Lovely set of Kings pattern (with diamond point) Cape tableforks, of very good quality and gauge - the forks are 100 grams each, very heavy to hold. Cape flatware in Kings pattern is fairly rare, the most prevalent patterns being Fiddle and Old English. These forks all have the same English pseudo hallmarks (leopards head, date letter A, duty mark and lion, Welz mark 135), struck by the same punch in the same workshop. However, 4 have the maker mark LT (Twentyman), and two have the makers mark FW (Waldek). This is not unusual, as Waldek worked for Twentyman, and probably took over the business when Twentyman departed for India, circa 1835.

Pair of Old English serving spoons of good gauge, with a nice feel.They are perfect for use as heavy duty serving spoons. They have an interesting crest of a tulip in front of 2 crossed crosses, each cross arm bearing another cross. Hallmarks very clear.

Gilt, engine turned vinaigrette with original sponge and very good hinge. Engraved "J Lang, 1835". Grille has flowers set amongst scrolling foliage.

A very interesting silver drum salt, designed by Alex Styles and retailed through Garrard, to commemorate the 650th anniversary of the Goldsmiths Company in 1977. The body is decorated with a fabulous interpretation of the Goldsmiths Company Arms, and the dates 1327-1977. The arms (granted in 1571) include quartered leopards head and covered cup with 2 buckles, and a stylized demi-virgin (thought to possibly be Queen Elizabeth I) holding the scales (balances) of Justice and a touchstone, both used for testing precious metals. The armorial is supported by 2 unicorns (representing purity), and the motto JUSTITIA VIRTUTUM REGINA, latin for "Justice is Queen of Virtues". The design has been photo-etched onto the silver, a modern technique which we think does justice to the armorial. The Goldsmiths company is one of the 12 great Livery companies of London, they were granted Royal Charter in 1327. The Leopards head (actually a lion but in 1327 the word for lion and leopard was the same) comes from the Royal standar...

A modern reproduction of the rare "eagle's wing" caddy spoon, amongst the most collectable and desirable of all caddy spoons. The original versions of this spoon were produced by Joseph Willmore and Matthew Linwood in Birmingham circa 1815. It was also copied by George Unite in Birmingham circa 1865 (see John Norie Collection of Caddyspoons - Woolley & Wallis, 2004). John Norie himself described the eagles wing caddyspoon as "the most revered and sought after of all specimens" in his definitive book on the subject. This is a cast spoon (cast marks can be seen on the base), and is very good quality and gauge, and pleasing to hold. The plumage is textured and the hallmarks are very clear. The eagle's wing caddy spoon is the emblem of the Society of Caddy Spoon Collectors, who recently published the book "The Caddy Spoon in the 20th Century", with the eagles wing featured on the back cover. They note that Thomas Bradbury & Sons reproduced the eagle's wing caddyspoon (page 18) along with other traditional spoons,...

A lovely pair of Victorian silver fish servers, beautifully decorated with an unusual sea horse design (actual horses with mermaid tails). The decoration is pierced and very finely engraved. The servers consist of a fish slice and serving fork in the Fiddle, Thread and Shell pattern. The set is good quality, and has a substantial feel when used. They have been beautifully preserved in their original felt and silk lined box, we get the impression they have never been used. The box itself is intact, with hinge and clasp in full working order, but the box is a little battered and worn, with remnants of an old label on the lid - acceptable given its 160 year age. The hallmarks are well struck and very clear on both items. John Stone was a well regarded Exeter silversmith who worked between 1825 and 1867, from 30 Bridge Street, Exeter, he produced many items of flatware. He registered his mark in London in 1844 (Culme, Directory of Gold and Silversmiths, pg 436), perhaps he wanted his finer items to have London ra...

A set of 3 Irish Provincial silver dessert forks in the Fiddle pattern, made by Richard Garde of Cork in 1835. The forks are all engraved with a family crest of a Griffin, above engraved owners initials (possibly GT in script), the engraving is on the back of the forks, showing they were placed facing down on the table during those times. The forks are all clearly hallmarked, makers mark R.G, mark 86, page 191, Collecting Irish Silver by Douglas Bennett (a book we highly recommend). The crowned harp, Hibernia and date letter P are all clear, one duty mark is clear and 2 duty marks are worn but still visible. The Dublin Goldsmiths company passed an act in 1807 requiring the Kings head to be stamped on all plate made in Ireland. As this could only be done in Dublin, it forced the provincial goldsmiths to start sending silver to Dublin for hallmarking. Garde, who worked in Cork between 1824 and 1845, was presumably the son of silversmith Phineas Garde, who complied intermittently with the Dublin act. The Act sha...

A fabulous Belle Epoque French silver 950 standard sugar sifter in the Empire pattern, made by renowned Parisian silversmith Emile Puiforcat. The quality is very pleasing, as you would expect from Puiforcat, with an intricate pierced design and gilded bowl, and double struck Empire pattern handle, with swan finial, foliage and wreathes. The cartouche has not been engraved. Two hallmarks are present in the bowl, both clearly struck, makers mark EP in diamond lozenge, with penknife (un canif) between the letters, and French Minerve 1st Standard mark, with 1 next to forehead, indicating 950 purity (so higher purity than sterling 925). An additional partial mark can be seen on the bowl exterior, this is a French Bigorne insect countermark, struck opposite the guarantee mark, to prevent fraud. Emile Puiforcat established his business in 1857 at 18 Rue Chapon, it still exists today and is known as one of the leading French silver producers.

