A collection of 10 sterling silver Royal souvenir spoons. Six spoons have enamel finials, 1 has enamel bowl as well. Six spoons are English, 3 are Canadian and 1 is Dutch. 4 spoons commemorate coronations. The spoons include:
1. Edward VII in commemoration of the Coronation, Westminster Abbey 1902, Birmingham 1901, Henry Griffiths & Sons, Abbey in bowl
2. Edward VII, Birmingham 1901, S Blanckensee & Sons, Edward in bowl, pierced cast Edward handle, gilded, a lovely spoon
3. Victoria Queen and Empress, London 1898, Saunders & Shepherd, imported F mark, gilded
4. King George V, Mary Queen Consort, Crowned at Westminster June 22 1911, Birmingham 1910, BH Joseph & Co, coronation chair in cast handle
5. Elizabeth II, Crowned 1953, Birmingham 1952, Mappin & Webb, coronation hallmark, "Fire Triumphs over Materials" for JK Smit & Sons, diamond drilling company
6. Royal visit to South Africa, King George VI and Queen Mother, South African coat of arms, Dutch dagger hallmark and makers mark for Van Kempen
An Art Nouveau antique silver mustard pot, complete with original green glass liner. The pot is oval in shape, and has traditional Art Nouveau stylised flowers on the 4 corners, repeated on the lid thumbpiece. The glass pot sits on a circular support, which is also hallmarked (as is the main body and lid). The hallmarks are clear, and include registration mark RD 436134, meaning Walker and Hall registered this design to prevent copying by competitors.
A fabulous set of 6 Tiffany Sterling silver Indian Chrysanthemum tablespoons, in immaculate condition, they could not be better. The pattern is truly beautiful, it extends right down the back of the spoon bowls as well. All 6 spoons are clearly hallmarked "TIFFANY & Co STERLING PAT.1880.M, the M indicates these are early pieces (the pattern was produced from 1880-1934). This must be one of the most beautiful example of hallmarks, with the design wrapping over and through the hallmarks. Each individual spoon weighs 120 grams, certainly the heaviest tablespoons we have encountered (the very best quality English tablespoons can reach 100 grammes). Indian Chrysanthemum has been described as "one of the most magnificent and celebrated sterling silver designs of the 19th century. Chrysanthemum represents one of the last great designs of the Victorian period" -(www.replacements.com), it was designed by Charles Grosjean. "Master silversmith Charles T. Grosjean joined the Tiffany firm as the Superintendent of Silverwa...
An Edwardian silver and enamel novelty vesta case, of circular form with hinged flip top lid and striker built into the base. The vesta has an applied enamel in silver rope border, featuring a pack of 8 English foxhounds, very attractively modelled with lovely colours. Vesta cases (also called matchsafes) were used to store vestas (early matches before safety matches were invested), they were very popular between 1890 and 1910.
A set of 6 Old English pattern Cape silver tablespoons, made by Johannes Combrink. All 6 spoons have engraved owners initials G, we assume the original owner. This set has been made by hand, there are slight differences in length, also differences in the shape of the handle, with some having narrower ends. One spoon also has a noticeably larger bowl than the other 5, so perhaps made at a different time. The drop on 2 spoons is also slightly longer, overall interesting but subtle differences between the spoons. The hallmarks also exhibit differences, three spoons are struck with makers mark IC three times, the other three are struck with makers mark IC four times (similar to the English duty dodgers). The orientation of the marks also differs, some are struck vertically and some sideways, so it appears the silversmith struck marks quite randomly. This mark is 29 or mark 30 in the book Cape Silver by Welz, the C is quite close the the I, and has short arms, almost looks like a K. The slightly larger spoon, whic...
