A rare surviving set of 8 Georgian silver dessert knives, in the popular Fiddle Thread and Shell pattern, with silver as opposed to steel blades. The knives are in good condition, and are suitable for use. All 8 knives have an engraved family crest of a lion with raised paws looking backwards, we see that 1 is engraved on the other side. All 8 knives are clearly hallmarked, both on the silver blades and handles, for London 1832 with makers mark WC for William Chawner II, and all the marks are clearly legible. William Chawner II was a specialist spoon maker, he was freed in 1804 and worked until his death in 1834. He was part of the famous Chawner dynasty of silversmiths, his Father, brother and son were all silversmiths, the Chawner family were one of England's dominant producers of silver flatware in the 19th century, they supplied all the leading retailers, including Hunt & Roskell, Garrards and Elkington.

A Georgian silver wine label, made in London 1819, and engraved for MADEIRA. The label is oval in shape, and has a double reeded border. The label is clearly hallmarked (duty mark, lion passant and date letter d), but missing London town mark. The makers mark GK for George Knight is also clearly struck. George Knight worked between 1818 and 1824, he specialised in small silver, and is known to have made a number of wine labels. Similar wine labels made by Knight can be seen on the Steppes Hill Farm website (a site we strongly recommend).

A fabulous and interesting Royal silver souvenir spoon, commemorating the Diamond Jubilee of Queen Victoria in 1897. The detail, quality and condition are exceptional, we love this spoon. The bowl depicts the coronation of Queen Victoria in Westminster Abbey in 1838, it is a faithful copy of the famous painting by Sir George Hayter, which the Queen herself commissioned and was delighted with, now in the Royal collection. Both the front and back of the handle are richly decorated, the front with a bust of the Queen below crown, above "Peace Commerce" above 2 ships (the naval ship HMS Thunderer), above "Electricity", represented by Greek mythology messengers Iris and Hermes next to a telegraph pole. Below "Rifle Volunteers" with soldiers being inspected by Britannia, above "Steam" above a detailed steam locomotive, above "Penny Postage" and a mailman. The rear has crossed Royal flags with rose, shamrock, leek and thistle, above the Order of the Star of India, with motto "Heavens Light Our Guide", above a Royal ...

A fabulous Royal silver souvenir spoon, of outstanding quality, commemorating the investiture of the Prince of Wales (now King Charles III) in Caernarvon, Wales in 1969. The spoon has a cast silver Welsh dragon holding a Royal shield, the dragon's tail curls around the spoon stem and forms a "rat-tail" on the spoon bowl, we love this spoon. The bowl has a cast silver Prince of Wales emblem, with 3 feathers above crown, above the motto "Ich Dien", translated "I serve". The back is engraved "Caernarvon 1969, 256", this was a limited edition and each spoon was numbered. The hallmarks are clear, with makers mark JDB for J.D. Beardsmore & Co, who only worked in 1969 and appear to have only produced this spoon. The Emblem inthe bowl, which is cast as a separate piece, is also hallmarked. The spoon was originally sold in a custom box with leaflet, the leaflet informs that the spoon was designed by Norman Manwaring, Herald Painter to the College of Arms, under the supervision of R.O. Dennys, OBE, FSA, Herald of Arms,...

A typical Chinese Export silver Christening mug, richly decorated with traditional Chinese symbols, including Dragon and blossoming prunus tree, by Khecheong, one of the more prolific Chinese Export silversmiths. The mug has 3 circular embossed panels, the central one with Chinese dragon symbolising power, strength and good luck, the 2nd has a flowering Prunus blossom tree (plum or cherry), symbolising life, good health and happiness, the 3rd has flowers, buds and leaves. The remainder of the mug is finely engraved with flowers, leaves and diamond symbols, as you can see from the photographs the quality of the workmanship stands out. The handle is a curved vine, and the interior of the tapered mug is gilded. A circular patch above the dragon is plain, this is where a previous owners initials have been removed, this could be re-engraved. The base of the mug is clearly hallmarked with makers mark KHC in rectangular punch, the base also has a faint scratch engraved number, this would have been stock code used by...

