A sterling silver bowl with a genuine embedded diamond, made to commemorate the centenary of the De Beers diamond company in 1988. The bowl (or dish) is circular, and is engraved in the centre with "DBCMLd" in Gothic script (the logo of De Beers Consolidated Mines Limited), the rim is engraved with 4 bands. The edge is engraved 1888 - 1988, with the brilliant round cut diamond between the dates (diameter of the diamond is 3.5 mm, it sparkles beautifully). The dish is clearly hallmarked with makers mark "EM*ESS" for Em-Ess silverware company, the largest South African silverware producer in the 1970's and 1980's, based in Johannesburg. It also has the Springbok head in U South African standard mark for sterling silver, 925 purity mark and date letter P for 1988. We are aware that this dish was also produced with London hallmarks, it looks identical in design, so we assume De Beers commissioned this dish both in London and South Africa, they were awarded to key customers, including site dealers in Antwerp.

A fabulous quality Georgian silver dinner plate or dish, in the traditional shape with applied gadroon border and contemporary family armorial and Royal coronet indicating a son of the Sovereign. The armorial is the Marital arms of Evans-Freke and Gore, the Royal Cypher is for HRH Prince Augustus Frederick, Duke of Sussex. Whilst these are called plates, it is more of a dish or bowl in shape, and is the smaller diameter, so probably used for a starter dish - but very suitable for use as a bowl today. It must have belonged to a large set, as the base is engraved "No 64", along with 18.10. The hallmarks are clear, the makers mark has been partially double struck with a partial repeated G and pellet above, but still clearly Grimwade mark 852 for George Methuen. He was freed as a large worker in 1743, he worked until 1761, so this dish was produced in his last year of work. Grimwade notes his principal output was salvers, dinner plates and dishes, and notes "his work shows a high standard of design and finish, i...

A sterling silver stirrup cup with cast foxes head, on bell shaped cup. The fox has good detail and texture, the cup is a pleasing quality and weight. The cup is designed to stand both ways, so can stand upright on a tray when filled. This is a modern version, with clear hallmarks for Sheffield 1979, and is in excellent condition. Stirrup cups originated in the late 18th century, they are drinking vessels which were presented to riders on horseback prior to leaving or arriving home from a hunt, this happened whilst their feet remained in their stirrups. Most stirrup cups were crafted in shapes that were relevant to the hunt, such as a hound or fox head, as is represented here. Francis Howard was established in 1900 and still trades today from Sheffield.

An interesting set of 3 antique sterling silver serving implements, in the rare Venetian/Italian pattern. They consist of a fabulous quality stilton cheese scoop (81 grammes), and matching pickle fork and butter spreader, all beautifully preserved in original felt and silk lined case. The pattern is very intricate, and is repeated on both sides, at first glance it is similar to Elizabethan pattern, both are Renaissance and Baroque in style. Unlike Elizabethan this pattern has a circular cartouche, repeated on both sides, this has not been engraved. Venetian/Italian pattern was registered in 1868, most pieces are by Martin Hall&Co, this is a scarce pattern (Pickford, Silver Flatware, page 94). Pickford aslo describes a subtle difference between Venetian and Italian (this is difficult to see without a photo of both). The box reads "Mappin & Webb, Manufacturing Goldsmiths & Silversmiths, London, Sheffield & Johannesburg". The hallmarks are clear on all 3 items. We love this set, a delight to hold and use.

An interesting Royal Cape Golf Club silver commemorative medallion, celebrating it's 100 year anniversary in 1985. The obverse depicts 2 golfers with trees in the background, this is a faithful reproduction of the oldest known photograph showing golf being played in South Africa, which is owned by the Royal Cape Golf Club (see https://www.royalcapegolf.co.za/about). The medallion reads "LT. GEN SIR HENRY D'O TORRENS, FOUNDER OF THE CAPE GOLF CLUB, 14 NOV 1885, FIRST MONTHLY MEDAL, WATERLOO GREEN". The reverse has the logo of the Royal Cape Golf Club, with "100 CENTENARY 1885-1985". The medallion is hallmarked "SILVER", and has the number 115 stamped on the side. The medallion is perfectly preserved in it's original box, which reads "McCallum and Stevens Cape Town". The medallion is good quality and is also a good weight. Henry Torrens (1823-1889) was a British Army officer and Colonial Governor, he served in the Royal Welsh Fusiliers and was awarded the French Legion of Honour in the Crimean war. He served i...

