A brass trench art military cap snuff box, with engraved inscription from the South Staffordshire Regiment, dating back to World War I. The snuff box is realistically modelled in the shape of an Officers cap, these were made from shell casings. The cap visor acts as the thumb piece to open the hinged lid, which is in excellent condition. The top of the cap is engraved "Sergt. Major A. Wilson. 11th. S. Staffs. Regt - 1915." The South Staffordshire Regiment was a line infantry regiment created in 1881, they served in the Anglo Boer War, WWI and WWII. During WWI they served on the Western front, Gallipoli, Egypt, Italy and Dublin (the 1916 Easter Rising). The Regiment raised a total of 18 battalions and was awarded 66 battle honours, 3 Victoria Crosses and lost 6,357 men during the course of the war. The 11th Battalion was a reserve unit formed in Jersey 1914, and was absorbed into training reserve battalion in 1916. We have not been able to trace Sergeant Major Wilson, all assistance appreciated.

A collection of 6 silver South African Military wrist identification tags (dog tags) dating back to World War II, and specifically the campaign in Egypt. They are all wrist identification tags, as 5 still have their original silver wrist chains, we are not sure if they were military issue or if they were purchased privately (we suspect the latter as they all have different designs) We believe them all to be sterling silver, 4 are clearly hallmarked with Egyptian hallmarks, the cat standard mark, and Arabic town marks and date letters (Cairo and date letter I for 1940 are present, amongst others). The 5th is hallmarked "Sterg" for sterling and makers mark HA&S (possibly Henry Allday & Son of Birmingham), and the 6th has a partial mark "ling" which we suspect was Sterling. The 6 tags are as follows: 1- "Maj. D. Macdonald Pres Cameron Highlanders" - with HA&S mark, fob chain, end loop missing. 2- "Lt W.T. Arthur Pres 193790", with ling hallmark, fob chain, end loop missing, solder repairs. 3- "SPR E. Gillespie N...

A Georgian silver mote spoon, made by Philip Roker III in either 1766 or 1767. The mote spoon is the traditional shape, with a pierced bowl, tapered handle and diamond point finial, which is quite sharp. The piercing has a central starburst design, surrounded by symmetrical scrolls and holes. The spoon has a long drop, which is also pierced. The spoon has 2 hallmarks, a lion passant and makers mark P. ROKER, which was only used by Philip Roker III for 2 years, hence our ability to date the spoon so precisely. This is mark 3753 in Grimwade, who ascribes the mark to Philip Roker II (who died in 1757, so we assume Grimwade is incorrect. The Roker family were specialist spoonmakers, and have left behind some wonderful spoons. Mote spoons originated in the early 18th century, and were used to skim off floating particles of tea leaves and motes (tea dust) from a cup of tea (Newman, Illustrated Dictionary of Silverware, page 217). The long thin handle with sharpened point was used to clear the spout of a teapot (wh...

A set of 4 German silver teaspoons (and a very similar tablespoon, see additional description at the bottom) with an intricate and beautiful design, made by the very prestigious firm of Daniel Vollgold & Son, who were the Court Jewellers to the Prussian Royal Family. The spoons are 800 standard and are great quality, in excellent condition, we love these spoons. The design features a cherub's head with flowing locks, set amongst scrolls, flowers and hanging fruit, the reverse has a shield shaped cartouche, engraved with the letter B in flowing script. The spoons have a baluster urn finial. All 4 spoons are hallmarked with makers mark (V) alongside 800, and the German crescent and crown in use since 1888, the marks have some wear but all are visible. Daniel Vollgold founded his business in Berlin in 1838, and was appointed Court Jeweller to the Prussian Royal family in 1860, and were still the Berlin Court Goldsmiths in 1903. They supplied silver to both Emperor's William I and Wilhelm II, and exhibited at the...

A rare 18th century Birmingham silver caddy spoon by leading maker Joseph Taylor. The spoon is a naturalistic veined leaf, very finely decorated on the back and the front, the handle a coiled tendril, simply formed from silver wire rolled into a circle, with a tail, flattened to form the connection with the bowl, it works remarkably well. The hallmarks have been individually very carefully struck, as a result all 5 hallmarks are fully intact and clearly visible, which is not often the case with finely decorated silver. They include Birmingham anchor, date letter b for 1799, cusped duty mark, lion passant and makers mark IT for Joseph Taylor. 3 very similar caddy spoons are depicted in the book "Caddy Spoons" by John Norie (a book we highly recommend), figure 59g, by Joseph Taylor dated 1798, and also 2 by Elizabeth Morley (dated 1802 and 1815), figure 22a and c. The same book says "all 18th century Birmingham caddy spoons must be considered comparatively rare and desirable, the facts are that very few were ma...

