A set of six silver teaspoons with enamel finials, 3 with a swimmer and 3 with a motorcyclist. The teaspoons have an attractive stem, and all 6 are fully hallmarked on the back of the bowl, and all are stamped "England". The enamels were hand painted, as the details on each differ slightly. We can only guess as to their origin, perhaps a special commission for a family involved in both sports.

Typical Scottish silver toddy ladle, in the Fiddle pattern, with engraved initail P. The ladle was made by Andrew Wilkie, a Dundee silversmith, but was assayed in Edinburgh. Silver by Wilkie is found with both Dundee marks (pot of lilies) and with Edinburgh marks, as is the case with other Scottish provincial silversmiths, brought about by the imposition of duty on hallmarked silver. According to Turner (Directory of Scottish provincial silversmiths and their marks), certain makers had a proportion of their silver fully stamped in Edinburgh, to keep their registration as a silversmith valid - and to keep the Revenue service happy that duty was being paid.

A lovely set of Jugendstil German 800 silver teaspoons, of very good quality. The spoons all have a cast crest depicting an eagle within a shield, over a cross within another shield. This has the appearance of a military crest, but this is not our area of expertise. The spoons are in their original box, marked "HG Berg, Guldsmed, Sandefjord", which is in Norway - so the possibility exists that the spoons were manufactured in Germany for the Norwegian market, so the crest could be Norwegian. Note - The spoons weigh 145 grams, not 160 grams as per our original description. Close inspection also reveals that 4 spoons are by maker S in circle (which we have not been able to identify), 2 spoons have a zig-zag makers mark, which we believe is Wilhelm Muller of Berlin, who worked between 1880-1940.

A magnificent set of unusual silver gilt cast teaspoons and sugartongs, all of exceptional quality, in original silk lined leather box. Each individual spoon is a replica of an earlier spoon design, covering 300 years of spoon history. They include (as best we can identify): 1. Moors head, twisted stem 2. Onslow with flowers 3. Bearded monks head (Rococo) 4. Pierced handle (rare 18th century design) 5. Apostle spoon. pilgrims staff and book 6. Bacchus (Roman clothes) holding wine goblet 7. Stag with antlers 8. Aphrodite, Goddess of Love, dancing with tambourine 9. The devil, with horns 10. Warrior with raised arm, helmet and brestplate 11. Angels head (blowing clouds?) 12. Cherub's head, ornate stem 13. (Sugartongs) Cupid with wings. Manoah Rhodes was established in Bradford, Yorkshire in 1836, Thomas Ackroyd Rhodes was appointed Managing Director in 1888. He lived in Frizinghall and Thornbury in Bradford. They also had premises in Hatton Gardens, London. They were Diamond merchants, Goldsmiths ...

A unique set of 12 Hanoverian teaspoons, six of which are shellbacks, the other six are scrollbacks. These spoons predate the common practise of making and selling flatware in sets, complete sets are extremely rare. As is usual of the period, these spoons only have 2 hallmarks, the sterling and makers mark, which given the small size of the spoons were often poorly struck. The makers mark is present on all spoons but discernable on only 8, with 5 being by Charles Hougham (one set of 3 and another set of 2), and one each by Hester Bateman, Ebernezer Coker and Thomas Devonshire & William Watkins. Nine spoons have contempory initials, and 2 have a later crest.

Lovely set of German 800 silver teaspoons, probably produced for a 3rd Reich organisation, of very good quality and weight, with an attractive scrolling border an an unusual crest. The crest is an angel, a young girl in traditional dress with angels wings, holding a shield containing a crown over 2 crossed arrows and circle. We have been informed that this is a Hitler Youth crest, but as this is not our area of expertise we cannot confirm that. We would welcome any views or comments, and hope we are not offending anyone in the event that it is a Hitler Youth crest. The hallmarks are clear, makers mark HTB, actually H hammer B, for the Hanseatische Silberwarenfabrik AG of Bremen, Germany. It was founded by 2 Bremen jewellers, Brinkmann & Lange, and produced flatware between 1933 and 1937, when it was absorbed into Wilkens. They were approved suppliers to the German 3rd Reich, RZM mark no. 241 of the NSDAP, and are known to have supplied a number of different military organisations.

