Two Chinese Export silver dessert forks in the Fiddle pattern, which we have grouped together as we believe they are by the same maker, Sunshing. The forks have slightly different sizes, shape and weight, the longer fork is slightly heavier at 46 grammes. The smaller fork has engraved script initials PK, this is worn. The larger fork has a turn up end, the smaller turn down, so 2 very different interpretations of Fiddle pattern , interesting to compare. The larger fork has clear makers mark SS, with distinctive font, for Sunshing, and 3 pseudo marks, duty mark, crowned leopards head (struck upsidedown, and indistinct), and a strange lion passant (without tail), these pseudo marks are different from the ones usually used by Sunshing, the punches are also showing signs of wear. The second fork has 4 pseudo marks but no makers mark, the 4 hallmarks are those usually associated with Sunshing (pseudo lion passant, crowned leopards head, date letter C and Georgian duty mark) - see www.925-1000.com. These marks are...
Early Georgian sugar nips with scroll work arms and scallop shell grips. Scratched initials MD in hinge box. Marks (makers and lion passant) on outer side of finger ring, however the makers mark is only partially visible and appears to be ig (which we are informed could possibly be Phillips Garden). The date mark absent as is usual for nips of this period.
Early pair of bright cut English provincial sugar tongs with clear makers and duty mark, however date and town mark are not present. Quite heavy and solid, have a nice feel. Initials TMM on bow.
Matching set of 5 Fiddle pattern Cape teaspoons, with engraved initials MIH. Very clear pseudo English hallmarks.
Beautiful, elegant, early Old English pattern sauce ladles, with a long drop and engraved initials JIL. Smith and Fearn were leading spoonmakers, and the hallmarks are very clear.
Cape tablefork in good condition, with very clear pseudo English hallmarks and makers mark. Initials ADL on the back of the fork.
A Cape silver dessert fork, in the Fiddle pattern, with 4 prongs, which are quite long. The hallmarks are clear but slightly worn, they include pseudo English duty mark, castle, date letter C and makers mark LT. This is mark 139 in Cape Silver by Welz, the C has a small gap.
A Cape silver dessert spoon in the Fiddle pattern. The spoon has pseudo English hallmarks, all individually struck, all the hallmarks are very clear. They include duty mark, bird, castle and date letter e, with makers mark LT. This is makers mark 131 (Cape Silver by Welz), although they are struck in a different order, which is quite common. It appears the Cape silversmiths were not too scrupulous about how hallmarks were struck.
Fiddle pattern Cape teaspoon, with clear hallmarks (Welz no 27) including initials, 2 ladder device in ball, 2 shell device.
Cape Silver teaspoon in the Old English pattern, with very clear hallmarks, IC and shell. Combrink worked from Dorp Street.
Cape Silver Fiddle pattern teaspoon with very clear hallmarks (mark 11 in Welz).
Cape Silver Fiddle pattern tablespoon, with very clear pseudo English hallmarks, including dutymark, bird, castle and date letter B. No makers mark is present, but as only Lawrence Twentyman used this sequence of marks we can be sure of its origin.
Pleasant set of 4 Cape Silver Fiddle pattern teaspoons. Very clear hallmarks showing makers initials between device.
A Cape silver tablespoon in the Fiddle pattern, with engraved owners initials "de C", so probably a Huguenot. The spoon bowl is quite wide and the top of the handle has a very provincial rib and turn. The hallmarks are very clear, and include makers mark LT, and pseudo-English hallmarks (leopards head, date letter a, duty mark and lion passant). This is mark 135 in "Cape Silver" by Welz.
Cape Fiddle pattern dessert spoon with an interesting crest, crudely engraved, of a raised arm holding an axe. Hallmarks are clear, DB repeated twice between two stars.
Early Cape tablespoon of Hanoverian pattern, with the end of the spoon turning up.
Plain Cape tablespoon with very clear hallmarks, showing makers initials between two Fleur de Lys.
An early Georgian silver rat-tail Hanoverian tablespoon, with a pronounced rib on the front of the stem, and oval bowl, as is usual for early Hanoverians. The spoon also has two lovely family crests (correctly engraved on the back of the stem), the first is a snake twisting around a pillar, the second a raised fist holding wheatsheaves, with crosses in the background. The rat-tail pattern first appeared in 1710, the rat-tail disappeared from Hanoverians in 1730. The spoon also has very clear bottom marked hallmarks, including a very clear makers mark (RO under stags head) for Nathaniel Roe. This is a rare mark, it is not recorded in Jackson, and the mark in Grimwade (mark 2396) was a poor impression, largely conjectural, and was undated by Grimwade. The mark is recorded by Wyler (pg 148).
Roe was a largeworker who worked in London between 1710 and 1717, when his newly born son died aged 4 days. He then left London for Norwich, where he continued work as a silversmith. He became Sherriff of Norwich in 1737.
A lovely early Cape tablespoon in the Hanoverian pattern, with turn-up end. This spoon only has the makers hallmark, which is very worn but still faintly visible. Lotter generally only struck his makers mark, as is the case on this spoon. Lotter, who was part of a large family of silversmiths working in the Cape, was an extremely competent silversmith who made the Cape Town Lutheran Church chalice to match one made in Amsterdam in 1765.
A Fiddle pattern Cape Silver Tablefork by a well regarded Cape Silversmith, with engraved initials AW. The hallmarks are clear, being the makers mark struck twice. Lotter worked as a silversmith from 1810 - 1835, and was regarded by Heller as one of the finest of all Cape silversmiths.