A beautiful sterling silver antique cheese scoop, in the Indian pattern, made by Whiting of New York and retailed by N. Harding & Co. of Boston (Haverhill). The scoop bowl is gold washed, and has lovely bright cut engraving (flowers with pattern) on the back of the bowl. The scoop has 2 engraved initials on the front, an ornate P and M, and on the back is engraved "Fathers Day 02" (for 1902). This spoon is described as a cheese scoop in the pattern books, but the extreme foldover of the bowl shows it was designed for Stilton cheese. The hallmarks are clear, including Whiting lion makers mark, "PAT 1874 STERLING", retailers mark N Harding & Co (slightly worn but still visible), and additional marks 3 and A near the makers mark. We can date this scoop between 1874 when the pattern was designed by Charles Osborne, and 1889 which is the year Harding & Co closed (operated 1851-1889). We really like this cheese scoop.The Whiting Manufacturing Company was established in 1866, and was a supplier to Tiffany. They wer...
A mixed set of antique American sterling silver, comprising of an olive spoon and olive fork. The spoon is Towle Empire pattern, patent 1894, with gold wash pierced bowl, this is a beautiful spoon. It was designed by George P Tilton, and has no monogramme. The fork is by Clark & Biddle, made between 1866 and 1870, it has a twisted stem, 3 tines with barbs, and intricate engraving. The fork has engraved owners initial P in fancy script, and is also engraved on the back "Thanksgiving 02", we assume 1902. Both items are clearly hallmarked.
A Gorham sterling silver Louis XIV pattern pickle knife, with a pair of matching master salt spoons. The pattern is striking, described as "17 th Century Magnificence", named after King Louis Quatorze of France, who "made his reign famous for it's splendour". The pickle knife (similar to an English butter knife) is bright cut and gilded, with no monogramme, which the 2 saltspoons have goldwash bowls and engraved initials G. The hallmarks are clear on all 3 items, "Patent 1870, Sterling, and the Gorham lion, anchor and gothic G. Gorham Corporation, which still exists today, was founded in 1831, they dominated the solid silver flatware market in the USA for 125 years (Gorham Silver, page 50).
A Cape silver konfyt fork in the Fiddle pattern, with 3 tines. The fork is quite colonial in character, the tines have slightly different thicknesses, overall a little crude but clearly hand made. The fork has makers mark DBD between 2 five pointed stars (Welz mark 44), this is clearly struck with slight wear along the top. Dominique Baudouin Du Moulin worked between 1818 and 1833, he arrived in the Cape from Brabant (now Belgium) and married the sister of Cape silversmith Johannes Hendricus Beyleveld (Cape Silversmiths by Welz, page 131.). His work is only found occasionally.
A boxed set of six sterling silver Hanoverian pattern teapoons, with matching sugar tongs. The spoons all have rat tails, and the tongs have the spoon pattern repeated on the arms. The quality is good, as you would expect from Mappin & Webb. The original box reads "Mappin & Webb Ltd, Regent Street, London W", this would have been an expensive item when new. All 7 items have excellent hallmarks, the 6 spoons are 1919, the tongs 1920. Mappin and Webb was founded in 1859, it still exists today and is one of Britain's most prestigious brands. In addition to Royal Warrants, Mappin and Webb are the Crown Jeweller.
A rare early Kay Bojesen Art Nouveau silver server, he would probably have called it a sandwich server. The server is typically Art Nouveau, very similar in style to early Georg Jensen pieces, with a ball finial crowning another ball, with 8 supporting strands in a vase shape, with 2 S shaped wings on the side. The handle is also vase shaped, with rounded corners, so pleasing to hold. The serving bowl is wedge shaped, flat in front with a small bowl, and 2 supporting raised sides to hold items in place. The connection between handle and bowl has 2 scrolls below a pyramid style step. The server is clearly hand made, you can see variations in how the 8 strands connect. The hallmarks are excellent, makers mark KBS, Kay Bojesen device (oval with picture, ships funnel?), and standard mark 830S for 830 grade silver. Kay Bojesen (1886-1958) trained with Georg Jensen 1907-1910, he opened his own workshop in 1913, at first making similar designs to Jensen (we date this piece to early in his career). In 1951 his "Grand...
A Charming Cape silver Konfyt (preserve) fork, in the Old English pattern, with 3 tines. The fork has a large oval drop, which along with 3 tines (later forks had 4 tines), shows it's age. The fork has makers mark only, quite clear, it appears to be HNS, this is mark 175 in Welz, Cape Silver. This mark is recorded as "unknown" by Welz, but is now thought to be a worn punch used by Daniel Heinrich Schmidt, the greatest of all the Cape Silversmiths (Heller and Welz) - see the similarity with Schmidt's DHS mark, Welz mark 110.
