A beautiful Grenadier Guards Diamond, Pearl and 14 Carat gold sweetheart brooch, perfectly preserved in it's original Goldsmiths & Silversmiths Regent Street box. The brooch features the Grenadier Guard's flaming grenade, the flames portion contains 25 small diamonds set in 14 carat gold, the body of the grenade is a natural pearl, 6 mm in diameter, set in a gold striated bowl. The grenade is mounted on a gold bar brooch, with gold pin and gold safety roller catch, this is a good quality sweetheart brooch, and would have been expensive when new. No hallmarks are present, but the brooch has tested as 14 carat gold. The original box is also beautiful, leather with gold detail, the interior silk and velvet, it reads "By Appointment to H. M. The King, The Goldsmiths & Silversmiths Company Ltd, 112 Regent St. London W". The Goldsmiths & Silversmiths Co became Limited in 1898, they were amalgamated into Garrard's, The Crown Jeweller's, in 1952. We have tentatively dated this brooch to World War II, but it could be...

A set of 6 interesting Indian silver teaspoons, beautifully decorated, with heart shaped bowls. The spoons appear to be cast silver, and were clearly made by hand, as each handle is a slightly different length. The handles are tubular in shape, with rough cross hatched decoration (which provides good grip), the bowls have an intricate design, chased flowers around a central inverted tear shaped object (possibly a snake?), the backs of the bowls are plain. No hallmarks are present, as in usual for Indian silver of the period.

A magnificent 950 grade French silver coffee spoon in the Renaissance pattern, that carries the mark of one of France's greatest silversmiths - Cardeilhac. The spoon has a pierced trilobe finial, with a smiling cherub's head in the centre, surrounded by very ornate scrolls. the centre of the stem is decorated with a reverse baluster design, and the stem is rectangular, with 90 degree angles. The bowl is connected to the stem with an ornate rat-tail. Needless to say, the quality and feel of this spoon is fabulous, and it is made of the higher grade 950 silver (as opposed to Sterling which is 925). The Renaissance pattern honours the Renaissance period, and has been described as one of Cardeilhac's most prestigious models. It was created in the Nineteenth century in the Neo-Gothic style. The spoon has 2 hallmarks, both very clear - the first is the Cardeilhac makers mark (crowned medal of Honour cross above crescent, in shaped punch, with initials JC for Jacques Cardeilhac, who worked 1945-1951). The second i...

An unusual and beautiful antique Indian scallop shell dish, we are informed this is a rare design for Indian silver, and probably designed for colonial tastes, as it replicates a 18th century design made famous by Paul De Lamerie. The dish is the traditional scallop (or escallop) shape, with 10 ribs, each rib has repoussed (embossed) decoration, this includes numerous animals (elephant, antelopes, lions, dogs, hares and birds) interspersed with trees, flowers and foliage. The dish has 3 cast feet, lion claw under capped leaf scrolls, and rests evenly on a table. The dish is medium in size, so suitable for serving a variety of snacks. The quality is superb, clearly made by a master craftsman, it would have taken many hours to produce. As is usual for Indian silver of this period, no hallmarks are present. We welcome any comments or information on this wonderful dish.

A set of 6 Liberty & Co. silver cakeforks, in the Medea pattern, and perfectly preserved in their original Liberty silk lined box. The Medea patten features 3 embossed seed pods in Art Nouveau elongated manner, originally designed by Archibald Knox in 1899, it became Liberty's most popular pattern. The forks have 2 tines, with a fatter tine for cutting cake, they are great quality, and a pleasure to hold and use. All 6 forks are clearly hallmarked, with the Liberty and Co triple diamond makers mark. The original silk lined box is in perfect working order, it reads "Liberty London - Paris By Special Appointment", between 2 crowned Royal flags. The Medea pattern was first featured as part of the first Cymric range in the Liberty catalogue of 1899, as one of a set of 6 spoons (along with Adela, Sabra, Sarepta, Egbert and Decos) ("Artists Spoons" by Simon Moore, pages 70-91, a book we highly recommend). Originally described as an "embossed floral handle", it is thought they represent tulip buds or seed pods. The ...

A WW II South African Artillery Regiment 9 carat gold and enamel sweetheart brooch, the detail is lovely. The brooch features a cannon under Royal crown with red enamel, with motto "UBIQUE" (everywhere) in blue enamel above cannon, and "South Africa / Suid Afrika" in blue enamel below. The brooch is clearly hallmarked 9CT for 9 carat gold, the clasp and hinge are also gold but the pin is not, it is stamped "Metal". 14 South African artillery regiments served in North Africa and Italy during the second world war.

A set of 6 sterling silver coffee spoons with matching sugar spoon in original box, with stylised Celtic dogs head finials. The spoons are plain but quite striking with the stylised finial. These spoons have been described as birds and snakes, we prefer the Celtic dog description - all assistance welcome as to the origin of these spoons. All seven spoons are clearly hallmarked, some for 1926 and some for 1927.

