A magnificent pair of Victorian silver gilt spoons, with a beautiful figure of a maiden (or Goddess), sculpted with lovely detail. She is full figure, with a long flowing dress with a high slit, with flowers adorning the front. She holds her arms crossed, and has her hair in a bun. The design has a strong Art Nouveau look and feel, these spoons were well ahead of their time when made in 1873. The spoons are very good quality and gauge, very suitable for use as serving spoons for a dessert. The hallmarks are very clear on both spoons. Henry William Curry took over the business of Augustus Piesse in 1868, which he continued until 1889. Of interest is that Curry was in trouble with the Goldsmiths Hall in 1880 in a matter of counterfeiting hallmarks (John Culme, Directory of Gold and Silversmiths, pg 366). Curry has left behind some fabulous silver, top notch quality and beautiful intricate designs, he deserves further study. Henry William Curry's brother Charles John Curry was in partnership with Alexander Crich...

A Victorian silver wine bottle stand, with blank central cartouche (suitable for engraving), with embossed shell and scroll decoration, raised edge and 4 very ornate scrolling feet. It is a good weight and is good quality, and suitable for use. The base is engraved "Hunt & Roskell, Late Storr & Mortimer, 8095". The sterling lion, town mark, date letter and duty mark are clear, but the makers mark is very faint and barely visible (although not necessary with the full name engraved on the base). Hunt & Roskell were the most prestigious silversmiths of Victorian England, having descended from Paul Storr, the most famous of English silversmiths. They were silversmiths and jewellers to Her Majesty Queen Victoria, and had an important display at the Great Exhibition of 1851. In 1865 it was recorded that they were the largest holders of precious stones in Europe (John Culme, Directory of Gold & Silversmiths, pg 245).

An interesting antique Dutch silver miniature scale, with 2 circular weighing pans mounted on 4 supports, resting on a table with a drawer with handle. Four weights of different sizes are also present, along with 2 bars, we assume lifters to move the weights. The table is rectangular, on 4 feet with a skirt, and is decorated with S shaped scrolls. The scale is 835 grade silver, typical of continental silver (and slightly lower grade than 925 sterling silver). The scale contains a number of interesting hallmarks, but as they are quite small they are difficult to decipher. The first mark is ZII, which is the Netherlands purity mark for 835 grade silver, (Tardy, International Hallmarks, pg 327). The second mark is Ad81 in a rectangular punch, this is the makers mark for Jacobus van Dam, who worked in Schoonhoven between 1849 and 1888. The 3rd mark is 835 in an oval punch (silver purity mark), the 4th mark is tiny and difficult to read, looks like "42NO". Some additional marks are present, these are indistinct, c...

A lovely example of an American souvenir spoon, which were very popular at the turn of the 20th century, and one of the finest we have encountered. The spoon depicts a Canadian Indian, complete with bow and arrows, tomahawk, feather headdress, Canada ribbon, and delightfully detailed moccasins. This is a rare spoon, the Indian here is not depicted in "Collectible Souvenir Spoons", the authority on souvenir spoons, by Wayne Bednersh. The spoon bowl depicts Brandon College, Brandon, Manitoba, and the Indian figure is holding the enamelled Royal Coat of Arms of the UK, with quarters of England, Scotland and Ireland, under the Royal Crown. This was used in Canada prior to the confederation in 1867, so it is a little mysterious why a Canadian spoon from 1900 is still using these arms. Brandon College was founded in 1899 as a Baptist institution, and was completed in 1901, this spoon would have commemorated the opening. Over 200 students of Brandon College fought during WWI, 2 were awarded the Victoria Cross. Brand...

A lovely pair of decorative Hanau silver Christening (or anointing) spoons, with an Apostle carrying a baby standing on a winged cherub's head. The stems are twisted, the base decorated with a peacock eating fruit, above a face. The back of the bowls are richly decorated with a diamond pattern and scrolling foliage, and the spoons have a rat tail. The spoons are cast, and as such are quite solid, with a pleasing weight. As is usual with Hanau silver, they are replica's of fine 17th century German silver. The spoons, which have no Hanau hallmarks, were imported into Britian in 1889 by David Bridge of the firm John Smith & Co, as can be seen by makers mark D.B and capital F (hallmark for foreign silver, used between 1867 and 1903). The spoons also have date letter O for 1889. The hallmarks on both spoons are very clear. John Smith & Co. imported a great deal of decorative silver into Britian, much of which was of German origin, presumably Hanau (Culme, Gold and silversmiths).

