A Military Victorian silver presentation snuff box, with an erotic engraving of an amorous couple hidden away from view on the base. This is a pleasing quality, substantial in size and weight, more of a table snuff box intended for a desk than the portable versions intended for a pocket. The box is rectangular, with raised lid and base, and is casket shaped with engine turned sides. It also has applied cast foliate rims (base, lid and around the presentation panel), these have exquisite detail, overall a very attractive box. The engraved inscription reads "PRESENTED TO GEORGE BOYD ESQr. by the 20th R.R.V. 1863", and is supported by scrolls (note engraving is 18 years later than box was made). The base is engraved with a erotic scene, very finely engraved with loads of detail, this is protected by the base rim, so perfectly preserved. The interior is gilded with a beautiful lemon gold original gilding, it does not appear this box has seen much use. The hallmarks on both lid and base are very clear, maker mark ...

An Austrian silver cigarette case, with an interesting commemorative double sided medallion by Lauer of Nuremberg, celebrating a 400 year jubilee (1488-1888), set in the lid. The case is ribbed, and has a gilded interior, and gold thumb piece. The case is fabulous quality, very heavy and beautifully made, the hinge is almost invisible, clearly the work of a master craftsman. The medallion is double sided, it was struck to commemorate Kaiser Frederick III, King of Prussia and German Emperor, who came to the throne in 1888, who is on the back of the medallion, in full armour wearing a crown. Unfortunately he died 99 days later of throat cancer, so it was a short reign. He was a liberal and was married to Princess Victoria, eldest daughter of Queen Victoria, historians have speculated that had he remained on the throne longer the Great War might never had happened.The front of the medallion depicts the Holy Roman Emperor Frederick III (same name) Archduke of Austria and King of Germany, in crown and armour, with...

An interesting and rare set of 11 York Georgian silver Old English pattern tableforks, by the York makers Hampston & Prince, with a matching London tablefork. All 12 forks have the same engraved monogram HWT which is original. The forks consist of 4 dated 1789 (date letter C), 4 dated 1793 (date letter g), 3 dated 1794 (date letter h), and the London example dated 1809 by Robert Rutland, a spoonmaker. The forks have lovely balance and shape, very elegant, with long tines and a strong turn-ups at the end of the forks. The London fork matches well but has shorter tines, possibly from wear, what is interesting is that the 11 York forks are noticeably better quality (and weight) than the London example, which has an old repair on one tine (this goes against conventional wisdom that London made flatware is better quality than provincial - we feel this proves the opposite). The hallmarks are excellent, and demonstrate that many different punches were in operation at the York office at the same time, and that stand...

An interesting antique silver trophy, the Douglas Trophy, made by the highly regarded firm of Mappin & Webb, presented for Light Weight Hill Climbing. The trophy has an applied medallion of an antique Douglas motorcycle with rider in flat cap, this medallion has a registration number (526485), so the design was protected. The trophy lid features a cast finial, a wheel with 2 feathered wings, very similar to the Bicycle playing cards emblem, this is attached with a silver nut (both finial and nut are hallmarked as well). The trophy has 2 attractive handles, and is engraved "Douglas Trophy, Presented by the Agents, Light Weight Hill Climbing CPT, won by J. van Reenen 25.7.14, F.A.R. Zurcher 5.4.19 and again 28.2.20". As can be seen, the race was interrupted by the Great War of 1914-1918. The trophy is clearly hallmarked (Mappin & Webb, Sheffield 1913), the lid, finial and nut are also hallmarked. Fritz Zurcher was an interesting character, he won the DJ Run in 1920 (the Durban to Johannesburg motorcycle race,...

A fabulous set of 12 Victorian sterling silver teaspoons with matching sugar tongs, each of the 13 items has the UK Patent Office Lozenge Diamond registration mark, showing this design was patented. The pattern is a bright cut shell pattern, and is double struck (on both sides), this is a beautiful pattern that will glitter in candlelight. The quality is superb, the spoons around 25 grammes each. The set is perfectly preserved in it's original box, they do not appear to have been used. There is no engraving, these spoons are as pristine as the day they were made. All 13 items are clearly hallmarked with Sheffield Crown, Sterling Lion, date letter Gothic F and makers mark RM/EH in diamond punch, for Richard Martin and Ebenezer Hall, they used this mark between 1881 and 1911 (the firm was established in 1863). In addition, all 13 items have a clear diamond or lozenge registration mark for the British Patent office, this was used between 1842 and 1883, this is the second version of the mark used between 1868 and...