A rare Carolean silver flat lidded tankard, made in London in 1668, which was part of Oxford's University Magdalen College silver plate. The tankard is the traditional shape of the period, tapering cylindrical with reeded borders, the flat lid with single step and single peak (lip). The flat hinge and hinge plates are cast, designed to withstand wear and tear. The thumbpiece is a double cusp. The massive scroll handle has underside curved into a half round, with hole, these handles were made in two pieces (myth has it that the hole was a whistle to call for more beer!, Waldron, Price Guide to Antique Silver, item 620, page 196). The tankard has been later engraved with the Magdalen College armorial, it reads "Magd: Coll: Athletic Sports, March 1861", and the lid is engraved with a wheatsheaf between wings armorial, the engraving is excellent quality and is beautifully preserved. The tankard has a full set of hallmarks on lid and base, Leopards head crowned and lion passant in irregular punch, date letter L fo...

A Cape silver tablespoon in the Fiddle pattern, with unascribed maker mark I.D. The spoon has original owners engraved initials, now worn, first letter probably A. The makers mark is very distinctive, I.D in serrated punch, between 2 five pointed stars. This mark is not described in any of the Cape silver textbooks. The reason for ascribing this maker to Cape is that 3 known examples have now appeared, and all were sourced in the Cape, hence the attribution. The first was posted in the WWW.925-1000 silver forum in 2012 by a Cape based South African dealer, where Dognose tentatively ascribed it to American silversmith Jabez Delano (1763-1848), see the post http://9251000.com/forum/viewtopic.php?f=3&t=31240. The photographs supplied have now been used on the ancestry website for Jabez Delano, in our view in error. A second tablespoon appeared on the website of South Africa's leading silver dealer, The Old Corkscrew, described as Cape but unascribed (we agree), item S373, www.theoldcorkscrew.co.za. This spoon is...

A lovely Victorian silver and enamel vesta case, featuring a seated pug on a red chair, with sky and trees in the background. The enamel is oval, with a twisted rope border, the vesta is rectangular with rounded corners, and a safety ring for connection to a chain. This is a substantial vesta case, larger than the traditional size, and quite heavy in the hand. The striker plate on the base is stamped "SIRUS PATENT", which we have observed on other vesta cases by Horton & Allday, it is a nice size and oval in shape, so easy to use. The rim is clearly hallmarked, including makers mark H&A for Horton & Allday, who worked between 1888 and 1933, they seem to have specialised in vesta cases and boxes.

A Cape silver tablespoon in the Old English pattern, with rare Cape hallmarks not shown by Welz in his book "Cape Silver and Silversmiths". The spoon has been well used, and has a small split (see condition description). The spoon has original owners initials CW engraved on it, the C is larger than the W, so probably done by the owner himself (overall quite quaint). The hallmarks consist of makers mark IL co-joined in oval punch, in between 2 "birds foot" devices, these marks are well struck and clear. The IL makers mark is mark 71 Welz, but the birds foot device is not recorded (Lotter also used a floral hallmark which is recorded). However, the birds foot device used by Lotter is recorded by Morrison (Silversmiths and Goldsmiths of the Cape of Good Hope, 1936, page 57, where this makers mark is pictured). A variant of this mark is also recorded by Heller (History of Cape Silver, 1949, page 151, mark MM40, which shows an extra arm to the birds foot). We can only assume this is a rare mark that was not seen b...

A rare solid silver version of the Voortrekker Aandenking (memorial) 1838 - 1938 bowl, in 835 grade silver. The circular bowl with foot is well modeled, with ox wagons on trek, with Boer (farmer) on horse, cattle in the foreground and mountains in the background, framed by trees. The other image is of the Voortrekker Monument in Pretoria, and in between are two lit candles in a candlestick, surrounded by chains, with Zulu shields above and ox horns below. One candle reads "VOORTREKKER AANDENKING", the other "1838 - 1938". This design was done by the famous South African artist JH Pierneef (1886-1957), probably South Africa's greatest landscape artist. The hallmarks are clear, and include makers mark V over moon for Zilverfabriek Voorschoten, and 835 indicating the grade of silver (835/1000). Zilverfabriek Voorschoten is a brand name of Koninklijke Van Kempen & Begeer, founded in 1764 and still in existence today, they moved from Utrecht to Voorschoten in 1858. The Voortrekker Aandenking bowls were made in a v...

