An Arts and Crafts Swedish silver sugar bowl with lid, with circular hand hammered body on a raised circular foot, the lid with a ring finial. It is a simple but beautiful design, and is a very good weight and excellent quality. The hallmarks are very clear, having been protected by the raised foot. They include the Swedish State mark (3 crowns) and 830 silver standard (S in hexagon), Goteborg city mark (crowned G), date letter for 1962 (M9) and sponsors mark for Thore Eldh (SFS). Thore Eldh was a highly regarded Swedish designer who worked between 1935 and 1967. In addition to the hallmarks, the bowl is stamped "Cecilia" in script form, we assume a pattern name.
An unusual silver table bell, with cast silver handle of 2 young boys (cherubs or putti?), one holding the other upside down by the ankles. The casting has lovely detail, as can be seen in the photographs. The bell is quite heavy, and is good quality, with a clear ring. The clanger is also hallmarked silver. The hallmarks are clear, including makers mark JS, which appear to over strike another mark, so possibly JS is a retailer. We would welcome opinions on the significance of the cherubs, thank you.
A silver quaich of traditional shape, with 2 flat lug handles, and quite a large size. It is quite plain, which accentuates its lovely shape. The base is engraved "H.H. Plante, 12 Bury St, St James, S.W.", and the hallmarks are very clear. Quaiches are traditional Scottish drinking vessels, one's this size were passed around at ceremonial occasions. They are popular christening gifts in Scotland. The firm of H.H. Plante (Henry Hudson Plante) worked between 1907 and 1980.
A magnificent silver beaker, decorated with 10 silver staves, which in addition to being decorative greatly improve the grip. It is extremely good quality and weight, and a pleasure to hold. The base is engraved "Goldsmiths & Silversmiths Co, Regent St, W", and the hallmarks are clear. The Goldsmiths and Silversmiths company existed from 1880 to 1952, when it was absorbed into Garrards, the Crown Jewellers. Given it's date of 1916, we imagine it was used for water or whisky by an officer in the Great War. This beaker is a replica of a medieval beaker dated 1496 (Henry VII), that used to belong to Cardinal Wolsey. It is featured in an advertisement for Alexander Clark Co Ltd of Oxford Street, London, priced at 3 pounds 10 shillings, that appeared in The Connoisseur magazine of July 1912, which advertised reproductions of historical and classic cups, including the tudor bowl and cup, and Pompeii jug. High quality reproductions of famous silver items were popular in the early years of the 20th century, they ar...
An octagonal silver sparrow beak milk jug, a modern reproduction of a popular 18th century style, circa 1725. It is pitcher shaped, has a scroll handle, and sits on an applied octagonal foot. The base of the sparrow beak has 2 applied balls, completing the design. The jug is a very good weight and quality, as you would expect from Garrards, the Crown Jewellers. In addition to being a very pleasing design, it pours beautifully, so very suitable for use. The hallmarks are excellent, including makers mark "G & Co Ld". Garrards is a very prestigious firm, originally founded by George Wickes in 1722. They succeeded Rundell, Bridge & Co as Crown Jewellers in 1843, and are still based in Regent Street.
A very interesting silver drum salt, designed by Alex Styles and retailed through Garrard, to commemorate the 650th anniversary of the Goldsmiths Company in 1977. The body is decorated with a fabulous interpretation of the Goldsmiths Company Arms, and the dates 1327-1977. The arms (granted in 1571) include quartered leopards head and covered cup with 2 buckles, and a stylized demi-virgin (thought to possibly be Queen Elizabeth I) holding the scales (balances) of Justice and a touchstone, both used for testing precious metals. The armorial is supported by 2 unicorns (representing purity), and the motto JUSTITIA VIRTUTUM REGINA, latin for "Justice is Queen of Virtues". The design has been photo-etched onto the silver, a modern technique which we think does justice to the armorial. The Goldsmiths company is one of the 12 great Livery companies of London, they were granted Royal Charter in 1327. The Leopards head (actually a lion but in 1327 the word for lion and leopard was the same) comes from the Royal standar...
An interesting pair of circular trencher salts, made to commemorate the coronation of Edward VII in 1902 by Elkington. The quality is superb, and they are a good weight. The salts are an exact replica of Carolean salts made in 1684, engraved "Ex Dono Edw Norman 1684" (donation of Edward Norman 1684). They have star crests, presumably that of the donor, and the crest of the "Worshipful Company of Innkeepers" (St Juliens cross sable and chevron between 3 oatsheaves) on the other side. The company, whcih still exists today, was created in 1514. The company has the original salts (a set of 12) and presumably commissioned the replicas to commemorate the coronation. The original salts are described in the article "The Old English Silver of the Innholders Company, London" by Arthur Butler (The Connoisseur Illustrated Vol 1 pg 236, Sept - Dec 1901). Butler believes they deserve "special distinction", due to their "graceful shape". The top of both salts are engraved "Edward VII, 1902", and the base is engraved 101 and...
