A lovely Georg Jensen sterling silver brooch, pattern number 266. The brooch is rectangular, with a wavy crosshatch bar pattern interspersed with 3 different sizes of silver balls, this has been described as the Jensen "Silver Ball" brooch. The brooch is clearly hallmarked with interesting marks, 6 distinct punch groupings have been used, so quite unusual to have so many hallmarks on such a small piece. They include 1. "Georg Jensen Silversmiths LTD", 2. "Sterling", 3. "Denmark", 4."266", 5. "GJLd" (makers mark), 6. "London post 1906 import mark, .925, N" (London import marks for 1948). The first 4 marks would have been added in Denmark, the last 2 on import into London in 1948.

A rare Iona silver letter opener, in the form of a sword, in the Celtic Arts and Crafts style, made by Alexander Ritchie of Iona. The letter opener is a substantial size and weight, a quality item, and is a pleasure to use. The sword is decorated with Celtic knotwork on the handle and blade. The hallmarks are very clear, "A.R." incuse makers mark, "IONA", and Glasgow hallmarks for 1929. Alex Ritchie's work was inspired by the ancient Celtic and Viking carvings on Iona. He is regarded as one of the most respected and sought after Scottish silver jewellers of the 20th century. (All information courtesy of Alexander Ritchie website, see link on our links page. An identical letter opener is shown on the website, http://www.alexander-ritchie.co.uk/other, it is described as "substantial, the design similar to one used on his much smaller sword brooches".)

A rare Sampson Mordan silver hatching chick spoon, it has previously been described as a baby feeding spoon, but could also be a castor sugar spoon. The hatching chick will be familiar to Sampson Mordan collectors, it is often seen as a pincushion. The detail and quality are excellent, the chick has open mouth and open eyes, and a gilded interior. The chick has an Albany pattern handle, which was a popular pattern at the turn of the 20th century (also called Queen Anne pattern by Francis Higgins). We believe this is a rare item, we have not seen it described before in the literature. We have noted another similar example that appeared on auction, this one had greenstone eyes, and was described as a baby feeding spoon - but given the gilded interior, it could have been designed for spreading castor sugar - all thoughts welcome. The spoon has clear SM&Co makers mark (this mark used between 1903-1914 by Mordan), and worn but legible hallmarks for Chester 1906 (date letter clear). The spoon also has a clear desig...

A magnificent 950 grade French silver coffee spoon in the Renaissance pattern, that carries the mark of one of France's greatest silversmiths - Cardeilhac. The spoon has a pierced trilobe finial, with a smiling cherub's head in the centre, surrounded by very ornate scrolls. the centre of the stem is decorated with a reverse baluster design, and the stem is rectangular, with 90 degree angles. The bowl is connected to the stem with an ornate rat-tail. Needless to say, the quality and feel of this spoon is fabulous, and it is made of the higher grade 950 silver (as opposed to Sterling which is 925). The Renaissance pattern honours the Renaissance period, and has been described as one of Cardeilhac's most prestigious models. It was created in the Nineteenth century in the Neo-Gothic style. The spoon has 2 hallmarks, both very clear - the first is the Cardeilhac makers mark (crowned medal of Honour cross above crescent, in shaped punch, with initials JC for Jacques Cardeilhac, who worked 1945-1951). The second i...

Two interesting early 20th century American sterling silver hand forged Arts & Crafts silver spoons, by 2 of the leading silversmiths of the period. The first is by Old Newbury Crafters (ONC), in the panel antique pattern, with long narrow handle, fiddle handle and teardrop shaped bowl, with a pronounced rim around the back edge of the bowl. It is hallmarked "STERLING ONC", clearly struck, this mark was used before 1955. Hammer marks can be seen on the back of the bowl. The second is by Stone Sterling, founded in 1901 by Arthur J Stone, the "Dean of American Silversmiths". This spoon is slightly larger, it has an almost heart shaped bowl, and long elegant handle with pointed terminal. It is hallmarked with the STONE hammer mark, STERLING, and letter E, which denotes it was made by one of Stone's assistants, George C Erickson, between 1915 and 1932. Old Newbury Crafters was established in 1915, and still operating today, with 2 silversmiths, using traditional hand forging. The Boston Globe wrote "Paul Revere w...