A lovely sterling silver and enamel cigarette case, with an oval enamel plaque depicting racing dogs (we assume greyhounds). The picture has 3 dogs, white, black and brown, with leather muzzles and a red bib. The case is excellent quality, and a pleasing weight, quite heavy in the hand, the interior is gilded. The hallmarks are clear on both lid and base.

A rare and beautiful Arts & Crafts cast silver caddy spoon by Bernard Instone, featuring 2 Great Crested Grebes in a courting ritual. The caddy spoon has a circular planished (hand hammered) bowl, the handle is pierced and engraved to produce the birds embracing along their beaks. This caddy spoon has been previously described as depicting 2 stylized storks, but we are confident it represents the elaborate mating ritual of the Greater Crested Grebe, as confirmed by the KSIA (Keswick School of Industrial Arts) website. The spoon has excellent hallmarks, including makers mark B.I in oval punch for Bernard Instone. Instone (1891-1987) registered his mark in 1922, he studied under Arthur Gaskin and worked for John Paul Cooper. He established Langstone Silver Works in Digbeth, Birmingham in 1919, after 4 years service in the Great War. He was subcontracted to produce silver for Sibyl Dunlop (with her SD makers mark), and also produced silver for Liberty's (source Simon Moore Artists Spoons, page 411). Bernard Inst...

A rare Cape Silver lemoen lepel (orange spoon) and matching konfyt fork (preserve), we have not encountered a matching set before, none are recorded in the Cape silver reference books. The spoon is the traditional elegant lemoen lepel shape, with narrow, pointed boat shaped bowl, v shaped drop, and triangular terminal. The matching fork has 4 tines, both feature traditional Cape prick engraving with a 4 petalled flower. Both are clearly hallmarked with makers mark IC in rectangular punch with canted corners for Johannes Combrink, and also are punched with initials IFS, we assume the original owner. Welz describes orange spoons as"probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). Heller, in his book History of Cape Silver, describes orange spoons as "exquisite". Johannes Combrink of the famous Co...

A set of 6 Cape Silver tablespoons in the Fiddle pattern, with initials CIH over WAM. The initials CIH are older, the have more wear than the WAM initials, which would have been added later after a change of ownership of the spoons. All 6 spoons have excellent hallmarks, makers mark FW with the "Cape Stub" pseudo English hallmarks (see article on the Cape Stub in our articles section).

An early Georgian silver porringer, of generous size, with an engraved family crest of a "Portcullis Chained", for the Porter and Beaufort Somerset families. The porringer is the traditional shape, with a bulbous bowl shape (later examples became straight sided), with plain scroll handles with a thumb piece for improved grip. The porringer is decorated with curved lobes and flutes on the lower body, and has a scale and acanthus cartouche, with the engraved portcullis. A very similar porringer can be seen in the book "Price Guide to Antique Silver" by Peter Waldron, figure 529, page 170, who describes it as a popular design in the times of William & Mary to Queen Anne (1689-1713). The base has 4 hallmarks, lion passant which is clear, crowned leopard's head with slight wear, date letter C with slight wear for 1738, and makers mark BW in oval punch for Benjamin West, who was freed in 1733 and worked until 1750, although he only used this particular punch 1737-1738. The portcullis chained crest appears in Fairb...

A limited edition (no. 12 of 100) silver gilt Commemorative Coronation or Sovereign's orb, made to celebrate the wedding of Charles and Diana in 1981, commissioned for a Royal Family event, and made by leading silversmith Christopher Lawrence. The textured gilt orb is surmounted by the cross, and the orb is decorated with the armorials of Charles and Diana, the orb rests on a baluster support mounted on a polished green marble base, with felt base. The orb opens in half on 2 hinges to reveal back to back ovals on blue and red backgrounds with their family crests, beneath letters C and D, surrounded by cast gilt roses and silver leaves. The cross rises and falls slightly to open and close the globes. The interior circular frame is clearly hallmarked, and the interior of one globe is stamped "12/100". Christopher Lawrence is one of the 50 leading silversmiths in the book "Designer British Silver 1930-1985" by Andrew and Styles, in fact his work is featured on the main cover of the book (Reed Warbler Candelabra)...

