A Cape silver snuff box, with an intriguing later inscription with both Bedfordshire and Boer War connections. The snuff box is rectangular with a shell thumb piece, and has typically Cape wriggle work engraving around the sides, which is worn from use. The interior is gilded, and has a later engraved inscription "Frank Pym from Frank Shuttleworth Xmas 1911". The box has a very clear JML makers mark on the lid. The box is well made, has very pleasing snug closure, very suitable for use. Frank Shuttleworth (of Old Warden, Biggleswade) was High Sherriff of Bedfordshire in 1891, he was followed by Francis Pym (of Hassells Hall, Sandy) in 1903. Shuttleworth (Colonel) raised the Bedfordshire Imperial Yeomanry in 1901 for service in the Boer War, we assume he acquired this Cape Silver snuffbox during his service in South Africa, answering the question why a Cape silver snuffbox has a Bedfordshire inscription. The Bedfordshire Yeomanry also served later in both World Wars. The Shuttleworth name today is known due ...

A ceremonial Indian Colonial Victorian silver trowel, used to commemorate the laying of the foundation stone of a L.M.S (London Missionary Society) church in India. The trowel is the traditional shape but quite small and dainty, it has a turned wooden handle, and a rounded blade. The handle has a silver band around the handle where it joins the silver blade, this has the same decoration as the blade. The band and top of the trowel is engraved with scrolling flowers, in addition the top of the blade has been finely prick engraved with a flowing pattern (each prick is triangular), probably added by a local craftsman. The trowel has no hallmarks at all. The back of the trowel is engraved "WITH THIS TROWEL A. SPICER ESQ LAID THE FOUNDATION STONE OF THE L.M.S. CHURCH AT SUNKE RYDROOG SALEM S. INDIA ON THE 25 th NOVr 1882". As you can see from the photographs, the engraving is very quaint, with uneven sized letters, and words flowing into one another, we assume it was done by a local silversmith who did not speak E...

Two very small Victorian silver vinaigrettes, both very dainty, very similar to S 1697, these are delightful boxes given their detail and size (half the size of usual vinaigrettes). The first is 1842 by Francis Clark, it is rectangular with tartan engraving, and a vacant cartouche for crest or initials. the grille has an attractive floral pattern, the interior gilding is good with some mild oxidation. The hallmarks are good on both base and lid, the grille is hallmarked as well. The second is 1866 by Frederick Marson, rectangular with engine turned engraving and vacant cartouche, this also has a silver ring attachment. The grille has a a floral engraved design, the piercing is random. The gilding is excellent, the hallmarks on lid, base and grille also very clear. Francis Clark was a specialist Birmingham toy maker who worked between 1827 and 1849, his boxes are well regarded, he also served as magistrate. He emigrated to Australia (Adelaide) with his family in 1850 for family health reasons, and established ...

An interesting Dutch miniature silver toy chestnut roaster, with the roasting pan suspended from the frame with 3 silver links (the links are not original). The frame is circular with a long handle and pan for holding the embers, the pan has an attractive 6 petalled flower cut in the base to allow airflow. The frame sits on 3 curved feet. The frame has one hallmark on the handle, the Dutch silver "Boars Head", which was used on miniature silver made before 1813, and brought back into trade, as an authorisation to put back into circulation (Houart, Miniature Silver Toys, pg 155). The roasting pan also has a hallmark, the letter V in rectangular shield under a crown, a mark used between 1813 and 1893 on items of foreign made silver (Voet, Nederlandze Goud & Zilverwerken, pg 46 and 61), this is a tax mark. We assume this item was made around 1813, and straddled the change in hallmarking introduced in that year - but welcome other interpretations!

A pair of Cape silver dessert forks in the Fiddle pattern, with contemporary engraved initials "WHG". The initials are engraved on the back of the forks, indicating the fashion to place forks with tines down at that time. The forks are very good quality, a pleasing weight and are in excellent condition. The hallmarks are clear, and include makers mark WM and the "Cape Stub" mark, with 4 pseudo English hallmarks (see our articles section for a description of the Cape Stub).

An interesting and decorative Portuguese silver toothpick holder, made in Porto between 1853 and 1862 by the unidentified maker MJG. The holder consists of a well dressed Chinese figure holding the vase shaped toothpick holder, standing on a ornamental pedestal, with 4 applied silver plaques, the pedestal standing on 4 cast silver scrolling feet. The Chinese figure wears an 8 sided conical hat, a flowing robe with engraved leaf decoration, baggy pants and pointed heeled shoes. The pedestal has a crenulated top, the sides with oval piercings and pierced dots nearer the base. The four plaques (attached with silver nut) consist of 2 Chinese pagodas, a bearded Chinese figue sitting crossed legged, and a European figure holding a conical object with a plume, we guess a fire plume (all assistance welcome!). The square cast base also has a patterned rim. This is a very well made cast item, pleasing gauge, and clearly made by a master silversmith. The hallmarks include makers mark MJG with beaded border, this maker i...

