Inkstand of superb quality, by reknowned maker George Fox. Both the inkwells and borders are pierced with an attractive design, and are adorned with 8 classical lion faces, 4 on each corner and 4 (with rings in mouth) around the inkwells. The stand also has a beaded border and bun feet. The lids, which are both individually hallmarked, have rose finials. The glass inkwells fit snugly into their holders.

A fabulous early Georgian Rococo shell shaped punch ladle, in the shape of a conch shell. The ladle is embossed and engraved in typical Rococo style with a bird (peacock?) eating fruit (grapes and a pear), alongside a brick chimney with flames? at the top, surrounded with scrolls, shells, flowers and leaves. The shape of the shell and quality of the embossing and engraving is very pleasing. The shell is connected to the silver handle base with cast silver scrolls at right angles to the shell, the handle itself is turned wooden handle. The ladle is held hanging vertically, the the shape of the shell and pouring lip makes it very practical to use. The base of the handle is engraved with original owners initials A over T.T. The ladle is hallmarked with London hallmarks for 1752, and makers marks PR for Philip Roker II (Grimwade mark 3754). As all 4 marks are struck on a curved surface they are all unevenly struck, clear on the right but slightly obscured on the left, all visible enough but the makers mark could ...

A fabulous set of 6 Scottish Provincial dessert spoons in the Fiddle pattern, made by William Ferguson of Elgin, and hallmarked in Edinburgh over 3 different years between 1839 and 1841. The spoons are all engraved with original owners initial W, so clearly a set. The spoons are in excellent condition, with strong tips to the spoon bowls, with no sign of wear or use at all - no dents or scratches, these spoons must have sat in a drawer and not been used. Close examination of the 6 spoons reveals small differences in the size and shape of the bowls, shape of the Fiddle and the shape of the drop, which indicates these spoons were all made by hand. Furthermore, the spoons vary slightly in weight, the lightest is 33 grammes, the heaviest 39 grammes, they average 37 grammes, so a significant variation. The hallmarks on all 6 spoons are also very clear and well struck, they could not be better. They include makers mark WF and ELGIN, alongside Edinburgh hallmarks, 1 is for 1839, 3 for 1840 and 2 for 1841. 2 of the s...

A beautiful Georgian silver Fish slice, also called a long oval server, by one of the leading makers of this type, William Plummer. The server is extensively pierced and engraved with a realistic fish, what makes this server exceptional is that the design is repeated on both sides. The fish is surrounded by flowers and foliage, and is surrounded by a narrow engraved band. The quality of the slice, and in particular the piercing and engraving, is remarkable. The blade is flat, narrow, elliptical and symmetrical, the handle is in line, connected to the blade with a split penny boss. The handle is filled, and has a raised beaded pattern that assists the grip. The penny boss is engraved on 1 side with a family crest, a bulls head holding a spear, above a crown, the engraving is crisp and clear. The hallmarks are clear, including makers mark W.P for William Plummer, Grimwade mark 3255. In an excellent article entitled "English Long Oval Servers" by Dale Bennett, published in Silver Magazine July 2016, page 20, Ben...

A lovely Victorian silver and enamel vesta case, featuring a seated pug on a red chair, with sky and trees in the background. The enamel is oval, with a twisted rope border, the vesta is rectangular with rounded corners, and a safety ring for connection to a chain. This is a substantial vesta case, larger than the traditional size, and quite heavy in the hand. The striker plate on the base is stamped "SIRUS PATENT", which we have observed on other vesta cases by Horton & Allday, it is a nice size and oval in shape, so easy to use. The rim is clearly hallmarked, including makers mark H&A for Horton & Allday, who worked between 1888 and 1933, they seem to have specialised in vesta cases and boxes.

A delightful sterling silver Christening bowl or porringer, decorated with the "Three Bears" of Goldilocks fame walking past engraved trees. The bowl is good quality, quite heavy, the bears are cast and applied, the detail is lovely. The bowl is engraved "Mappin & Webb Ltd, London & Sheffield", and all the hallmarks are excellent. Mappin and Webb was founded in 1859, it still exists today and is one of Britain's most prestigious brands. In addition to Royal Warrants, Mappin and Webb are the Crown Jeweller. The was produced just after the end of World War II, silver was very cheap, items from this period are often heavy and superb quality. One of the nicest Christening present a baby could hope to receive. Note - we have 2 matching items, a plate and mug, S 1981 and S1982.

A delightful sterling silver Christening mug, decorated with the "Three Bears" of Goldilocks fame walking past engraved trees. The mug is fabulous quality, quite heavy, the bears are cast and applied, the detail is lovely. The mug is engraved "Mappin & Webb Ltd, London & Sheffield", and all the hallmarks are excellent. Mappin and Webb was founded in 1859, it still exists today and is one of Britain's most prestigious brands. In addition to Royal Warrants, Mappin and Webb are the Crown Jeweller. The was produced just after the end of World War II, silver was very cheap, items from this period are often heavy and superb quality. One of the nicest Christening presents a baby could hope to receive. Note - we have 2 matching items, a plate and bowl, S 1981 and S1983.