An interesting set of 6 Art Deco sterling silver sandwich flags, perfectly preserved in their original box. The silver flags are accompanied by 20 double sided interchangeable plastic flag names, these include: - caviare, tomato& cheese, smoked salmon,beef, cucumber, sardine, anchovy,chicken, egg& anchovy, egg, ham, cheese, tomato, lobster, cress, smoked roe, crab, banana, tongue and fish. The flags themselves are good quality, ivory in colour (sometimes described as ivorine, certainly intended to imitate ivory) with clear black lettering, all 20 are in good condition. The flags can be interchanged according to the menu. It is interesting to see what would have been on the sandwich menu in 1929, caviare, smoked roe and lobster, but also banana! All 6 flags are fully hallmarked, clearly legible on 5 flags, one flag has indistinct marks. All 6 flags are also marked "Made in England", alongside a provisional patent number "Pro/ Pt 33279/28" and design registration number "Rd 742069". Adolph Scott worked between...

An interesting Indian Colonial 9 carat gold sweetheart brooch, featuring a well modelled cast elephant and battle honour ASSAYE. The brooch is good quality, and the original gold pin and clasp in full working order. The brooch is clearly hallmarked, makers mark H&CoLD, and 9Ct for nine carat gold. This makers mark was used by Hamilton & Co, the "Garrards of India", between 1926 when they became a limited company and 1936 when they introduced date letters. The battle of Assaye was a major battle of the Second Anglo-Maratha War fought between the Maratha Empire and the British East India Company in 1803, the future Duke of Wellington commanded the British, he "considered Assaye the finest thing he ever did in the way of fighting even when compared to his later military career" - Wikipedia. He had 2 horses shot under him during the battle. "Both British regiments and Indian units were awarded the Assaye battle honour and most were later given permission to adopt an Assaye elephant as part of their insignia. The ...

A lovely pair of Cape silver konfyt (preserve) forks in the Fiddle pattern with 4 tines, the forks are in excellent condition and have no engraving. Both forks have clear hallmarks, makers mark W.M and the Cape Stub mark (see our articles section) consisting of 4 English pseudo hallmarks, Lion passant, date letter capital A, Georgian kings head duty mark and leopards head (town mark for London).This is mark 100 in the book Cape Silver by Welz, except the makers mark he depicts does not have the dot between the W and M, which shows Moore had at least 2 different punches. Konfyt forks are typically Cape, they were made and sold as individual items, and are described by Welz as "having a great deal of charm" (pg 65, Cape Silver, Welz). William Moore was a goldsmith and jeweller who worked between 1840 and 1863 from St Johns Street, Cape Town, Parliament is located on St Johns street so it was a prestigious location.

A pair of early Georgian Hanoverian tableforks with 3 tines or prongs, made by the leading Huguenot spoonmaker of his day. The forks are a pleasing quality, and are in excellent condition, with no engraving, we really like these forks. The forks are bottom marked, as is usual for this period, as a result the hallmarks are slightly squashed, some are clear and some partially visible. The first fork has very clear PH under acorn makers mark (this could not be better), with worn lion passant and crowned leopards head town mark, and a partially visible K for 1725, good enough to be certain of the date. The second fork also has partially worn lion passant and crowned leopards head town mark, and a partially visible K for 1725, but makers mark is not visible. Paul Hanet is described by Grimwade (London Goldsmiths, page 532) "from the evidence of the survival of pieces bearing his mark, Hanet was clearly one of the principal Huguenot spoonmakers of his day". Hanet entered his first London mark in 1716, he was "Fre...

A pair of Cape silver sugar tongs, in the Fiddle pattern, made by John Townsend. The tongs are plain, with no engraving, and are in excellent condition. The Cape silver pseudo hallmarks are very clear, makers mark JT with indent at the top of the punch, pseudo duty mark, pseudo lion passant, pseudo date letter a and the tree mark, all struck individually, this is makers mark 123 in Welz (Cape Silver and Silversmiths), but in a different orientation (all at 90 degrees). John Townsend (1800-1875) was an interesting character, described by Heller as one of the top 5 Cape silversmiths. He arrived in the Cape in 1821 on the ship Duke of Marlboro, and was involved in a number of businesses, including a hotel and auctioneering business, in addition to being goldsmith, silversmith, jeweller and watchmaker. He was embroiled in a number of court cases, mostly due to bad debt, in 1849 he stated "insufficient means to support his 10 children". He moved to Okiep in Namaqualand in 1852 as Manager of Spektakel Copper Mine, ...

