of same name, 1750-1783, perhaps the makers mark was passed down the family. More research is required on this maker.
A mixed set of 6 Irish silver tablespoons, all with excellent hallmarks. 3 spoons are Old English pattern (a matching pair by John Pittar, 1779, bottom marked, with worn shellbacks, and a spoon by Michael Keating, 1799), and 3 are Fiddle pattern (1805 by J.S, 1812 by Richard Sawyer and 1832 by Samuel Neville, this last spoon has a rat-tail. 3 spoons have engraved family crest, 2 spoons have engraved initials, and one spoon has not been engraved. All 6 spoons have well struck and clear Dublin hallmarks, and clear makers marks.
A Gorham sterling silver Louis XIV pattern pickle knife, with a pair of matching master salt spoons. The pattern is striking, described as "17 th Century Magnificence", named after King Louis Quatorze of France, who "made his reign famous for it's splendour". The pickle knife (similar to an English butter knife) is bright cut and gilded, with no monogramme, which the 2 saltspoons have goldwash bowls and engraved initials G. The hallmarks are clear on all 3 items, "Patent 1870, Sterling, and the Gorham lion, anchor and gothic G. Gorham Corporation, which still exists today, was founded in 1831, they dominated the solid silver flatware market in the USA for 125 years (Gorham Silver, page 50).
A Cape silver konfyt fork in the Fiddle pattern, with 3 tines. The fork is quite colonial in character, the tines have slightly different thicknesses, overall a little crude but clearly hand made. The fork has makers mark DBD between 2 five pointed stars (Welz mark 44), this is clearly struck with slight wear along the top. Dominique Baudouin Du Moulin worked between 1818 and 1833, he arrived in the Cape from Brabant (now Belgium) and married the sister of Cape silversmith Johannes Hendricus Beyleveld (Cape Silversmiths by Welz, page 131.). His work is only found occasionally.
A set of 6 sterling silver grapefruit spoons in the Kings pattern, double struck, in excellent condition, they appear unused. The spoons are very ggood quality and weight, over 30 grammes each, and the hallmarks are excellent on all 6 spoons. Cooper Brothers was established in 1866, they were successful manufacturers, eventually being sold in 1983. The original box has a label that reads "Bracher & Sydenham, Queen Victoria Street, Reading, est 1790", the firm has a long and illustrious history, and still operates today after being acquired by Goldsmiths chain in 1974. They received a Royal warrant from King Edward VII, who visited the shop personally. Note - 5 spoons are 1966, one is 1965, so made over the date letter change.
An interesting Arts & Crafts copper ladle made by of of South Africa's leading Arts & Crafts silversmiths, the Austrian immigrant Kurt Jobst. The ladle has a long tapered handle, and a circular bowl that is quite flat, the bowl connected to the handle with a rat tail. The bowl (front and back) and the top of the handle are planished (hand hammered leaving a wonderful textured finish), in classic Arts & Crafts fashion, the back of the handle is smooth. The hallmarks are well struck and clear, and include his trademark "unicorn" KJ mark, along with "Jobst". Jobst was born in Austria in 1905, he served his apprenticeship in Hanau, Germany, his influence was the Bauhaus movement. He emigrated with his family in 1936 from Austria to South Africa to escape Hitler, and became one of Johannesburg's leading silversmiths. He was commissioned by the South African Government to make the official wedding present for Queen Elizabeth in 1947 (a silver box with diamond necklace), he also made silver for Ernest Oppenheimer (c...
A pair of antique silver serving spoons, with beautiful pierced and engraved handles, in pristine condition. The detail of the piercing is excellent, an architectural feature surrounded by foliage. The spoons are a useful size, ideal for serving. The spoons appear to have never been used, such a pity for such beautiful items. The hallmarks on both spoons are clear, and include makers mark for the Sheffield firm of Hawksworth & Eyre, who worked between 1841 and 1932, when they were taken over by Ellis of Barker Brothers. Charles Hawksworth and John Eyre exhibited a wide variety of goods at the Great Exhibition of 1851, they had showrooms in London Fleet Street and Montreal, Canada. (Culme, Directory of Gold & Silversmiths, page 222).
A rare early Cape Silver spoon, in the Hanoverian pattern. The spoon is a lovely shape, long and elegant. The spoon has makers mark DHS, with some wear but clearly visible, along with a bunch of grapes with vine leaves in a circular punch (mark 109 in Cape Silver by Welz). The spoon also has a small Dutch ZII hallmark, for 835 purity, indicating the spoon was imported into the Netherlands at some stage. The spoon also has a small owners cross hatch scratch mark next to the makers mark. Schmidt arrived in the Cape from Strelitz, Germany, as a soldier in 1768. He worked as a sword cutler for the Dutch East India Company, and became a burgher and silversmith in 1779. He died in 1811 (Cape Silver by Welz, pg 139). He is described by David Heller (in his book History of Cape Silver) as the "greatest Cape silversmith". Heller goes so far to describe Schmidt as a "master craftsman, whose work can be compared to Paul Storr" (History of Cape Silver, pg 79). Note - we have two matching forks, S 11124 and S11125.
A boxed set of six sterling silver Hanoverian pattern teapoons, with matching sugar tongs. The spoons all have rat tails, and the tongs have the spoon pattern repeated on the arms. The quality is good, as you would expect from Mappin & Webb. The original box reads "Mappin & Webb Ltd, Regent Street, London W", this would have been an expensive item when new. All 7 items have excellent hallmarks, the 6 spoons are 1919, the tongs 1920. Mappin and Webb was founded in 1859, it still exists today and is one of Britain's most prestigious brands. In addition to Royal Warrants, Mappin and Webb are the Crown Jeweller.
A fabulous sterling silver letter opener, with an impressive cast silver Leopard's head, the detail is superb. The letter blade has well struck large hallmarks along the front, these form part of the decoration. The quality is excellent, it has a lovely feel in the hand, and when you leave it on your desk you cannot resist picking it up. The animal may not be a leopard, my wife suggested Jaguar, please see the photograph's.
An interesting Scottish silver baby dish, engraved around the rim with 4 ancient scenes, possibly Mesopotamia, we are not sure of the significance. The dish is extremely good quality, it weighs over 300 grammes, and the engraving is lovely. The 4 panels are interspersed with 2 ladies heads, complete with earings, and 2 cartouches for engraved initials. The engraving contains armed soldiers with swords, shields, spears and bow and arrows, animals (some pulling carts and carriages), palm trees and a winged beast, hence our tentative description as Mesopotamian (all suggestions and assistance most welcome). As the engraving is on what we believe to be a baby dish (solid base, size etc), we believe it to be a Christening present, with the engraving from a fable or historically significant event (similar dishes of the period are engraved with nursery rhymes). The hallmarks are excellent, including Glasgow marks for 1931 and makers mark E&S for Edward and Sons, of Buchanan Street, Glasgow, they also had a London br...