A German sterling silver cigarette case, made in 1936 to commemorative the Winter Olympics held in Garmisch-Partenkirchen, Germany, which at the time was under Nazi rule. The Cigarette case in the usual rectangular shape, with a slight curve on both sides, with a push button clasp. The case is planished (hand hammered) in Arts & Crafts style on both sides, and is very pleasing quality, it is a pleasure to hold and use. The front is engraved with the 5 Olympic rings, with "GARMISCH - PARTENKIRCHEN 1936" below, this is filled with black enamel, note the slight enamel loss on 3 letters. The interior is gilded, and is engraved with previous owners name "T. BOSCH". The case is clearly hallmarked with 4 hallmarks, all on the clasp, they include German moon and crown, makers mark LW entwined in a shield for Lutz & Weiss, 925 and STERLING standard marks. The winter Olympics were held in February 1936, this was followed by the summer Olympics in Berlin in July 1936 (the last time the winter and summer Olympics were he...

An interesting antique Ecclesiastical silver straining ladle, made in 1819 in Lemberg, then part of the Austro-Hungarian empire, but now known as Lviv, the largest city in Western Ukraine. The ladle has a round bowl, pierced with straining (or sifting) holes, arranged in the shape of a 6 petalled flower, the holes have different sizes, but all quite small - so we think it is more likely for straining than sifting. The plain handle is at 45 degrees from the bowl, the ladle overall is a good weight and very pleasing quality. The ladle has 3 clearly struck hallmarks on the back of the end of the handle. The first is the Austro-Hungarian standard mark used between 1807 and 1866, with 13 in circle for 13 loth (812 fineness), date 1819 around circle, and town mark D above the circle, with D identifying Lemberg / Lwow. The second mark TF co-joined in oval punch under D is the tax free mark (taxfreistempel) used from 1810 to denote "ecclesiastical silver not subject to delivery to the authority", so we assume the lad...

A beautiful Italian silver salt cellar, made in the Kingdom of Naples (Napoli) or the Kingdom of the Two Sicilies, at the end of the French Domination period when the Kingdom had Napoleonic rulers, the French influence can be seen in the design. The cellar has 2 parts, a circular base with intricate pierced skirting, gadrooned rim, and 3 wonderful cast feet with lion heads with rings, and paw feet, the detail is lovely. The feet are supported by curved triangular supporting bars, which contain the hallmarks. The base holds a circular gilded cellar, which can be removed for cleaning, it is held in place with a locking mechanism, 2 bars that fit into slots and then rotate to secure. In addition to the beautiful design, the quality is very pleasing, this would have been an expensive item when new. The condition is also pleasing, just a small dent to the cellar, and another dent to the skirting, salt cellars were well used and often are damaged. The base has 3 hallmarks, makers mark GB under device (all assistan...

A lovely Georgian silver basting (or serving spoon) by Hester Bateman, the most famous 18th century female silversmith, she has also been described as the "Queen of British Silversmiths". The spoon is Old English pattern, and is engraved with a family crest of a crowned lion breathing fire, this is very clearly engraved. The hallmarks are very clear, they could not be better, and include makers mark HB in script, this mark was used from 1778 to 1790. All the hallmarks have very clear detail, you can see the hair and collar on the duty mark, fringes on the lion passant legs and mane.

A pair of beautiful Norwegian 830 silver caviar spoons in the Russian style, made by Jacob Tostrup, one of Norway's leading silversmiths, goldsmiths and jewellers. The quality and the decoration of the spoons is superb, Tostrup has used a combination of selective gilding of parts of the handles to accentuate the spoons design and high quality engraving. The spoons have circular bowls and a typically Russian design, dating back to a period when Russian influence was greater in Norway than it is today. The intricate engraving has clearly been done by a master craftsman. The backs of the bowls are engraved with original owners initials P & T B in script. The spoons have been perfectly preserved in their original silk and felt lined wooden box, which reads "J. Tostrup Juwelier Kristiana". Both spoons are clearly hallmarked "830 TOSTRUP 1879". Jacob Tostrup was founded in 1832, Jacob died in 1890 but the business was continued by family members until 1962. "Jacob Tostrup received the title royal court jeweler, a...

