An exceptionally large Danish silver serving spoon, in the Old Danish pattern (Dobbelt riflet), wih matching large bowl. The spoon is double struck (pattern on both sides), the pattern has a reeded edge, and the handle is fluted. The weight and quality is very pleasing, heavier and with a larger bowl than other examples we have seen. This type of extremely large serving spoon is unique to Denmark, very suitable for serving a generous portion. The hallmarks include the Danish 3 towers mark with date letter 36 for 1936, assay masters mark JS for Johannes Siggaard (who worked between 1932 and 1960), and makers mark HS in script for Horsens Solvvarefabriek which was established in 1904. We have sold a similar spoon S1293, and have a similar example S 11024.

A very interesting and beautiful German silver spoon made by J. F. Nicolassen in Hamburg, Germany, circa 1820. The spoon is well made and has lovely decoration, it has a deep fig shaped bowl, connected to the stem with a rat-tail. The handle is most unusual, with irregular scrolls finely engraved with a leaf pattern, with a tight scroll at both ends. This has been termed the auricular style (resembling ear lobe or conch shell) or lobate style, it originated from German Mannerism in the early 17th century, later adopted by the famous van Vianen Dutch silversmiths (Newman, Illustrated Dictionary of Silverware, pg 28, a book we highly recommend). This style was adopted by a few 17th century German and Dutch silver spoonmakers, but these spoons are rare today (see S 1181, Dutch silver Memorial spoon and fork set, for a similar example). This spoon is a 19th century replica of this earlier style, but still we believe a rare item, we cannot recall seeing similar examples. The hallmarks are very clear, and include t...

Swedish Art Nouveau bowl with superb bearded iris design repeated on 4 sides of the bowl, by a well known Swedish maker. The lip of the bowl is wavy, in keeping with the style. Hallmarks are clear, being CG HALLBERG, triple crown Swedish national mark, St Erik's head for Stockholm, and Y6 datestamp for 1901. (Note: please forgive our previous incorrect attribution of this bowl to Copenhagen).

A set of 12 antique Norwegian silver tablespoons, made in Bergen, Norway by the Bors family of silversmiths. The spoons are in the Fiddle and Shell pattern, and are single struck. Six spoons were made in November 1854 in 13 Loth grade by T Bors, the other 6 six spoons were made in August 1856 in higher grade 13 & 1/3 grade by Bors. The first set are heavier (average 50 grammes), better quality spoons, these are in excellent condition, the second set are lighter (average 40 grammes) and are in poorer condition. The first set are engraved with owners initials NIM on the front, the second set are prick engraved on the back with inscription and date 1856. Stylistically both sets are very similar, so can be used as a set of 12. The hallmarks on all 12 spoons are excellent, and include (first 6) 54 for 1854, 11/m for November, T.Bors maker, 13LG for 13 loth grade, and seven cannon balls (town mark for Bergen). The second 6 have 56 for 1856, 8/m for August, Bors makers mark, 13 1/3 grade mark, and seven cannon balls...

A set of three Georg Jensen serving implements in the Old Danish # 100 pattern (Dobbelt Triflet) pattern, including serving spoon, gravy ladle and meat fork. The pattern has "undulating outlines and a pair of incised parallel lines, square bowls, the overall proportions are reminiscent of much earlier flatware designs, as the name Old Danish implies" Georg Jensen, A Tradition of Splendid Silver, page 269). The serving spoon is medium sized, the gravy ladle has a deep bowl, and the elegant meat fork has 2 tines. All 3 items are clearly hallmarked "Georg Jensen Sterling Denmark", the mark used after 1945. The Old Danish pattern was designed in 1947 by Harald Nielsen, the Artistic Director who took over from Jensen on his death, "his flatware designs Pyramid and Old Danish remain Jensen favorites (page 57 book above).

