A rare set of 3 Scottish provincial toddy ladles (Fiddle pattern) made by James Pirie of Aberdeen. All 3 ladles have an interesting crest, a dexter hand holding a kings crown, which is well engraved. This is the crest of the Cheeseman family, it is also used by the Robertson family. The hallmarks JP, ABD, JP are very clear on all 3 ladles. The makers mark JP is quite rare, in fact it is not depicted in Jackson's, although it is recorded in Turner's Scottish provincial silversmiths.
A Scottish Provincial dessert spoon in the Fiddle pattern, made in Arbroath. The spoon is initialled with the letter C. The hallmarks include makers mark AD, crowned head * 2, portcullis. The makers mark AD is very clear, the portcullis is clear, the crowned heads are visible but have some wear, perhaps the punches were worn. Overall hallmarks are very good.
A Fiddle pattern Scottish silver toddy ladle, with a magnificent crest - a unicorn's head erased above a crown, with the motto "Virtute Acquiritur Honos", translated "Honour is acquired by Virtue". This is the motto of the Richardson family. The crown probably indicates the families membership of the peerage. The hallmarks are very clear, including makers mark AW in strangely indented punch. AW has been attributed to Alexander Wotherspoon (British silver makers marks website) but given the similarity of the punch to JW (John Williamson) there is a high probibility of a family relationship (father and son?), so the maker could be A Williamson.
Two Cape silver tablespoons in the Fiddle pattern, with engraved initials HV, attractively engraved by hand in Colonial style. The hallmarks are excellent, makers mark DB struck twice between 3 stars (Welz mark 15). Although from the initials we can see they are a pair, they are slightly different in quality, weight and condition. 1 spoon is beautiful, good quality, weight and condition, the other less so, it is lighter and has had a rougher life.
A pair of Scottish Provincial silver toddy ladles, made by James Douglas in Dundee. The ladles are Fiddle pattern, and have a well engraved and attractive crest of a raised fist holding a bundle of arrows. The hallmarks include makers mark JD, and pot of lilies struck 4 times. The 4th pot of lily is at right angles to the other 3. Both ladles have good hallmarks. The crest is the Brodie family crest, a dexter hand holding 5 arrows.
Dainty set of Old English pattern silver teaspoons, 4 spoons by Ely & Fearn and 2 by the Batemans, but all with a matching crest (crest is contempory, indicating this set was put together soon after manufacture). The crest is very fetching, with a lion rampant holding a scallop between its fore-paws. Clear hallmarks.
Lovely boxed set of 8 deco coffee spoons, all with clear hallmarks. In original box from a South African retailer in Pietermaritzburg, the box reads " Farrants Ltd, Goldsmiths and Diamond merchants, 213 Church St, next to Standard Bank, Maritzburg".
A Chinese export silver dessert spoon in the Fiddle pattern. The pseudo-English hallmarks are in excellent condition, well struck and very clear. They include lion passant with triangular indent to punch, crowned leopards head, duty mark and makers mark L. Linchong was an early maker of Chinese export silver, his silver is usually in the English Georgian style. He worked from New China Street, Canton. Linchong is described as the "unsung Cantonese master Georgian silversmith, who rivals Paul Storr in work quality, whose silver is very rare" - www.chinese-export-silver.com
Plain Cape Fiddle pattern Tablespoon, with very clear English Pseudo hallmarks. No makers mark is present, but the letter M is impressed twice, this has only been recorded on silver by Beck. Beck worked from Shortmarket Street and Greenmarket Square.
A set of Indian Colonial silver Dessert spoons in the Fiddle pattern, with rare hallmarks from little known Calcutta goldsmiths. 3 spoons are by RS and 3 are by BG (both makers are listed but unidentified by Wilkinson in his book "Indian Colonial Silver"). The hallmarks are clear but a little worn, BG with tally mark 14 (Wilkinson, pg 27) and RS with the Fish tally mark (Wilkinson, pg 116). Tally marks are thought to be the mark of the indigenous workman who finished the piece. The tally mark 14 also appears on silver from Twentyman & Co. This set was probably put together when new in Calcutta circa 1830, as they all have the same initials DI, exhibiting some wear. Given the differential wear to the bowl tips, we can only assume that the 3 by BG are softer, higher grade silver than the 3 by RS.
Beautiful pair of Fiddle pattern Cape salt spoons. Vos died age 27 in 1862, having been a silversmith for 8 years at 127 Long street in Cape Town. Very clear hallmarks showing makers initials, in hexagonal outline, and pseudo English sterling and duty mark.
Beautiful set of heavy, elegant grapefruit spoons with classic art deco design. Cased in original box marked "By appointment, Mappin and Webb Ltd, Oxford Street, London". The hallmarks are very clear.