An Irish silver wine label engraved CLARET, made by Benjamin Taitt in Dublin circa 1785. The label has a curved rectangular shape, with an attractive bright cut and wiggle work border, and original chain. This particular form of label is uniquely Irish, English examples of this type curved up, only Irish labels curve down. The Claret engraving is quirky, done by hand and rougher than London examples of the time. The hallmarks are excellent, and include makers mark BT in a serrated oblong, harp crowned in a irregular shaped punch (so pre 1786) and Hibernia in an oval punch (used before 1793). A very similar label, also by Taitt, is depicted in the book Wine Labels 1730-2003, pg 279, figure 927, for W-WINE, described as circa 1785-1790 so the dates match. The same book describes Taitt as "arguably the most innovative of Irish wine label makers, a particularly successful exponent of bright-cut engraving". He made the famous balloon label, only one of which is known, pg 82, and he worked between 1775 and 1800.
An interesting silver gilt Georgian vinaigrette, in the shape of a purse or handbag, the body decorated with chased 3 leaf device, which has been described as a trefoil design in the literature. The shape is lovely, very pleasing to hold, and with the texture has good grip. The quality is excellent, certainly made by a master craftsman. The base has a leaf design around oval eye. The lid is also beautifully decorated, a central flower on finely engraved cross-hatch surrounded by pattern border, and the side of the lid has a fruiting vine border, very delicately chased. The vinaigrette has 2 eyelets which holds the original chain, each chain link is also decorated with a bar pattern. The pierced grille has a foliate design, also engraved, both hinges are perfect. The interior gilding is also perfect. The vinaigrette has clear hallmarks, the lid has Georgian duty mark, very clear makers mark L&Co which is struck upside-down, and lion passant. The base has anchor town mark, partially worn makers mark and a very ...
A fabulous pair of Cape Silver lemoen lepels, (orange spoons), in excellent condition, and with very clear makers mark. The spoons are typical of the Cape lemoen lepels, with pointed terminal and bowl, the bowl itself eye shaped and quite deep. The spoons have typical Cape engraving, with a 4 petal flower and wrigglework along the edges of the handles. They also have a distinctive V joint connecting handle to bowl, the 2 v joints are quite different in angle and style, reflecting their hand-made character. The IC makers mark on both spoons is well struck and clear (Welz mark 32 with canted corners). Welz describes orange spoons as"probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). As far as we are aware, only Jan Lotter and Johannes combrink made lemoen lepels, probably between 1800 and 1815.
A collection of ten sterling silver shipping and sporting souvenir spoons, 7 with enamel finials. The spoons include:
1, 2 & 3. Steamships SS Virginian, Tunisian, Mauretania, Chester 1906, Alfred Wigley, gilded bowls
4. SS City of Poona, JRE SS, Birmingham 1929, James Fenton
5. Wembley Bowling Club, Birmingham 1913, Birmingham Medallion Co, 3 swords crested medallion, lovely quality
6. Bowling medallion trophy spoon, Birmingham 1931, Turner & Simpson
7. Bowling shield trophy spoon, Sheffield 1936, Gladwin Ltd
8. Pretoria Golf Club, Miss Whitfield, Birmingham 1902, James Fenton, beautiful crest
9. Lady golfer, Birmingham 1921, Herbert Bushell & Son, nice detail
10. UK & PC Bulldog club, Mrs BH Arnold 18/1/13, London 1912, Robert Pringle & Sons, beautiful enamel bulldog.
A rare Philadelphia coin silver teaspoon, in the American Fiddle pattern, made by John Townsend. The spoon has original owners script initials engraved on both sides, ALH on the front and AH on the back. The makers mark J.TOWNSEND in rectangular punch is clearly struck, this is a rare makers mark, not illustrated in the book "Philadelphia Silversmiths and related Artisans to 1861", by Catherine Hollan, which has over 3800 entries. The punch itself is interesting, the letters are not quite properly aligned, with the E lower than the S, so perhaps the punch itself was home made. John Townsend was born in 1789 in Pennsylvania, he was listed as a jeweller, clockmaker and watchmaker, he worked between 1811 and 1860. His son John K Townsend was born in 1809, he practised as a watchmaker and dentist, first in Philadelphia and later in Washington. Philadelphia was the largest silver market in the USA between 1760 and 1820. Our interest in this particular spoon is that Townsend shares a name with Cape Silversmith John...
