A magnificent silver gilt snuffbox with a superb finely detailed battle scene. The gilding on the battle scene has different tones, the base has a deeper rich red tinge, this fades to a lighter yellow gold colour in the sky. The box is exceptional quality and a pleasing weight. The sides and rim are richly decorated with cast flowers and thistles, which leads us to believe it is possibly a Scottish battle scene (we welcome opinions!). The battle is being fought with swords, battleaxes, lances, shields, armour and horses, no sign of firearms. The detail includes a castle in the background, flags, finely detailed armour and armorials on the shield - the work of a master craftsman. The base is engine turned, and has a blank cartouche. The interior lid is engraved "Presented to Thomas Ogilvy Esqr, by the New Quay Company of Manchester, as a mark of their gratitude, for his great attention & trouble as arbiter, in the investigation of the disputed claim, made on them by Messrs Francis Philips & Sons, 1829". The en...

Plain marrowscoop, by specialist spoonmaker Elizabeth Oldfield. This scoop is very dainty, being smaller than later versions. Oldfield was the widow of silversmith Charles Jackson, and had a previous mark as Elizabeth Jackson. She remarried in 1750, when the mark pictured here was registered. The hallmarks are clear, and the original owners initials "WY" are scratched in small letters next to the makers mark.

A rare Cape silver Basting (or serving) spoon, by the Cape's "Greatest Silversmith" Daniel Heinrich Schmidt, as described by Heller in History of Cape Silver. The spoon is Hanoverian in style, with a very pronounced "turn up" end, almost 90 degrees to the spoon handle, a strong pip and a rib on the front of the handle. The spoon also has a double drop, and the stem changes from rounded to flattened. The spoon is a very good guage, with solid bowl and strong tip, very suitable for use. The hallmarks include makers mark HNS (mark 174 and 175 in Welz, Cape Silver) and a bunch of grapes. This was described as an unknown maker by Welz, but it is now accepted that this is the mark of Daniel Schmidt, with some wear and damage to the punch so the D looks more like an H (see Welz marks 108 and 109). The presence of the bunch of grapes, identical to that used by Schmidt, confirms this. The only other Cape silversmith to use a bunch of grapes was Jan Lotter, his bunch is quite distinctly different. Further confirmation ...

A Georgian silver baluster Christening mug, embossed with a delightful scene of a child sitting with a squirrel under trees, with a butterfly hovering overhead. Additional decoration includes a variety of flowers and scrolling foliage. The double scroll handle is capped with an acanthus leaf scroll, and the spreading base is gadrooned. The mug is engraved "EW, The Gift of his Grandmother, Mrs Walton", and the interior is gilded. Joseph Angell I was the first member of the Angell family of silversmiths, described by Pickford as "very fine 19th century family of goldsmiths" (Jacksons hallmarks). The makers mark, lion and London town mark are very clear, the date letter and duty mark are worn but still legible. 1821 is the year the London townmark leopard's head lost his crown.

A lovely pair of Cape Silver Konfyt (Preserve) forks, made by Christiaan Kruger circa 1780. The forks are 3 pronged, indicating its early age, and have pointed terminals. They have typical Cape engraving, with a double banded wavy prick engraved border, and attractive star on terminal, above original initials IK. Both forks are struck with makers mark CK (Welz mark 61), one of the marks has been double struck. Kruger was born in the Cape in 1761, and apprenticed in 1773. He married Hester de Villiers in 1784.

A rare Hanoverian pattern 3 prong Cape silver Konfyt (preserve) fork, by Gerhardus Lotter, this fork has loads of character, we really like it. The fork has a pronounced Hanoverian rib on the front, and original engraved initials PM on the back (18th century flatware was engraved on the back, when they were placed tines down on the table). The fork also has an unusual V shaped drop, more Continental in style than English. The fork is hallmarked twice with makers mark GL (Welz mark 70), the punch is quite crude, the G looks more like a C, possibly worn. Gerhardus Lotter, son of Johannes Casparus Lotter, was part of the Lotter family of Cape silversmiths. He was born in 1764 and died in 1824, Welz records him working between 1810 and 1824 (Cape Silver, pg 135). From the style of this fork we would date it circa 1785, well before English influence arrived at the Cape, so perhaps Lotter worked earlier than suggested by Welz.