A classic Kupittaan Kulta Sterling silver and moss agate ring, designed by Elis Kauppi of Turku, Finland. The ring is beautifully designed, it features 2 segments, with a stunning etched texture on both sides, around a central semi precious stone ball (we believe moss agate), orange and white in colour with black strands, with 4 sterling silver balls on the end of each segment. The ring itself is plain, adjustable for sizing, it is clearly hallmarked with Kupittaan Kulta makers mark and 925S sterling guarantee. The ring resembles an opening seed pod to us, one of the more innovative of the Kauppi designs. Elis Kauppi (1921 - 2004) established Kupittaan Kulta in Turku, Finland, in 1945 at the end of the Second World War, at age 24. His use of local semi-precious stones and innovative design resulted in increased attention, and by 1958 he was an award winning regular exhibitor at international shows. Today he is remembered as a foremost figure in modernist jewellery, who put Finnish design on the world stage. W...

A Liberty Cymric nail vanity set, complete with buff, tweezers, file, scissors, knife and shaper, all steel manicure tools with silver handles set with turquoise cabochons on each side (10 in total). Each piece is fully hallmarked with "L & Co" makers mark, townmark, date letter and sterling mark, but none have the "cymric" stamp, as they were probably too small. Handbeaten silver set with turquoise cabochons is classic Arts and Crafts, probably designed by Archibald Knox, who designed for Liberty until 1912. The scissors do not have cabochons, but are a lovely shape (unfortunately one steel tip is broken off). The nail buff has its original leather base, which is worn but still intact. This set matches item S 1361.

A set of 6 Georg Jensen sterling silver Cypress pattern fruit spoons with triangular bowls, these would be called grapefruit spoons by the English. This is a fabulous set of grapefruit spoons, stunning design and very practical for use, strong bowl tips. This is a vintage set dating from 1960, all 6 pieces are fully hallmarked. The hallmarks include "GEORG JENSEN" in oval dots, above "STERLING DENMARK". All 6 pieces also carry London import marks, sponsors mark G.JLd for Georg Jensen (their London branch), oval U import mark, .925 sterling mark and date letters e and f for 1960 and 1961. The Cypress (or Cypres) pattern is #99 in the Jensen catalog, it was designed by Tias Eckhoff in 1954. The Cypress pattern won the design competition held for the 50th anniversary of the founding of the Georg Jensen company (Georg Jensen, A tradition of Splendid Siulver, page 282). Tias Eckhoff, a Norwegian, has been described as one of Norway's most versatile designers. Note: - We also have a Jensen Cypress pattern flatware...

A Liberty & Co Arts and Crafts sterling silver milk (or cream) jug, with a planished (hand hammered) squat circular body, with a high pouring lip. The jug is decorated with embossed celtic style buttons (4) and matching border, with a little heart shaped design. The jug sits on 3 button feet, and has a plain handle. The jug is clearly hallmarked with Liberty's distinctive L&Co in diamond shaped punch mark, along with Birmingham hallmarks for 1928. The jug also has a design number, 50014, perhaps some-one with access to the Liberty archives will be able to do further research. Arthur Liberty used his shop to showcase the work of leading designers, including Archibald Knox, Rex Silver, Bernard Cuzner and Jessie King (Liberty's, Biography of a Shop, A Adburgham, 1975, pg 81). It is possible this jug was designed by one of these designers. The Liberty store founded in 1875, and still thrives today. Their current Tudor Revival building on Great Marlborough Street was completed in 1924, using the timbers of 2 wars...

A Liberty & Co Arts and Crafts sterling silver sugar bowl, with a planished (hand hammered) squat circular body. The jug is decorated with embossed celtic style buttons (8) and matching border, with a little heart shaped design. The bowl sits on 4 button feet, and has plain handles. The bowl is clearly hallmarked with Liberty's distinctive L&Co in diamond shaped punch mark, along with Birmingham hallmarks for 1928. The bowl also has a design number, 50014, perhaps some-one with access to the Liberty archives will be able to do further research. Arthur Liberty used his shop to showcase the work of leading designers, including Archibald Knox, Rex Silver, Bernard Cuzner and Jessie King (Liberty's, Biography of a Shop, A Adburgham, 1975, pg 81). It is possible this bowl was designed by one of these designers. The Liberty store founded in 1875, and still thrives today. Their current Tudor Revival building on Great Marlborough Street was completed in 1924, using the timbers of 2 warships. Note- we have a matching ...

