An interesting Guild of Handicraft silver preserve spoon, hand made by the Harts of Chipping Campden. The spoon has a Celtic inspired finial with interlocking raised flowers on a matt background, which gives a nice contrast. The upper spoon shaft has been shaped with 4 notches on either side, which adds to the design, and also catches the light, similar to bright cutting. The fig shaped bowl is planished (hand hammered) with the individual hammer marks visible of the back of the bowl (the front of the bowl is smooth). The spoon also has a diamond shaped rat-tail, which is raised. The hallmarks are clear, including G of H makers mark.
An Arts & Crafts silver caddy spoon, with a round bowl, curved fish tail handle, and planished (hand hammered) finish. A very similar caddy spoon is depicted in the book "The Caddy Spoon in the 20th Century", page 15, illustration d, which was made by George Hart of the Guild of Handicraft in 1977 (our spoon lacks the thread decoration). The spoon is clearly hallmarked for London 1963, with makers mark W.H.W. for William Henry Warmington (Harry). Harry Warmington was "an integral member of the Guild of Handicraft workshop for some 50 years, he was one of the best silversmiths to have worked in Campden, he was also a fine engraver. Despite his abilities, he never applied to become a Freeman of the Goldsmith's Company", quote from the book "The Harts of Chipping Campden, pg 31. Harry was recruited by George Hart in 1912 from the local grammar school, he joined the infantry in 1914 on the outbreak of World War I, then the Royal Flying Corps in 1916, he was based at Farnborough at an aircraft repair depot, he rej...
A fabulous set of 12 Arts and Crafts hand forged silver Rat-tail Hanoverian teaspoons, made by the Harts of Chipping Campden, who still operate as the Guild of Handicraft today. The spoons have a ribbed Hanoverian front and Rat-tail, copying the popular 18th Century pattern circa 1730. These spoons are the large teaspoon size, and are quite heavy (all over 20 grammes), and are very pleasing quality. 3 Spoons were made in 1974 (a short year which only ran for 7 months, as the change-over month was moved from May to January), 3 are 1975 and 6 are 1976, so possibly the set was built up over time. The 3 spoons from 1974 are slightly lighter (average 20 grammes) than the other 9 (average 23.5 grammes), and have a slightly smaller and more elongated bowl, the remaining nine are identical in every way, possibly a different silversmith made the first 3. This slight difference is only really noticeable on close inspection and comparison (see photographs). The hallmarks on all 12 spoons are clear, including makers mark...
A lovely silver seal top spoon made by the Guild of Handicraft, to commemorate the Queen's Golden Jubilee in 2002. The spoon has a traditional seal top, hexagonal stem, hand hammered fig shaped bowl and a rat tail. Unusually the spoon has six hallmarks, including maker's mark G of H for the Guild of handicraft, sterling lion, 925 standard mark, leopard's head town mark, date letter C and the Queen's golden jubilee mark, only used in 2002. The spoon is handmade in the traditional manner, it is a pleasure to use and hold. The spoon would make an ideal Christening spoon, it could also be used as a jam spoon. The Guild of Handicraft is operated today by the Harts of Chipping Campden, "www.hartsilversmiths.co.uk". They have also published a book called: "The Harts of Chipping Campden - An insight into four generations creating fine silver in the Arts and Crafts tradition", we highly recommend this book.
An interesting British Arts & Crafts medallion, which could be worn as a pendant. The pendant has the Manchester Coat of Arms, complete with sailing ship and globe signifying Manchester's world trade, with bees on the globe signifying the industrial revolution. The supporters include an antelope and lion, and the motto "Concilio et Labore", translated "By Wisdom and Effort". The medallion also has Arts and Crafts symbols, including hammer & anvil, paintboard and brush, and hammer & wheel. The back is engraved "Awarded to Mabel Maynard for Miniature Painting, Manchester April 1901". The hallmarks are clear, and the loop is also hallmarked.
An Arts & Crafts hand made silver dish, with a green enamel silver "button" with celtic design, surrounded by a rope border. The dish is hand hammered, with each hammer mark visible, this is a lovely little dish. It is embossed "A.E.S., 20th Dec 1913", so possibly made as a Christening present. Ramsden & Carr specialised in unique hand made and individually designed presentation pieces (Judith Miller, Arts & Crafts Collectors Guide, pg 171), this dish is a good example. They have been described as "the most important exponent of the Arts and Crafts movement in English silver" - Art Nouveau &Art Deco Silver, Annelise Krekel-Aalberse, pg 27). The hallmarks are clear, and include makers mark Rn&Cr, struck twice on the base of the dish. One mark is very clear, the other is only partially visible.
