A set of 24 gilded sterling silver medallions, produced to celebrate the 50th anniversary of the Wildlife Society of Southern Africa. The medallions are all in perfect condition, and are beautifully engraved, these are extremely high quality. Each weighs 36.5 grammes, has a proof like finish and is gold plated sterling silver. The complete set comes in original wooden box with red leather top and velvet and silk lined interior. The medallions depict 24 different South African wild animals including: baboon, buffalo, cheetah, crocodile, elephant, fish eagle, giraffe, green mamba, hippopotamus, hyena, impala, jackal, kudu, leopard, lion, oryx, rhinoceros, sable antelope, secretary bird, vervet monkey, warthog, waterbuck, wildebeest, and zebra. The reverse depicts the emblem of the Wildlife Society, a stylised sable antelope, surrounded by "ANNIVERSARY 50 HERDENKING". Each medallion also carries 4 hallmarks, "ET+, STG, antelope head, date letter C, being South African sterling hallmarks made by Africana Mint. T...
A set of six Cape silver teaspoons in the Fiddle pattern, by Daniel Beets. All 6 spoons have original owners engraved initials JMB. All 6 teaspoons are clearly hallmarked in the same way, with makers mark DB struck twice, alternating with a pseudo Lion passant standard mark, also struck twice. This is a rare combination of marks, not recorded in Cape Silver by Welz, where he shows Beets with star and circular devices, but not with the lion passant punch. Heller shows a Beets mark interspersed with pseudo kings head duty marks, also not shown in Welz, which shows Beets dis also occasionally use pseudo punches. Daniel Beets worked between 1812 and 1828, he was the illegitimate son of German Balthus Beets and Cape slave Angana. His son, also Daniel Beets, also practised as a silversmith, but as he probaly used his fathers punches, no marks are recorded for him. We postulate these could possibly be Daniel Beets Junior, sharing pseudo punches with fellow silversmiths, a practice that is known to have happened.
A mixed and interesting set of 6 Cape silver Old English pattern teaspoons, all made by members of the Lotter family of Cape silversmiths. It consists of 3 matched spoons by Gerhardus Lotter, 2 spoons by his cousin Carel David Lotter, and 1 spoon by his brother Willem Godfried Lotter. The 3 spoons by Gerhardus are marked by makers mark GL (Welz mark 68), one spoon by Carel has makers mark CDL (Welz mark 63), the other Carel spoon has CDL between 2 stars (Welz mark 64). The Willem spoon has WGL between 2 L shaped devices (Welz mark 94), all marks are clear. One Carel spoon has original engraved initials DJLR, the other 5 have no engraving. The spoons have very slight differences in style and length, but they are close enough to be used as a set.
Two Cape silver four prong Old English pattern konfyt (preserve) forks, by Johannes Combrink. The forks are similar but have slight differences when viewed together, so probably made at different times. The longer fork has a wider stem end, but shorter tines, and is 1 gramme heavier. Both are hallmarked with a single makers mark IC (Welz mark 32, pg 147), both are clear and well struck.
An interesting pair of Cape Silver Old English pattern teaspoons, by the rare maker J De Jongh. The spoons have a Continental feel, with a rounded drop and strong overhang at the end of the spoons. They are stamped with full makers mark "J.DE.JONGH" (Welz mark 43, pg 148, Cape Silver), and are also stamped with initials IFP, the initials here being individually struck, as can be seen from their irregular pattern. Welz provides no details for De Jongh, saying only it appears on silverware as though it was a makers mark. David Heller (History of Cape Silver, pg 77) refers to De Jongh as a "seldom found" maker, indirectly connected to the Lotter family (relation of Hendrik de Jongh, married to Johanna Combrink in 1795, sister to silversmith Johannes Combrink). The initials IFP are retailers marks for Johan Frederik Pollnitz, of the firm Wagner & Von Pollnitz, who retailed silver amongst other goods from Longmarket Street between 1837 and 1847 (Morrison, The silversmiths and goldsmiths of the Cape of Good Hope, ...
