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Cheshire Regiment Gold Sweetheart Brooch   
unmarked, Chester C 1900

A Cheshire Regiment 9 ct gold sweetheart brooch, with "Cheshire Regt" in blue enamel under the regimental oak leaves. The pin is stamped "9ct gold", no other hallmarks are present. The pin is still in its original box, marked "Dimmer & Son, 20 Eastgate Row, Chester". The regiment was raised in 1689, and won the distinction of wearing the oak leaves at Dettingen, for protecting the king during the battle. The regimental motto is "Ever Glorious". They fought numerous engagements in the Anglo Boer War, including the capture of Johannesburg, and also raised 38 battalions during the Great war. In 2007 the regiment was merged into the Mercian regiment.

Georgian Silver Sifter Ladle   
John Lambe, London C 1776

A Georgian silver sifter spoon in the Old English Bright-Cut Edge pattern, with bottom marked hallmarks indicating a date pre 1777. The bowl has a lovely ornate floral piercing, and a flat base (as expected from original sifters). The Bright-Cut Edge pattern was popular between 1790 and 1800 (Pickford, Silver Flatware, pg 102), so we assume the sifter was updated in style then. John Lambe was a specialist spoonmaker, he worked between 1762 and 1796. His makers mark I*L in oval punch is clear, the lion passant and crowned leopards head are worn but visible, the date letter is very worn but could possibly be the "a" of 1776.

Chinese Export Silver Tablefork - Cutshing   
Cutshing, Canton, China C 1830

A Chinese Export (or China Trade silver) tablefork, in the Fiddle, Thread and Shell pattern, with scarce Union shell (Pickford, Silver Flatware, pg 118). This is a large and hefty fork of good gauge and quality. The hallmarks are extremely clear, being pseudo - English hallmarks lion passant, dutymark, crowned leopards head, date letter k and makers mark CU for Cutshing of Old China Street, Canton. Cutshing was quite prolific, he used a number of makers marks, including CUT, and worked between 1825 and 1875. CU was used during his earlier period (www.chineseexportsilver.com). Chinese export silver, which is stylistically Anglo-American of the late Georgian period, is "known for its fine workmanship and exceptionally heavy weight (Kernan, China Trade Silver, Checklists for Collectors, November 1965).

Old Manchester Golf Club Silver Trophies (2)   
Fenton Brothers Ltd, Charles Stuart Harris & Sons, Sheffield, London 1900, 1901

A near pair of silver golf trophies from the Manchester Old Golf Club, both won by the same person. The first was made in Sheffield in 1900 by Fenton Brothers, the second in London in 1901 by Harris & Sons. The trophies are bowls, similar in shape to rosebowls, but smaller. They both have a half fluted design. Both are engraved, the first reads "Manchester Old Golf Club, Atherton Silver Medal, 1900, Edwin Oliver, 98-15-83", the second "Old Manchester Golf Club, Silver Challenge Bowl, 1903, E. Oliver". The hallmarks on both are clear, one makers mark is rubbed but still visible.

Scottish Provincial Silver Toddy Ladles (Set of 3) - Aberdeen - Cheeseman and Robertson family crest   
James Pirie, Aberdeen 1821-1826

A rare set of 3 Scottish provincial toddy ladles (Fiddle pattern) made by James Pirie of Aberdeen. All 3 ladles have an interesting crest, a dexter hand holding a kings crown, which is well engraved. This is the crest of the Cheeseman family, it is also used by the Robertson family. The hallmarks JP, ABD, JP are very clear on all 3 ladles. The makers mark JP is quite rare, in fact it is not depicted in Jackson's, although it is recorded in Turner's Scottish provincial silversmiths.

Scottish Provincial Silver Dessertspoon - Arbroath   
Andrew Davidson, Arbroath 1835-1850

A Scottish Provincial dessert spoon in the Fiddle pattern, made in Arbroath. The spoon is initialled with the letter C. The hallmarks include makers mark AD, crowned head * 2, portcullis. The makers mark AD is very clear, the portcullis is clear, the crowned heads are visible but have some wear, perhaps the punches were worn. Overall hallmarks are very good.

Scottish Silver Toddy Ladle - Richardson Family Crest   
Alexander Wotherspoon, Edinburgh 1830

A Fiddle pattern Scottish silver toddy ladle, with a magnificent crest - a unicorn's head erased above a crown, with the motto "Virtute Acquiritur Honos", translated "Honour is acquired by Virtue". This is the motto of the Richardson family. The crown probably indicates the families membership of the peerage. The hallmarks are very clear, including makers mark AW in strangely indented punch. AW has been attributed to Alexander Wotherspoon (British silver makers marks website) but given the similarity of the punch to JW (John Williamson) there is a high probibility of a family relationship (father and son?), so the maker could be A Williamson.