A set of 24 silver knives, 12 table knives and matching 12 dessert (or bread) knives, in the Louis XIV pattern, made by the leading silversmiths of the period. The knives are very good quality, perfectly suited for regular use. The knives have sterling silver handles and steel blades. The pattern is a Kings pattern variant, with shell and reeded edge, this particular pattern is the Louis XIV pattern. All 24 knives are fully hallmarked, with R&B makers mark for Roberts & Belk, and Sheffield hallmarks (some 1970, some 1971, so the set crossed the date letter change). Roberts & Belk were founded in 1810, in 1960 they were acquired by CJ Vander, the leading silversmiths of the period.
An interesting 17th century style silver notched 2 pronged fork, a replica of the earliest known English table fork. The fork has 3 notches at the top of the stem, a rare feature seen occasionally on puritan spoons. it also has 2 family crests, the top a griffiths head and wings, the Montagu family crest, the second is a peacock in pride, the crest of John Manners, 8th Earl of Rutland of Haddon Hall, the owner of the original fork. The original, made in 1632, is known as the Manners Fork, and is in the V&A museum in London. This fork is a good gauge, very pleasing to use, we tested it on cold meats and olives! The hallmarks are excellent, and include the optional Jubilee mark, used in 1934 and 1935. A real talking point for your dinner table. Note: - we now have another example of this fork, S 1808, in original box.
A beautiful pair of miniature antique silver pastry servers, perfectly preserved in their original box. The servers are in the Kings Husk pattern, single struck, this is a variant of the Kings pattern without the central honeysuckle decoration, and a husk shell. Both servers are a similar size and shape, one had a flat spade shape blade and the other has a serrated prong front, so quite versatile. The hallmarks on both are very clear. The box reads "By Appointment to his Excellency The Governor of Cape Colony, Morris Bros, Jewellers & Silversmiths, Kimberley & Johannesburg". We have not been able to trace any information about Morris Brothers, all assistance welcome. Note - We have now traced a 1905 advert for John Round & Son, they claim to be "The largest spoon and fork makers in the world".
A set of six Victorian Scottish silver spoons, with matching tongs, in a Grecian pattern variant, not present in the book Silver Flatware by Ian Pickford, so we believe to be rare. The spoons can best be described as very large teaspoons, but definitely more suitable for eating dessert. The spoons and tongs have original owners engraved initials CS in fancy script. The pattern is very similar to Grecian, but noticeable differences include a shell at the top of the stem, and small beads as a border of the stem. The pattern is single struck, as is usual for Scottish flatware. Grecian pattern is a mid 19th century pattern, first exhibited by George Adams of Chawner & Co. at the Great Exhibition of 1851, the pattern is also present in the Chawner pattern book (pages 144, 145 and 218 of Pickford book above). The hallmarks are excellent on all 7 items, they could not be clearer, and include the Glasgow town mark with tree and fish. Robert Scott worked from Buchanan Street, Glasgow between 1849 and 1927. We really l...
A pair of antique Irish silver sugar tongs in the Fiddle pattern, with engraved initials MMG. The tongs are a good weight and in excellent condition. The hallmarks are very clear, they could not be better. Philip Weekes worked between 1816 and 1848, he was apprenticed to Samuel Neville. The makers mark has a dot between the letters, this mark does not appear in Irish Silver by Bennett.
A rare Georg Jensen sterling silver # 42 pattern fork, this design has been called pea pod. The fork is hand hammered, with hammer marks visible, this is a lovely fork, exceptional quality. The fork has 4 tines, and at 14.5 cm length could be either a Child's fork, or small serving fork (ideal for cold cuts). The design is informally known as pea pod, but officially just called pattern # 42. The design is lovely, with 6 cast peas alongside a series of leaves, it has also incorrectly been described as "flattened magnolia". Georg Jensen himself produced this design in 1918, it is one of the "Numbered Ornamental Pieces" that were made in small quantities so not often found. It is depicted in the book "Georg Jensen A Traditional of Splendid Silver", by Janet Drucker, pages 290 and 291, we highly recommend this book. The hallmarks are clear, 42 (pattern number) above Georg Jensen in dotted oval, above "STERLING DENMARK".
A boxed set of pure silver (990 grade) Korean silver rice spoons and forks, 6 of each, with enamel mandarin duck pairs on the handle. The spoons and forks are the traditional shape, the forks have 3 tines, the colour is a very bright white, given the very high grade (99% pure vs sterling which is 92.5 % pure, hence 925 grade). The six rice spoons have red enamel mandarin ducks, the forks have blue enamel mandarin ducks. All 12 are clearly hallmarked "AG990". The Mandarin duck, also called "Wedding Ducks" in South Korea, represent fidelity as they mate for life, and are traditionally given as wedding gifts, red for female and blue for male, hence the enamel colours. The red velvet box has a geometric design and Hangul (Korean writing) figures, the interior lid is embossed "Prime Minister Republic of Korea, under Prime Minister's emblem", so we assume this was a wedding gift from the Prime Minister. This set is accompanied by its original quality guanantee certificate, issued by a member of the Korea Jeweller's...