A rare and possibly unique Chinese Export Silver Pickle Fork and matching spoon, with extremely long handles. The pair are in the Fiddle, Thread and Shell pattern, and have no engraving or monograms. Both items are just over 27 cm long, the spoon has a teaspoon sized bowl, and the fork has 4 long tines. Both are double struck (pattern on both sides), and interesting to note the spoon end turns down, while the fork turns up. The fork has the "Chevron seam found in Fiddle, Thread and Shell pattern flatware" (Forbes, Chinese Export Silver page 65), this is not visible on the spoon. The hallmarks on both items are clear, and include pseudo duty mark, makers mark KHC, pseudo crowned leopards head town mark, and pseudo lion passant. Khecheong was one of the most prolific Chinese Export silversmiths, he worked from Club Street, Honam Island, Canton between 1840 and 1870. He has been described as a "good silversmith" Forbes, Chinese Export Silver 1785-1885, page 255 - a book we highly recommend. A very similar long ...

A beautiful Dutch silver chestnut vase, possibly made in the late 18th century by Hendrik Jurrien Wolters in Zutphen. The vase is urn shaped, on a stepped and reeded oval base, with matching reeded rim. The lid has an ivory oval baluster finial, capped with a silver ball, and the faint remains of an engraved crest and owners initials. The interior of the lid is gilded. The base interior has no gilding or engraving. The base has 3 hallmarks, cross (possibly Zutphen town mark), head or tree mark (similar to English Georgian duty mark), and makers mark HI or IH, or possibly even HP. We have tentatively identified this as Zutphen, given the similarity of the cross to the Zutphen town mark, and Hendrik Jurrien Wolters, who used a mark HIW (all assistance welcome). Previously this vase was described as Indian Colonial or Cape Silver by a Cape Town based auction house, we prefer the Dutch attribution, we even considered the vase could be Dutch Colonial in origin. This vase was also previously described as a tea cad...

A lovely set of 6 Royal commemorative silver spoons, made to celebrate 60 years on the throne for Queen Victoria. The spoons have twisted stems, with a crowned finial above VR for "Victoria Reigns", above silver ball. The bowls have an applied bust of the Queen, with engraved dates 1837 -1897, both the finials and spoon bowls are gilded. The quality is good, these would have been expensive spoons when new. The spoons are perfectly preserved in their original box, the retailer was George Edward & Sons of 92 Buchanan Street, Glasgow. All 6 spoons have clear hallmarks on the back of the bowls, including makers mark J.M.B. for John Millward Banks, which operated from 1863 to 1926, they specialised in souvenir spoons and other small items.

A Patrick Mavros silver sculpture of a Cape Buffalo on a blackwood base, miniature in size. The buffalo is realistically modelled, this is one of Africa's "Big Five". The base has a silver PM button trademark, the buffalo is also fully hallmarked with PM makers mark and the Zimbabwe sable in triangle standard mark. Patrick Mavros (www.patrickmavros.com) has built a luxury Africa themed silver sculpture business over the last 35 years, he is based in Harare, with outlets in London, Mauritius and Nairobi. His customers include the Royal Family, Prince William and Kate are collectors. Other customers include JK Rowling and King Carlos of Spain. This model is still in production, and can be seen on the Mavros website.

An early Georg Jensen silver spoon in the Continental pattern, also called Antik pattern, made in 1927, The spoon is a lovely size and shape, and is is hand hammered, both on the back and front of the spoon bowl and the front of the handle. This is technically a "gumbo" spoon, a large spoon for Louisiana Gumbo, but is more suitable as a small serving spoon. The hallmarks are very clear, including the GJ over 830S makers and standard mark used between 1915-1930, and assay masters mark for Christian Heise (1904-1932). The third mark is the Danish three towers mark above 27 for 1927. The pattern is well described on the Scandinavian design website Fjorn (www.fjorn.com), as "Designed in 1906 by Georg Jensen, the Continental cutlery pattern was the first major cutlery range to emerge from the fledgling silversmithy that was established two years earlier in 1904. In designing Continental, Georg Jensen was inspired by the forms of traditional and centuries-old Nordic tools and implements. The lightly hammered surfac...