A rare and interesting cast silver novelty bell, featuring "the Sketch Girl', who was the cover girl for "The Sketch" magazine. The figurine is a lady in Victorian costume, with a feather plumed bonnet tied with a bow around her neck, wide full skirt and cross pattern. She has a tray suspended from her neck, which holds a horse with jockey, and a marching soldier playing a drum, complete with bearskin hat. She has her arms outstretched, holding something in the palm of her hands. She has 2 clappers, modeled as legs complete with shoes, the bell works well, it has a lovely ring. The bell also has its original wooden stand, with a silver plaque on one side, attached by 4 silver pins, for engraving as a presentation (this one is original and has never been engraved). The hallmarks are clear, with exception of makers mark on bell, which is readable but not well struck. Both legs are also hallmarked, as is the silver plaque, which is also stamped MAPPIN & WEBB LTD. The Sketch was a British illustrated newspaper we...

An interesting silver gilt Georgian vinaigrette, in the shape of a purse or handbag, the body decorated with chased 3 leaf device, which has been described as a trefoil design in the literature. The shape is lovely, very pleasing to hold, and with the texture has good grip. The quality is excellent, certainly made by a master craftsman. The base has a leaf design around oval eye. The lid is also beautifully decorated, a central flower on finely engraved cross-hatch surrounded by pattern border, and the side of the lid has a fruiting vine border, very delicately chased. The vinaigrette has 2 eyelets which holds the original chain, each chain link is also decorated with a bar pattern. The pierced grille has a foliate design, also engraved, both hinges are perfect. The interior gilding is also perfect. The vinaigrette has clear hallmarks, the lid has Georgian duty mark, very clear makers mark L&Co which is struck upside-down, and lion passant. The base has anchor town mark, partially worn makers mark and a very ...

A beautiful Dutch antique silver bachelor teapot, made in Amsterdam in 1802 by master silversmith Jacob Hendrik Stellingwerff. The teapot is a very classical design, navette shaped with a plain body with beaded rims, and straight "oil can" style spout. The handle is a plain wooden C scroll shape, with unusual but beautiful silver bands to attach the handle, this is a feature we have not seen before. The oval lid with a turned wooden baluster finial, securely held in place with a silver nut, fits very securely and snugly into the teapot. The teapot is quite small, hence our description as a bachelor teapot, it will probably only hold 2 cups of tea. The quality of the teapot is very pleasing, clearly Stellingwerff was a highly competent silversmith. The teapot base is clearly hallmarked with 5 hallmarks, these include a very clearly struck I.H.S makers mark for Jacob Hendrik Stellingwerff. The Amsterdam city mark and crowned lion rampant (Province of Holland 934 standard mark, so purer than sterling) marks have...

An 18th century Dutch silver salver, in the Louis XIV style, made by Gregorius van der Toorn in The Hague (Den Haag) in 1738. The salver is of almost square form, with moulded shaped corners with shell and scroll decoration and a stepped border, and sits on 4 curved shaped feet. An almost identical shell and scroll salver decoration is depicted in the book "Dutch Silver" by M.H. Gans, page 47, where this style of decoration is dated to 1730. The salver has 4 clear hallmarks, including makers mark G.T in oval punch for Gregorius van der Toorn, this mark is very clear, even showing detail of the indented font at the top of the G and T. The remaining hallmarks include crowned lion rampant Holland standard mark (fineness 934), The Hague (Den Haag or S Gravenhage) city mark (stork holding eel below coronet), this mark with slight wear on one side, and a clear date letter Q crowned for 1738. Gregorius van der Toorn was born in 1715, and became master in 1738, the year this salver was made. He died in 1771 after a l...