A set of 4 Scottish silver Hanoverian pattern tablespoons, made in Edinburgh in 1773 by William & John Taylor. The spoons have the Hanoverian central ridge, and have double drops on the back of the bowls. The spoons are engraved with an interesting family crest of a hand holding an Imperial Crown, below motto "Corde et Animo", translated "With heart and soul", this is the crest and motto of the Scottish Clayhills-Henderson family. The engraving is on the back of all 4 spoons, as is usual for the period, when flatware was placed on the table facing down. The engraving has some wear, but still clearly visible on all 4 spoons. All 4 spoons are bottom marked, and have 3 clear hallmarks - Edinburgh castle, Scottish thistle and date letter gothic T for 1773. The spoons also have a poorly struck makers mark, only partially visible on 1 spoon, just enough to see it is WT over JT for William & John Taylor (Jackson page 549). William Taylor worked from 1753, and produced good quality silver, we assume he was joined b...

A Chinese Export silver table spoon in the Fiddle pattern, with engraved initials WRB in Gothic script. The spoon is good quality, easily comparable to an English Georgian example. The hallmarks are very good, and include pseudo duty mark, pseudo date letter P in incuse rectangle with cut corners, pseudo crowned leopards head (London town mark pre 1821), pseudo lion passant and makers mark WE WE WC. This is an imitation of the makers mark for William Eley, William Fearn and William Chawner. The Chinese Export silver collectors guide (4th edition, pg. 763-767) says this maker remains unidentified, but was responsible "for an astounding production of silver items, almost all in the European neo-classical style. The work of WE WE WC is par excellence, it can rival the best of English, European and American silversmiths of the Georgian era. There is no such thing as a poor piece of WE WE WC silver. To have the wherewithal to create silver that rivaled the finest European and American silversmiths of the Georgia...

A beautiful Arts and Crafts hand made silver bowl in Art Deco style, made by the highly respected Chicago silversmith Lebolt & Co, who competed against the Kalo shop. The bowl is circular with a flat base, with 2 flat shaped side handles that form 2 of the 4 feet. The bowl has an applied monogram MS (in an Art Deco diamond shape) on the front, this is a common feature of Lebolt silver, which would have been commissioned for a specific owner. The exterior side of the bowl is planished (hand beaten), with the individual hammer marks giving it a wonderful texture that will glitter in candle light. The base is clearly hallmarked "LEBOLT HAND BEATEN" below the Lebolt logo of Lion holding a diamond around L, and "STERLING 464" which was probably a pattern number. Lebolt founder J. Myer Lebolt added a handwrought silversmithing department to his family's Chicago jewelry store in 1912 (source www.chicagosilver.com), it was sold from their stores in Chicago, New York and Paris. They and the Kalo Shop are remembered fo...

A rare Scottish provincial teaspoon in the Oar pattern, which is unique to Scotland. The teaspoon was made by Charles Fowler in Elgin, and is clearly hallmarked with makers mark CF, town mark ELn, and pseudo date letter C. The spoon is engraved with original owners initials in script (possibly DI). The makers mark and town mark are very clearly struck, they could not be better, close examination of the C pseudo date letter shows the start of the outline F on the right hand side, so possibly Fowler used his makers mark punch, but struck from the side to only show the C (further research required). Charles Fowler worked from 1809-1824, most of his silver is marked ELn (as opposed to ELGIN in full, which he used occasionally). He used a variety of different punches, including pseudo date letters A, B, C, D, E and F, and occasionally he used punches showing St Giles and the Elgin cathedral wall (see our sold soup ladle S 1300). A good summary of his marks is shown in the book Scottish Provincial Silversmiths by ...

A Georgian silver mote spoon, made by Philip Roker III in either 1766 or 1767. The mote spoon is the traditional shape, with a pierced bowl, tapered handle and diamond point finial, which is quite sharp. The piercing has a central starburst design, surrounded by symmetrical scrolls and holes. The spoon has a long drop, which is also pierced. The spoon has 2 hallmarks, a lion passant and makers mark P. ROKER, which was only used by Philip Roker III for 2 years, hence our ability to date the spoon so precisely. This is mark 3753 in Grimwade, who ascribes the mark to Philip Roker II (who died in 1757, so we assume Grimwade is incorrect. The Roker family were specialist spoonmakers, and have left behind some wonderful spoons. Mote spoons originated in the early 18th century, and were used to skim off floating particles of tea leaves and motes (tea dust) from a cup of tea (Newman, Illustrated Dictionary of Silverware, page 217). The long thin handle with sharpened point was used to clear the spout of a teapot (wh...

