Magnificent pair of Arts and Crafts spoons by Sibyl Dunlop, one of the leading female practitioners of the Arts and Crafts movement. The spoons are in the shape and style of 16th century spoons, with fig shaped bowl, hexagonal stem and shaped finials. The spoons are cast, with hand hammered bowls, and have a cast finial that resembles a pineapple with scrolls on either side, resting on 3 rings. A furrow runs down the front end of the shaft of each spoon. These spoons are very good quality, with pleasing weight, lovely to hold and use. The hallmarks on both spoons are very clear, including the SD makers mark. Dunlop (1889-1968) was born in Scotland, trained as a jewellery designer in Brussels, and opened a shop in Kensington Street, London. She specialised in Arts and Crafts silver and jewellery, often naturalistic in style.
A Liberty Cymric dressing table set comprising of shoe-horn, button hook and glove stretcher, all steel with silver handles set with classic Arts and Crafts turquoise cabochons, on both sides (8 cabochons in all). The set must have been accumulated over time, with the shoe-horn 1905, glove stretcher 1907 and button hook 1909. All are fully hallmarked with the Liberty and Co hallmarks, in addition the shoe-horn is stamped "Cymric" on both sides. This set matches the Liberty Cymric vanity set (item S 1360). It is widely believed that this is an Archibald Knox design.
A pair of Liberty Cymric glass and silver dressing table pots, with turquoise cabochons set in the lids. The pots match the Liberty vanity set (S1360). Each lid is fully hallmarked with clear marks including L&Co makers mark. The glass pots are bevelled.
A silver 2 handled wine bottle coaster, with an attractive applied cut card decoration of a spade shaped leaf. This coaster is solid and well made by Wilson & Gill of Regent Street, London, who were known for their novel and artistic silver (they stocked silver by Christopher Dresser, William Comyns and Hukin & Heath). The coaster is stamped on the base with "Wilson & Gill, London, Rd No 556257". The hallmarks are visible but worn. This could also be used as a bowl.
Small Arts and Crafts basket, possibly Norwegian, with swing handle. The basket is spot hammered and has an attractive embossed 5 dome design. The base is stamped 830, and both the interior and the handle are hallmarked with a script V, the Dutch import mark (post 1906).
Small Liberty cymric bowl set with turquoises, probably designed by Archibald Knox. Knox was renowned for his use of semi precious stones with silver.
A hand hammered silver bowl on upturned base, with silver ball feet and decoration. It is beautifully made, of good gauge, and is engraved "To Ian Desborough Elliot from his Godmother, 1901. In small things liberty, in great things unity, in all things charity". The hallmarks are clear, including the makers mark. The Guild of Handicraft Ltd was formed by Charles Robert Ashbee in 1898, and worked from New Bond Street. It went into liquidation in 1908, amidst complaints that the large London firms plagiarised designs and sold them cheaper. The Guild consisted of 50 craftsmen, and each item was made by hand.
A beautiful Arts and Craft teapot and sugarbowl, with rosewood handles attached with silver rivets, and a conch shell motif, inspired by an Aztec design. These are from the Spratling First Design Period (1931-1946), and have the WS Print circle hallmark and Sterling mark. Spratling was an American architect who settled in Taxco, Mexico, and revived the art of silversmithing there. A similar teapot (but with a silver handle) is illustrated on page 47 of the book Spratling Silver, Centennial Edition, by Sandraline Cederwall and Hal Riney.
A handbeaten, three legged, Arts and Crafts sweet bowl, with leaf and paw feet. In addition to the hallmarks (which are clear) the bowl is stamped "Connell, 83 Cheapside". Connell's was a highly regarded firm which was situated at 83 Cheapside from 1845 until it went into voluntary liquidation in 1939, probably as a result of the outbreak of war. Connell's of Cheapside have been described as "pioneers of modern artistic silverware" (Pudney, Silver Society Journal 11), one of the few traditional London dealers that promoted the Arts and Crafts movement. Much of their silver was produced by WH Haseler, William Hutton & Sons and AE Jones.
4 piece tea service comprising teapot, hot water jug, creamer and sugar, by the well known craftsman A.E. Jones. They are beautifully made, with spot hammered bodies and cast disc feet. A simple design of an embossed band with roses is present, as is the engraved initial R. All pieces are fully hallmarked with clear hallmarks, including the lids and even the finial screwnut.
A Liberty Cymric nail vanity set, complete with buff, tweezers, file, scissors, knife and shaper, all steel manicure tools with silver handles set with turquoise cabochons on each side (10 in total). Each piece is fully hallmarked with "L & Co" makers mark, townmark, date letter and sterling mark, but none have the "cymric" stamp, as they were probably too small. Handbeaten silver set with turquoise cabochons is classic Arts and Crafts, probably designed by Archibald Knox, who designed for Liberty until 1912. The scissors do not have cabochons, but are a lovely shape (unfortunately one steel tip is broken off). The nail buff has its original leather base, which is worn but still intact. This set matches item S 1361.
An Arts and Crafts silvergilt medallion, mounted on ivory, by Omar Ramsden, who is regarded as the leading English Arts and Crafts silversmith. The medallion is in classic Arts and Crafts style, and depicts a printing press surrounded by "LMPA", and surrounding scroll with "The London Master Printers Association". The medallion still has its original blue ribbon, with clasp in full working order, in its original fitted Garrard case.The box reads " By Appointment to HM the Queen, Goldsmiths and Crown Jewellers, Garrard & Co Ltd, 112 Regent Street, W1".