An Art Deco silver and bakelite Globe teapot, made in Germany during the 1930's. The teapot is completely spherical, the spout has a triangular opening in the top for opening. The base is a circular bakelite disk, with silver nut which screws onto teapot, the bakelite handle is ear shaped and the bakelite finial is half moon shaped. The teapot is quite small, single serving size. The teapot has 2 hallmarks, 800 purity mark and makers mark of what looks like interlocking SHF in circle (but could be different sequence?).

A miniature Continental silver teapot, with a magnificent birds head spout, with lovely detail. The teapot is oval shaped, and is decorated with an attractive band of vertical leaves, with a similar pattern repeated on the lid. The lid is domed and has a ball finial. the handle is dark composite, securely attached with brass pins. The teapot is a pleasing weight and is very good quality, clearly the work of a master craftsman. The makers mark ZV is distinct and clear, this is accompanied by another partially struck mark, a shield with 3 vertical staves under a band, with dots above (a crown?). We have not identified either mark, assistance most welcome! Note - This teapot is very similar to a normal sized teapot by Johann Diedrich Laue, Hamburg circa 1815, lot 1052 in the Woolley & Wallis sale, October 2010, which has a similar shape and acanthus leaf border.

Beautiful, reversible blue enamel pendant and choker, designed by Bjorn Sigurd Ostern for David Andersen. The pendant is reversible, and looks remarkably different when worn the different ways. It hangs very well, and is most striking when worn. The choker is original, and is also silver. Ostern was the chief designer for Andersen between 1961 and 1985. The pendant is clearly hallmarked, David-Andersen, Norway Sterling 925S, INV.B.S.O., and the choker is also hallmarked Andersen and 925S.

Beautiful Italian silver polo trophy, in the shape of a bowl. The bowl is a very good weight, and has an interesting pierced scrolling rim, and cast leaf - capped cabriole legs. It is engraved with a crest of crossed polo sticks and "Roma Polo Club". The hallmarks are clear, being 800 standard, dancing horse, makers mark and the Republican period and province mark (280 MI). The bowl has an interesting provenance, being purchased from the estate of the late Countessa Alessandra Brenciaglia. The trophy was won by Conte Carlo Brenciaglia (father of Alessandra) circa 1935, a champion polo player. The Brenciaglia family castle is La Rocca in Capodimonte, and the family history shows the Brenciaglia's related to Napoleon Bonaparte (thanks to Sandi Brenciaglia for information).

A lovely German silver traditional marriage or bridal cup, in 800 silver, in the form of a lady in 17th century costume. The lady has a tight bodice, and wear a traditional hat. Her outstretched arms hold a foliate openwork support from which the small swivel cup is suspended. Her wide long skirt forms the bottom cup, the decoration is very fine, this is a truly lovely example. These cups originated in Nuremberg in the 17th century, they were called "Jungfraubecher" and were used in wedding banquets, where the spouse drinks from the bigger cup, the bride drinks from the smaller cup simultaneously, with the aim of not spilling a drop. The cups were also popular at the end of the 19th century, when they were used for wagers as well as weddings, hence the name wager cup. Richard Garten was active in Dresden between 1860 and 1905, he specialized in commemorative pieces and antique reproductions. His work is always very good quality, this piece is no exception. The hallmarks include the moon and crown (Germany po...

A pair of Royal silver belt buckles, bearing the coat of arms of the House of Bourbon, which produced Kings and Queens for both France and Spain for hundreds of years. The central shield contains 3 Fleur-De-Lys, this was established by King Charles VI of France (who died in 1422) in honour of the Holy Trinity. The shield is topped by the Royal crown, and is surrounded by scrolls. The shield also has a "Golden Fleece" suspended from it, indicating membership of the Order of the Golden Fleece, which was established in 1430 by the Duke of Burgundy. The order still exists today, most European Royalty, including Queen Elizabeth II of Britain and King Juan Carlos of Spain are members. The buckles are stamped, and both have a silver bar for attachment to a belt. The bars are both hallmarked with 2 hallmarks. The first is a cross pattee (Maltese Cross) in circular punch, which has arms that are narrow at the centre and broader at the perimeter. This cross was used by the Knights Templar during the Crusades. The cross...

