A set of 4 Queens (also called Rosette) pattern egg spoons, 2 made by William Chawner in 1825 and the other 2 by George Adams in 1870 (of Chawner & Co.). The 4 spoons match perfectly, double struck with honeysuckle heel. All four spoons have the same engraved family crest, a leopard with whiskers above a a coronet, so belonged to the same family, but the crests were engraved at different times (so we assume the 1870 spoons were added to the earlier set). The spoons are fabulous quality, just over 30 grammes each, a pleasure to hold and use. The egg spoons have the traditional shovel shaped bowls with distinct shoulders, where they meet the stem, so quite different to teaspoons. The bowls are gilded, as is usual for egg spoons, to prevent corrosion from salt associated with egg. The hallmarks are clear on all 4 spoons. Queen's pattern is similar but heavier to Kings pattern, the shell at top front is convex (Pickford, Silver Flatware, page 124).

A Brittannia 958 standard silver miniature fish eagle, complete with fish in it's talons. The eagle is realistically modelled, with lovely texture and detail. It is hallmarked 958, indicating Brittania standard grade, so purer than sterling. It stands freely without a base. Stylistically it is quite similar to those produced by Patrick Mavros, so perhaps done by one of his apprentices, almost certainly from Zimbabwe or South Africa where fish eagles are located.

A sterling silver caddy spoon, with the engraved armorial of the South African Mint (Suid-Afrikaanse Munt). The spoon is substantial, a pleasing weight and good quality. The armorial has the coat of arms of the Union of South Africa (1910-1961), with the symbols of the 4 provinces (Hope with Anchor for the Cape, 2 wildebeests for Natal, orange tree for Orange Free State, and wagon for Transvaal), with motto "Ex Unitate Vires", translated Union is Strength. This is surrounded by 2 wreaths with South African Mint in both English and Afrikaans (the 2 official languages at the time), a building which we think could be the SA Mint building, and strangely a small armorial which appears to be the old Transvaal Republic coat of arms. (explanations welcome!). This spoon is identical in shape and form to the caddy spoon produced by the Pretoria Royal mint between 1923 and 1941, (see examples on our website, S1362 and S 1652), when the Mint became the South African Mint, with the armorial replaced to reflect the change ...

A Jugendstil (Art Nouveau) silver pendant by the famed Murrle Bennett & Co. The pendant is hammered silver, set with a turquoise cabochon, flanked by eight studs and four cut out scrolls. The pendant has the MB&Co makers mark, and 950 standard mark (incuse). Murrle Bennett was founded by Ernst Murrle and JB Bennett, they specialised in high quality but reasonably priced jewellery in the Art Nouveau (Jugendstil) style. They were London based, but production took place in Pforzheim, Germany. They had their own catalog and shop, but also sold through Liberty & Co.

A lovely Irish soup ladle in the Fiddle pattern, with an attractive, naive tulip crest. The handle is beautifully curved, so much that the top of the handle is at right angles to the bowl, which makes holding this ladle a pleasure. The bowl, which is quite large, is shaped with high edges which assists pouring the soup out of the ladle. The hallmarks are very clear. Sawyer worked from Fishamble Street from 1797 - 1812, when he died - meaning this ladle was one of his last works.

An interesting sterling silver wine taster, made to commemorate 1000 years of English Monarchy between 973 and 1973. The taster is circular, set with a cast replica coin featuring King Edgar the Peaceful, with inscription "EADGARRE" between two maltese crosses, and head and shoulders of the King. The taster also has a fabulous cast silver handle, rectangular in shape with circular cut away, the handle is textured with a sun ray pattern, both top, bottom and sides, this has a lovely feel in the hand. The taster also has a circular foot, and engraved crown above 1000 and the dates 973-1973. It is a good weight and size, it holds 175 millilitres, so is a good size. King Edgar the Peaceful was crowned at Bath in 973, it was the first British coronation ceremony, other British Kings pledged allegiance. He strove successfully to unite the English and Danes, he also recalled St Dunstan from exile and made him Archbishop of Canterbury. The hallmarks are clear, including makers mark GGM, thers is slight wear to the f...