Beautiful Arts and Crafts low tazza, with celtic design rim and 8 celtic buttons of two different sizes arranged around the rim. It is a pleasing size and weight, perfect for use as a fruit bowl. This is a truly stunning piece, by highly regarded makers. Hallmarks are very clear
An Arts & Crafts Britannia silver tumbler cup, with hand hammered (planished) sides, and rounded heavy base, made by the little known silversmith Denis Lacy-Hulbert for his brother. The cup is beautifully proportioned, ideal for use, and is a lovely quality item. The cup is engraved "Cyril Lacy-Hulbert, M.A. (HONS) CANTAB, C.ENG, M.I.E.E., M.I. Mech E.", well positioned beneath the hallmarks, which also add to the decorative effect. The reverse of the tumbler has the Lacy-Hulbert family crest, with motto "Pro Aris Et Focis", translated "For Hearth and Home". The hallmarks are excellent, all clearly struck, including Britannia which indicates this silver is higher grade 950 standard (sterling is lower grade 925). Tumbler cups were originally made in the 17th and 18th century, designed with a heavy rounded base that rights itself to prevent spillage when traveling (think stagecoach or boat). Denis (Ben) Lacy-Hulbert (1911-2005) was Managing Director of a family steel tube/ cylinder manufacturing business, silve...
Rectangular, plain but elegant teapot on 4 ball feet, characteristic of the style between 1805 and 1810. Wooden handle and ivory finial. Beautiful tree stump crest, excellent hallmarks, including lid.
An interesting solid silver figure of a musician playing a trumpet, decorated with coloured cabochon "jewels" in red, blue and green. The figure is beautifully modelled, the detail is astounding, clearly the work of a master craftsman. A total of 21 cabochons are present, we assume they are paste of glass, to simulate rubies, sapphires and emeralds, the cabochon in the hat is larger than the others. The texturing of the hat, hair and stockings is all done by hand. Their are traces of gilding on the figure, at end of trumpet and under coat. The figure only has one hallmark, a clear 13 in shield, quite a stylised 3, this is for 13 Loth silver, or 812 standard, used in Germany prior to 1888, hence our dating of the figure as circa 1880. Whilst no makers mark is present, we are confident it originates in Hanau, Germany, where a number of similar bejewelled figures were made, including a number of musicians. A number can be seen on the Pushkin Antiques website, www.pushkinantiques.com, in the archive/ sold section...
Lovely Nathaniel Mills cigar case with a beautifully engraved hunting scene, a dog chasing two grouse. The entire case is engraved with scrolls, and the cartouche is engraved "Carole". Hallmarks on the lid and base are very clear.
An interesting pair of Scottish sterling silver miniature triangular bowls, intended as salt cellars, reproductions from the Traprain Treasure. The bowls have a large beaded rim, and rest on a circular foot, these are miniatures of the set we have (S 1099). They are quite heavy and well made. The hallmarks are very clear, Scottish thistle, Edinburgh castle and date letter X for 1928, along with "Brook & Son, Edinburgh. The bowls also have an additional hallmark, stylised S in diamond punch, this mysterious S in diamond punch is also present on other Traprain treasure reproductions, so we assume it was used by Brook on the Traprain reproductions. Brook and Son were the leading Scottish silversmiths in the early 20th century, they operated between 1891 and 1939 from 87 George Street, they had a Royal Warrant from King George V (Hamilton and Inches today). The bowls are reproductions of a Roman bowl that was part of the Traprain Law treasure hoard, which was discovered by George Pringle at Traprain Law, East Lot...
An interesting open salt in triangular form, with central circular salt, and 3 cast hoof feet. The salt is decorated with 3 male busts, with high collars and long flowing hair, completed with hanging swags, which are repeated in the hand chased pierced border, which is very intricate with gadrooning and balls. The triangles on top have a floral design. Three hallmarks are present, small crown, large Fleur De Lys, and small device (possibly flower in pot?). We are not able to positively identify these hallmarks, one possibility in Neisse on the Polish border, but all assistance welcome, thank you. We have found similar examples of this triangular formed salt in the V&A museum, hence our tentative attribution to 17th century Germany, they are described as "Small triangular salt cellars mounted on three feet were common pieces of tableware in affluent homes in late 16th-century Germany. The cities of southern Germany dominated the goldsmiths craft there from the 15th to the early 19th centuries. Their goldsmiths...