A gorgeous Tiffany silver card case, with a very attractive and unusual fan shaped textured pattern, with dark and light bands radiating from the clasp. The surface is also textured, with lines and tiny hand hammered bumps radiating out in the same pattern. The hinge is spring loaded, and the clasp is a joy, superbly crafted with a satisfying click on closure. The interior is highly polished, giving a mirror like effect. The case is exceptional quality, clearly the work of a master craftsman. The original purpose of the case is unclear, it is too small for cigarettes (although it could hold the smaller hand made variety), it could also have been a compact. It is ideal for business cards, and could also accommodate photographs. The hallmarks are clear, "Tiffany & Co, 925 Sterling Italy", made during a time when Tiffany employed Italian craftsmen. With its wonderful quality, texture and pattern, this case is a joy to handle, you become reluctant to put it down!

An interesting set of 6 Danish silver coin bowls, each with a different 2 Kronor Danish coin. The bowls have a textured gadrooned rope border, and sit on a small circular foot that protects the coins. The bowls are 830 standard silver. The coins range in date from 1875 to 1958, and include: 1. Christian IX 1875, 2. Christian IX 1903, 1863-1903 , 3.Christian IX / Frederik VIII 1906, 4. Christian X 1870-1930, 5. Christian X 1912-1937, 6. Frederik IX Princesse Margrethe 1958. All 6 bowls are clearly hallmarked "SKAARUP 830S". Jacob Skaarup worked in Copenhagen between 1927 and 1948, given one of the bowls is 1958 we assume the business carried on beyond 1948.

An interesting German silver gravy boat, both Arts & Crafts and Art Deco in style. The gravy boat is oval with a raised lip, and is on a fixed oval base to prevent drips. Both the boat and base are hand hammered, which creates an appealing texture. The handle is shaped bone, fixed to the boat with attractive silver rivets. The gravy boat is lovely quality, quite heavy, and very well made. The boat is hallmarked with the German silver moon and crown (used post 1888), 925 sterling silver standard mark, and makers mark IA for Josef Arnold. The base is also stamped "Arnold" Josef Arnold (1884 - 1960) worked in Hamburg, Germany, he trained with his father at Bruckmann & Sohne (Art Nouveau & Art Deco Silver, Annelies Krekel-Aalberse, pg 145 and 251). He initially taught in Erbach, Hanau and Hamburg, and opened his own workshop in Hamburg in 1931.

A rare early Kay Bojesen Art Nouveau silver server, he would probably have called it a sandwich server. The server is typically Art Nouveau, very similar in style to early Georg Jensen pieces, with a ball finial crowning another ball, with 8 supporting strands in a vase shape, with 2 S shaped wings on the side. The handle is also vase shaped, with rounded corners, so pleasing to hold. The serving bowl is wedge shaped, flat in front with a small bowl, and 2 supporting raised sides to hold items in place. The connection between handle and bowl has 2 scrolls below a pyramid style step. The server is clearly hand made, you can see variations in how the 8 strands connect. The hallmarks are excellent, makers mark KBS, Kay Bojesen device (oval with picture, ships funnel?), and standard mark 830S for 830 grade silver. Kay Bojesen (1886-1958) trained with Georg Jensen 1907-1910, he opened his own workshop in 1913, at first making similar designs to Jensen (we date this piece to early in his career). In 1951 his "Grand...