A fine and heavy cast silver commemorative caddy spoon made to celebrate the investiture of the Prince of Wales in 1969. The caddy spoon bowl is made up of the 3 Prince of Wales feathers, joined to the handle with a Royal crown and the motto "ICH DIEN", translated "I Serve", the handle has a Welsh dragon. The bowl is quite deep, the feathers have been shaped, the detail of the feathers is also very fine. The spoon is fully hallmarked with clear hallmarks, including makers mark G&Co Ld. for Garrards, the Crown Jewellers (founded in 1722, it retained the Royal Warrant until 2007). The back of the caddy spoon is also marked "Garrard & Co Ltd 112 Regent St W". Another example of this caddy spoon is shown in the book "The Story of the Caddy Spoon 1775-2015" produced by the Society of Caddy Spoon Collectors, page 63. It also was part of the John Norie Collection, Part II, lot 384.
A pair of antique sterling silver shoe buckles, made in Birmingham in 1912. The buckles are rectangular with canted corners, with a supporting centre strut for attachment to a shoe. Both buckles are clearly hallmarked, one makers mark has been over-stamped by the Levi & Salaman makers mark, so they were probably the retailers. Shoe buckles were fashion accessories for both men and women from the mid 17th century for the next few hundred years.
A pair of rare Old English Feather Edge and Cartouche silver tablespoons, made by William Pinder in 1771. The spoons are lovely quality and in excellent condition, we really like these spoons. The cartouche has been chased and engraved by hand, you can see small differences between the 2, notably the size and orientation of the scroll underneath. The cartouches are engraved with a family crest, a Griffin's head erased, this is the family crest of the Nalder Family (Fairbairns crests). Whilst Old English Feather Edge is a common pattern, the addition of the Cartouche, first produced around 1770 by Thomas Northcote, is rare (Silver Flatware, Ian Pickford, page 105). The pattern was revived late 19th century by Carrington, who called it Carrington Shield. The hallmarks are bottom marked, and include clear makers mark WP, with the W and P co-joined for William Pinder, who worked from Bunhill road between 1770 and 1784 (Grimwade page 624). The crowned leopards head and lion passant are partially worn but still cle...
An antique Dutch silver gilt vinaigrette (zilveren lodereindoosje) in the form of an armoire (kabinet). These have also been described as pomanders, scent boxes, and also incorrectly described as snuff boxes and peppermint boxes. The box has a curved shaped front, and the back panel has the impressed words "HE. DAT IS LIEF", translated He that is love", so probably presented as a love token. The armoire has frontal doors with floral decoration, and 3 drawers below, the back and side panels also have floral decoration. The lid has an oval panel with seated figure of justice holding sword and scales, surrounded by a wreath. The base is engraved with original owners initials T:V:V, the base also has a clear makers mark of AK under flower (Adrianus Kuijlenburg of Schoonhoven, 1812 -1816, see Nederlands Responsibility Marks since 1797 no 897). The lid has a Minerva head office mark (duty mark), and the box interior rim has the Lion Passant 2nd purity for 833 grade silver and date letter G for 1816. Loderein comes...
A rare Victorian silver Old English Military Thread and Shell pattern soup ladle, of exceptional weight and quality. The pattern has the regular Thread and Shell pattern, double struck (on both sides), but with scrolls instead of shoulders, as with all Military variants (Pickford, Silver Flatware, page 117). The ladle has an interesting engraved family crest, a collared lion between 2 horns. The hallmarks are very clear, including makers mark GA (George Adams, who took over the Chawner business in 1840), and also includes 2 journeyman's marks S and N (the silversmiths who made the ladle in the Chawner & Co workshop). Ian Pickford, in the book Silver Flatware, describes Old English Military Thread and Shell as "a rare pattern, illustrated in the Chawner & Co. Pattern book(appendix pg 218). Any services and pieces are rare" - page 107. Chawner & Co were the most important firm of silver spoon manufacturers in Victorian England (John Culme, Directory of Gold & Silversmiths, page 82).
