A lovely antique Irish silver brooch in the form of the Irish harp. The harp is decorated with traditional Celtic motifs, in the traditional manner. The hallmarks are clear, except Hibernia who is only partially visible.

An interesting Irish Silver dish commemorating the 50th anniversary of the Easter Rising (Irish: Eiri Amach na Casca), also known as the Easter Rebellion or Sinn Fein Rebellion. The dish is circular with a scalloped edge, and contains a sterling silver medallion, with the burning Post Office "AIS EIRI na CASCA", 1916-1966. The back contains 7 signatures who were the signatories of the proclamation, all were executed by the British. They include: Tom Clark, Sean MacDermott, Thomas MacDonagh, Padraig Pearse, Eamon Ceannt, James Connolly, Joseph Plunkett. All were members of the Supreme Council of the Irish Republican Brotherhood (IRB). Their graves in the former military prison of Arbour Hill in Dublin is now a National Monument. The dish has 5 hallmarks in the bowl, including maker's mark RISL for Royal Irish Silver Limited, Hibernia, Harp Crowned, date letter Y and the Sword of Light 1916-1966 Jubilee mark, only used in 1966 to celebrate the anniversary. The medallion is also hallmarked, including mak...

A commemorative Irish silver caddy spoon, with the Gleninsheen collar handle and rounded square bowl, made to commemorate Ireland's entry into the E.E.C (European Economic Community). The original Gleninsheen collar is a gorget or neck ornament made from a sheet of pure gold, dating back to approximately 700 BC, it was dicovered by a farmer in 1932 in County Clare near the Gleninsheen wedge tombs, it is now in the National Museum. The collar has also featured on Irish stamps, and has been included in the book "The History of Ireland in 100 Objects" (which we can recommend). The caddy spoon also has the Gleninsheen Collar hallmark, which was only used in 1973. All the hallmarks are are well struck and very clear with no wear. An identical spoon was also part of the John Norie collection (lot 7, Part 1 of John Norie Collection of Caddy Spoons, Woolley & Wallis, April 2004). This spoon also features in the Pearson Silver Collection of post war British silver (www.pearsoncollection.com). Note - This spoon was als...

A beautiful Irish Georgian silver sugar tongs, with bright cut engraving, Irish "Star" and shell style bowl. The tongs also have a well engraved Lions head family crest in one of the cartouches on the side. No initials are engraved on the bow. The tongs are very good quality, as you would expect from Irish Georgian silver. The tongs have 3 hallmarks, crowned harp for Dublin in rectangular punch with cut corners (used 1793-1809), makers mark JD in script in oval punch, and Hibernian duty mark. No date letter is present, as is usual on Georgian silver tongs (Hodges, Georgian Silver Sugar Tongs, pg 198). John Daly worked between 1786 and 1809, from the style of the tongs we place them circa 1795. Irish tongs by Daly are probably rare, as they were not recorded by Hodges in the book described above.

A 9 carat gold and green enamel sweetheart brooch, for the Irish regiment the Royal Ulster Rifles. The brooch has the regimental crest of Irish winged harp below Royal crown, and motto " Quis Separabit" (Who shall separate us). It also has a shamrock and hunting horn below the harp, the detail is lovely, this is a very good quality brooch. It is mounted on original gold brooch safety pin, which is in perfect working order. It is stamped with 9CT indicating it is 9 carat gold. The original leather box with gold trim is also lovely and well preserved, even the silk lining is still good. It is marked "W.P. Lewis & Co, Goldsmiths, Successors to Pim Bros Ltd, 19 Exchequer St, Dublin", the original retailer. The Royal Ulster Rifles also served in the Anglo Boer War, so this brooch could be older than our World War 1 date, as sweetheart brooches were also popular then. As this is a high quality gold brooch, it probably would have been presented by an officer. The Royal Ulster Rifles have won 7 Victoria Crosses, 4 in...

A rare Irish provincial silver toddy ladle made in Cork, but hallmarked in Dublin. The ladle is circular with a lip for pouring, and has a whale bone handle. The ladle is beautifully decorated, with embossed flowers, leaves and scrolls, on a stippled background. The pouring lip is decorated with a "sunburst" collar. The decoration is typical of the Irish silver of the 1820 period, with floral repousse (embossing) on a background stippled to a matt finish (Bennett, Collecting Irish Silver, pg 79). The whalebone handle is 4 sided, and has an unusual knop end, the circular knob set above silver banded decoration. The hallmarks are all very clear, including makers mark PG in oval outline (Cork mark no. 80 in Bennett). The Dublin Goldsmiths company passed an act in 1807 requiring the Kings head to be stamped on all plate made in Ireland. As this could only be done in Dublin, it forced the provincial goldsmiths to start sending silver to Dublin for hallmarking. Garde, who worked in Cork between 1812 and 1845, appe...