A pair of Indian Colonial silver salt and pepper castors, cylindrical in shape standing on a raised circular foot, with removable dome shaped lids. Each castor has 3 gadrooned rims, and retain their original engraving "salt" and "pepper". The pepper castor has smaller holes in a different pattern (salt having larger holes for shaking), the pepper also has its original interior gilding. A similar pair is depicted on page 152 of "Indian Colonial Silver" by Wilkinson, who describes their shape and design as being unique to Indian Colonial silver (pg 165). The hallmarks include makers mark TB&Co, 2 pseudo marks (crowned lion passant and lion rampant holding a crown, pg 155 Wilkinson). The lion rampant mark is a reproduction of the crest of the HEIC (Honorable East India Company), which may have indicated official patronage (Wilkinson, pg 155). Twentyman & Beck, who worked between 1822 and 1826 from 4 Tank Square, Calcutta, were also the only Indian Colonial firm to use a crowned lion passant. The 2 castors also h...

A set of 3 Cape silver tablespoons by Johannes Combrink, who worked in Cape Town between 1814 and 1853. These spoons are excellent quality and robust, well suited for use. The spoons resemble the Old English pattern, but are Continental in design, with a V shaped drop, strong lip on tip and flattening to the top half of the handles. Given the Continental style of these spoons, which is confined to early Cape flatware, we can assume they were made early in Combrink's career, probably between 1814 (when Combrink started producing silver) and 1820, when the English 1820 settlers arrived in the Cape, bringing with them English styles. Each spoon has a small identification nick on the back at the top of the handle (1-2 mm). The makers mark IC (Welz mark 32) is clearly struck on all 3 spoons.

An Irish Georgian silver punch ladle, quite small in size, identical in form to the larger punch ladles, we are not sure if it is intended for punch or another liquid (bowl very similar in size to Scottish toddy ladles, so perhaps an Irish Whiskey toddy ladle?). The bowl is circular, with a substantial pouring lip, and angled handle, the turned wooden handle is stained black. The wooden handle is securely fastened with silver pin, we believe this to be original, with no repairs. The interior of the bowl has 3 hallmarks, makers mark J.T in rectangular punch, partially struck (due to curved surface) harp crowned for Dublin, and clearly struck duty mark for William IV, the punch with 4 indents, this punch was only used in 1831 and 1832. This particular makers mark is interesting, J.T in rectangular punch, it is not recorded by Bennett in his book "Collecting Irish Silver (highly recommended), it is recorded by Jackson (page 655) preserved on a pewter plate, but listed as unknown. Amongst the most likely candidat...

An interesting sterling silver Puritan spoon made by the celebrated Arts & Crafts jewellery designer and silversmith Amy Sandheim. This is a replica of a Commonwealth period (1649-1660) Puritan spoon, when the United Kingdom was run as a Republic under Oliver Cromwell, after the execution of King Charles I in 1649. The spoon has a plain rectangular stem and ovoid bowl, without adornment, reflecting the Puritanical nature of the period. The hallmarks are clear for London 1933, the AS makers mark is only lightly struck, but still clearly visible, with some scratch marks over the punch. Amy Sandheim worked between 1923 and 1943 from Notting Hill Gate, she is primarily remembered for her Arts & Crafts jewellery, where she was regarded as a pioneer, alongside Sibyl Dunlop and Dorrie Nossiter, She also made silver spoons in the Arts & Crafts style (see Artists Spoons by Simon Moore, pages 391-396), but was clearly also interested in 17th century styles.