A private die silver Victorian dessert fork, made by Elkington & Co in 1898. The fork is an excellent gauge, over 60 grammes, a good quality fork. It is double struck with a variant of Kings pattern, but with an ornate scrolling design below the raised family crest. The crest is a griffin holding a branch with leaves in its beak, described as "Griffin's head erased argent holding in the baek a sprig or rose branch proper", this is the Watson family crest. This branch of the Watson family came from Silsden, Yorkshire, descendants of Rowland Watson, Silsden Moor late 16th century. The hallmarks are very clear. Private die flatware was individually commissioned with the family crest die-stamped rather than engraved on a stock pattern (Pickford, Silver Flatware, page 173. Most 19th century private die patterns were supplied through Hunt & Roskell to members of the peerage and other wealthy clients. Pickford describes these as "fascinating, but obviously impossible to build into services". Note - this fork is acco...
An interesting antique cast silver wine label, pierced for SHERRY, made by the Barnard family of silversmiths. This design is called the "Five Barred Gate", the 5 bars are surrounded by grapes, vines and tendrils. This label is of particular interest as it is upside-down, the central vine leaf is usually on top, here it is underneath. The label is quite balanced so it is not easy to see it is upside-down, so an easy mistake for the engraver who did the piercing and applied the chain to make. The five barred gate design was first produced circa 1820 by Emes & Barnard, it remained popular for 30 years, and was copied by a number of other silversmiths, including Reily & Storer (Wine Labels 1730-2003, page 35, Fig 37, where a Port label is displayed the correct way up, also page 156, F Champagne). A number of other examples, all the correct way up, can be seen on the Steppes Hill website (www.steppeshillfarmantiques.com), all by the Barnards, dating between 1823 and 1830. Another version of this label is depicted...
A Regency silver sauce boat, by the highly respected firm of Emes and Barnard. The sauce boat is the traditional shape, with leaf capped flying scroll handle, 3 shell and hoof feet, and heavy cast gadroon border. The boat is a generous size and weight, over 330 grammes, this is a good quality sauce boat, as you would expect from these makers. The boat has a lovely engraved family crest, a church with spire, with crosses on the roof and spire. The hallmarks are very clear, including makers mark RE over EB and date letter e for 1820. Rebecca Emes was married to John Emes, who was in partnership with the Chawners, he died in 1808 and Rebecca became a partner. Edward Barnard rose from workshop manager to full partner, also in 1808. Emes and Barnard was one of the most successful London silver businesses in its day, they supplied many leading retailers, including Rundell, Bridge and Rundell. Barnard was joined by his 3 sons, Culme describes Edward Barnard & Sons as an important firm, the oldest manufacturing silve...
An Edwardian silver pocket stamp case, with a spring loaded interior for holding stamps in place. The case is rectangular, with an engine turned design with vacant circular cartouche for initials or family crest, and ring attachment for attachment to an Albert chain. The interior is gilded, the stamp compartment is also engine turned. The case, lid and stamp compartment are all hallmarked. Saunders & Shepherd are a well known firm, first established in 1869 by Cornelius Saunders and Frank Shepherd.
A pair of Canadian silver tableforks in the Fiddle pattern, with original owners script initials EB engraved on the back of the forks. The hallmarks on both forks are clear, and include pseudo lion passant (with a very thin body), pseudo oval Georgian duty mark, and makers mark PB for Peter Bohle. The lion passant is struck upside down on both forks, indicating the striking of marks was rather haphazard. Peter Bohle (1786 -1865) was the son of silversmith David Bohle, both his brothers (David & Francis) were also silversmiths. Peter was apprenticed to leading Canadian silversmith Robert Cruikshank for 7 years between 1800 and 1807, but spent his career working in Montreal, Quebec. He is known to have manufactured for the trade (sold to Savage & Lyman), he also partnered with Robert Hendery between 1853 and 1856 (Canadian Silversmiths 1700-1900, John Langdon, page 50). The family were German immigrants from Hanau (known for its silver industry).