A beautiful Irish Georgian silver sugar tongs, with bright cut engraving, Irish "Star" and shell style bowl. The tongs also have a well engraved Lions head family crest in one of the cartouches on the side. No initials are engraved on the bow. The tongs are very good quality, as you would expect from Irish Georgian silver. The tongs have 3 hallmarks, crowned harp for Dublin in rectangular punch with cut corners (used 1793-1809), makers mark JD in script in oval punch, and Hibernian duty mark. No date letter is present, as is usual on Georgian silver tongs (Hodges, Georgian Silver Sugar Tongs, pg 198). John Daly worked between 1786 and 1809, from the style of the tongs we place them circa 1795. Irish tongs by Daly are probably rare, as they were not recorded by Hodges in the book described above.

An interesting Cape silver tablespoon, that appears more Continental than Cape in style. It is Fiddle pattern, but without the shoulders seen in English Fiddle pattern, and the drop has a wide oval shape, another Continental silver feature. The spoon has a single hallmark, makers mark DC, well struck but by quite a crude, home made punch, with flaws in both letters. This punch is a different one from the one depicted in Welz (Cape Silver, pg 146, mark 21), but has been noted on other Cape Silver, so we are confident it is by Collinet (no other Cape silversmiths have initial DC). Collinet was born in Liege, Belgium, he worked in the Cape between 1810 and 1825. We assume he made this spoon early in his career, certainly before 1820 when a number of English silversmiths arrived in the Cape and dictated the style of silver.

A rare Cape silver Kings pattern (with diamond point} dessert spoon, by Fredrik Waldek. The spoon has original engraved initials HMC, and is very good quality and gauge, as is usual for Cape Kings pattern silver, very suitable for use. The hallmarks include makers mark FW with the Cape Stub mark (see article in our articles section) of 4 pseudo English hallmarks struck in a stub (Welz mark 165). Fredrik Waldek was also a chronometer, clock maker and jeweller. Heller (History of Cape Silver) commended Waldek for "excellent workmanship", this spoon is no exception. Only Waldek and Twentyman produced Kings pattern in the Cape.

A pair of Cape silver teaspoons in the Fiddle pattern, with excellent hallmarks. The spoons also have a very faint and crudely scratched owners initial S on the back above the hallmarks, barely visible. The individually struck hallmarks include makers mark JT for John Townsend, pseudo duty mark, pseudo date letter a, pseudo leopards head town mark and pseudo date letter J (Welz mark 122, but struck in a different order). John Townsend (1800-1875) was an interesting character, descibed by Heller as one of the top 5 Cape silversmiths. He arrived in the Cape in 1821 on the ship Duke of Marlboro, and was involved in a number of businesses, including a hotel and auctioneering business, in addition to being goldsmith, silversmith, jeweller and watchmaker. He was embroiled in a number of court cases, mostly due to bad debt, in 1849 he stated "insufficient means to support his 10 children". He moved to Okiep in Namaqualand in 1852 as Manager of Spektakel Copper Mine, but was insolvent by 1868. He died in 1875, and is...

A good set of early Old English tablespoons, with narrow elegant handles characteristic of the earlier Old English pattern. These spoons also have the initial B, and very clear hallmarks. These spoons all have the rare incuse duty mark (George III looking left), which was only in use for 18 months. As can be seen from the photographs, these marks are well struck and remain crisp, with no wear. George Smith was a prolific spoonmaker, this period predates his partnership with William Fearn (1786), the firm later became Eley and Fearn.