A rare Cape silver tablespoon in the Old English thread pattern, we have only noted 2 examples of Cape silver in this pattern in the body of literature. The spoon is the usual Old English shape, but with a double thread around the edge, this is double struck (occurs on the front and back of the spoon). The spoon is engraved with original owners initials IM in script. The spoon is hallmarked with makers mark IC, the mark is slightly blurred, we assume the punch was worn when it was struck. The spoon is also hallmarked with the "Cape Stub", 4 pseudo - English hallmarks (lion passant, date letter, duty mark and leopard's head) struck mechanically in a fly press (see article on Cape Stub in "The Finial, 2007, and in the articles tab above), these marks have some wear but are still clearly visible. We believe this spoon was made by hand, you can see differences in how the thread has been applied. Please note our condition report, this spoon has been well used. David Heller, in his book "History of Cape Silver Vol....

An interesting early Georgian Britannia silver rat tail Hanoverian tablespoon made by Thomas Salter of Exeter in 1718. The spoon has 5 bottom marked hallmarks, these are all worn (possibly originally lightly struck), but still with enough definition to read each hallmark. In addition to the rat tail the spoon has a central rib on the front of the stem, and original owners initials B over CJ engraved on the back, this engraving is very quaint, more likely done by the owner or local blacksmith rather than a professional engraver. The spoon is well made, and a pleasing weight, but has some wear from use. The hallmarks include makers mark Sa in Gothic script, see Jackson's Silver and Gold Marks page 292, and also Tim Kent's West Country Silver Spoons and their makers 1550-1750, page 130, M134, a book we highly recommend. The 2nd hallmark is Britannia, used between 1701 and 1720, to denote the higher grade 958/1000 silver. The third mark is lions head erased, followed by the castle town mark for Exeter, these mar...

A Worshipful Company of Joiners and Ceilers antique silver spoon, with the Company armorial as a cast silver finial. The spoon is a good weight and quality, it also has a rat-tail bowl. The cast finial has lovely detail, the back has a vacant shield cartouche intended for engraved initials. The company is one of the Livery companies of the city of London, ranked 41st in order of precedence, it was founded in 1375 and received Royal Charter in 1571. The company motto, "Join Loyalty & Liberty" was created by past Master John Wilkes in 1774, John Wilkes is remembered as the founder of "Freedom of the Press", his statue is in Fetter Lane. He was also Lord Mayor of London, his "I love liberty" slogan on silver spoon picture-backs are highly collectible. The armorial has 2 pairs of compasses over a globe, under 2 roses and a scallop shell, with a demi savage holding a spear, supported by 2 naked boys, one holding a female figure, the other a square - all this detail is clearly visible. The hallmarks are very clear,...

A rare Cape silver table fork in the Fiddle and Shell pattern, examples are known to exist but these are regarded as rare. The fork is single struck (pattern only on the front), the shell is a lovely feature. A similar example is depicted the book "Further Researches in Cape Silver" by David Heller, page 68, plate 13, also made by Lawrence Twentyman. English versions of this pattern are also scarce, mostly made in Scotland and Newcastle, London versions are rare (Pickford, Silver Flatware, page 114). The hallmarks are clear, makers mark LT and 4 pseudo hallmarks (crowned leopard's head town mark, date letter a, duty mark and lion passant), this is mark 135 in Cape Silver by Welz. Note: We have 2 other examples of this fork, S 11436 and S 11437.

A pair of Jugendstil German silver serving spoons, 800 purity, made by Lazarus Posen of Frankfurt, Germany circa 1900. The spoons have an interesting diamond shaped bowl, the bowls are gilded on both sides, so can be used for serving salty dishes. The handles are single struck in typical Jugendstil (German Art Nouveau) style, with a central wreath surrounding engraved initials MJL. Both spoons are clearly hallmarked, makers mark script P in shaped outline, 800 standard mark and German crescent moon and crown hallmarks. Lazarus Posen was founded in Frankfurt in 1869, they specialised in Judaica, they became one of Germany's leading silversmiths, receiving a Royal warrant in 1903. They closed in 1938 due to Kristallnacht.