A delightful sterling silver Christening plate, the rim decorated with the "Three Bears" of Goldilocks fame walking past engraved trees. The plate is fabulous quality, very heavy, the bears (4 sets of 3) are cast and applied, the detail is lovely. The plate is engraved "Mappin & Webb Ltd, London & Sheffield", and all the hallmarks are excellent. Mappin and Webb was founded in 1859, it still exists today and is one of Britain's most prestigious brands. In addition to Royal Warrants, Mappin and Webb are the Crown Jeweller. The was produced just after the end of World War II, silver was very cheap, items from this period are often heavy and superb quality. One of the nicest Christening present a baby could hope to receive. Note - we have 2 matching items, a mug and bowl, S 1982 and S1983.

An antique Dutch silver gilt vinaigrette (zilveren lodereindoosje) in the form of an armoire (kabinet). These have also been described as pomanders, scent boxes, and also incorrectly described as snuff boxes and peppermint boxes. The box has a curved shaped front, and the back panel has the impressed words "HE. DAT IS LIEF", translated He that is love", so probably presented as a love token. The armoire has frontal doors with floral decoration, and 3 drawers below, the back and side panels also have floral decoration. The lid has an oval panel with seated figure of justice holding sword and scales, surrounded by a wreath. The base is engraved with original owners initials T:V:V, the base also has a clear makers mark of AK under flower (Adrianus Kuijlenburg of Schoonhoven, 1812 -1816, see Nederlands Responsibility Marks since 1797 no 897). The lid has a Minerva head office mark (duty mark), and the box interior rim has the Lion Passant 2nd purity for 833 grade silver and date letter G for 1816. Loderein comes...

A delightful antique silver chamber candlestick, used for lighting one to bed. The chamberstick has a circular drip tray, and an attractive handle with reeded decoration. It has an original conical snuffer, which slots into the sconce, and removable nozzle, which made it easier to clean melted wax. Both the chamberstick and snuffer have a matching family crest of a stags head. The chamber candlestick was made by the important makers Wakelin & Taylor, Royal Goldsmiths who made a great deal of silver for the Prince of Wales, they also produced for the King. The snuffer and removable nozzle were made in 1799 ad 1801 by Joseph Taconet and William Stroud respectively, it was not unusual for the smaller items to be made by other makers. Given the matching crest on snuffer and chamberstick, we believe these to be original. The hallmarks are clear on all 3 pieces. The Wakelin and Taylor makers mark, complete with Fleur de Lys (Grimwade 1764) is excellent, this piece also has the rare incuse duty mark, only used in 17...

A magnificent pair of Victorian silver gilt spoons, with a beautiful figure of a maiden (or Goddess), sculpted with lovely detail. She is full figure, with a long flowing dress with a high slit, with flowers adorning the front. She holds her arms crossed, and has her hair in a bun. The design has a strong Art Nouveau look and feel, these spoons were well ahead of their time when made in 1873. The spoons are very good quality and gauge, very suitable for use as serving spoons for a dessert. The hallmarks are very clear on both spoons. Henry William Curry took over the business of Augustus Piesse in 1868, which he continued until 1889. Of interest is that Curry was in trouble with the Goldsmiths Hall in 1880 in a matter of counterfeiting hallmarks (John Culme, Directory of Gold and Silversmiths, pg 366). Curry has left behind some fabulous silver, top notch quality and beautiful intricate designs, he deserves further study. Henry William Curry's brother Charles John Curry was in partnership with Alexander Crich...

A large size enamel silver engine turned cigarette case, depicting a scantily clad 1940's pin-up girl. The interior is gilt, and is engraved "Brian from Mamie 19th December 1950". Hallmarks are clear, including "Made in England", both sides are hallmarked, even the clasp has a .925 hallmark. W.T. Toghill & Co worked between 1927 and 1951.

A unique collection of 12 early Georgian Hanoverian tablespoons, 8 being George II and four being George III. Sets of flatware from this period are extremely rare, most spoons were made singly or in pairs. All the spoons have clear hallmarks, with visible date letters and makers marks (all but 2 have the makers identified). Five of the spoons are shellbacks, two are scrollbacks, the remaining 5 have double drops. Nine spoons have contempory initials and two have later initials. One spoon has an additional later hallmark JP (John Page, 1900), indicating it may have been repaired at this stage. Identified makers include Thomas Pye, Richard Gosling, Marmaduke Daintry and Robert Sallam.

