A rare solid silver version of the Voortrekker Aandenking (memorial) 1838 - 1938 bowl, in 835 grade silver. The circular bowl with foot is well modeled, with ox wagons on trek, with Boer (farmer) on horse, cattle in the foreground and mountains in the background, framed by trees. The other image is of the Voortrekker Monument in Pretoria, and in between are two lit candles in a candlestick, surrounded by chains, with Zulu shields above and ox horns below. One candle reads "VOORTREKKER AANDENKING", the other "1838 - 1938". The hallmarks are clear, and include makers mark V over moon for Zilverfabriek Voorschoten, and 835 indicating the grade of silver (835/1000). Zilverfabriek Voorschoten is a brand name of Koninklijke Van Kempen & Begeer, founded in 1764 and still in existence today, they moved from Utrecht to Voorschoten in 1858. The Voortrekker Aandenking bowls were made in a variety of materials, including porcelain, brass and silver plate, the solid silver variant is quite rare. Another example can be see...
A pretty boxed silver butter knife and jam spoon, with lovely terminal design, which has been cut out by hand. Both pieces are good quality and in excellent condition, they do not appear to have been used. The hallmarks are clear on both. This would make a lovely wedding present.
An interesting and decorative Portuguese silver toothpick holder, made in Porto between 1853 and 1862 by the unidentified maker MJG. The holder consists of a well dressed Chinese figure holding the vase shaped toothpick holder, standing on a ornamental pedestal, with 4 applied silver plaques, the pedestal standing on 4 cast silver scrolling feet. The Chinese figure wears an 8 sided conical hat, a flowing robe with engraved leaf decoration, baggy pants and pointed heeled shoes. The pedestal has a crenulated top, the sides with oval piercings and pierced dots nearer the base. The four plaques (attached with silver nut) consist of 2 Chinese pagodas, a bearded Chinese figue sitting crossed legged, and a European figure holding a conical object with a plume, we guess a fire plume (all assistance welcome!). The square cast base also has a patterned rim. This is a very well made cast item, pleasing gauge, and clearly made by a master silversmith. The hallmarks include makers mark MJG with beaded border, this maker i...
A fabulous lion mask head and paw feet cauldron salt cellar with near matching mustard pot, complete with blue glass liner. The salt has a gadrooned rim, and 3 cast lion mask head and feet, with very pleasing detail, and is gilded with a matt finish. The weight of both is extraordinary, these are very heavy and good quality items. The mustard pot has a hinge lid and scrolling handle. The salt was made by Hollard, Aldwinkle & Slater in 1917, the mustard pot is by the Goldsmiths & Silversmiths Company, 1920. On very close inspection you can see they do not quite match, the lions are cast in different moulds, with very slight differences in the detail - but both are reproductions of a very popular early Georgian style circa 1750. This style was also copied by Paul Storr. The hallmarks on both are very clear, the lid is also hallmarked. Hollard, Aldwinkle & Slater was an important firm who worked between 1838 and 1932, they acquired a number of leading firms including Adams (Chawner), Hennell and Higgins. The Gol...
An interesting silver caddy spoon made to commemorate the Royal Wedding of Prince Charles to Lady Diana in 1981. This is a lovely caddy spoon, quite heavy, excellent quality, and with a very pleasing design. The bowl is circular with stylised Prince of Wales feathers with Royal crown and motto "ICH DIEN". The handle is rectangular with diamond lozenge with the Spencer family Coat of Arms, 3 scallop shells between 2 devices, above Spencer family motto "Dieu Defend Le Droit", translated "God defend the right". The back of the handle is engraved "Des A. G. Styles, Garrard & Co Ltd, 42". It is also engraved with the name "George Ware" underneath the hallmarks, which are clear (we assume a previous owner). Alex Styles was one of Britain's leading silver designers of the 20th century, he spent most of his career as lead designer at Garrards, the Royal silversmiths, until he retired in 1987. The Times newspaper described him as "the finest designer of hand made silver in England" in 1966. He served with the RAF duri...
