Plain, good hallmarks, English Pseudo and makers name. Daniel arrived in the Cape in 1820 (one of the settlers) as a child from Dublin, his Father (who had the same name) was also a silversmith.
Matching set of 5 Fiddle pattern Cape teaspoons, with engraved initials MIH. Very clear pseudo English hallmarks.
Cape tablefork in good condition, with very clear pseudo English hallmarks and makers mark. Initials ADL on the back of the fork.
Plain Cape Fiddle pattern Tablespoon, with very clear English Pseudo hallmarks. No makers mark is present, but the letter M is impressed twice, this has only been recorded on silver by Beck. Beck worked from Shortmarket Street and Greenmarket Square.
A Cape silver dessert fork, in the Fiddle pattern, with 4 prongs, which are quite long. The hallmarks are clear but slightly worn, they include pseudo English duty mark, castle, date letter C and makers mark LT. This is mark 139 in Cape Silver by Welz, the C has a small gap.
A Cape silver dessert spoon in the Fiddle pattern. The spoon has pseudo English hallmarks, all individually struck, all the hallmarks are very clear. They include duty mark, bird, castle and date letter e, with makers mark LT. This is makers mark 131 (Cape Silver by Welz), although they are struck in a different order, which is quite common. It appears the Cape silversmiths were not too scrupulous about how hallmarks were struck.
Fiddle pattern Cape teaspoon, with clear hallmarks (Welz no 27) including initials, 2 ladder device in ball, 2 shell device.
Cape Silver teaspoon in the Old English pattern, with very clear hallmarks, IC and shell. Combrink worked from Dorp Street.
Cape Silver Fiddle pattern teaspoon with very clear hallmarks (mark 11 in Welz).
Cape Silver Fiddle pattern tablespoon, with very clear pseudo English hallmarks, including dutymark, bird, castle and date letter B. No makers mark is present, but as only Lawrence Twentyman used this sequence of marks we can be sure of its origin.
Pleasant set of 4 Cape Silver Fiddle pattern teaspoons. Very clear hallmarks showing makers initials between device.
A Cape silver tablespoon in the Fiddle pattern, with engraved owners initials "de C", so probably a Huguenot. The spoon bowl is quite wide and the top of the handle has a very provincial rib and turn. The hallmarks are very clear, and include makers mark LT, and pseudo-English hallmarks (leopards head, date letter a, duty mark and lion passant). This is mark 135 in "Cape Silver" by Welz.
Cape Fiddle pattern dessert spoon with an interesting crest, crudely engraved, of a raised arm holding an axe. Hallmarks are clear, DB repeated twice between two stars.
Early Cape tablespoon of Hanoverian pattern, with the end of the spoon turning up.
Plain Cape tablespoon with very clear hallmarks, showing makers initials between two Fleur de Lys.
A lovely early Cape tablespoon in the Hanoverian pattern, with turn-up end. This spoon only has the makers hallmark, which is very worn but still faintly visible. Lotter generally only struck his makers mark, as is the case on this spoon. Lotter, who was part of a large family of silversmiths working in the Cape, was an extremely competent silversmith who made the Cape Town Lutheran Church chalice to match one made in Amsterdam in 1765.
A Fiddle pattern Cape Silver Tablefork by a well regarded Cape Silversmith, with engraved initials AW. The hallmarks are clear, being the makers mark struck twice. Lotter worked as a silversmith from 1810 - 1835, and was regarded by Heller as one of the finest of all Cape silversmiths.
Plain Cape saltspoon in the Fiddle pattern with gilded bowl, and very clear pseudo English hallmarks and makers mark.
A very fine Cape tablespoon by a maker who has a reputation of excellent quality, clearly evident in this spoon. Whilst this spoon was made c1850, it is a copy of an earlier 18th century style (Hanoverian with turn up, and the crest on the back of the spoon). The crest is beautiful, a hand holding an elaborate cross and the motto "TORTIS IN ARDUIS", ("twisted and difficult"?). The hallmarks are very clear, showing makers initials and pseudo English hallmarks. Waldek took over the business of Lawrence Twentyman when he moved to India.
A rare Cape silver berry teaspoon, in the Fiddle pattern, with gilded berried bowl and decorated handle. The spoon must be well travelled in it's early life, as the spoon was made in Cape Town circa 1830, and probably "berried" in London in mid to late Victorian times, when the practice of "berrying" was popular (this practice is unknown in Cape silver). Plain Georgian silver spoons were embossed and chased with fruit and foliate scrolls (Pickford, Silver Flatware, pg 70), and the bowl was gilded to complete the effect.
The hallmarks are very clear, makers mark FW and pseudo English hallmarks (leopards head, date letter a, duty mark and lion passant), these are mark 163 (Cape silver by Welz). These are the same punches used earlier by Twentyman, Waldek took over Twentyman's shop and workshop in 1836.