A rare set of 6 Rose pattern Victorian silver teaspoons, by the highly respected firm of Elkington. These are the heaviest and best quality teaspoons we have ever encountered, each teaspoon averages over 44 grammes, no expense was spared when these were made. The pattern is double struck, and has good detail, with trailing roses, and Anthemion heel (Pickford, Silver Flatware, pg 131. The crest area has not been engraved. The hallmarks are clear, it appears the Elkington and Co Ltd makers mark is overstriking another maker, indicating Elkington purchased these from a specialist maker (possibly CJ Vander, who are known to have possessed Rose pattern dies, depicted in Pickfords book, pg 25) and overstruck their mark, a common practise. Pickford describes the pattern as rare, and he notes 2 different types (different heels). Close examination shows that these spoons have a slightly different design from the one depicted in Pickfords Flatware book (pg 131), with more leaves, so different dies must have been made. ...

A pair of Fiddle pattern Cape silver teaspoons, with original engraved initials "RHL". The teaspoons are a pleasing weight, and are well made, good quality spoons, well preserved. The spoons have a Colonial feel, the Fiddle is more flattened than English examples. The engraving of the initials is lovely, they also has a Colonial feel. The hallmarks are excellent on both spoons. The include makers mark JJV in an unusual 6 sided punch (Welz mark 161), pseudo sterling lion, and pseudo duty mark (Queen Victoria's head with good detail, and hair bun). Jacobus Vos worked from 127 Long Street, unfortunately he died young, age 27, unmarried, which is a pity as he produced good quality silver.

A lovely set of 6 single struck Kings pattern with shoulders (Kings Front French Shoulder, Pickford, Silver Flatware, pg 123) Newcastle silver teaspoons. The spoons are the larger size teaspoons, and have a good gauge, over 20 grammes each, these are pleasing quality. Single struck flatware is usually found in Scotland, it is unusual in England, where the patterns were usually double struck (pattern on both sides) The hallmarks on all 6 teaspoons are excellent, and include makers mark TS for Thomas Sewell I, who worked between 1846 and 1875. They include an additional 5 hallmarks, uncrowned Victoria duty mark, lion passant, three castle town mark, leopards head uncrowned, and date letter I in circular punch for 1847. It is clear the date letter and makers mark were struck individually, the other 4 marks struck together in a stub (the date letter punch overlaps slightly on 2 spoons). These are interesting hallmarks, the uncrowned leopards head was only used for 5 years between 1846 and 1850, when it reverted b...

A Military Victorian silver presentation snuff box, with an erotic engraving of an amorous couple hidden away from view on the base. This is a pleasing quality, substantial in size and weight, more of a table snuff box intended for a desk than the portable versions intended for a pocket. The box is rectangular, with raised lid and base, and is casket shaped with engine turned sides. It also has applied cast foliate rims (base, lid and around the presentation panel), these have exquisite detail, overall a very attractive box. The engraved inscription reads "PRESENTED TO GEORGE BOYD ESQr. by the 20th R.R.V. 1863", and is supported by scrolls (note engraving is 18 years later than box was made). The base is engraved with a erotic scene, very finely engraved with loads of detail, this is protected by the base rim, so perfectly preserved. The interior is gilded with a beautiful lemon gold original gilding, it does not appear this box has seen much use. The hallmarks on both lid and base are very clear, maker mark ...

Delightful silver handled (hook is steel) boot button hook, shaped as a leopard's head, of exceptional quality. The cast leopard's head has fine detail, including the 4 teeth and tongue. Buttonhooks were an essential Victorian accessory, used for buttons on boots and tight fitting clothing. The only hallmark present is an English Lion passant, which is worn, but still visible.

A Cape silver salt spoon, in the Fiddle pattern, with original gilded bowl, and original owners initials TB. The original gilding is a light lemon colour, worn and scratched from use, but still clearly visible and quite charming. The hallmarks are clear, and include makers mark PD for Peter Clarke Daniel, alongside pseudo hallmarks date letter B in indented punch and Georgian duty mark (Welz mark 42, page 148, Cape Silver). Peter Clarke Daniel was born in Dublin, he arrived in the Cape with the 1820 settlers as a child.