A lovely American Arts & Crafts sterling silver caddy spoon, made by respected silversmith Katherine Pratt. The spoon has an unusual but striking curved shovel shaped bowl with a flat terminated bowl edge, most caddy spoons have rounded bowls. The bowl edges are slightly raised, this is a well made spoon. The handle is long and elegant, and very practical for use. The spoon is stamped "STERLING" and "PRATT". These are in different fonts, the Pratt font is quite distinctive and typically Arts & Crafts. Katherine Pratt (1891-1978) has been described as "America's foremost 20th century woman silversmith" although information on her is sparse and her silver is rarely seen on the market today. She graduated from the Boston Museum School in 1914, and trained under both George Hunt and George Gebelein, both leading Arts and Crafts silversmiths. She worked at the Handicraft Shop, and was recognised by the Boston Society of Arts (Craftsman 1916, Master 1918, and the prestigious Medalist Craftsman in 1931, the only fe...
A very rare Arts & Crafts hand hammered silver sugar bowl, with twin handles, resting on a circular reeded foot. The bowl is by Philip Frederick Alexander, who has been described as "one of the greatest Arts & Crafts silversmiths" (www.antiquesilvercompany.com). The bowl has beautiful spot hammering throughout, leaving a planished appearance, with solid D shaped handles, it is also a pleasing weight. Alexander worked between 1900 and 1920, from Church Row, Hampstead, London. He also lived in Walberswick, Suffolk, both prior and after World War 1. He would have known Charles Rennie Mackintosh, who spent a year in Walberswick during the war. He had a Master of Arts degree from Oxford (unusual for a silversmith), he was also an author of geographical discovery books, including "The Discovery of America and The North West and North East Passages", still available on Amazon (www.styles-silver.co.uk, who also have a few pieces of his work, all unfortunately sold). The hallmarks are excellent, including makers mark...
Extremely rare marrow spoon (as opposed to the commomer marrow scoops), with a lovely shellback. Hallmarks are very distinct. Bennett was a well regarded silversmith who worked on London Bridge.
A rare Irish provincial silver toddy ladle made in Cork, but hallmarked in Dublin. The ladle is circular with a lip for pouring, and has a whale bone handle. The ladle is beautifully decorated, with embossed flowers, leaves and scrolls, on a stippled background. The pouring lip is decorated with a "sunburst" collar. The decoration is typical of the Irish silver of the 1820 period, with floral repousse (embossing) on a background stippled to a matt finish (Bennett, Collecting Irish Silver, pg 79). The whalebone handle is 4 sided, and has an unusual knop end, the circular knob set above silver banded decoration. The hallmarks are all very clear, including makers mark PG in oval outline (Cork mark no. 80 in Bennett). The Dublin Goldsmiths company passed an act in 1807 requiring the Kings head to be stamped on all plate made in Ireland. As this could only be done in Dublin, it forced the provincial goldsmiths to start sending silver to Dublin for hallmarking. Garde, who worked in Cork between 1812 and 1845, appe...
A magnificent Scottish Georgian silver punch ladle, by one of the finest Scottish silversmiths of the period. The ladle has a circular bowl, finely decorated with bunches of grapes and vine leaves, the decoration is truly a work of art. The ladle has a lip which is also decorated, similar to a gadroon pattern. The handle is held in place with a traditional heart shaped plaque, this has a previous owners initials lightly scratched into it, hardly visible but a nice addition. The silver handle is also decorated with grapes and vine leaf. The original handle is wood, which has been turned into an attractive shape. The ladle is finished with a silver knob and cap, also decorated in the same fine grape and vine pattern. The ladle is a generous size and weight, is very good quality, and is in superb condition. The hallmarks are very slightly worn but still clearly visible, and include the Glasgow town mark, lion rampant, date letter G, duty mark and makers mark RG&S. Robert Gray worked in Glasgow from 1776, adding ...