An interesting 17th century traveling knife and fork, in leather sheath, with matching pin in the front of the sheath (for attachment to belt?). The knife, fork and pin have lion heads with open mouth, made in brass or bronze above mixed material handles, dark grained wood, lighter carved wood, brass pins, circular plugs (yellow material), diamond steel, quite an attractive design. The steel blade has a distinctive makers mark, II IS with a cross in-between, with dots in triangular shape either end, some dots above and below as well (we welcome assistance with identification, thanks). The blade also has a hookat the handle end. The fork is 2 pronged, with a pierced heart shaped connection to handle, with engraving. The leather sheath is also lovely, finely decorated with scrolls, dots and zig-zags. This is not our area of expertise, but we have seen similar sets in the book "Eight Centuries of European Knives, Forks and Spoons by Klaus Marquardt, for example the 16th century Italian examples have very simila...

A very fine silver samorodok cigarette case, of extremely good quality. Samorodok is a technique that produces a beautifully textured nugget like effect on the surface, that resembles tree bark. It is achieved by heating the silver to a temperature just below melting point, then cooling it abruptly in water. It is a very difficult technique to master, so samorodok is quite rare. Most examples extant today are of Russian origin, many by notable makers like Faberge. The case was produced in Turku, Finland, in 1955, by the makers M&N (we welcome assistance with identification of this makers mark). Turku is a medieval city, noted for its fine goldsmiths, and is Finland's oldest city. The hallmarks are clear, makers mark, Finland National mark, 813H purity mark, Turku town mark, and date letter B7 for 1955. We have been advised that makers mark M&N is for Miettinen & Nurmi, established 1945. They changed their name to Turun Hopea in the late 1960's.

An interesting Art Deco cigarette case by Louis Kuppenheim of Pforzheim, Germany, regarded as one of Germany's leading Art Deco silversmiths. The case has a lovely ribbed design, and the clasp is set with an attractive dark blue sapphire cabochon. The interior is gilt. The case is extremely good quality, and has a pleasing weight, and is in the higher grade 900 silver. The case is engraved with a fascinating World War 1 inscription "Major J.D.S. Lloyd, OBE, MC, etc. A reminder of pleasant and unpleasant days spent together and appreciation of many little acts of kindness and help during the advance from Ypres - Waterloo 1918, J.C.W." The hallmarks include makers mark LK (in fancy script), the crown and moon of Germany, and 900 fineness mark.

A pair of Georg Jensen Parallel or Relief pattern salad or vegetable servers, in the Parallel pattern, also called Relief # 25 pattern. They are a lovely classic Art Deco shape, with rectangular handles with serrated edge design, and the rare additional of 2 circular "wings" midway up the handle. Both have clear hallmarks, the GJ in rectangle makers mark (used between 1933 and 1944) above "Sterling Denmark". The fork also has additional London import marks for 1936, and the G.J Ld makers mark used by the London Jensen shop. The parallel pattern is interesting most of the smaller items have no "wings", a few of the larger serving items have scroll "wings" , the circular "wings" present here appear to be the rarest addition to the pattern. The pattern was designed in 1931 by Oscar Gundlach-Pedersen, a famous Danish architect who designed a number of important buildings. He was born in 1886, he served as Georg Jensen's last apprentice in 1911, he later returned to the Georg Jensen firm as Manager and Artistic D...

A fabulous Belle Epoque French silver 950 standard flatware set for 6, in the beautiful Louis XV pattern, by renowned Parisian silversmith Emile Puiforcat. This 12 piece luncheon or dessert set has 6 spoons and forks, finely decorated on both sides with scrolls and foliage, the pattern also extends around the top of the bowls, which is quite unusual. Louis XV is an early Puiforcat pattern, long out of production, so rarely seen today. The spoons and forks are lovely quality, the forks have long elegant tines, and are in excellent condition, with no monogrammes. Two hallmarks are present, makers mark EP in diamond lozenge, with penknife (un canif) between the letters, and French Minerve 1st Standard mark, with 1 next to forehead, indicating 950 purity (so higher purity than sterling 925). 4 Spoons and 4 forks have both marks clearly struck, 2 spoons and 2 forks have no hallmarks. Emile Puiforcat established his business in 1857 at 18 Rue Chapon, it still exists today and is known as of of the leading French si...