An important Royal silver brandy saucepan, which was given by Queen Victoria to her grandson Prince Christian Victor (Christle) of Schleswig-Holstein in 1868 as a christening present. The quality of the saucepan is excellent, it is the usual bulbous shape with a spout and turned ivory handle. It has a detachable domed lid, with a hinged projection for covering the spout, and an ivory and silver finial. The interior is gilt, it sits on a raised foot and has the traditional heart shaped join between body and handle. The saucepan and lid are both decorated with scrolling foliage and flowers, which is beautifully engraved. The lid fits snugly, the hinge is excellent, and the handle and finial are firmly secure. The saucepan is engraved "From his Grandmama Victoria R, 14 April 1868" on the front, the back has a scrolling foliate cartouche with the engraved initials "CV" below a coronet. The hallmarks are very clear, and are accompanied by the number 113 struck into the base (perhaps a pattern number?). The base al...

A charming Cape silver snuffbox, retangular in form, and quite small in size. It is decorated with typically Cape engraving, generally a crude series of lines and dots. The cover is quite unusual, having a central shield cartouche (engraved "MMM Le R 1851") surrounded by 2 Scottish thistles - this design is very rare on Cape silver. The surname "Le R" (possibly Le Roux?) is probably French Huguenot in origin, the Scottish thistles are a mystery. The sides of the box have a zig-zag design, the base a blank rectangular design. The interior is gilded, and the base of the interior has an engraved sunburst design. The hallmarks are on the rim of the lid, and consist of makers initials JJV surrounded by 2 acorn devices (Welz mark 159). They are quite small but clear and well struck, but given the location difficult to see. JJ Vos was one of the last 2 surviving Cape Silversmiths, he worked between 1841 and 1882 (Welz).

A Victorian silver commemorative trowel with ivory handle, of very good quality, with presentation inscription surrounded by scrolling foliage and flowers. The inscription reads "To commemorate the laying of the first stone of the New University of Cape Town by Mrs William Hawke, 28th February 1925". William Hawke of Hawke and McKinley was the architect responsible for the Groote Schuur campus of UCT, a magnificent set of buildings still in use today. UCT is ranked today as one of South Africa's leading universities. The hallmarks are very clear. Atkin Brothers was in business from 1853 to 1958, when they were taken over by CJ Vander Ltd. William Hawke and his partner W McKinley were trained and worked in the UK, Hawke worked in the London Admirality Office of Works, where he assisted with the design of the Simonstown sanatorium (now Naval Signal School). They had a flair for prize winning designs, and in 1905 they won first premium for the Cape of Good Hope University buildings (later UCT). They moved to Ca...

A delightful Hanau silver box, the lid and sides decorated with embossed panels, including bowl of flowers, musical instruments, laurel wreath and claret jug, complete with goblet and grapes. The panels are bordered with a floral leaf design. The interior of the box is gilt. The box has a very clear set of Hanau pseudo hallmarks, which have been described as amongst the "most difficult and confusing area of silver hallmark study", as the marks were never registered and no records exist. The marks include pseudo crowned leopards head (Scheffler 538), pseudo lion passant (Scheffler 540) and pseudo dolphin (Scheffler 534). The small mark is genuine, being the Austro-Hungarian mark for imported articles between 1901 and 1921 (Tardy, pg 75). The mark, which also appears on the lid, has a capital B, indicating the city of Lienz. The Hanau silversmiths specialised in antique reproductions, generally of very good quality, so much so they often exhibited at international expositions. Gebruder Dingeldein was founded i...

An unusual Russian silver kvass jug in Trompe L'Oeil style ("deceive the eye"), which is a type of chased decoration designed to imitate a surface or texture, to create a 3D impression. The jug is typically Russian in style, and the texturing imitates rush work or raffia (woven birch wood strips). The detail is amongst the best we have seen, the silversmith was definitely a true artist. The interior of the jug is gilded, and the hallmarks on the base are clear, although part of the makers mark is worn. The handle also has the St Petersburg hallmark. The assay master is Aleksandr Frans Fan der Flit (or van der Vliet), who worked in St Petersburg 1882 to 1894, his Cyrillic initials are AF, source www.925-1000.com. This assay master is described as unknown by Watts (Russian Silversmiths Hallmarks 1700-1917, Geoffrey Watts, pg 73). We are not experts on cyrillic makers marks, so are not certain we have correctly identified the maker - all opinions welcome. Kvass is a traditional Russian and Ukrainian fermented b...