A rare Cape silver salt spoon, in the Fiddle pattern, struck twice with a makers mark not depicted in any of the Cape silver reference books (although Ince is recorded in both Morrison and Welz). The spoon is struck twice with makers mark INCE, which is very distinct. The spoon is quite crudely made, slightly out of shape, it appears hand made in primitive conditions, it has a strong Colonial feel. The makers mark INCE is recorded by Turner as unascribed Scottish Provincial (Directory of Scottish Provincial Silversmiths, pg 84). It was also recorded as "unascribed Scottish" by Jackson (2nd edition, pg 557, on a tablespoon circa 1770, owned by The Marquess of Breadalbane) - this had been corrected by the third edition. We believe that the possible Scottish attribution is incorrect, and should be corrected to Cape. A number of other Cape silver items made by Joseph Ince are known, including 3 items in the Mullne collection, now in a museum in Pretoria, all struck twice with INCE. In addition, a South Africa...

A rare Scottish provincial soup ladle, made by John Heron in Greenock. The ladle is the attractive Celtic Pointed pattern (Old English pointed, Pickford, Silver Flatware, pg 96), which was only made in Scotland and Ireland. The ladle has original engraved initial E, in traditional Scottish style. This is a large, substantial and heavy ladle, with a generous circular bowl, a pleasure to use. The hallmarks are excellent, very clear, just a portion on the right of the sailing ship not visible, it was not well struck on that side. The hallmarks include makers mark JH, anchor, 3 masted sailing ship complete with sails, rigging and flying pennants, initial C and oak tree (Turner, Directory of Scottish Provincial Silversmiths, pg 68, and Jackson pg 605. The anchor and sailing ship relate to Greenock's history as an important port and shipbuilding centre, the oak tree refers to the town's original name (Green Oak).

A Cape silver konfyt fork by the respected silversmith Johan Hendrik Vos, part of the Vos family of Cape Silversmiths. The fork is quite long and elegant, in the Old English pattern, and has no engraving. It has 3 tines, (later forks have 4 tines), so probably dates to before 1800. The fork also has a wide semi circular drop, also indicative of a date before 1800. The hallmarks are excellent, and consist of a square punch with 4 dots struck twice, either side of makers mark JHV in script in oval punch (Welz mark 152, Cape Silver and Silversmiths). Vos worked between 1766 and 1810, he apprenticed with Johann Hasse between 1761 and 1766. He married in 1770 and had 12 children, his wife Elizabeth continued his business after he died in 1810 by adding the hallmark Wed (Weduwee, or widow) next to his JHV makers mark (Welz mark 154). The Vos Family produced over 10 Cape Silversmiths between 1748 and 1862 (Heller, History of Cape Silver Vol 1, pg 66-71, and page 269 for a family tree). The 4 dot square punch was als...

A very interesting and beautiful German silver spoon made by J. F. Nicolassen in Hamburg, Germany, circa 1820. The spoon is well made and has lovely decoration, it has a deep fig shaped bowl, connected to the stem with a rat-tail. The handle is most unusual, with irregular scrolls finely engraved with a leaf pattern, with a tight scroll at both ends. This has been termed the auricular style (resembling ear lobe or conch shell) or lobate style, it originated from German Mannerism in the early 17th century, later adopted by the famous van Vianen Dutch silversmiths (Newman, Illustrated Dictionary of Silverware, pg 28, a book we highly recommend). This style was adopted by a few 17th century German and Dutch silver spoonmakers, but these spoons are rare today (see S 1181, Dutch silver Memorial spoon and fork set, for a similar example). This spoon is a 19th century replica of this earlier style, but still we believe a rare item, we cannot recall seeing similar examples. The hallmarks are very clear, and include t...