A rare surviving matched set of 12 Georgian Irish silver knives in the Fiddle, Thread and Shell pattern, 6 are table knives and 6 are dessert knives. The knives are in good condition considering their age, and are suitable for use. The steel blades are in good condition, and quite sharp, we believe these are later replacements fitted into the original silver handles, they are not marked at all. The pattern is repeated on both sides, and has shells at the top and bottom, with a scroll in the centre. We have described these as Fiddle, Thread and Shell, but have been unable to confirm this, all assistance welcome, other examples we have seen have no shell at the bottom of the handle, so perhaps this is a different pattern or an Irish variant. Both sets of six are a set, whilst both sets are the same pattern, there are a few differences, hence our description a matched set, the 2 sets of 6 were matched together at some time. The 6 table knives have no engraving, the 6 dessert knives have a beautiful engraved fam...

A Georgian silver tablespoon in the Fiddle pattern, by perhaps the most famous of English goldsmiths, Paul Storr. The spoon is good quality, with a fatter extended drop, and a generous bowl size. The spoon also has an engraved family crest of a birds head above a tower, this has some wear but is still visible. The London hallmarks for 1819 are very clear, the makers mark PS in shaped punch is also clear but has some wear on the S. This is Paul Storr's 9th mark, with no dot between letters, with the punch outline more oval than circular, he registered this mark in 1817 (Paul Storr, 1781-1844, by N. Penzer, page 82). A crescent mark is also clearly visible next to the makers mark, this would have belonged to the journeyman who made the spoon in Storr's workshop. Penzer described Storr as "the last of the great goldsmiths", he worked between 1793 and 1838.

A Cape silver butter knife in the Fiddle pattern, with scimitar shaped blade, and reeded border across the top of the blade. The handle has original owners engraved initials in a fancy script, possibly JCLDLV. The knife has clear Cape silver hallmarks, makers mark W.M for William Moore, and Cape silver stub mark with 4 pseudo hallmarks, lion passant, date letter A, duty mark and leopard's head town mark - see our Cape Stub article in our articles section.

An interesting set of 6 Fancy back or Picture back sterling silver teaspoons, these are replicas or Georgian silver originals circa 1750 to 1770. Each spoon has a different die stamped bowl decoration, these 6 spoons are replicas of some of the rarest designs. They include: 1. Fleur de Lys, a stylized French lily used in heraldry. 2. Milkmaid in period garb, with yoke and 2 pails. 3. Galleon under full sail, with flags flying. 4. Basket of flowers. 5. Birdcage with bird on top under "I LOVE LIBERTY", commemorating the release of John Wilkes from unjust imprisonment. 6. Urn of flowers, with a Georgian garden urn filled with flowers. All 6 pictures are well struck in perfect condition, with no wear. All 6 spoons are also clearly hallmarked. Note - We have a similar set, also by Francis Howard but with 2 different pictures, see S 1710.

A lovely and practical pair of South African sterling silver ice tongs, made in 1997 by silversmith SM (as yet unidentified, all assistance welcome). The tongs have cast silver grips with 3 prongs, modelled as leaves rather than the more usual lion paw or chicken feet design, and are very practical for gripping ice cubes. The bow of the tongs is decorated with a cast silver bud, and the arms are quite long, longer than tongs used for sugar cubes. The quality is very pleasing, these ice tongs are a pleasure to use. The tongs have 4 hallmarks, all clearly visible, these include S925 sterling standard mark, springbok head for South Africa, in use since 1975, makers mark SM in shield and date letter X for 1997.