A lovely golfing memorabilia teaspoon, with enamel finial of a lady golfer in early 20th century dress. The teaspoon shaft has an attractive design, and the hallmarks are clear. A.J. Bailey worked from the Everest works in Tenby Street.

Rare set of 3 Old English tablespoons made in Carlisle, with Newcastle hallmarks, which are very clear. These spoons all have the same engraved initial B as the 4 tablespoons with the incuse duty mark (item S 1184). John Brown worked between 1822 and 1826, he was an ironmonger and jeweller of English Street, Carlisle, who made a variety of small silverware.

Pair of Old English serving spoons of good gauge, with a nice feel.They are perfect for use as heavy duty serving spoons. They have an interesting crest of a tulip in front of 2 crossed crosses, each cross arm bearing another cross. Hallmarks very clear.

Matching set of 6 teaspoons, with engraved initials. These spoons are all 1821, the last year of the crowned leopard London hallmark. Very clear hallmarks with the exception of the makers mark, which is only visible on one spoon.

Matching set of 6 dessertspoons, with engraved initials WG. Very clear hallmarks.

Unusual cape shellback tablespoon, this is the only example of a Cape shellback we have seen. Very clear English pseudo hallmarks and makers mark. Twentyman moved to India in 1832, where he continued to trade as a silversmith.

Beautiful and rare Cape spoon of unusual size and shape, with engraved initials AMW. It is teaspoon size but has a long stem, leading us to believe it is a mash spoon. Mash spoons were used to stir the teapot to assist brewing. Lotter produced very fine silver, although only for 4 years (1813-1817), indicating he probably died young. Very distinct makers mark.

Plain Cape tablespoon with very clear hallmarks, showing makers initials between two Fleur de Lys.

This spoon has an original inscription, "IIH en EL, 1812". These are presumably the initials of the owners and the date of their wedding. A set of 6 tableforks by the same maker and with the same inscription are pictured in David Heller's 2nd Cape Silver book, "Further researches in Cape Silver", page 46, plate 5, with description on page 41. An additional pair of tableforks with the same inscription are present in the Africana Museum, and are pictured in the book "Cape Silver" by Stephan Welz, pg 67.

Cape sauce ladle with very clear hallmarks, the makers initials struck twice between 3 roses. Beets was the illegitimate son of the German Balthus Beets of Neubrandenburg and the Cape slave Angana.

Early Cape tablespoon of Hanoverian pattern, with the end of the spoon turning up.

Beautiful pair of plain Cape tablespoons, with very clear makers mark. Both these spoons have the initial H lightly engraved on the back of the spoon shafts.

Fabulous matching set of 24 spoons (table and dessert) with griffon crest. The tablespoons are large and heavy enough to use as serving spoons. Very clear hallmarks and crest on all 24 spoons.

Beautiful 17th century memorial (memento mori) matching spoon and fork set in outstanding condition, we feel they deserve to be in a museum. Both have cast triangular handles with an unusual finial, which appears to be a naked woman with a serpents head. The fork has 3 prongs, and the spoon has a crude short rattail. Both are engraved " SARA LEWES Obyt 7 Juny 1672". This set is illustrated and described on page 90-91 of the book "Cape Silver" by Stephan Welz, 1976. Welz describes them as possibly Cape, but we feel they are more likely to be Dutch. A very similar spoon is depicted on page 142 of "Dutch Silver" by M.H. Guns, the spoon has an almost identical bowl and shaft. No hallmarks are present. Note: - The curator of the Silver Dept, Rijksmuseum, Amsterdam, has now described this set as Auricular form, typical of Netherlands in the second half of the 17 th century. His opinion is that it is probably colonial, as known Dutch examples have hallmarks. Note 1 - This set has now been featured in an excellent a...