A good quality antique silver replica of what is commonly referred to as "The Tudor Cup", which became famous when it was sold (as part of the Dunn-Gardner collection) at Christies auction in 1901 for GBP 4100, the highest price ever paid for a piece of silver at that time. John Dunn-Gardner, of Soham Manor, had a legendary collection of silver, the sale covered 6 volumes. The original cup of 1521, with scallop shell makers mark, is also known as the Holms cup, named after a previous owner. The original cup is now part of the collection of the Royal Scottish Museum, who purchased it in 1958 for GBP 9500. The museum's resources were augmented by the National Art Collection's fund, the Pilgrim Trust, the Worshipful Company of Goldsmiths, H.M. Treasury and 2 private donors, enabling the cup to be kept in Great Britian (Ian Finlay, Silver in the Royal Scottish Museum, Connoisseur June 1959), where the original cup is pictured. The original cup is also pictured in the book "Old London Silver" by Howard (pg 100). ...
Small Liberty cymric bowl set with turquoises, probably designed by Archibald Knox. Knox was renowned for his use of semi precious stones with silver.
A hand hammered silver bowl on upturned base, with silver ball feet and decoration. It is beautifully made, of good gauge, and is engraved "To Ian Desborough Elliot from his Godmother, 1901. In small things liberty, in great things unity, in all things charity". The hallmarks are clear, including the makers mark. The Guild of Handicraft Ltd was formed by Charles Robert Ashbee in 1898, and worked from New Bond Street. It went into liquidation in 1908, amidst complaints that the large London firms plagiarised designs and sold them cheaper. The Guild consisted of 50 craftsmen, and each item was made by hand.
A beautiful Arts and Craft teapot and sugarbowl, with rosewood handles attached with silver rivets, and a conch shell motif, inspired by an Aztec design. These are from the Spratling First Design Period (1931-1946), and have the WS Print circle hallmark and Sterling mark. Spratling was an American architect who settled in Taxco, Mexico, and revived the art of silversmithing there. A similar teapot (but with a silver handle) is illustrated on page 47 of the book Spratling Silver, Centennial Edition, by Sandraline Cederwall and Hal Riney.
A handbeaten, three legged, Arts and Crafts sweet bowl, with leaf and paw feet. In addition to the hallmarks (which are clear) the bowl is stamped "Connell, 83 Cheapside". Connell's was a highly regarded firm which was situated at 83 Cheapside from 1845 until it went into voluntary liquidation in 1939, probably as a result of the outbreak of war. Connell's of Cheapside have been described as "pioneers of modern artistic silverware" (Pudney, Silver Society Journal 11), one of the few traditional London dealers that promoted the Arts and Crafts movement. Much of their silver was produced by WH Haseler, William Hutton & Sons and AE Jones.
4 piece tea service comprising teapot, hot water jug, creamer and sugar, by the well known craftsman A.E. Jones. They are beautifully made, with spot hammered bodies and cast disc feet. A simple design of an embossed band with roses is present, as is the engraved initial R. All pieces are fully hallmarked with clear hallmarks, including the lids and even the finial screwnut.
A Liberty Cymric nail vanity set, complete with buff, tweezers, file, scissors, knife and shaper, all steel manicure tools with silver handles set with turquoise cabochons on each side (10 in total). Each piece is fully hallmarked with "L & Co" makers mark, townmark, date letter and sterling mark, but none have the "cymric" stamp, as they were probably too small. Handbeaten silver set with turquoise cabochons is classic Arts and Crafts, probably designed by Archibald Knox, who designed for Liberty until 1912. The scissors do not have cabochons, but are a lovely shape (unfortunately one steel tip is broken off). The nail buff has its original leather base, which is worn but still intact. This set matches item S 1361.
