A delightful ladle shape sugar sifter, with an unusual pattern of stars, crosses and a half moon oval device. The pattern was cut by hand, and appears a little crude. The handle is initialled HI, and the hallmarks are clear with the exception of the makers mark, which is poorly struck, although still discernable.
Miniature toy trophy or goblet, with gilt interior. Woodward specialised in making trophies and cups for other retail firms. Clear hallmarks.
A Cape silver salt spoon, in the Fiddle pattern, with original gilded bowl, and original owners initials TB. The original gilding is a light lemon colour, worn and scratched from use, but still clearly visible and quite charming. The hallmarks are clear, and include makers mark PD for Peter Clarke Daniel, alongside pseudo hallmarks date letter B in indented punch and Georgian duty mark (Welz mark 42, page 148, Cape Silver). Peter Clarke Daniel was born in Dublin, he arrived in the Cape with the 1820 settlers as a child.
A Cape silver teaspoon, in the Fiddle pattern, by Johannes Combrink. The spoon has original owners initials HV engraved on the stem, the engraving is most attractive. The teaspoon has an unusual drop with incised curve. The spoon is marked with makers mark IC (Welz mark 30, Cape Silver, pg 147), this is very well struck and clear. Note faint scratch mark JER near hallmark, we presume a previous owner, visible in photo, not really visible normally unless you look close in good light.
An interesting antique silver spoon, used as a prize in a rifle shooting competition in Natal (now Kwazulu Natal), South Africa. The stem has the cast inscription "For Making Central Bulls Eye", the back of the bowl has an applied plaque, the emblem of the Natal Rifle Association. It contains a seated Boer soldier on a horse, with the motto "Semper Parati" (Always Prepared), and the date 1862, we assume the date the association was formed. The horse and rider are well modelled, as can be seen in the photos. Semper Parati is now the motto of the Boy Scout movement, perhaps Baden Powell encountered it during his time in South Africa during the Boer war. The spoon was made by the highly regarded Levi & Salaman, and has Birmingham hallmarks for 1905.
A delightful silver whistle in full working order, it emits a piercing and loud whistle (which certainly attracted attention when we tested it!). The whistle is engraved with scrolling foliage, and has a ring and link to allow it to be suspended from a chain or chatelaine. The hallmarks are very clear. This would make a lovely and functional pendant on a silver necklace. William John Hutchinson worked between 1900 and 1929.
Fiddle Pattern Konfyt fork, typical of those produced in the Cape. The fork is engraved "Irene". Konfyt forks were made and sold as individual items in the Cape (Welz, Cape Silver). The hallmarks are very clear, makers initials MLS between 2 Fleur de Lys (one is unclear). Smith was a VOC employee from Denmark who arrived in the Cape in 1757. He married 4 times, had 10 children and died in 1806.
Lovely set of twisted stem Apostle spoons, with cast silver Apostle finials, complete with nimbus (halo), signifying a saintly head. The spoons are very good quality, the cast Apostles have good detail, unlike the many sets of Apostle spoons mass produced later in the 20th century. The nimbus is engraved with Saint Esprit (Dove of the Holy Ghost), which signifies the descent of the Holy Ghost on the Apostle. The Esprit nimbus is frequently present in early (16th century) Apostle spoons. The hallmarks are clear on all spoons. Thomas Bradbury & Sons was a well known firm, in existance from 1769 to 1943, who mostly exported to the USA.
Cape sauce ladle with very clear hallmarks, the makers initials struck twice between 3 roses. Beets was the illegitimate son of the German Balthus Beets of Neubrandenburg and the Cape slave Angana.
A Georgian silver sifter spoon in the Old English Bright-Cut Edge pattern, with bottom marked hallmarks indicating a date pre 1777. The bowl has a lovely ornate floral piercing, and a flat base (as expected from original sifters). The Bright-Cut Edge pattern was popular between 1790 and 1800 (Pickford, Silver Flatware, pg 102), so we assume the sifter was updated in style then. John Lambe was a specialist spoonmaker, he worked between 1762 and 1796. His makers mark I*L in oval punch is clear, the lion passant and crowned leopards head are worn but visible, the date letter is very worn but could possibly be the "a" of 1776.