A rare World War I 9 carat gold and enamel sweetheart brooch for the South African Heavy Artillery, who served with distinction at Delville Wood. The badge consists of a springbok head above 2 crossed artillery guns, with "South African Heavy Artillery" below in gold letters with blue enamel (note slight loss to enamel between H AF and small chip before H in heavy). The brooch is cast, the quality is good, 2 different tones of gold have been used (yellow with red gold accents). The clasp connector and catch are also gold, but the pin is not. The hallmarks are clear, Birmingham 1917 with 9 and .375 marks for 9 carat gold, along with makers mark E.A.P&Co (not much is known about this firm, they worked in 1916 and 1917). The South African Heavy Artillery Brigade was part of the volunteer South African Overseas Expeditionary Force, who served during World War I between 1916 and 1918, in East Africa, Egypt, Palestine and the Western Front (Somme, Ypres, Passchendaele and Cambrai, notably Delville Wood).

A Brittannia 958 standard silver miniature fish eagle, complete with fish in it's talons. The eagle is realistically modelled, with lovely texture and detail. It is hallmarked 958, indicating Brittania standard grade, so purer than sterling. It stands freely without a base. Stylistically it is quite similar to those produced by Patrick Mavros, so perhaps done by one of his apprentices, almost certainly from Zimbabwe or South Africa where fish eagles are located.

An interesting set of 6 Fancy back or Picture back sterling silver teaspoons, these are replicas or Georgian silver originals circa 1750 to 1770. Each spoon has a different die stamped bowl decoration, these 6 spoons are replicas of some of the rarest designs. They include: 1.Three masted Galleon at full sail, in wavy sea, thought to represent a British Naval engagement. 2. Milkmaid in period garb, with yoke and 2 pails. 3.Bird on a branch with leaves . 4. Shell with scrolling foliage and flower. 5. Birdcage with bird on top under "I LOVE LIBERTY", commemorating the release of John Wilkes from unjust imprisonment. 6. Basket of flowers, with a basket filled with flowers. All 6 pictures are well struck in perfect condition, with no wear. All 6 spoons are also clearly hallmarked with Sheffield marks for 1959, and makers mark CJV Ld for CJ Vander. C.J. Vander was established in 1886 by Cornelius Joshua VanderPump, the firm became "the last of England's preeminent silver firms, creating exceptional silver masterpi...

A Scottish Provincial silver toddy ladle in the Celtic Pointed pattern, which was only produced in Scotland and Ireland. The ladle is lovely, long elegant handle with circular bowl, and an original engraved family crest of a crescent. The ladle has 3 hallmarks, makers mark RK in rectanglar punch, Edinburgh 3 tower town mark, and a triple cusped Georgian duty mark. We are not sure if these are official or pseudo hallmarks, the Town mark looks a little suspicious, with irregular punch on top, and it should be accompanied by the thistle and date letter if it was struck in Edinburgh. The duty mark with triple cusp is a well made punch so could be genuine, and the makers mark looks a little crude. It could be Robert Keay of Perth but sent to Edinburgh for assay, but we feel these marks are suspicious, so possibly Robert Keay using pseudo marks or another silversmith altogether. Most Robert Keay silver has his eagle mark, but he did sent some silver to Edinburgh for assay. He is known to have used a triple cusp dut...

An interesting open salt in triangular form, with central circular salt, and 3 cast hoof feet. The salt is decorated with 3 male busts, with high collars and long flowing hair, completed with hanging swags, which are repeated in the hand chased pierced border, which is very intricate with gadrooning and balls. The triangles on top have a floral design. Three hallmarks are present, small crown, large Fleur De Lys, and small device (possibly flower in pot?). We are not able to positively identify these hallmarks, one possibility in Neisse on the Polish border, but all assistance welcome, thank you. We have found similar examples of this triangular formed salt in the V&A museum, hence our tentative attribution to 17th century Germany, they are described as "Small triangular salt cellars mounted on three feet were common pieces of tableware in affluent homes in late 16th-century Germany. The cities of southern Germany dominated the goldsmiths craft there from the 15th to the early 19th centuries. Their goldsmiths...