A World War II 9 carat gold and enamel sweetheart brooch for the Durban Light Infantry Regiment of South Africa. The brooch features the infantry bugle with tassels under the Royal crown. The brooch has 2 colours of enamel, red in the crown and green for the letters DLI. It is mounted on a bar brooch, also 9 carat gold, the pin is also gold, often the pins are a base metal. The brooch is clearly hallmarked 9CT for nine carat gold, the clasp is also marked 9 for 9 carat gold. The George VI crown shows this dates to WW II, the DLI fought in North Africa and Italy (including El Alamein and Monte Cassino). The regiment was founded in 1854, and still exists today, they were called the Royal Durban Light Infantry between 1935 and 1961 when South Africa became a Republic.

A Royal South African Air Force gold sweetheart brooch, dating from World War II. The brooch features the crest of the old Union of South Africa, with 4 quarters for the four provinces, an ox wagon representing Transvaal Province, a woman with an anchor representing Cape Province, two wildebeests representing Natal Province and an orange tree representing the Orange Free State Province. This is surrounded by a laurel wreath, under the Royal crown of King George VI, between the traditional pilots feathered wings. This badge is incorporated into a bar brooch (not added as is usual for sweetheart brooches), the hinge, clasp and pin are also gold. The brooch also has a suspension loop attached to a fine gold chain and gold safety pin, all in perfect condition, this was a good quality brooch when it was made. The brooch is clearly hallmarked 9CT for nine carat gold. The Royal South African Air Force provided 35 squadrons during World War II, mostly in North Africa and Italy, with 18000 staff deployed.

A Dutch antique silver miniature longcase clock (grandfather clock), this is a reproduction of an 18th century clock (staande horloges in Dutch). The clock is richly decorated, the ogee base has 3 panels with boats, a windmill and church spire with houses. The main body is decorated with flowers, foliage and scrolls, the pierced hinged door (with locking mechanism) opens to reveal a pendulum (decorative, not functional). The main clock housing has barley twist front, panelled sides, hinged front piece with clasp (zig -zag to hold glass in place), this swings upwards to allow adjustment of clock hands. The rear has a circular hinged door to access clock mechanism. The top of the clock has 2 cast reclining angels (putti), and 2 winged angels blowing horns standing either side. The central figure is missing (atlas holding a globe which we have seen on other examples). Hallmarks include lion passant (2nd standard purity 833) and makers mark JPH struck on back, Minerva duty mark with A for Amsterdam struck on the ...

A WW II South African Artillery Regiment 9 carat gold and enamel sweetheart brooch, the detail is lovely. The brooch features a cannon under Royal crown with red enamel, with motto "UBIQUE" (everywhere) in blue enamel above cannon, and "South Africa / Suid Afrika" in blue enamel below. The brooch is clearly hallmarked 9CT for 9 carat gold, the clasp and hinge are also gold but the pin is not, it is stamped "Metal". 14 South African artillery regiments served in North Africa and Italy during the second world war.

A 9 Carat gold World War II Transvaal Scottish Volunteers Regiment Sweetheart brooch, with motto " Alba nam Buadh (Scotland, Home of the Virtues), in full working order. The brooch is lovely quality, with 2 tones of gold (yellow and red), set on a bar brooch. The back of the brooch is engraved "MOIRA 12/6/42", and both the brooch and the clasp are clearly hallmarked 9CT for nine carat gold. The Transvaal Scottish Regiment was established by John Murray, 7th Earl of Atholl, in 1902 at the end of the Anglo Boer War, it still exists today. During World War 2 when this brooch was presented, the regiment fought mostly in North and East Africa, notably at El Alamein.

A REME (Royal Electrical and Mechanical Engineers) Regimental 9 carat gold Sweetheart Brooch. The badge depicts a horse rearing with a coronet around its neck, linked via a chain to a globe the horse is standing on. Behind the horse there is a lightning flash, which symbolises electrical engineering while the globe stands for the world-wide role of the unit. The chained horse symbolises power under control. The badge is completed with the British Royal Crown. The flash and crown are clearly hallmarked 9 carat yellow gold, the horse is a much lighter colour, we assume it is white gold. The hinge, pin and safety clasp are also yellow gold. The brooch also has a gold suspension ring behind the lightning flash, possibly for another form of attachment. The brooch is clearly hallmarked for Birmingham 1967, 9 carat gold and has makers mark W.O.L, they worked between 1953 and 1970 but are currently un-identified, possibly W.O. Lewis. This badge is described by members of the REME as "a horse dropping a bollock".

A W.R.N.S. (Women's Royal Naval Service) 9 carat gold and enamel Sweetheart brooch, probably dating back to WW II. The brooch has lovely detail, with 2 tones of gold, the W.R.N.S. badge of a bird (wren) sitting on an anchor behind the naval crown, above W.R.N.S. scroll in blue enamel. This is mounted on a 9 carat gold bar brooch, with gold pin and locking clasp, often these pins are not gold. The bar is clearly hallmarked 9CT for 9 carat gold. The W.R.N.S. (popularly and officially known as the Wrens) was the Women's branch of the Royal Navy, served as cooks, clerks, wireless telegraphists, radar plotters, weapons analysts, range assessors, electricians and air mechanics, in 1944 they had 75000 service women.