An interesting set of 4 Cape silver Fiddle pattern tableforks, by Lodewyk Beck. They have no initials, although 1 fork has the remnants of an initial just visible. It appears 1 fork was made at a different time, as the hallmarks are struck differently from the other 3. The hallmarks include makers mark LB with 4 pseudo English hallmarks, including lion, duty mark, castle town mark and date letter a. What is interesting about the hallmarks is that they are all individually struck, with not too much care, both the sterling lion and the date letter have been struck upside down on one, it appears the order and orientation of hallmarks was not important to Cape silversmiths. The 4th fork, has the same hallmarks but struck further apart. Lodewyk Willem Christiaan Beck worked between 1847 and 1867, from Shortmarket street and Greenmarket Square.
Two sterling silver Apostle spoons, the first St. Jude and the second St. James the Greater. Both Apostles are well modeled, with lovely detail. St. Jude carries an axe, St. James a staff and bible. Both spoons are from a set (no 146) which originally contained 13 spoons, issued by The Heritage Collection in 1978, limited to 1000 sets. The hallmarks are clear, and include maker mark CM (Cape Mint, part of the Pagliari Group), STG for Sterling silver, antelope head for South Africa, and date letter E for 1978. Both spoons have the Apostle's name engraved on the stem.
A Cape silver Fiddle pattern dessert fork, with contemporary engraved initial M. The fork has excellent hallmarks, makers mark WM and the Cape Stub mark (see our articles section) consisting of 4 English pseudo hallmarks, Lion passant, date letter capital A, Georgian kings head duty mark and leopards head (town mark for London). The fork is very good quality and weight, and is suitable for use. The tines are very long, longer than usual, this fork has probably not been used. What is interesting about this Cape stub mark is that the punch is showing signs of wear, particularly the Leopards head. This lead to a mistake in Morrison (The Silversmiths and Goldsmiths of the Cape of Good Hope, 1936, pg 59), and later Heller (History of Cape Silver), where the hallmark is mistakenly drawn as an anchor (MM63 in Heller, pg 154).
A rare and lovely set of Fiddle pattern Cape silver tablespoons, by a rare maker whose work is seldom seen. The spoons are very good quality and weight, and are well preserved, these are substantial spoons. The drop is an unusual shape, has a colonial flavour. The hallmarks are excellent on all 4 spoons, makers mark JH in script and a device that looks like a bishops hat (mark 50 in Welz, Cape Silver). Heegers was born in the Cape in 1778, and worked between 1814 and 1830. In 1814-1816 he was recorded as a silversmith at 6 Roze street, and in 1829-1830 he was recorded as a silversmith in Graaff-Reinet, working with his brother Theodorus. A covered sugar bowl by Johannes Heegers is in the National Cultural History museum, depicted on pg 101 of Cape Silver by Welz.
A set of 2 Cape silver Fiddle pattern tablespoons, by a lesser known Cape silversmith whose work does not appear very often. The spoons are a slightly different length (being handmade) and have similar but different hallmarks, so they were probably made at different times. Both have makers mark DC in between two floral or star devices, but both the makers mark and devices have differences, indicating they were struck by different punches. One DC makers mark has separate DC, the other DC appears to be cojoined. The floral or star device was used by a number of Cape silversmiths, including Beets, Hockly, Lotter, Townsend, Twentyman and Vos. The makers mark DC between 2 stars is depicted in Heller's Cape Silver Vol 2 (pg 122), where it is shown as mark NMM15.
A set of 6 Cape Silver tablespoons in the Fiddle pattern, with initials CIH over WAM. The initials CIH are older, the have more wear than the WAM initials, which would have been added later after a change of ownership of the spoons. All 6 spoons have excellent hallmarks, makers mark FW with the "Cape Stub" pseudo English hallmarks (see article on the Cape Stub in our articles section).
A set of 4 Cape Silver dessert spoons in the Fiddle pattern, with initials ACI clearly engraved on each spoon. The spoons have pseudo English hallmarks (duty mark, castle and date letter C), this is mark 139 from Welz (Cape Silver). No makers mark is present, but we can be confident the maker is Lawrence Twentyman, as he was the only Cape silversmith to use these particular hallmarks. The hallmarks are clear on all 4 spoons.
A set of five Cape silver tableforks in the Fiddle pattern, by the well regarded Cape silversmith Johannes Combrink. This set matches the 6 forks (item S 1480), and has the same engraved initials "FtW", and is by the same maker. The hallmarks are excellent on all 5 forks, makers mark IC and the Cape Stub mark (4 pseudo English marks struck together). This is mark 39 in Cape Silver by Welz, and includes lion passant, date letter A, duty mark and leopards head.