A matching antique sterling silver knife, fork and spoon, made as a Christening present. They are dessert size, and in an unusual scrolling pattern, possibly an Onslow pattern variant. This scrolling pattern reminds us of the Auricular style, a 17th century German Mannerism style, rarely seen today. The knife has a pistol grip, the blade is also hallmarked sterling silver. They are gilded with a rich golden colour, this gilding is original. All 3 items are clearly hallmarked, the knife handle has an additional FH makers mark for Francis Higgins, so the knife handle was outsourced. F.B. Thomas & Co. was a well known firm of retail silversmiths, established in 1759. Francis Boone Thomas joined the firm aged 21 in 1851, he took control in 1871, he died age 71 in 1900. The firm traded until 1941 when it was severely damaged in an air raid during World War II.
A rare Victorian silver Paxton pattern silver sugar tongs, in excellent condition. The tongs have the Paxton pattern on both arms, the pattern has a central flower with trailing foliage and flowers, with a Gothic border, and a very different and unusual foliage pattern on the tong bowls. The tongs have a good gauge, excellent quality, as you would expect from Chawner, the top maker of Victorian silver flatware. The hallmarks are very clear, including makers mark GA for George Adams of Chawner & Co. Ian Pickford, in his book "Silver Flatware", describes the Paxton pattern as "a very rare mid-nineteenth century pattern, named after Joseph Paxton the designer of the Crystal Palace for the Great Exhibition. It is illustrated in the Chawner pattern book, services are very rare, odd pieces may be found, building a service would be extremely difficult" - page 231, where a fork dated 1868, also by Chawner and currently in the V&A museum, is illustrated - see also pg. 219 for Chawner pattern book. Joseph Paxton was al...
A Tiffany sterling silver crumb scoop in the Hampton pattern, this scoop is excellent quality and weight, as you would expect from Tiffany. The scoop has a wide flat horizontal blade, with a rim on 3 sides to retain crumbs brushed from the table. Crumb Scoops arrived mid 19th century, and can still be seen in use in some high end restaurants and cruise ships. The Hampton pattern was designed by Charles Blake and was introduced in 1934, it is Art Deco in style, it has an architectural finial (like a pedestal) and matching bands lower down the handle. It was named after Hampton Court, the country palace of King Henry VIII, Tiffany describes the pattern as "both modern and classic, it's proportions harmonious like great architecture". The scoop is hallmarked "TIFFANY & CO M STERLING" on the side of the handle, the M refers to the period 1907-1947, when John Moore II was Director, so we can date this piece between 1934 and 1947.
A fabulous pair of antique silver tea knives (or butter knives), made in Sheffield but retailed in Oban, Scotland by R Drummond & Son. The knives have green hardstone handles, beautifully shaped, we guess Scottish green agate. The blades are nicely shaped and engraved, the hallmarks (which are excellent on both knives) are camoflagued in the engraving. The blades are blunt, so made for spreading, not for cutting, in the days everyone had their own knife for tea. The backs of both blades are clearly punched "R Drummond & Son, Oban", so we know they were retailed from their jewellery store in Queens Park, Oban. They also had a store in Stirling which traded between 1865 and 1904. Their advert has survived, and reads "Goldsmiths, Watchmakers and Opticians". Levesley Brothers worked between 1897 and 1916. The set is perfectly preserved in its original box.
A sterling silver dessert fork in the magnificent Bacchanalian pattern. This is one of the rarest English silver flatware patterns, it was originally produced by Paul Storr. The fork shows Bacchus, the Roman God of wine, riding a lion, whilst a topless Diana looks on, with another figure asleep at her feet. The back of the fork is also beautifully decorated, with a masque over a theatre curtain, and tilted amphora of wine. Bunches of grapes and vine leaves complete the decoration. The fork has original owners engraved initials AMD. The fork is extremely good quality, quite heavy to hold, and the hallmarks are clear. They include makers mark FH for Francis Higgins and London hallmarks for 1846. Bacchanalian pattern is shown in "Silver Flatware" by Pickford (pg. 127), where a dessert service made by Wakely and Wheeler is depicted. The pattern was originally designed by Thomas Stothard, the famous painter and designer, for Rundell, Bridge & Rundell, the Royal silversmiths, in 1812, the first service was used by ...
A set of three sterling silver items, namely ladle, saltspoon and butterknife, in the popular Fiddle, Thread and Shell pattern, with engraved Marais Family coat of arms, which is very clear on all 3 items. The ladle is a pleasing size and weight,108 grammes, the quality is excellent on all 3 items. The hallmarks are very clear, including makers mark D&J W, for Daniel & John Wellby, who worked between 1827 and 1974 from Garrick Street, London. The Marais family coat of arms is described as "Azure, a chain sable fesswise, in chief a crescent reversed and a base of two hills vert" - Pama, Heraldry of South African Families, page 53, depicted on Plate 18, no 280, of the Bell Krynauw Collection. It dates back to Charles Marais of the farm Plasir de Merle, who arrived in the Cape in 1688, and was "murdered by a Hottentot on the farm in 1689". Note - we have other matching items with the Marais Family armorial.