A Norwegian silver baptism spoon made by leading Norwegian silversmith David Andersen circa 1900, this is a replica of an original 16th century baptism spoon. the quality and workmanship is excellent, as is usual for these Norwegian and Danish baptism spoons. The spoon features a naked female holding fig leaf and plunging a sword into her bosom, standing on an elaborate plinth, finely decorated with faces and foliage. the tear shaped bowl is finely engraved on the back and the front, the front with Norwegian Madonna and Child, the back features Christ on the cross, overlooked by a bishop under a dove, and inscription "HIELP OS DI HELIGE TREI FOLDIG HED M M D 1511", which translates "Help us your holy Trinity". The spoon is clearly hallmarked with purity 830 and David Andersen makers mark, this mark was used between 1888 and 1925. A similar spoon is shown in the book "Collectable Souvenir Spoons Volume II, page 29, by Wayne Bednersh, and also on his website www.spoonplanet.com under Norwegian and Danish silver...

A rare and interesting Cape silver Masking or Mash spoon, in the Old English pattern. The spoon is teaspoon size but has a much longer handle, these spoons are called Masking or Mash spoons, they were used to stir the teapot. Most of the known Masking spoons are Scottish Provincial in origin, but they are known in the Cape (see S189 for a similar example made by Jan Lotter, cousin of Carel David, which we have sold). The spoon has no engraving, and clear makers mark CDL between 2 star devices (Welz mark 64). Carel David Lotter, part of the Lotter family of Cape silversmiths, worked between 1812 to 1848.

An interesting pair of Cape silver dessertspoons, engraved with an original family crest of winged castle turret below circular cross. The spoons are Fiddle pattern, and are very pleasing quality and weight. The hallmarks are also very clear on both spoons, pseudo duty mark, pseudo castle town mark with flag flying, pseudo date letter C and makers mark LT (mark 140 in Cape Silver and Silversmiths by Welz). What makes these spoons interesting is the different sized makers mark, one has the usual larger size LT punch, the other has a much smaller LT punch, we assume intended for hallmarking smaller items. Twentyman was the most prolific of all Cape silversmiths, he had the first shop on Heerengracht (now Adderley Street) with a shop window. He worked between 1818 and 1832. Note - These spoons match the pair of tablespoons S11352. Note 2 - With the assistance of a customer, we have now identified the engraved crest as the Heathcote family, described as "On a mural crown, a sphere charged with a cross, between tw...

A beautiful antique French cast silver sugar tongs, decorated with grapes, vines and leaves, the nearest English equivalent would be the Chased Vine pattern. The tongs are excellent quality, Ist grade 950 standard, very heavy in the hand, and clearly the work of a master craftsman. The tongs have original owners initials MRP engraved on the bow in a Gothic script. The tongs are clearly hallmarked, makers mark L I A (with funerary urn) for Louis-Isidore Angee, who worked between 1834 and 1842 from Place De Dauphin, Paris. Both arms are also clearly hallmarked with Minerva’s head 1st grade (950/1000) (hidden in the decoration), and an additional crab discharge mark (partially struck on the inside) is also present.

An interesting sterling silver trophy medallion, shaped in the shape of a Zulu shield, presented annually for a shooting competition between the towns of Pietermaritzburg and Durban of Kwazulu Natal, South Africa. the medallion has 2 crossed rifles behind a smaller Zulu shield, surrounded by palm fronds with a decorative border, above latin motto and town name scrolls. The shield reads "Inter-Town Shooting presented 1892 for Annual Competition, Mayor of Maritzburg R. Mason Esq, Mayor of Durban B.W. Greenacre Esq", the scrolls have town names "Maritzburg Durban" either side, and the motto reads "Palman Qiu Meruit Ferat", translated "let whoever earns the palm bear it". The medallion has suspension rings so it can be worn as a pendant. The medallion is clearly hallmarked with South African sterling silver hallmarks, STG, SABS standard mark, date letter Gothic M for 1960, and makers mark of Dick King riding a horse for Norman Watson of Durban, South Africa. Watson worked in the 1960's and 1970's. We assume this ...