An Arts and Crafts silver sugar bowl with fitted lid, the lid has a foot and can also be used as a dish. It is a copy of an early Georgian design, circa 1735 (Miller's Silver and Plate Buyers Guide, pg 27). This is a lovely bowl, hand hammered in typical arts and crafts fashion leaving a planished finish, it is also very good quality and a pleasing weight. This would make an ideal Christening present. The Chester hallmarks are clear, the lid is also hallmarked.

A set of three Georg Jensen serving implements in the Old Danish # 100 pattern (Dobbelt Triflet) pattern, including serving spoon, gravy ladle and meat fork. The pattern has "undulating outlines and a pair of incised parallel lines, square bowls, the overall proportions are reminiscent of much earlier flatware designs, as the name Old Danish implies" Georg Jensen, A Tradition of Splendid Silver, page 269). The serving spoon is medium sized, the gravy ladle has a deep bowl, and the elegant meat fork has 2 tines. All 3 items are clearly hallmarked "Georg Jensen Sterling Denmark", the mark used after 1945. The Old Danish pattern was designed in 1947 by Harald Nielsen, the Artistic Director who took over from Jensen on his death, "his flatware designs Pyramid and Old Danish remain Jensen favorites (page 57 book above).

A fabulous set of 6 arts and crafts sterling silver teaspoons, made specially for leading Boston retailer Shreve, Crump & Low by Whiting of New York. The spoons are beautiful, the stems are hand hammered (planished) on both the back and front, and have an applied cast silver floral arrangement with flowers, leaves and berries. The bowls are gilded, these are high quality spoons and would have been expensive when new. All 6 spoons are clearly hallmarked, both with the Whiting lion holding W trademark, and retailers mark "SHREVE. CRUMP & LOW". All 6 spoons are also hallmarked "STERLING". We have not been able to identify this pattern, it does not appear in the Whiting pattern index, so we believe it was specially commissiuoned by Shreve, Crump & Low as an item exclusively available in their store in Boston. Shreve, Crump & Low is the oldest purveyor of luxury goods in USA, having been founded in 1796, it adopted this name in 1869. They still exist today, and describe themselves as "The gem of Boston and America...

A very rare Arts & Crafts hand hammered silver sugar bowl, with twin handles, resting on a circular reeded foot. The bowl is by Philip Frederick Alexander, who has been described as "one of the greatest Arts & Crafts silversmiths" (www.antiquesilvercompany.com). The bowl has beautiful spot hammering throughout, leaving a planished appearance, with solid D shaped handles, it is also a pleasing weight. Alexander worked between 1900 and 1920, from Church Row, Hampstead, London. He also lived in Walberswick, Suffolk, both prior and after World War 1. He would have known Charles Rennie Mackintosh, who spent a year in Walberswick during the war. He had a Master of Arts degree from Oxford (unusual for a silversmith), he was also an author of geographical discovery books, including "The Discovery of America and The North West and North East Passages", still available on Amazon (www.styles-silver.co.uk, who also have a few pieces of his work, all unfortunately sold). The hallmarks are excellent, including makers mark...

An interesting Zambian Arts and Crafts sterling silver and malachite milk jug, sugarbowl and sugar spoon, made by the most prestigious jewellery company in Zambia. The milk jug is in the form of a brandy saucepan (perhaps it is!), with straight sides and a sparrow beak spout, and polished malachite handle. The sugar bowl is spherical, with 4 malachite cabochons as decoration, and 3 curved feet and planished body, very similar in style to Liberty Cymric Archibald Knox pieces (he used turquoise). Both are hand hammered, with planished surface, clearly made by hand, the bowl more noticeable than the jug. The spoon is also lovely, with a malachite pearl in dragons foot finial, rounded handle with a knob for grip, also clearly made by hand. All 3 pieces are hallmarked, firstly with S925 standard mark, and secondly with makers mark KR in Zambian country outline. Klaus Rygaard is a Danish Jeweller and watchmaker, he emigrated to Lusaka, Zambia in 1965, took over a jewellery store, he later established his own goldsm...