An Irish Georgian silver punch ladle, quite small in size, identical in form to the larger punch ladles, we are not sure if it is intended for punch or another liquid (bowl very similar in size to Scottish toddy ladles, so perhaps an Irish Whiskey toddy ladle?). The bowl is circular, with a substantial pouring lip, and angled handle, the turned wooden handle is stained black. The wooden handle is securely fastened with silver pin, we believe this to be original, with no repairs. The interior of the bowl has 3 hallmarks, makers mark J.T in rectangular punch, partially struck (due to curved surface) harp crowned for Dublin, and clearly struck duty mark for William IV, the punch with 4 indents, this punch was only used in 1831 and 1832. This particular makers mark is interesting, J.T in rectangular punch, it is not recorded by Bennett in his book "Collecting Irish Silver (highly recommended), it is recorded by Jackson (page 655) preserved on a pewter plate, but listed as unknown. Amongst the most likely candidat...

A pair of Georgian Irish silver serving spoons, made by William Ward of Dublin. The spoons are Fiddle pattern, we have described them as serving spoons as they are noticeably larger than tablespoons, very suitable for use as serving spoons. The spoons both have an interesting engraved family crest, a hand above heart, this is well engraved. The hallmarks are clear on both spoons, makers mark W.W (mark 580 in Irish Silver by Douglas Bennett, page 180), date letter I for 1805, and Hibernia and Harp Crowned in rectangular punches with canted corners. Note the absence of a duty mark, which only came into use in 1807 in Ireland. William Ward was a noted spoonmaker, he was freed in 1774 and died in 1822.

A set of 6 Irish Georgian silver Celtic Point teaspoons, with bright cut "Dublin Star" engraving. The oval shield under the star is vacant, this was originally intended for a family crest or owners initials. This engraving was popular in Ireland between 1790 and 1800, the bright cut glitters in candlelight, the Star pattern is unique to Irish silver. The 6 spoons were made by 4 different makers, and have very slight differences, but the hand engraving was done by the same hand, so we believe the set was assembled by the engraver. All 6 spoons are hallmarked with the Dublin Hibernia and Harp Crowned, no date letters are present (as is usual with Irish teaspoons of this period). 4 Makers marks can be identified, 2 J.S for John Shiels (1762-1790), one AM for Arthur Murphy, and one JB for John Bayly, the fifth mark is ?D, the last is not legible. Slight differences includethe shapes of the drops, and the bowl shapes, some move oval than others (very slight differences).

A pair of Irish Georgian silver tablespoons, with bright cut "Dublin Bow" engraving. The oval shield under the star is engraved with original owners initials CFS and AJS, possibly a husband and wife. This engraving was popular in Ireland between 1790 and 1800, the bright cut glitters in candlelight, the Bow pattern is much rarer than the Dublin Star pattern, the Star, Bow and Prince of Wales Feathers (unique to Limerick) are unique to Irish silver. The spoons have extended drops, and the hallmarks are very clear on both spoons. These include date letter X for 1794, Harp Crowned and Hiburnia in rectangular punch (first introduced in 1794), and makers mark I.D in oval punch for John Dalrymple, who worked between 1789 and 1794 (www.silvermakersmarks.co.uk). John Dalrymple is a rare makers mark, he was not featured in the book "Collecting Irish Silver" by Douglas Bennett, who wrote the definitive guides on Irish silver.

An Irish silver wine label engraved CLARET, made by Benjamin Taitt in Dublin circa 1785. The label has a curved rectangular shape, with an attractive bright cut and wiggle work border, and original chain. This particular form of label is uniquely Irish, English examples of this type curved up, only Irish labels curve down. The Claret engraving is quirky, done by hand and rougher than London examples of the time. The hallmarks are excellent, and include makers mark BT in a serrated oblong, harp crowned in a irregular shaped punch (so pre 1786) and Hibernia in an oval punch (used before 1793). A very similar label, also by Taitt, is depicted in the book Wine Labels 1730-2003, pg 279, figure 927, for W-WINE, described as circa 1785-1790 so the dates match. The same book describes Taitt as "arguably the most innovative of Irish wine label makers, a particularly successful exponent of bright-cut engraving". He made the famous balloon label, only one of which is known, pg 82, and he worked between 1775 and 1800.

A lovely Irish silver Bright Cut Celtic Point tablespoon, with traditional Dublin Star cut on the terminal. The spoon has an oval cartouche, with engraved family crest of a Griffin holding branch with leaves, this is crisp and clear. The spoon is bottom marked, and unusually has excellent hallmarks (bottom marked hallmarks are oftern squashed), they could not be better. The include Dublin Hibernia and Harp Crowned, date letter O for 1786, and makers mark J.S for John Shiels (or Sheils) who worked between 1762 and 1790.

A Irish Georgian silver tablespoon, in the Old English pattern, with original owners engraved initials PRM. The spoon has a lovely feel, full of character, with quite a large bowl. The hallmarks are bottom marked, and very clear, they could not be better. They include Dublin Hibernia, Crowned Harp, date letter R for 1765 and makers mark C.S in diamond punch, with star above and below, very distinctive. Skinner worked between 1739 and 1765, so this spoon was made right at the end of his career. He was a highly respected silversmith, he was elected Warden in 1751, Master in 1754 and in 1755 was elected to the Dublin City Common Council (Bennett, Collecting Irish Silver, page 153).