A rare Cape Silver lemoen lepel (orange spoon) and matching konfyt fork (preserve), none are recorded in the Cape silver reference books, but we have previously sold a similar pair (S1812). The spoon is the traditional elegant lemoen lepel shape, with narrow, pointed boat shaped bowl, v shaped drop, and triangular terminal. The matching fork has 4 tines, both feature traditional Cape prick engraving, 2 wavy rows around the border of the handles. Both are clearly hallmarked with makers mark IL in rectangular punch with rounded corners for Jan Lotter (makers mark 71 in Cape Silver by Welz), and are also punched with initials HB, we assume the original owner. Welz describes orange spoons as "probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", page 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). Heller, in his book History of Cape Silver, describes or...

A lovely pair of Georgian Irish silver hook-end basting spoons, made in Dublin in 1788, the spoons are a pleasing weight and quality. The spoons have the traditional hook end only found on some 18th Century Irish silver spoons, and are Old English in pattern. The spoon bowls are generous, very suitable for use as serving spoons. Both spoons are engraved with a peacock family crest, this has some wear but is still visible. Both spoons also have original owners initials P/IG on the back of the drops. The spoons are bottom marked with 4 hallmarks, the Hibernia, crowned harp and date letter Q for 1788 are clear on both spoons. The makers mark on both spoons has been lightly struck and unfortunately not readable (although first letter appears to be C in rectangular punch, so possibly Christopher Haines). Ian Pickford, in his book "Silver Flatware", describes hook-end or turned-over flatware as peculiar to Ireland, principally with 18th century serving pieces, for hanging the piece up (page 56).

A beautiful sterling silver and blue enamel dish, with a stylised viking ship complete with vikings, spears, shields and a fish. The dish is sterling silver with engraved rim, which reads "AIR VICE MARSHAL L.O. BROWN, C.B., C.B.E., D.S.C., A.F.C. DEC. 1943 - NOV. 1944, FROM NORWEGIAN PERSONNEL OF No. 132 (N) WING". The enamelling is fabulous quality, different tones of blue with different, intricate patterns, the pattern is also raised. The base is clearly hallmarked "DAVID-ANDERSEN NORWAY STERLING". Air Vice Marshal Leslie Brown was a South African who served with the Royal Air Force (RAF) in both World Wars, he was born in 1893 and died in 1978. He commanded 84 Group during the Allied advance across Noth West Europe. 132 Wing consisted of 2 Norwegian Squadrons (331 and 332) flying fighter spitfires, formed by exiled Norwegian pilots, they fought with distinction first with Fighter Command in the Battle of Britain and later with D-Day, the liberation of Holland and crossing the Rhine, as part of 84 Group und...

A pair of attractive and unusual Georgian silver salt cellars, with a lovely pattern created by numerous embossed ovals with circular eyes, with a textured matt pattern in between. The cellars have 4 cast silver shell headed hoof feet, with additional cast shell feet below the hooves. The cellars have irregular gadrooned rims, and gilded interiors. They are a substantial size and weight, over 160 grammes each, these are lovely quality. The hallmarks are clear, but the makers mark is partially worn on one cellar, and slightly worn on the other, but no doubt this is William Fountain (Grimwade mark 3127). William Fountain was freed in 1785, he had a long career and worked until 1825 (he used this mark between 1805 and 1825). He produced some notable silver, examples of his work are in numerous museums, including the V&A in London.

A fabulous set of 12 Arts and Crafts hand forged silver Rat-tail Hanoverian teaspoons, made by the Harts of Chipping Campden, who still operate as the Guild of Handicraft today. The spoons have a ribbed Hanoverian front and Rat-tail, copying the popular 18th Century pattern circa 1730. These spoons are the large teaspoon size, and are quite heavy (all over 20 grammes), and are very pleasing quality. 3 Spoons were made in 1974 (a short year which only ran for 7 months, as the change-over month was moved from May to January), 3 are 1975 and 6 are 1976, so possibly the set was built up over time. The 3 spoons from 1974 are slightly lighter (average 20 grammes) than the other 9 (average 23.5 grammes), and have a slightly smaller and more elongated bowl, the remaining nine are identical in every way, possibly a different silversmith made the first 3. This slight difference is only really noticeable on close inspection and comparison (see photographs). The hallmarks on all 12 spoons are clear, including makers mark...