A magnificent pair of Arts & Crafts silver Apostle spoons, made by George Henry Hart of the Guild of Handicraft. The spoons are clearly made by hand, with cast finials and hand hammered bowl, with clearly visible hammer marks. The quality of these spoons is fabulous, we love them! The spoons have a stylised beaded rattail, quite unusual, but a lovely feature. The Apostle figure wears a hooded cowl, and has his hands crossed in front of his body. The figure sits on a traditional hexagonal seal top, the stem of the spoon is rounded. The hallmarks on both spoons are very clear, including makers mark "GofH", (without Ltd, in use between 1900 and 1908). The Guild of Handicraft went into liquidation in 1908, the business was continued by George Henry Hart, who designed these spoons, possibly for Prinknash Abbey. The business is still operating today, and run by Julian Hart, great grandson of George Hart (see www.hartsilversmiths.co.uk), in the beautiful village of Chipping Campden, well worth a visit. We rec...

An Arts & Crafts English sterling silver cream or milk jug, at first glance it looks Scandinavian in design, with beautiful clean lines. This is typical of Eric Clements style, he is best remembered for his award winning Mappin and Webb tea and coffee service (this jug is a similar but different design). The jug is a delight to use, it pours beautifully. The hallmarks are excellent, and include "Designed by Eric Clements" facsimile signature, and "Mappin & Webb". Eric Clements is one of the 50 leading silversmiths profiled in the book "Designer British Silver, 1930-1985", by Andrew & Styles, a book which we highly recommend. "Clements was unusual in that he designed silver, and then had the designs manufactured by a craftsman, most silversmiths prefer to produce their own designs. He also had a dual career as educator and designer, he spent most of his career as Head of Industrial Design at Birmingham College of Art. Alongside his academic career he was consultant designer for Mappin and Webb, it is his desig...

A Peruvian sterling silver Arts & Crafts tray, made by Industria Peruana and branded Old Cuzco. The tray is rectangular, and has three separate compartments, so quite practical for serving snacks. It is a pleasing weight, a pleasure to hold and use. The tray has a reeded rim with 6 shells completing the decoration. The tray is clearly hand made, slightly irregular, we really like this tray. It is hallmarked on the base "Old Cuzco Peruana Industria 925".

A unique sterling silver inaugural key, made to commemorate the opening of the UNISA (University of South Africa) OR Tambo administrative building on the Muckleneuk Campus, Pretoria, in 1980, and presented to South African Minister of Finance Owen Horwood. A series of parallel bars replicate the shape of this iconic building with it's triangular top, this sits on top of a circular hand hammered disc, which represents the rising moon. The key portion is pierced "UNISA September 1980". The key is fabulous quality, and clearly made by hand. The back of the circular moon disc is engraved "To the Hon OPF Horwood in commemoration of the official opening of the Administration building". The key is clearly hallmarked "E Frey Silver 925". The key is perfectly preserved in it's original box, which itself is fabulous quality, a brown grained hardwood with red velvet interior, the base with felt and original "Erich Frey Pretoria" sticker, the empty box is just under 500 grammes, hinges and clasp in full working order. Th...

An Arts and Crafts South African silver hand hammered bowl, made by Kurt Jobst, circa 1950. The bowl is circular, and sits on an applied circular base, the quality and finish is excellent, this is a lovely bowl, quite heavy for its size. The hallmarks are clear, and include his trademark "unicorn" KJ mark, along with "Jobst, Sterling and .925" marks. Jobst was born in Austria in 1905, he served his apprenticeship in Hanau, Germany, his influence was the Bauhaus movement. He emigrated with his family in 1936 from Austria to South Africa to escape Hitler, and became one of Johannesburg's leading silversmiths. He was commissioned by the South African Government to make the official wedding present for Queen Elizabeth in 1947 (a silver box with diamond necklace), he also made silver for Ernest Oppenheimer (cigar box, bowls and dishes). He died in a car crash in 1971 aged 66, in 1977 a book of his work was published. Nadine Gordimer (Nobel Prize winner) wrote the introduction, she wrote that Jobst "gave Joburg som...