An Arts and Crafts silvergilt medallion, mounted on ivory, by Omar Ramsden, who is regarded as the leading English Arts and Crafts silversmith. The medallion is in classic Arts and Crafts style, and depicts a printing press surrounded by "LMPA", and surrounding scroll with "The London Master Printers Association". The medallion still has its original blue ribbon, with clasp in full working order, in its original fitted Garrard case.The box reads " By Appointment to HM the Queen, Goldsmiths and Crown Jewellers, Garrard & Co Ltd, 112 Regent Street, W1". The hallmarks are very clear, including OR makers mark, and the back is engraved "Omar Ramsden Me Fecit", translated Omar Ramsden made me, as is usual for his work.
An Arts and Crafts napkin ring set with 4 silver coins, by Charles Robert Ashbee, who was a major force behind the British Arts and Crafts movement. The napkin ring is hand beaten, and the rim has an attractive punched dot pattern. The 4 coins include: 1. Roman Denarius, 46BC, produced by the military mint travelling with Caesar in North Africa. Venus head on obverse, CAESAR, reverse has Aeneas holding his father Anchises on his shoulder, holding palladium in other hand. 2. Danish Krone (Christian IV), dated 1643 3. Danish Krone (Frederik III, brother of Christian IV), dated 1667 4. English shilling (George III), issued in 1787, with kings head in roman attire on obverse, 4 angular shields surrounding garter star, with crowns in angles of shields The hallmarks are very clear, including makers mark CRA in shaped shield. The napkin ring is in excellent condition, thanks to it being preserved in its original box (box is intact but in poor condition). We can only guess as to the origin of the napkin ring, p...
A rare Iona silver scarf ring, in the Celtic Arts and Crafts style. The ring is very good quality, and has a classic Ritchie Viking longship motif, with celtic knotwork side panels, and terminals of wolf like celtic beasts. The ship is copied off an 11th century stone carving in Iona's Abbey museum, and the beasts are similar to those found in the Book of Kells. The hallmarks are very clear, "AR IONA" incuse, along with makers mark ICA (Iona Celtic Arts) and Birmingham hallmarks for 1934. Ritchie registered the ICA makers mark in 1931 in Birmingham. Alex Ritchie's work was inspired by the ancient Celtic and Viking carvings on Iona. He is regarded as one of the most respected and sought after Scottish silver jewellers of the 20th century. (All information courtesy of Alexander Ritchie website, see link on our links page. A similar scarf ring is shown on the website.)
A rare silver and green enamel annular brooch designed by Alexander Ritchie, the famous Iona silversmith. The brooch has a Gaelic inscription "A h-uile latha sona dhuit", translated "May all your days be happy". These brooches are traditional wedding presents to celebrate a marriage. The Alexander Ritchie website (see our links page) shows 2 similar brooches, one in blue and the other in red enamel, both are described as rare, they do not show a green enamel example. Ritchie began to use the Birmingham assay office in 1931, and he had close links to the Birmingham firm of Darby & Sons, who made items for him. After Ritchie's death in 1941, some of his original moulds were used by Darby until the 1950's, this is one of these (see Ritchie website). The hallmarks are small but visible, the pin is also hallmarked.
An Arts and Crafts Swedish silver sugar bowl with lid, with circular hand hammered body on a raised circular foot, the lid with a ring finial. It is a simple but beautiful design, and is a very good weight and excellent quality. The hallmarks are very clear, having been protected by the raised foot. They include the Swedish State mark (3 crowns) and 830 silver standard (S in hexagon), Goteborg city mark (crowned G), date letter for 1962 (M9) and sponsors mark for Thore Eldh (SFS). Thore Eldh was a highly regarded Swedish designer who worked between 1935 and 1967. In addition to the hallmarks, the bowl is stamped "Cecilia" in script form, we assume a pattern name.
Beautiful ladle by the famed maker Alwyn Carr, one of the leading silversmiths of the Arts and Crafts period. It dates from the period after the dissolution of his partnership with Omar Ramsden, which occurred in 1918 when Carr returned from the Great War as a wounded Captain. The ladle is double lipped, spot hammered, has a rattail and a heart shaped terminal. The hallmarks are very clear. Carr died in 1940.
Beautiful Arts and Crafts low tazza, with celtic design rim and 8 celtic buttons of two different sizes arranged around the rim. It is a pleasing size and weight, perfect for use as a fruit bowl. This is a truly stunning piece, by highly regarded makers. Hallmarks are very clear