A rare pair of Cape Silver lemoen lepels (orange spoons), with an interesting provenance, they featured in the book Cape Silver and Silversmiths by Stephan Welz, pg 93. The spoons are the traditional lemoen lepel shape, with narrow, pointed boat shaped bowl, and triangular terminal, and Cape prick engraving. The spoons have a very elegant shape, the bowls deep and curved, the drop is distinctly v shaped, they have a lovely feel in the hand. Both spoons are clearly hallmarked with makers mark IL in rectangular punch for Jan Lotter, and also are punched with initials HB, we assume the original owner. Welz describes orange spoons as"probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). Jan Lotter, who died young after a short career (1813-1817), was part of the Lotter family of Cape silversmiths, he ma...

A rare pair of Cape silver teaspoons in the Fiddle pattern, with excellent hallmarks. They include the rare Masonic "Square and Compasses" symbol, the single most identifiable symbol in Freemasonry. This hallmark is very well struck on both spoons. The other hallmarks include makers mark TT for Thomas Lock Townsend (struck twice), and pseudo Georgian duty mark (Kings head) - see Welz, Cape Silver, mark 126. Thomas Lock Townsend arrived in the Cape in 1815, the first of the English silversmiths to arrive. He was followed in 1819 by his half brother John Townsend, who joined him in a brief partnership between 1824 and 1825. Thomas Lock Townsend found business difficult in the Cape, he was declared insolvent in 1819, and when he died in 1849 left insufficient estate to cover his funeral costs. Besides being registered as Goldsmith and Jeweller, he practised as mechanical dentist, lodging house keeper, and had an equipment store and fitting out warehouse (Welz, pg 141) We are selling these 2 spoons individually...

A very fine pair of Georgian silver barrel shaped beakers by the well known Bateman family; Peter, Ann and William. The beakers are patterned as half barrels, complete with individual staves and the hoops to hold them in place. This set is not intended to fit together to form a single barrel, as is sometimes the case with this form, they do not have the push-fit rim, and the crests are both aligned the same way (one crest would have been reversed if intended to fit together). The beakers are very good quality, a satisfying gauge and weight, they have a lovely feel in the hand, suitable for use (with a fine scotch whisky!). Both beakers have an interesting family crest, a dragons head above a Ducal coronet, between feathered wings, the engraving is crisp. This crest can be associated with the Dalton, Draycott and Codrington families. Peter Bateman was Hester Bateman's 2nd son, Ann Bateman was married to his brother Jonathan (who unfortunately died young in 1791), and Willam was the son of Ann and Jonathan. T...

A Cape silver snuff box by Daniel Beets, oval in shape with a three quarter hinged lid, which is well made as it is perfectly flush with the lid, and a small but practical thumbpiece. It is a pleasing design for a snuff box, has a very nice feel in the hand, easy to take in and out of a pocket. This is a fairly rare design for Cape silver snuff boxes, most were rectangular, or had a protruding hinge. This box has been well used, as can be seen from the considerable wear to the engraving, and has been repaired more than once in its lifetime. The lid has remnants of engraved wreath surrounding owners initials and date, no longer legible. The box also has 3 worn engraved stars, typically Cape in style, one either side and on the fixed portion of the lid. The interior has original gilding, a lovely golden yellow colour, quite well preserved on lid and hinge, but only some still present in base and sides, the rest has been lost during repairs. The base shows signs of repairs and splits, so has been re-attached at ...

An early Cape silver Hanoverian pattern soup ladle, by Daniel Heinrich Schmidt, described as the greatest of Cape silversmiths by David Heller (History of Cape Silver). The ladle is a very pleasing gauge, very heavy to hold, and has a long drop. It also has the central Hanoverian rib on the front, and a strong turn up. The ladle is hallmarked with makers mark DHS, which is clear, but struck by a worn punch (mark 174 in Welz, described as unknown by Welz, but now known to be Schmidt's mark). Schmidt had a long career (1768-1811), his makers mark punch must have become worn over time. The second hallmark is larger and circular, but worn, probably the bunch of grapes hallmark often used by Schmidt. the third mark nearby does not appear to be a hallmark, but an imperfection in the silver.