A set of 6 silver and enamel teaspoons, with the badge of the Transvaal Scottish Regiment. The badge has a Scottish thistle surrounded by heraldic strap and buckle, over the "Star of the Order of the Thistle". The motto "Alba nam Buadh" (Well done, Scotland or Scotland, Home of the Virtues) is underneath the thistle. All 6 teaspoons are fully hallmarked. James Fenton worked from Great Hampton St, Birmingham between 1905 and 1954.
A Cape silver dessert spoon in the Fiddle pattern. The spoon has pseudo English hallmarks, all individually struck, all the hallmarks are very clear. They include duty mark, bird, castle and date letter e, with makers mark LT. This is makers mark 131 (Cape Silver by Welz), although they are struck in a different order, which is quite common. It appears the Cape silversmiths were not too scrupulous about how hallmarks were struck.
A Cape silver tablespoon in the Fiddle pattern, with engraved owners initials "de C", so probably a Huguenot. The spoon bowl is quite wide and the top of the handle has a very provincial rib and turn. The hallmarks are very clear, and include makers mark LT, and pseudo-English hallmarks (leopards head, date letter a, duty mark and lion passant). This is mark 135 in "Cape Silver" by Welz.
A boxed set of 6 silver enamel commemorative teaspoons, with enamel "Southern Rhodesia" with coat of arms, and cast bowls featuring "Rhodes Statue, Bulawayo". Cecil John Rhodes was a British empire builder, who obtained mineral rights in the territory later to bear his name in 1888. Southern Rhodesia (now Zimbabwe) was the name used for the British colony between 1901 and 1964. The spoons are in their original box, and were retailed by Birch & Gaydon, "Watchmakers to the Admiralty", of Fenchurch street, London. The hallmarks are clear on all spoons, although the makers mark (present but unidentified) is poorly struck and only partially visible.
A very fine Cape tablespoon by a maker who has a reputation of excellent quality, clearly evident in this spoon. Whilst this spoon was made c1850, it is a copy of an earlier 18th century style (Hanoverian with turn up, and the crest on the back of the spoon). The crest is beautiful, a hand holding an elaborate cross and the motto "FORTIS IN ARDUIS", ("Brave in Difficulties"). The hallmarks are very clear, showing makers initials and pseudo English hallmarks. Waldek took over the business of Lawrence Twentyman when he moved to India. Note - A customer and descendant of Lawrence Twentyman has now identified this crest and armorial as the Deas-Thomson family. This spoon probably belonged to John Deas-Thomson (Junior), he arrived in the Cape in 1829 as Clerk of the Check. He also became Naval Storekeeper and Agent Victualler based in Simonstown, a post he held until 1845 when he was convicted of embezzlement and sentenced to 14 years transportation to Australia. John married Carolina Francis Stoll in 1831, they h...
A magnificent Bacchanalian pattern silevr dessert spoon, with fluted bowl. This is one of the rarest English silver flatware patterns, it was originally produced by Paul Storr. The spoon shows Bacchus, the Roman God of wine, riding a lion, whilst a topless Diana looks on, with another figure asleep at her feet. The back of the spoon is also beautifully decorated, with a masque over a theatre curtain, and tilted amphora of wine. Bunches of grapes and vine leaves complete the decoration. The spoon is extremely good quality, quite heavy to hold, sturdy enough to use as a serving spoon, and the hallmarks are clear. Bacchanalian pattern is shown in "Silver Flatware" by Pickford (pg. 127), where an identical dessert service made by Wakely and Wheeler is depicted. The pattern was originally designed by Thomas Stothard, the famous painter and designer, for Rundell, Bridge & Rundell, the Royal silversmiths, in 1812, the first service was used by King George III. The other rare patterns in the same series include Boar...
Rare Russian tablespoon by Kordes, one of the very few silversmith's who were commissioned to work for the Imperial Family. The Assay Master is A. Mitin, who worked from 1842 - 1877. The town mark for St. Petersburg is the crossed anchors and scepter, and is in a square shield with corners, indicating the date of 1873. The 84 standard mark and makers mark are also clear. The assay master mark is clear, but the date letter is worn.
Attractive set of antique Tiffany sterling flatware in the rare Tiffany pattern, comprising matching set of Tablespoons, Tableforks, Dessertspoons and Dessertforks (6 of each). The Tiffany pattern (pattern No 1 in the book "Tiffany Silver Flatware, 1845-1905) was designed by Edward C Moore, and was the first pattern he designed. The pattern is lovely, described as "Renaissance Revival, with modified Greek double scroll with shell like antefix and honeysuckle blossom" in the Tiffany Flatware book. It was produced between 1869 and 1917. In 1956 this pattern was re-introduced as the Beekman pattern, which does not have the intriguing scrolls that protrude halfway up the stems. Each piece has a monogram JHC, and each is clearly hallmarked "C Tiffany & Co, Sterling, PAT 1889". They are of exceptional quality, as you would expect from Tiffany, and are all a good weight. The Tiffany Silver Flatware book describes this pattern as "rare, seldom seen" (page 171). This pattern was the first flatware pattern that Tiffany...