A pair of Cape silver Fiddle pattern konfyt (preserve) forks, with 4 tines, by Johannes Combrink. Both forks have excellent hallmarks, maker mark IC between 2 devices (possibly pomegranite?), see Cape Silver by Welz, mark 27, pg 147 - although on these forks the device has been reversed, with ball on inside, showing Cape silversmiths were not too concerned how hallmarks were struck. Johnannes Combrink worked between 1814 and 1853, he was a fine silversmith who produced good quality work.
A rare set of 6 Rose pattern Victorian silver teaspoons, by the highly respected firm of Elkington. These are the heaviest and best quality teaspoons we have ever encountered, each teaspoon averages over 44 grammes, no expense was spared when these were made. The pattern is double struck, and has good detail, with trailing roses, and Anthemion heel (Pickford, Silver Flatware, pg 131. The crest area has not been engraved. The hallmarks are clear, it appears the Elkington and Co Ltd makers mark is overstriking another maker, indicating Elkington purchased these from a specialist maker (possibly CJ Vander, who are known to have possessed Rose pattern dies, depicted in Pickfords book, pg 25) and overstruck their mark, a common practise. Pickford describes the pattern as rare, and he notes 2 different types (different heels). Close examination shows that these spoons have a slightly different design from the one depicted in Pickfords Flatware book (pg 131), with more leaves, so different dies must have been made. ...
A collection of 10 sterling silver and enamel souvenir spoons, all from Scottish towns. Eight of the spoons have enamel finials, one has additional enamel bowl, two are silver only. The spoons were made in Birmingham, London and Edinburgh, and two were imported from Europe. The dates range from 1900 to 1955. All 10 spoons have clear hallmarks. The 10 include: 1. Kilmarnock, Birmingham 1946, L Bros, Confide Virtute et Industria 2. Glasgow, Birmingham 1955, Barker Brothers 3. Edinburgh, London 1902, Saunders & Shepherd, Nisi Dominus Frustra, imported F mark 4. Glasgow, Birmingham 1926, Levi & Salaman, Let Glasgow Flourish, Cathedral in gilded bowl 5. Edinburgh, Birmingham 1900, Levi & Salaman, Nisi Dominus Frustra 6. Glasgow, Birmingham 1911, Joseph Cook & Sons, Exhibition 1911 7. Girvan, Birmingham 1902, William Henry Leather, Sigillum Burgi de Girvan 8. Dumfries, London circa 1900, imported F mark, Enamel bowl with High Street, Dumfries 9. Edinburgh, Birmingham 1926, Levi & Salaman, Nisi Dominus Fru...
A collection of 10 sterling silver and enamel souvenir spoons, all from a different British town. All 10 spoons were made in Birmingham, with dates ranging from 1900 to 1965. All 10 spoons have clear hallmarks. The 10 include: 1. Guildford, 1902, Levi & Salaman 2. Hastings, 1900, Levi & Salaman, Hastings Castle in bowl. 3. Morecambe, 1965, AJ Bailey 4. Blackpool, 1960, Turner & Simpson 5. Nottingham, 1955, James Fenton 6. Llangollen, 1909 Spurrier & Co 7. Carlisle, 1903, Levi & Salaman, Be Just and Fear Not 8. Canterbury, 1950, Deakin & Francis, Ave Mater Anglia 9. Isle of Wight, 1907, Spurrier & Co 10. Chester, 1951, Barker Brothers, Antiqui Colantantiquum Dierum
A Cape silver teaspoon, in the Fiddle pattern, by Johannes Combrink. The spoon has original owners initials HV engraved on the stem, the engraving is most attractive. The teaspoon has an unusual drop with incised curve. The spoon is marked with makers mark IC (Welz mark 30, Cape Silver, pg 147), this is very well struck and clear. Note faint scratch mark JER near hallmark, we presume a previous owner, visible in photo, not really visible normally unless you look close in good light.