A fabulous set of six Georgian Silver Old English table spoons by Hester Bateman, the most famous of all English female silversmiths. The spoons are bottom marked, and the hallmarks are slightly squashed but clearly visible. The spoons have a double drop. The spoons are excellent quality and are in extremely good condition, this is a lovely set. The spoons also have a interesting family crest, an armoured fist holding a dagger. Hester Bateman took over her husband's business on his death in 1760, and retired in 1790 when her sons, Peter and Jonathan took over the business.

An interesting solid gold bar brooch, with a natural gold nugget, set with a round brilliant diamond. The nugget is a beautiful shape and size, approximately 5 grams, with tiny quartz crystals confirming it is natural. The diamond is approximately .20 carats, 0.4 mm diameter, is a round brilliant cut, colour G/H and clarity VS. The bar brooch itself is 15 carat gold, it is hallmarked 15C, and has makers mark CM. This brooch is accompanied by a valuation certificate from The Gem Lab Gemmological Services, confirming replacement value of R 20800, and confirming the diamond and gold details above.

A magnificent and rare pair of silver-gilt Victorian Bacchanalian pattern grape scissors, in excellent condition. The scissors are completely silver gilt (apart from screw), and are completely sterling silver (no steel inserts). They are the traditional shape, and are decorated with the rare Bacchanalian pattern, designed by Stothard for the Royal Goldsmiths Rundell, Bridge & Rundell, originally made by Paul Storr, pieces are still in the Royal collection today. This is one of the rarest English silver flatware patterns, it shows Bacchus, the Roman God of wine, riding a lion, whilst a topless Diana looks on, with another figure asleep at her feet. The back is also beautifully decorated, with tilted amphora of wine, bunches of grapes and vine leaves complete the decoration. Bacchanalian pattern is shown in the book "Silver Flatware" by Pickford (pg. 127), where an identical pair of grape scissors is shown, made by Wakely and Wheeler. The hallmarks are very clear, and include makers mark HJL for Henry John Lia...

An extremely rare Cape silver knife, with ivory handle and engraved on the blade "EHM from HOM". The hallmarks are extremely clear, pseudo - English duty mark and castle, with makers mark JML (mark 82 in Welz, Cape Silver). These are accompanied by another mark, some sort of device, unrecorded in Welz. The knife is very well made, good quality and a pleasing weight. The ivory handle shows good texture and a changing colour from dark to light. The knife is extremely rare, being the only known example recorded to date. The leading authority on Cape Silver Stephan Welz said "I have been unable to trace any Cape silver knives" (Cape Silver pg 73), and David Heller said "the only type of silver knife in use at the Cape seems to have been the butter knife (History of Cape Silver, pg 202). Johannes Lotter was part of the highly regarded Lotter family of Cape silversmiths, being the son of Willem and the brother of Carel.

An interesting Art Deco cigarette case by Louis Kuppenheim of Pforzheim, Germany, regarded as one of Germany's leading Art Deco silversmiths. The case has a lovely ribbed design, and the clasp is set with an attractive dark blue sapphire cabochon. The interior is gilt. The case is extremely good quality, and has a pleasing weight, and is in the higher grade 900 silver. The case is engraved with a fascinating World War 1 inscription "Major J.D.S. Lloyd, OBE, MC, etc. A reminder of pleasant and unpleasant days spent together and appreciation of many little acts of kindness and help during the advance from Ypres - Waterloo 1918, J.C.W." The hallmarks include makers mark LK (in fancy script), the crown and moon of Germany, and 900 fineness mark.

Two Georgian silver vinaigrettes, both very small in size, and both by Joseph Willmore. They are very attractive and dainty, less than half the size of most vinaigrettes, we love these boxes. The first (1813) is lozenge shaped, the concave base fits beautifully around the thumb, it is a delight to hold. The cover is engraved with flowers and prick work surrounding initials THC, the base has a different floral engraving. The grille is plain, the interior gilding and hallmarks are excellent. including JW makers mark in circular serrated punch, his first mark used between 1797 and 1834. The second (1821) is rectangular with canted corners, the cover engraved with an attractive wavy pattern around a vacant cartouche, the base with an engraved flower. The grille is also plain, the hallmarks are good, on both lid, base and grille. The corners have some oxidation, but it does not detract. Joseph Willmore, who worked between 1797 and 1843, is described by Eric Delieb as "a superlative silversmith, who produced some o...

A fabulous pair of Cape Silver lemoen lepels, (orange spoons), in excellent condition, and with very clear makers mark. The spoons are typical of the Cape lemoen lepels, with pointed terminal and bowl, the bowl itself eye shaped and quite deep. The spoons have typical Cape engraving, with a 4 petal flower and wrigglework along the edges of the handles. They also have a distinctive V joint connecting handle to bowl, the 2 v joints are quite different in angle and style, reflecting their hand-made character. The IC makers mark on both spoons is well struck and clear (Welz mark 32 with canted corners). Welz describes orange spoons as"probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). As far as we are aware, only Jan Lotter and Johannes combrink made lemoen lepels, probably between 1800 and 1815.