Colonial silver child's fork and spoon, probably a Christening gift. It is very crudely made, and the pattern is a mix between Old English and Fiddle, more Continental than English, particularly the rounded shape of the drop . The set is finely engraved with the initials GPJ in elaborate script, and Madagascar. The hallmarks are clear, and consist of the makers mark I*D struck 3 times, in an irregular outline, so the punch was probably also handmade. One mystery is the combination of very crudely made flatware, made by an amateur in possibly difficult conditions, with the fine engraving - so possibly added later. We welcome thoughts on their origin or identification of the I*D makers mark.

Cape Silver tablefork (Fiddle pattern) with interesting horse crest, initials HR and very clear hallmarks. The hallmarks include Pseudo English marks and the makers mark.

A rare Victorian silver triple stamp box, one of the nicer ones we have see. The box is rectangular with concave sides, and is on four ball feet, the hinged lid has a sliding insert with glass top, to enable stamps to be placed in the lid. The interior is gilded, and has 3 compartments for 3 different denomination stamps, with 2 original wooden curved inserts, to easily slide a stamp out. It is quite a substantial, well made box, it would have been an expensive item when new. The box is clearly hallmarked, the lid and sliding insert are hallmarked as well. George Unite was established in 1825, Unite apprenticed with Joseph Willmore, he died in 1896, the business was continued by his sons.

A set of 8 Fiddle pattern Russian silver teaspoons, with engraved contempory initial W, by the famous maker Sazikov. The spoons are of exceptional quality, and are in excellent condition, with perfectly preserved tips, and no scratches or dents at all. Sazikov was founded in 1793 by Pavel Sazikov, they received the Imperial warrant in 1846, meaning they were one of a few select firms chosen to supply the Russian Imperial family. All 8 teaspoons carry the Imperial Warrant double headed eagle hallmark, which is well struck. Sazikov produced very high quality silver until the Russian revolution of 1917, the firm being run first by Pavel's son Ignaty, later by Ignaty's sons Pavel and Sergei (Watts, Russian Silversmiths Hallmarks, pg 27). The hallmarks are very clear, and in addition to the Imperial eagle include Sazikov makers mark in Cyrillic, assay masters mark B.C. for Victor Savinkov, date letter 1862, standard mark 84 (zolotniks) and city mark for Moscow (St George killing dragon).

Lovely Colonial condiment spoon, complete with pseudo English hallmarks, which are clear, and engraved initials WJ. Condiment spoons are a similar size to English saltspoons, but the bowl is at right angles to the spoon stem, similar to English cream or sauce ladles. This spoon also has a half moon tally mark, which identified the indigenenous workman who finished the piece (see Wynyard Wilkinson's book on Indian Colonial Silver). The Lattey Brothers worked from 10 Government Street in Calcutta.

A Cape silver sauce ladle in the Fiddle pattern, by Peter Clarke Daniel. The ladle has original owners engraved initials JEB, and has excellent hallmarks - makers mark PD, pseudo date letter B and pseudo duty mark with notable cusp (Welz mark 42, but struck in different order). Daniel was an Irish immigrant to the Cape, one of the original 1820 settlers. His father, who has the same name, was also a silversmith, he worked as a jeweller in Grahamstown.

A magnificent and rare pair of silver-gilt Victorian Bacchanalian pattern grape scissors, in excellent condition. The scissors are completely silver gilt (apart from screw), and are completely sterling silver (no steel inserts). They are the traditional shape, and are decorated with the rare Bacchanalian pattern, designed by Stothard for the Royal Goldsmiths Rundell, Bridge & Rundell, originally made by Paul Storr, pieces are still in the Royal collection today. This is one of the rarest English silver flatware patterns, it shows Bacchus, the Roman God of wine, riding a lion, whilst a topless Diana looks on, with another figure asleep at her feet. The back is also beautifully decorated, with tilted amphora of wine, bunches of grapes and vine leaves complete the decoration. Bacchanalian pattern is shown in the book "Silver Flatware" by Pickford (pg. 127), where an identical pair of grape scissors is shown, made by Wakely and Wheeler. The hallmarks are very clear, and include makers mark HJL for Henry John Lia...

A rare and interesting Victorian silver vesta case, with an enamelled Malta Blue twopence halfpenny stamp, used between 1885 and 1890. The vesta itself is rectangular in shape, with striker in base, and silver ring attachment (for attachment to Albert chain). The vesta is hallmarked in the usual place, along the inside top rim, with Lion Passant, anchor, date letter P (only in use from May to July 1890, after the duty mark was retired), and partial makers mark C. in shield punch, possibly Charles Usher of Usher Manufacturing Company. This vesta previously sold at Sotheby's London in 1988, their description stated "very rare, the only example we have seen", they also described the "superb enamelled representation of the Malta 1885-90 2&half d blue".