An early Irish silver rat-tail Hanoverian tablespoon, made in 1729 by Esther Forbes, the widow of Robert Forbes. The spoon is lovely quality, a pleasing weight, and in remarkably good condition. The spoon has a deep frontal rib running halfway down the handle, with a strong turn-up, and the traditional rat-tail used before 1730. The spoon has original engraved family crest on the back of the spoon (spoons were placed face down at this period), the crest featured a raised arm in armour holding a cross (slight wear to the cross). The 3 hallmarks are clear, makers mark EF in oval punch (slight wear to F, looks more like EE), date letter gothic K for 1729, and crowned harp, with slight wear but clearly discernable. This spoon predates the Irish Hibernia mark which was introduced in 1731. Robert Forbes worked between 1701 and his death in 1718, his widow Esther continued the business until 1729. A number of their spoons have survived. Robert was a Quarter Brother (Collecting Irish Silver by Douglas Bennett, page 1...

An Irish antique silver sauce ladle, in the Celtic pointed pattern, also called Pointed Old English. The ladle has a beautiful original engraved family crest of a stag's head with a cross between the antlers, the detail is good with no wear. This we believe is the family crest of the Bassett family, described as "A Stag's Head Caboshed, And Between The Attires A Cross Patt Fitch Arg" - source (www.myfamilysilver.com). The hallmarks are excellent, they could not be clearer, including makers mark JP for John Power. Pickford, in his book "Silver Flatware", states that most Irish flatware of this period is this Celtic Pointed variant, which is only found in Ireland and Scotland.

A lovely pair of Georgian Irish silver hook-end basting spoons, made in Dublin in 1788, the spoons are a pleasing weight and quality. The spoons have the traditional hook end only found on some 18th Century Irish silver spoons, and are Old English in pattern. The spoon bowls are generous, very suitable for use as serving spoons. Both spoons are engraved with a peacock family crest, this has some wear but is still visible. Both spoons also have original owners initials P/IG on the back of the drops. The spoons are bottom marked with 4 hallmarks, the Hibernia, crowned harp and date letter Q for 1788 are clear on both spoons. The makers mark on both spoons has been lightly struck and unfortunately not readable (although first letter appears to be C in rectangular punch, so possibly Christopher Haines). Ian Pickford, in his book "Silver Flatware", describes hook-end or turned-over flatware as peculiar to Ireland, principally with 18th century serving pieces, for hanging the piece up (page 56).

A Georgian Irish silver sugar bowl, made by Charles Townsend in Dublin around 1780. The bowl is circular with a fluted design and a flat fold over gadrooned rim, supported by three cast silver shell knuckle hoof feet, we love these feet. The base of the bowl is engraved with original owners initials P over M M, this is alongside the hallmarks. The bowl is clearly hallmarked with the Irish Hibernia and Crowned Harp, next to makers mark CT for Charles Townsend, who worked in Dublin between 1773 and 1790. This is a large bowl, more suitable today for bon-bons, it will hold a lot of sugar! The size and design is typical of the period for Irish silver, a number of other examples have survived. A similar shaped bowl but with different design, but with identical feet, now in the National Museum of Ireland. can be seen in a colour photograph in the book "Collecting Irish Silver" by Douglas Bennett (a book we highly recommend), page 63 and 65. The Metropolitan Museum also has a very similar fluted bowl, also by Charl...

A set of 3 Irish Provincial silver dessert forks in the Fiddle pattern, made by Richard Garde of Cork in 1835. The forks are all engraved with a family crest of a Griffin, above engraved owners initials (possibly GT in script), the engraving is on the back of the forks, showing they were placed facing down on the table during those times. The forks are all clearly hallmarked, makers mark R.G, mark 86, page 191, Collecting Irish Silver by Douglas Bennett (a book we highly recommend). The crowned harp, Hibernia and date letter P are all clear, one duty mark is clear and 2 duty marks are worn but still visible. The Dublin Goldsmiths company passed an act in 1807 requiring the Kings head to be stamped on all plate made in Ireland. As this could only be done in Dublin, it forced the provincial goldsmiths to start sending silver to Dublin for hallmarking. Garde, who worked in Cork between 1824 and 1845, was presumably the son of silversmith Phineas Garde, who complied intermittently with the Dublin act. The Act sha...

An Irish Provincial silver Bright Cut Celtic Point tablespoon, made in Cork and hallmarked in Dublin in 1804. The spoon is quite large, over 23 cm, and has intricate bright cut engraving, the quality is excellent. The spoon has engraved family crest of a Boar's head, this too is beautifully engraved, and very crisp and clear. The hallmarks are clear, Dublin hallmarks for 1804, and JK in script makers mark for Joseph Kinselagh of Cork, he worked between 1802 and 1807, he may have been a descendant of earlier silversmith of same name, 1750-1783, perhaps the makers mark was passed down the family. More research is required on this maker.