An antique sterling silver shoe, we hesitate to call it miniature as it is almost real size, perhaps a child's size, we assume originally intended as a sugar bowl. It is in the traditional form as silver miniature shoes, a replica of a 16th century court shoe, profusely decorated with flowers, leaves and scrolls, with a bow on the front, and shaped heel at the back. it has been well preserved in its original box (silk and velvet, a good quality box), the box reads "Cutler Jeweller Jersey". The shoe is clearly hallmarked, the hallmarks hidden in the decoration but clearly legible, the base of the heel is also hallmarked. JF Cutler was a prestigious Jeweller who operated from 2 Queen's Street (still a jeweller today trading as Goldsmiths), he is known to have been there between 1900 and 1920.

A limited edition (no. 12 of 100) silver gilt Commemorative Coronation or Sovereign's orb, made to celebrate the wedding of Charles and Diana in 1981, commissioned for a Royal Family event, and made by leading silversmith Christopher Lawrence. The textured gilt orb is surmounted by the cross, and the orb is decorated with the armorials of Charles and Diana, the orb rests on a baluster support mounted on a polished green marble base, with felt base. The orb opens in half on 2 hinges to reveal back to back ovals on blue and red backgrounds with their family crests, beneath letters C and D, surrounded by cast gilt roses and silver leaves. The cross rises and falls slightly to open and close the globes. The interior circular frame is clearly hallmarked, and the interior of one globe is stamped "12/100". Christopher Lawrence is one of the 50 leading silversmiths in the book "Designer British Silver 1930-1985" by Andrew and Styles, in fact his work is featured on the main cover of the book (Reed Warbler Candelabra)...

A RFC (Royal Flying Corps) 9 carat gold pilot's wing sweetheart brooch, dating back to the Great War (World War I). The RFC logo between two feathered wings is mounted on a slender bar (also 9 carat gold), which is clearly hallmarked J.F for James Fenton of Birmingham, and 9CT for nine carat gold. The hinge and clasp are also gold, the pin is not. This brooch also has a suspension ring with gold chain and gold safety pin, to prevent the brooch being lost. This brooch is quite small and light, but still a rare and lovely item. The RFC was established in 1912, and in 1918 it was merged with the Royal Naval Air Service to form the Royal Air Force (RAF), so only existed for 6 years. 11 RFC members received the Victoria Cross during the War, mortality rates for pilots was extremely high.

An Edwardian replica of a mote skimmer spoon, made by the leading firm Elkington. The oval spoon bowl has a pierced pattern of foliated scrolls and holes, the rounded handle is attached to the bowl with a rat-tail, the finial is a three sided triangular spearhead, which is very sharp. This spoon is excellent quality, as you would expect from Elkington, it has a lovely feel in the hand. It is teaspoon sized, most mote spoons were longer. Mote spoons originated in the early 18th century, and were used to skim off floating particles of tea leaves and motes (tea dust) from a cup of tea (Newman, Illustrated Dictionary of Silverware, page 217). The long thin handle with sharpened point was used to clear the spout of a teapot (when spouts were still straight) where tea leaves clogged it (remember tea leaves were coarser then than we are used to today). In the Plate Offences Act of 1738 these spoons were called tea strainers, but mote spoon or skimmer is the more popular description. There has been controversy over t...

A 9 Carat gold World War II Transvaal Scottish Volunteers Regiment Sweetheart brooch, with motto " Alba nam Buadh (Scotland, Home of the Virtues), in full working order. The brooch is lovely quality, with 2 tones of gold (yellow and red), set on a bar brooch. The back of the brooch is engraved "MOIRA 12/6/42", and both the brooch and the clasp are clearly hallmarked 9CT for nine carat gold. The Transvaal Scottish Regiment was established by John Murray, 7th Earl of Atholl, in 1902 at the end of the Anglo Boer War, it still exists today. During World War 2 when this brooch was presented, the regiment fought mostly in North and East Africa, notably at El Alamein.

An interesting and unusual pair of Old English Bead pattern tablespoons, very early for this pattern, and with large bead which was previously thought to be a 19th century pattern. The spoons are a very pleasing quality, with good patina, clearly made by a master craftsman. The spoons have original owners engraved initials B / I-A, and the spoons are bottom marked, the hallmarks have some wear and makers mark is squashed, but still clearly legible to 1776 and makers mark I*M for Jacob Marsh (Grimwade marks 1517 and 3658). Pickford (Silver Flatware page 98) says "Old English Bead's true period of style was during the 1780's, although it is found later", so these spoons are early for this pattern. He further says "two types of bead will be found, fine bead which dates from the 18th century and large bead which dates from the 19th century". These examples are clearly large bead, so we propose they are rare and early examples of bead pattern, before it migrated to fine bead in the 1780's. Jacob Marsh worked bet...

A set of 6 interesting Dutch silver mocha spoons, these spoons are replicas of medieval daimond point spoons dating between 1350 and 1560. The spoons are 835 grade, and have a pyramid or diamond shaped finial mounted on a pedestal, with a 4 sided tapered stem. The fig shaped bowls have a pronounced drop from the stem, as is usual in diamond point spoons, but the bowls have a more pointed end. All 6 spoons are clearly hallmarked with makers mark B2V* for JM Visser of Bijkamps & Co of Steenwijk, this mark was used between 1946 and 1975 (Netherlands Responsibility Marks since 1797, mark 2790. The spoons also have 835 grade mark. Bijkamp & Co is a respected Steenwijk silversmith, founded in 1835. The Visser family married into the Bijkamp family, Jan Visser whose mark is on these spoons died in 1950. We really like these spoons!