A pair of Fiddle pattern Cape silver teaspoons, with original engraved initials "RHL". The teaspoons are a pleasing weight, and are well made, good quality spoons, well preserved. The spoons have a Colonial feel, the Fiddle is more flattened than English examples. The engraving of the initials is lovely, they also has a Colonial feel. The hallmarks are excellent on both spoons. The include makers mark JJV in an unusual 6 sided punch (Welz mark 161), pseudo sterling lion, and pseudo duty mark (Queen Victoria's head with good detail, and hair bun). Jacobus Vos worked from 127 Long Street, unfortunately he died young, age 27, unmarried, which is a pity as he produced good quality silver.
A Cape silver Fiddle pattern tablespoon, with a set of extremely rare Cape silver hallmarks. The hallmarks include makers mark LT, and pseudo marks that include date letter A, lyre and duty mark. These marks are shown by Welz in his book Cape Silver (mark 144, page 156), they are also shown by David Heller in his book History of Cape Silver (mark MM84, page 156). The makers mark, A and lyre mark are well struck and very clear, the duty mark is worn at the top. The date letter A is quite distinctive, with one arm much thicker than the other.
A cast silver commemorative wine label engraved "RUM", made to celebrate the coronation of Queen Elizabeth in 1953. The label is curved rectangular shape, with central peak topped with the Royal crown, and beautiful applied lion supporters on each side. The label is lovely quality, quite heavy, a pleasure to hold. These wine labels were distributed by the wine merchants Saccone & Speed, as can be seen in the photograph of the advert (courtesy of www.steppeshillfarmantiques.com). The hallmarks are very clear, and include the coronation mark, and makers mark LGD for Leslie Durbin. Leslie Durbin was one of the most admired silversmiths of the 20th century, his silver is in the Royal collection, he was also honoured with a 1 man exhibition at the Goldsmiths hall entitled "50 Years of Silversmithing" in 1982. He produced the silver components for the Stalingrad Sword during WW II, he also designed British coinage. He apprenticed with Omar Ramsden, his students included Benney, Mellor and Robert Welsh. Durbin is a...
A scale replica set of the Tichborne Celebrities, probably the most famous of all English spoon sets, originally made by William Cawdell in 1592 (Kent, London Silver Spoonmakers). The set was produced in 1977 by the Heritage Collection of Bristol, commemorating the Silver Jubilee, in a limited edition of 5000 (this set is no 1814). The sets sold for GBP 250 in 1977, with a royalty paid to the Hampshire County Museum, who bought the original set at Christies in 1975 for GBP 85000. The spoons are sterling silver with gilt finials, and each spoon is hallmarked with 5 marks - makers device, STG (sterling), antelope head (South Africa), date letter D and set number 1814. The spoons are good quality, with very detailed finials, and each is engraved with its name, as per the originals. The set comes in original box, complete with signed certificate with information on each "celebrity", and a booklet describing the set, its maker, and information on Sir Robert Tichborne. The set comprises of the "9 Worthies" of medie...
A pair of Cape silver dessert forks in the Kings pattern, by Fredrik Waldek. The forks are very good quality and gauge, but a little shorter than usual. The forks are double struck (pattern on both sides), and have the diamond heel, as is usual with Cape silver Kings pattern. Cape silver in Kings pattern is quite rare, it was only produced by 2 silversmiths, Twentyman and Waldek, who took over Twentyman's business. The hallmarks are very clear on both forks, and include pseudo Georgian duty, date letter a and crowned leopard's head, along with makers mark FW, which is slightly worn. The forks have no monograms or engraving, and none has been removed. Waldek had a long career as a Cape silversmith, chronometer, clockmaker and jeweller, he worked between 1830 and 1877. He took over Twentyman's shop and partnership on Heerengracht in 1836. The forks have shorter stems than other examples, see S 1866 for a comparative example.