A set of Cape silver tableforks in the Fiddle pattern, by the well known Cape silversmith Johannes Combrink. The forks are engraved with the initials "FtW", which is attractively engraved. The forks are good quality and a pleasing weight, they are suitable for use. The hallmarks on all 6 forks are clear. Four forks have makers mark IC only (Welz mark 31 in Cape Silver), two have makers mark IC between 2 ladder devices (Welz mark 33). Johannes Combrink was born in the Cape in 1781, he married Aurelia Lotter in 1807 and died in 1853. He worked from Dorp Street.
An extremely rare Cape silver knife, with ivory handle and engraved on the blade "EHM from HOM". The hallmarks are extremely clear, pseudo - English duty mark and castle, with makers mark JML (mark 82 in Welz, Cape Silver). These are accompanied by another mark, some sort of device, unrecorded in Welz. The knife is very well made, good quality and a pleasing weight. The ivory handle shows good texture and a changing colour from dark to light. The knife is extremely rare, being the only known example recorded to date. The leading authority on Cape Silver Stephan Welz said "I have been unable to trace any Cape silver knives" (Cape Silver pg 73), and David Heller said "the only type of silver knife in use at the Cape seems to have been the butter knife (History of Cape Silver, pg 202). Johannes Lotter was part of the highly regarded Lotter family of Cape silversmiths, being the son of Willem and the brother of Carel.
A set of 3 Fiddle pattern Cape silver tablespoons, which are notable for their strong colonial feel, being slightly crude in nature, and with hand hammered stems. Each spoon is slightly different, clearly each spoon was made by hand, probably in primitive conditions. The drops are also crude, and have an amateurish feel, perhaps these were made by a novice apprentice?
All 3 spoons have pseudo hallmarks, date letter a, date letter B and duty head, with no makers mark. The shape of the outline of date letter B is notched on both sides, making it very distinctive - hence our attribution to Peter Clarke Daniel (mark 41, Cape Silver by Welz). Mark 41 has the 2 date letters (a and B) together, with the duty mark - given the outline and occurrance we are pretty certain the same punches were used, but perhaps not by Peter Daniel himself. Further research is required, as we know Cape silversmiths occasionally interchanged punches amongst one another.
A charming Cape silver snuffbox, retangular in form, and quite small in size. It is decorated with typically Cape engraving, generally a crude series of lines and dots. The cover is quite unusual, having a central shield cartouche (engraved "MMM Le R 1851") surrounded by 2 Scottish thistles - this design is very rare on Cape silver. The surname "Le R" (possibly Le Roux?) is probably French Huguenot in origin, the Scottish thistles are a mystery. The sides of the box have a zig-zag design, the base a blank rectangular design. The interior is gilded, and the base of the interior has an engraved sunburst design. The hallmarks are on the rim of the lid, and consist of makers initials JJV surrounded by 2 acorn devices (Welz mark 159). They are quite small but clear and well struck, but given the location difficult to see. JJ Vos was one of the last 2 surviving Cape Silversmiths, he worked between 1841 and 1882 (Welz).
Typically Cape konfyt (preserve) fork, in the Fiddle pattern. The hallmarks are also typically Cape (WC or WG?) in a shaped punch, between 2 crude stars. The makers mark is a little indistinct, either a worn or mistruck punch, or could even be overstruck. Given this is an unrecorded maker not listed in any of the reference books (as far as we can determine), it could have another Colonial origin.
Fiddle pattern Cape silver tablefork with Pseudo English hallmarks, which are clear, and makers mark WM. This hallmark punch was used by 5 different Cape silversmiths, including Twentyman, Combrink, Townsend and Beck, leading Welz (Cape Silver, pg 95) to speculate that all the silver with this mark came from the same workshop.
An extremely rare Cape konfyt (preserve) fork with tubular handle, with typically Cape prick engraving of foliage at the top of the handle. No hallmarks are present. The handle is similar to the Cannon handle pattern of early English flatware. Similar forks are illustrated in Heller's History of Cape Silver (Vol 2, pg 82) and Welz's Cape Silver (pg 68), these are by Johannes Combrink.