Cape silver Tablespoons (pair) - Beets   
Daniel Beets, Cape C 1820

Two Cape silver tablespoons in the Fiddle pattern, with engraved initials HV, attractively engraved by hand in Colonial style. The hallmarks are excellent, makers mark DB struck twice between 3 stars (Welz mark 15). Although from the initials we can see they are a pair, they are slightly different in quality, weight and condition. 1 spoon is beautiful, good quality, weight and condition, the other less so, it is lighter and has had a rougher life.

Tiffany Sterling Silver Porringer (Bleeding bowl)   
Tiffany & Co, New York C 20th Century

A Tiffany silver bleeding bowl, with flat pierced handle, in the traditional style. This bowl is very good quality, as you would expect from Tiffany. Bleeding bowls (known as porringers in the USA) were used extensively in the 17th century, different themes abound as to their use. Today they are often used as wine tasters, which is probably what this bowl was intended for. The base is stamped "Tiffany & Co, Sterling, 383". They are also popular as Christening gifts.

Scottish Provincial Silver Toddy Ladles (pair) - Dundee - Brodie Family Crest   
James Douglas, Dundee 1796-1820

A pair of Scottish Provincial silver toddy ladles, made by James Douglas in Dundee. The ladles are Fiddle pattern, and have a well engraved and attractive crest of a raised fist holding a bundle of arrows. The hallmarks include makers mark JD, and pot of lilies struck 4 times. The 4th pot of lily is at right angles to the other 3. Both ladles have good hallmarks. The crest is the Brodie family crest, a dexter hand holding 5 arrows.

Cape Silver Fish Slice - Combrink   
Johannes Combrink, Cape C 1825

A rare and attractive Cape silver fish slice with an engraved fish on the blade between a row of leaves. The blade is pierced by hand and the engraving is typically Cape including the straight and wavy dotted decoration around the edge. The blade is quite large and oval in shape, and the Fiddle pattern handle is quite short. The join between handle and blade is visible, but is clearly original as the decoration over-rides the join. The hallmarks are very clear, makers mark IC between 2 shell devices (Welz mark 26), all well struck. Cape silver fish slices are quite rare, and ones with an engraved fish even rarer. Welz (Cape Silver) mentions that Twentyman was the only Cape silversmith who added the engraved fish (now clearly incorrect), one by Twentyman is pictured in Heller (A History of Cape Silver, pg 168, plate 74). The engraved fish on the Twentyman slice is very similar in style and design to this one, we hypothesize it was engraved by the same engraver.

Miniature 4 piece silver tea service   
Saunders and Shepherd, Chester, Birmingham 1904

Teapot, sugarbowl, creamer and tray. Teaservice oblong shaped, half fluted. Tray oval with two handles, ball feet and lattice design over wooden base. Gilt interiors. All items Birmingham except sugarbowl which has a Chester hallmark. All items fully hallmarked with clear hallmarks, even the teapot lid!

Provincial Silver Milk Jug - Exeter   
Simon Levy, Exeter 1821

An interesting antique silver milk (or cream) jug, hallmarked in Exeter but possibly made in Devon. It is oblong in shape, with an unusual cast rim with different types of flowers and thistles, and a very fine engraved band of scrolling foliage around the body. The jug has an ornate leaf and rose capped scroll handle, and 4 bun feet. The jug, casting and engraving is very fine quality, the work of a master craftsman. The 5 hallmarks are all clear, including makers mark SL. The base has an engraved number "10", possibly an inventory number. The oblong shape was popular for tea services between 1805 and 1815 in London, we often see a style lag in provincial centres. Simon Levy produced Exeter hallmarked silver between 1818 and 1832. Of Jewish origin, he was buried in the Jewish burial ground in Exeter, just outside the Roman wall. He was the son of Emanuel Levy, also a silversmith. They resided in the parish of St Thomas, Devon.

Tableforks (6) - Queens pattern   
William Ely, London 1837

A beautiful set of Queens pattern tableforks, extremely heavy (over 100 grams each!), they are wonderful to hold! Interesting crest of a curved topped escutcheon containing a wagon wheel, topped with a helmet and a heron. Hallmarks very clear.