A pair of octagonal engine turned napkin rings, with applied armorial of the city of East London, South Africa. The armorials are lovely, with 4 colours of enamel, and good quality and gilded, we assume a metal, possibly silver, but no hallmarks are visible (possibly hidden on the back which is glued to the napkin rings. The rings are a pleasing shape, with 2 engine turned panels each, both are clearly hallmarked. The armorial depicts the cross of St George, as with the original London, with sheaves of wheat and sheep depicting agriculture, below a rising sun signifying the east. The shield rests on a gold anchor, as per the Cape Colony arms. This armorial was granted in 1892, it was replaced in 1959 by a more heraldically correct version.

A set of 6 Scottish Provincial Oar pattern teaspoons made in Banff circa 1820, 4 by John McQueen and 2 by William Simpson I. The Oar pattern is also called Fiddle without Shoulders (Pickford Silver Flatware page 111), it is a scarce variant only found in Scotland. All 6 teaspoons are engraved with original owners initials JJR, but close inspection of the engraving shows the 2 spoons by Simpson were engraved by a different hand, we presume this was done later to complete a set of Banff teaspoons. You can also see slight differences in the shape of the bowl and Fiddle in the 2 Simpson spoons when compared to the Mcqueen spoons, showing they were all made by hand. The hallmarks on all 6 spoons are good, the 4 McQueen spoons have the stub mark of McQueen - B, A, Scottish Thistle, McQ - mark BF35 in the Directory of Scottish Provincial Silversmiths by Richard Turner, a book we highly recommend. 2 spoons have wear to the B, and one spoon has wear to the McQ, probably a result of uneven punching. The 2 Simpson spoon...

A Natal Mercury sterling silver Medal, awarded in 1928 by N.A.R.A. The medal has a winged Mercury, the Roman messenger of the Gods, running across a bridge, surrounded by "Natal Mercury 1928". The reverse has a laurel wreath, and is engraved "N.A.R.A. won by" - with no name engraved. The Natal Mercury is South Africa's oldest newspaper, established in 1852, and still running today, it still uses Mercury as it's logo. We are not sure what NARA stands for, perhaps Natal Amateur Running Association? The mercury logo is also used by the Comrades Marathon, the world's largest and oldest ultramarathon race, 89 km's between Durban and PieterMaritzburg, established in 1921. All finishers received a silver medal until 1931, we are not sure if this medal was intended for the comrades. We have also seen a 9 carat gold version of this medal.

A REME (Royal Electrical and Mechanical Engineers) Regimental 9 carat gold Sweetheart Brooch. The badge depicts a horse rearing with a coronet around its neck, linked via a chain to a globe the horse is standing on. Behind the horse there is a lightning flash, which symbolises electrical engineering while the globe stands for the world-wide role of the unit. The chained horse symbolises power under control. The badge is completed with the British Royal Crown. The flash and crown are clearly hallmarked 9 carat yellow gold, the horse is a much lighter colour, we assume it is white gold. The hinge, pin and safety clasp are also yellow gold. The brooch also has a gold suspension ring behind the lightning flash, possibly for another form of attachment. The brooch is clearly hallmarked for Birmingham 1967, 9 carat gold and has makers mark W.O.L, they worked between 1953 and 1970 but are currently un-identified, possibly W.O. Lewis. This badge is described by members of the REME as "a horse dropping a bollock".

A sterling silver porringer, this is a replica of a Carolean porringer dateing back to Charles II. The porringer is beautifully made, a very pleasing quality. It is planished (spot hammered), so probably hand made. The porringer is embossed with acanthus leaves and the 2 scroll handles are decorated with dolphin heads. The hallmarks are clear. Samuel Walton Smith worked between 1886 and 1926, the partners included John Bodman Carrington of Carrington & Co. This was probably intended as a Christening gift, but has never been engraved.

An interesting pair of cast silver sugartongs by Hester Bateman, the most famous 18th century female silversmith, she has also been described as the Queen of British silversmiths. The tongs are bow shaped, with attractive cast silver pierced arms, decorated with foliage, scrolls and flowers, and shell grips. The bow is shaped, and has a cartouche for owners initials, which has not been engraved. The side of the bow has faint remnants of owners initials, P/IM, now very worn. Cast sugartongs followed scissor style sugar nips (also called tea tongs), most date between 1770 and 1780, when they were replaced by standard sugar tongs. Cast sugar tongs were complex to make, the arms were cast separately and then soldered onto the bow (Hodges, Georgian Silver Sugar Tongs, page 11). This particular tongs was made from 5 separate pieces, the bottom thinner portion of the arms were cast separately, all the solder joints are visible. We believe this is how the tongs were originally produced, there is a possibility they we...