Lovely boxed set of 8 deco coffee spoons, all with clear hallmarks. In original box from a South African retailer in Pietermaritzburg, the box reads " Farrants Ltd, Goldsmiths and Diamond merchants, 213 Church St, next to Standard Bank, Maritzburg".
Lovely Colonial condiment spoon, complete with pseudo English hallmarks, which are clear, and engraved initials WJ. Condiment spoons are a similar size to English saltspoons, but the bowl is at right angles to the spoon stem, similar to English cream or sauce ladles. This spoon also has a half moon tally mark, which identified the indigenenous workman who finished the piece (see Wynyard Wilkinson's book on Indian Colonial Silver). The Lattey Brothers worked from 10 Government Street in Calcutta.
A Chinese Export silver tablespoon, in the Fiddle and Thread pattern, with pseudo hallmarks. The spoon is lovely quality, quite heavy at 88 grammes, a pleasure to hold. It has no initials or crest, and no sign of them being removed. The hallmarks are clear, and include pseudo sterling lion, crowned leopards head (with a large grin, which gives it away), date letter L used by Linchong, and pseudo Georgian duty mark. Linchong worked from New China Street, Canton, between 1800 and 1850
A rare Chinese Export silver tablefork, in the Fiddle pattern, with excellent hallmarks, they could not be better. The hallmarks include pseudo sterling lion, pseudo crowned leopard's head, makers mark "YS" and pseudo Georgian duty mark. Yatshing silver is always "of a high standard" (www.chineseexportsilver.com), this fork is no exception.
A Cape Silver tablefork in the Old English pattern, with very clear Cape silver hallmarks. The marks include makers mark IL in circular punch struck twice, with an attractive flower mark (mark 74 in Cape Silver by Welz). This fork has contemporary rough, lightly scratched initials MT, probably the original owner, on the back of the fork. This matches item S1148, which is already sold. Jan Lotter was an excellent silversmith, who made most of the Cape lemoenlepels (orange spoons) found today. He traded from Keerom Street, and probably died young, as he only worked between 1813 and 1817.
Matching set of 6 teaspoons, with engraved initials. These spoons are all 1821, the last year of the crowned leopard London hallmark. Very clear hallmarks with the exception of the makers mark, which is only visible on one spoon.
Realistically modelled cast silver shell, with 4 shell spikes used as feet. It has lovely detail, and is very good quality. The only hallmark present is 800. having never seen one of these before, we are not sure of its origin or use, perhaps it is a salt.
A lovely Edwardian Christening set, comprising of a replica rattail trefid spoon with ribbed rattail, very distinct notches, with matching fork, in original box. Both have very clear hallmarks. Francis Higgins was a specialist spoon and fork maker, who carried a hammer with him in the workshop to destroy any work not up to his standards (Culme, Gold and Silversmiths). He also commented "it should last more than a lifetime, boy" - he would have been proud of this pair. Higgins supplied leading dealers, including Hunt & Roskell and Garrard, this set was retailed by Mappin & Webb of Oxford Street.
Pair of Cape Fiddle pattern Tableforks, by the highly regarded silversmith John Townsend. The length of the tines is good, and the forks have very clear Pseudo English hallmarks and makers mark. The initials CJH are engraved on the back of the forks. Heller described Townsend as the most versatile of all the English silversmiths at the Cape, capable of excellent craftmanship.
A lovely hand hammered Portuguese silver Arts and Crafts spoon, with a blue stone cabochon set in the handle, possibly turquoise. The spoon is a pleasing gauge, quite heavy, this is a good quality hand made spoon. The spoon has a rounded bowl with quite a long handle, so possibly a jam spoon or sauce ladle. The hallmarks include "Pedro A Batista", a very small Portuguese standard mark (eagle facing left above 925, in rectangular canted punch for Porto), and additional makers mark of crossed hammer and spanner.