George I Silver Coffee Pot - Newdigate Family Armorial   
Gabriel Sleath, London 1716

A magnificent and rare early Brittania standard silver coffee pot of very good quality, with handle at right angles to the spout, in the Queen Anne style. The pot has a high domed lid with baluster finial, a stand-away hinge, and an octagonal swan neck spout with "Ducks Head" terminal.The pot itself is the tapering plain cylindrical shape with spreading foot, and the handle is turned fruitwood. The coffee pot is plain except for a lovely contemporary armorial, a diamond shaped logenze surrounded by plumes, with the arms of Newdigate (gules three lion's gambs erased argent) impaling a lion rampant reguardant gules. The logenze indicates ownership by a widow of the Newdigate family, as the lozenge is the only vehicle for a widow to display her arms. This plain style is usually called Queen Anne, the shape of coffee pots changed circa 1723, when the lid became flattened and the spout moved opposite the handle (Judith Banister, 3 Centuries of Silver Coffee Pots). As is usual for coffee pots of this era, it is qu...

George II Miniature Silver Coffee Pot - John Hugh Le Sage   
John Hugh le Sage, London C 1740

An extremely rare miniature silver coffee pot by the Huguenot John Hugh Le Sage, subordinate goldsmith to the King. The coffee pot is early Rococo style, with relief chasing of flowers and scrolls around the base and border below the cover. As is expected with early Rococo (1740 - 1750), large areas are left blank, only after 1750 did full Rococo develop which filled in the blanks. The swan neck spout is leaf wrapped, and the wooden handle has a typical double C scroll. The lid, which is richly decorated, has a stepped dome cover and acorn finial. The pot also has a tucked in base and stand-away hinge. The only hallmarks are the makers mark (script JS underneath crown) struck 3 times on the base (Grimwade 1680, Jacksons pg 192). As per the plate act of 1739, silver toys were exempted from assay, and only required the makers mark. A number of silver toys have been attributed to John Hugh Le Sage, many of which today reside in museums, including the Henry Ford Museum (USA) and the Victoria & Albert Museum (V&...

Cape Silver Sugar Tongs   
Fredrik Waldek, Cape C 1840

A rare pair of Cape Silver sugartongs, in the Kings pattern with diamond heel. They are very good gauge, solid and well made with a strong bow, suitable for use. Whilst Cape sugartongs are known, most are plain (Welz, Cape Silver), this is the only example of Cape sugartongs in the Kings pattern we have ever encountered. The hallmarks are very clear, makers mark FW and the "Cape Stub", 4 pseudo - English hallmarks (lion passant, date letter, duty mark and leopard's head) struck mechanically in a fly press (see article on Cape Stub in "The Finial, 2007, and in the articles tab above). Fredik Waldek was also a chronometer, clock maker and jeweller. Heller (History of Cape Silver) commended Waldek for "excellent workmanship", these tongs are no exception. Only Waldek and Twentyman produced Kings pattern in the Cape.

Georgian Silver Teaspoons (6)   
Peter, Ann, William Bateman(2), William Ely & William Fearn(4), London 1800, 1802

Dainty set of Old English pattern silver teaspoons, 4 spoons by Ely & Fearn and 2 by the Batemans, but all with a matching crest (crest is contempory, indicating this set was put together soon after manufacture). The crest is very fetching, with a lion rampant holding a scallop between its fore-paws. Clear hallmarks.

Hester Bateman Silver sugar tongs   
Hester Bateman, London 1778

Pair of bright cut Hester Bateman sugar tongs with very clear hallmarks. Decoration swag and wrigglework with initials JR on bow.

Russian Silver Sardine Fork - Novgorod - Featured Twice in Silver Magazine   
CH, Novgorod or Orel? C 1850

A lovely Russian silver sardine fork in traditional style, the handle a well modelled fish, connected to the 3 pronged fork with a curved, twisted stem. The 3 prongs are also curved, and have short wide tines with flattened ends, for ease of use. The hallmarks include makers mark CH (or CB?), 84 standard mark and town mark, which is a little worn. Our best estimate is Novgorod or Orel (Watts, Russian Silver Hallmarks, pg 42-45), we are open to correction here. Note 1 (2015) - This sardine fork has now been featured in an article entitled "Russian Silver Flatware Servers" by Dale Bennett, in the Magazine "Silver", January 2015, pages 14-19. It is described as "a most unusual flatware server", the author has never seen or heard of another Russian sardine fork. He describes it as a "highly imaginative server, with solid cast realistic sardine terminal". He describes the prongs as spade shaped, not sharp or pointed as in American sardine forks used for spearing, this is a lifter. He confirms town mark of Novgoro...

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