A Boer war antique silver vesta case, presented as a memento by General Sir Leslie Rundle, the Commander of the 8th Division of the South African Field Force. The vesta case is the usual rectangular shape, with spring hinged lid and gilded interior, and striker on the base, and a connecting ring so it could be attached to a fob chain. The case is good quality and in remarkably good condition, we think this was preserved by the owner and not used, many vesta cases of this period were well used and condition is often poor. The case is engraved on one side with a flag and "VIII" for 8th Division, the other side is engraved "S. AFRICA 1900 from L.R". The vesta case and lid are both clearly hallmarked for London 1900, and makers mark HBA for John Batson & Sons, who worked between 1851 and 1936, they were noted as "Army accoutrement makers" - source John Culme, Gold & Silversmiths, page 34. General Sir Leslie Rundle GCB, GCMG, GCVO, DSO (1856-1934) was a British Army General in the Boer War and First World War, whe...

A beautiful pair of French sterling silver salad servers in the Sceaux pattern, that carries the marks of 2 of France's greatest silversmiths - Christofle and Cardeilhac. The quality and weight of this pair is outstanding, they are a joy to use. They are the traditional shape, the fork has 3 fat tines, and both have a matched shaped cut-out where the bowls join the handles. They are double struck (pattern repeated on both sides), and they have not been engraved. The Sceaux pattern was produced by Christofle Cardeilhac between 1983 and 1999, it is similar to the classical Fiddle, Thread and Shell pattern. Cardeilhac produced a print advertisement aimed at the US market featuring the Sceaux pattern in 1983, with the tagline "Even in France only a few own Cardeilhac Sterling", this ad can be seen on Ebay. Both pieces are clearly hallmarked with 4 hallmarks in the bowls, these include 1. the Christofle makers mark (diamond punch, 3 stars with bee below, OC for Orfevre Christofle), 2. the Cardeilhac makers mark (c...

An Irish Georgian silver basting spoon, in the Fiddle pattern, with a wonderful engraved family crest of a unicorn, this engraving is very clear. The spoon is quite large, with a generous sized serving bowl. The unicorn engraved family crest can be described as "a unicorn's head, couped, maned and horned", this is the family crest of the Cunningham family (or Conyngham), we think the Irish part of the family used Conyngham, whilst their Scottish counterparts used Cunningham. The spoon has 4 hallmarks, the crowned harp, Hibernia (Dublin marks) and date letter I for 1805 are clear and well struck. We note the punch shape on these marks is cavetto, with indented corners, more usually seen in the 1820's with Dublin hallmarks, but the absence of the Duty mark confirms a date before 1807. The makers mark JP is clear, but is overstriking another mark that is no longer visible. John Power worked between 1792 and 1819, from Trinity Place, Dublin, his father and son were also silversmith.

A fabulous early Georgian Rococo shell shaped punch ladle, in the shape of a conch shell. The ladle is embossed and engraved in typical Rococo style with a bird (peacock?) eating fruit (grapes and a pear), alongside a brick chimney with flames? at the top, surrounded with scrolls, shells, flowers and leaves. The shape of the shell and quality of the embossing and engraving is very pleasing. The shell is connected to the silver handle base with cast silver scrolls at right angles to the shell, the handle itself is turned wooden handle. The ladle is held hanging vertically, the the shape of the shell and pouring lip makes it very practical to use. The base of the handle is engraved with original owners initials A over T.T. The ladle is hallmarked with London hallmarks for 1752, and makers marks PR for Philip Roker II (Grimwade mark 3754). As all 4 marks are struck on a curved surface they are all unevenly struck, clear on the right but slightly obscured on the left, all visible enough but the makers mark could ...

An interesting Scottish silver prize medallion, quite large in size, presented by Mr Smeaton's Institution in St Andrews. The front is engraved "Mr Smeaton's Institution St. Andrews July 1856", the back is engraved "To the best Essayist James Annandale". The medallion is circular, with a reeded rim, with a cast silver scroll for attachment to a chain. The medallion only has a makers mark which is clearly struck, M&C in a shaped shield for Mackay & Chisholm of Edinburgh. David James Smeaton ran a large private boarding school for about 80 boys in Abbey Park, St. Andrews, which was also described as an "Academy for young gentlemen". He was born in Fyfe in 1834, and is buried in Edinburgh. He fathered 12 children with his wife Elizabeth, his son Donald Smeaton was elected Liberal M.P. for Stirlingshire in 1906.