The hallmarks are very clear, including OR makers mark, and the back is engraved "Omar Ramsden Me Fecit", translated Omar Ramsden made me, as is usual for his work.
An Arts and Crafts napkin ring set with 4 silver coins, by Charles Robert Ashbee, who was a major force behind the British Arts and Crafts movement. The napkin ring is hand beaten, and the rim has an attractive punched dot pattern. The 4 coins include:
1. Roman Denarius, 46BC, produced by the military mint travelling with Caesar in North Africa. Venus head on obverse, CAESAR, reverse has Aeneas holding his father Anchises on his shoulder, holding palladium in other hand.
2. Danish Krone (Christian IV), dated 1643
3. Danish Krone (Frederik III, brother of Christian IV), dated 1667
4. English shilling (George III), issued in 1787, with kings head in roman attire on obverse, 4 angular shields surrounding garter star, with crowns in angles of shields
The hallmarks are very clear, including makers mark CRA in shaped shield. The napkin ring is in excellent condition, thanks to it being preserved in its original box (box is intact but in poor condition). We can only guess as to the origin of the napkin ring, p...
A rare Iona silver scarf ring, in the Celtic Arts and Crafts style. The ring is very good quality, and has a classic Ritchie Viking longship motif, with celtic knotwork side panels, and terminals of wolf like celtic beasts. The ship is copied off an 11th century stone carving in Iona's Abbey museum, and the beasts are similar to those found in the Book of Kells. The hallmarks are very clear, "AR IONA" incuse, along with makers mark ICA (Iona Celtic Arts) and Birmingham hallmarks for 1934. Ritchie registered the ICA makers mark in 1931 in Birmingham. Alex Ritchie's work was inspired by the ancient Celtic and Viking carvings on Iona. He is regarded as one of the most respected and sought after Scottish silver jewellers of the 20th century. (All information courtesy of Alexander Ritchie website, see link on our links page. A similar scarf ring is shown on the website.)
A rare silver and green enamel annular brooch designed by Alexander Ritchie, the famous Iona silversmith. The brooch has a Gaelic inscription "A h-uile latha sona dhuit", translated "May all your days be happy". These brooches are traditional wedding presents to celebrate a marriage. The Alexander Ritchie website (see our links page) shows 2 similar brooches, one in blue and the other in red enamel, both are described as rare, they do not show a green enamel example. Ritchie began to use the Birmingham assay office in 1931, and he had close links to the Birmingham firm of Darby & Sons, who made items for him. After Ritchie's death in 1941, some of his original moulds were used by Darby until the 1950's, this is one of these (see Ritchie website). The hallmarks are small but visible, the pin is also hallmarked.
An Arts and Crafts Swedish silver sugar bowl with lid, with circular hand hammered body on a raised circular foot, the lid with a ring finial. It is a simple but beautiful design, and is a very good weight and excellent quality. The hallmarks are very clear, having been protected by the raised foot. They include the Swedish State mark (3 crowns) and 830 silver standard (S in hexagon), Goteborg city mark (crowned G), date letter for 1962 (M9) and sponsors mark for Thore Eldh (SFS). Thore Eldh was a highly regarded Swedish designer who worked between 1935 and 1967. In addition to the hallmarks, the bowl is stamped "Cecilia" in script form, we assume a pattern name.
Beautiful ladle by the famed maker Alwyn Carr, one of the leading silversmiths of the Arts and Crafts period. It dates from the period after the dissolution of his partnership with Omar Ramsden, which occurred in 1918 when Carr returned from the Great War as a wounded Captain. The ladle is double lipped, spot hammered, has a rattail and a heart shaped terminal. The hallmarks are very clear. Carr died in 1940.
Beautiful Arts and Crafts low tazza, with celtic design rim and 8 celtic buttons of two different sizes arranged around the rim. It is a pleasing size and weight, perfect for use as a fruit bowl. This is a truly stunning piece, by highly regarded makers. Hallmarks are very clear
A rare arts and crafts silver spoon, possibly a jam spoon, made for the iconic Liberty's department store in London. The spoon is very unusual, with a design and decoration we have not seen before. The spoon is hand made, and has a very heavy gauge, this is a lovely spoon to hold and use. The spoon has a "knob" on the stem, which adds to the attractiveness but which also has a practical use in increasing the grip. The engraved decoration is very simple floral design, the circles have been punched in. The small circles, both on the handle and in the bowl, were used to simulate rivets. The hallmarks are very clear, the L&Co makers mark in diamond punch is clear but slightly worn. The spoon also has it's own unique design number, 2339, perhaps some-one with access to the Liberty archives will be able to do further research. It is also interesting to note that this spoon was made early on during the First World War, before production was diverted to the war effort. Liberty used his shop to showcase the work of le...
A Liberty Cymric silver matchbox holder, set with a single cabochon of turquoise, typical of the designer Archibald Knox for Liberty. The hallmarks are clear, although the makers mark is only partially visible, but clearly identifiable as Liberty. This box is not stamped "Cymric", although it undoubtably belongs to the Cymric range.