A pretty Glove button hook, with silver ring for suspension from a chain. The handle is polished honey coloured tigers eye, a gemstone, the silver hook has attractive engraving. Buttonhooks for gloves were much smaller than those used for boots. This could be worn as a necklace pendant. The hallmarks are small but visible.

A magnificent set of unusual silver gilt cast teaspoons and sugartongs, all of exceptional quality, in original silk lined leather box. Each individual spoon is a replica of an earlier spoon design, covering 300 years of spoon history. They include (as best we can identify): 1. Moors head, twisted stem 2. Onslow with flowers 3. Bearded monks head (Rococo) 4. Pierced handle (rare 18th century design) 5. Apostle spoon. pilgrims staff and book 6. Bacchus (Roman clothes) holding wine goblet 7. Stag with antlers 8. Aphrodite, Goddess of Love, dancing with tambourine 9. The devil, with horns 10. Warrior with raised arm, helmet and brestplate 11. Angels head (blowing clouds?) 12. Cherub's head, ornate stem 13. (Sugartongs) Cupid with wings. Manoah Rhodes was established in Bradford, Yorkshire in 1836, Thomas Ackroyd Rhodes was appointed Managing Director in 1888. He lived in Frizinghall and Thornbury in Bradford. They also had premises in Hatton Gardens, London. They were Diamond merchants, Goldsmiths ...

Unusual pair of knife rests, shaped as a pair of "jacks", with a central ball with 6 arms, each ending in a small ball. They are nice and solid, and a very good weight. In addition to clear hallmarks, they also carry a registration number (111097), indicating the design was registered by Roberts & Belk, and a small crest depicting a Roman oil lamp. Roberts and Belk were a well known firm, first established in 1809, and bought by CJ Vander in 1961.

Rare matching set of Cape Tableforks, in the Fiddle pattern, of good weight, and robust enough to be used. All 12 forks have very clear Pseudo English hallmarks and makers mark. The forks all have 2 sets of initials, but these are worn. These forks match the 6 Dessert spoons (item S1194), having the same maker and initials. Waldek, who produced silver from 1830 - 1877, took over Lawrence Twentyman's shop on Heerengracht street when Twentyman left the Cape.

A delightful Chester silver miniature card box, complete with complete set of "Little Duke" cards. Box and lid are both hallmarked with Chester marks. George Nathan and Ridley Hayes worked between 1897 and 1912, they had premises in Howard Street, Birmingham and also a retail shop at 13 Hatton Gardens, London.

Attractive set of pierced and engraved fish servers, with a very comfortable feel. Albany pattern handles, which are loaded. The Albany pattern was the only 19th century pattern to join the standard patterns after 1860. It was named after Queen Victoria's youngest son, the Duke of Albany, who died in 1884. Very clear hallmarks.

This spoon has an original inscription, "IIH en EL, 1812". These are presumably the initials of the owners and the date of their wedding. A set of 6 tableforks by the same maker and with the same inscription are pictured in David Heller's 2nd Cape Silver book, "Further researches in Cape Silver", page 46, plate 5, with description on page 41. An additional pair of tableforks with the same inscription are present in the Africana Museum, and are pictured in the book "Cape Silver" by Stephan Welz, pg 67.

Beautiful pair of heavy egg spoons with Madras Artillery crest, in the Fiddle, Thread and Shell pattern. Very clear hallmarks. George Adams was the proprietor of Chawner and Co., the most important firm of silver spoon and fork manufacturers in Victorian England.

Typical Cape konfyt fork in the Fiddle pattern, with an unknown makers mark, not recorded by Morrison, Heller or Welz. The mark is clear, JB between an unknown device, possibly a bird?

A very typical Cape snuff box, relatively crude in comparison to its English counterparts. Rectangular, rounded corners, bright cut wrigglework enclosing initials ECP, gadrooned thumbpiece. Interior has gilt remnants. Very clear makers mark.