A Liberty & Co Arts and Crafts sterling silver milk (or cream) jug, with a planished (hand hammered) squat circular body, with a high pouring lip. The jug is decorated with embossed celtic style buttons (4) and matching border, with a little heart shaped design. The jug sits on 3 button feet, and has a plain handle. The jug is clearly hallmarked with Liberty's distinctive L&Co in diamond shaped punch mark, along with Birmingham hallmarks for 1928. The jug also has a design number, 50014, perhaps some-one with access to the Liberty archives will be able to do further research. Arthur Liberty used his shop to showcase the work of leading designers, including Archibald Knox, Rex Silver, Bernard Cuzner and Jessie King (Liberty's, Biography of a Shop, A Adburgham, 1975, pg 81). It is possible this jug was designed by one of these designers. The Liberty store founded in 1875, and still thrives today. Their current Tudor Revival building on Great Marlborough Street was completed in 1924, using the timbers of 2 wars...
A lovely antique silver child's porringer, in traditional Queen Anne style, although it was made in Georgian times. The porringer has a central cartouche with script initials MB, which are Victorian in style so would have been added by a later owner. The porringer is decorated with curved lobes and flutes, and the cartouche is surrounded by foliage. The porringer also has punched floral decoration, and the S shaped handles are banded. The gauge is quite thin, more suited for display than for use. The base of the porringer is engraved "RB over IG, 1769", in contemporary engraving, indicating the porringer could have originally been a wedding present, or a christening present for a child born the following year. Porringers of the small (child's size) size are quite rare, few have survived. The hallmarks are very clear, and although the makers mark punch has some wear, it is still legible.
An interesting silver standing salt made to commemorate the coronation of Edward VII in 1902 by Elkington, who are known for their fine replicas of earlier styles. The quality is superb, and it is a very good weight. The salt is an exact replica of a salt made in 1626, engraved "This Salt is the Gifte of John Waterworth 1626". It has the crest of the "Worshipful Company of Innholders", with St Julien's Cross sable and chevron between three oatsheaves. The company, which still exists today, was created in 1514, and is no. 32 in order of precedence of the 107 London companies. The Company of Innholders has the original Waterworth salts (a pair), we assume the replica was commissioned by them in 1901. The originals are described in an article entitled "The Old English Silver of the Innholders Company, London" by Arthur Butler, in "The Connoisseur Illustrated Vol 1, pg 236, Sept - Dec 1901." Butler describes them as "of very massive silver, the well turned moulding and sensible proportions amply compensate for th...
A Liberty & Co Arts and Crafts sterling silver sugar bowl, with a planished (hand hammered) squat circular body. The jug is decorated with embossed celtic style buttons (8) and matching border, with a little heart shaped design. The bowl sits on 4 button feet, and has plain handles. The bowl is clearly hallmarked with Liberty's distinctive L&Co in diamond shaped punch mark, along with Birmingham hallmarks for 1928. The bowl also has a design number, 50014, perhaps some-one with access to the Liberty archives will be able to do further research. Arthur Liberty used his shop to showcase the work of leading designers, including Archibald Knox, Rex Silver, Bernard Cuzner and Jessie King (Liberty's, Biography of a Shop, A Adburgham, 1975, pg 81). It is possible this bowl was designed by one of these designers. The Liberty store founded in 1875, and still thrives today. Their current Tudor Revival building on Great Marlborough Street was completed in 1924, using the timbers of 2 warships. Note- we have a matching ...
An Arts and Crafts silver sugar bowl with fitted lid, the lid has a foot and can also be used as a dish. It is a copy of an early Georgian design, circa 1735 (Miller's Silver and Plate Buyers Guide, pg 27). This is a lovely bowl, hand hammered in typical arts and crafts fashion leaving a planished finish, it is also very good quality and a pleasing weight. This would make an ideal Christening present. The Chester hallmarks are clear, the lid is also hallmarked.
Swedish Art Nouveau bowl with superb bearded iris design repeated on 4 sides of the bowl, by a well known Swedish maker. The lip of the bowl is wavy, in keeping with the style. Hallmarks are clear, being CG HALLBERG, triple crown Swedish national mark, St Erik's head for Stockholm, and Y6 datestamp for 1901. (Note: please forgive our previous incorrect attribution of this bowl to Copenhagen).