A Belgium antique silver matching tablespoon and table fork in the Fiddle and Thread pattern, made in Brussels circa 1832 by leading silversmith Auguste Bonnevie. Both are a pleasing weight, these are good quality items. The pair have an interesting family or city crest engraved on the back, a shield with 4 small crosses surrounding a larger cross, below Royal crown, above "Bruges". The Cross surrounded by 4 crosslets is the Jerusalem Cross, originally used as the coat of arms of the Kingdom of Jerusalem, but since used for various Crusader states, and now used as the Georgian flag. Above the crest original owners initials OI are also engraved. Both spoon and fork have the same 3 hallmarks, very clear makers mark of B below silversmiths hammer in square punch (makers mark 1921 in the book "Belgische Zilvermerken" by R Stuyck, pages 41 and 185), for Auguste Bonnevie. Bonnevie worked from 1814 to 1869 (a long period so possibly father and son), based in Brussels. The second mark is the Minerva head guarantee ma...

A fabulous early Georgian (George II) silver sauce boat, one of the best we have seen. The sauce boat is an exceptional size and quality, tipping the scales at 492 grammes (17.4 ounces), and is wider and shallower than later examples. The sauce boat has Rococo decoration, with engraved swirling shells, flowers and scrolls, it also has an intricate diamond pattern which is also hand engraved. The 3 cast shell feet are also fabulous, with a scroll between shell foot and shell attachment. The leaf capped double scroll handle has also been cast and applied. The sauce boat has a Rococo family armorial (3 wheat sheaves and a cross) on one side and a family crest on the other, consisting of a lion rampant holding 2 wheat stalks. The Sable a cross potent is the Alleyn family, in this case the arms of the wife, we have not yet identified the arms of the husband. It may possibly be the Lidsel family from Essex, Gules three garbs argent. This sauce boat is accompanied with the Heraldic report identifying the Alleyn fami...

An interesting Hanau silver circular box, the lid an exact copy of a famous silver Dutch medallion of 1653 by Wouter Muller commemorating the death of Admiral Maarten Tromp. The lid has rich detail, a naval engagement with two Man-of War ships at close range, with an English ship sinking in the foreground, other ships in the background, all in high relief. The inscription around the edge reads :Waarom doet Muller Tromp door kunst van gout en silverleeven: om dat hy'd yzer eew door krygsdeugd heeft verdreven, obyt den. 10 aug: 1653", translated "Why does the art of Muller make Tromp live in gold and silver? Because his valour has removed from us the age of iron. Died 10 August 1653". The circular edge of the box is decorated with putti playing musical instruments, with birds (peacocks and owls), interspersed with blank oval cartouches. The interior is gilded, so it was possibly a snuff box, but could be used on a desk or dressing table for small items (ideal for cufflinks). The base is clearly hallmarked with ...

A magnificent set of 4 Victorian cast silver Cherub salts, replicas of a style introduced by Paul de Lamerie. The salts have a cast vine leaf bowl, supported by a cherub with arm outstretched, and two dolphin feet supporting the bowl. These are fabulous quality, they weigh between 232 and 273 grammes each, averaging at 255 grammes each, and the condition is excellent. The cherub (also called amorini and putti, but not cupid as no wings present) is naked except for a small loincloth, he is well modelled, note the detail of his hair. The bowl is a cast vine leaf, also well modelled, and the 2 stylised dolphin feet are copies of those used by Lamerie. The salts are all solid, and stand well on the table, no wobble at all. Traces of original gilding are still visible, especially on the harder to reach areas on the body of the cherub (we imagine much of the gilding has been polished off over the years. The cherub is hollow, the casting hole visible under his bottom. One salt is clearly hallmarked on the vine leaf,...

A beautiful Gorham sterling silver Louis XIV pattern gilded sugar sifter spoon and matching ladle, retailed by Starr & Marcus of New York. The pattern is striking, described as "17 th Century Magnificence", named after King Louis Quatorze of France, who "made his reign famous for it's splendour". The sifter spoon bowl is intricately pierced, clearly done by a master craftsman, one of the best we have seen. The design has 12 panels around the outside, each with a pierced starburst and V shaped flower, the centre has more starbursts and a pierced branch design, completed with pierced circles. The ladle (we assume for gravy) has a plain bowl, but with deep gold gilding (described as goldwash in the USA), both have original owners engraved initials Gothic S. The hallmarks are clear on both items, "Patent 1870, Sterling, and the Gorham lion, anchor and gothic G, along with retailers mark "Starr & Marcus". Gorham Corporation, which still exists today, was founded in 1831, they dominated the solid silver flatware m...

A fabulous quality Cape silver snuff box, in excellent condition, it has not seen much use (many Cape silver snuff boxes are worn from regular use). The box is rectangular, it has a lovely thumbpiece, similar in shape to a Cape Dutch gable. The engraving is typically Cape, with foliate and wrigglework borders, and stippling on the sides and base. The central cartouche is vacant, it has never been engraved with initials, which might explain its well preserved condition. The interior is gilded, and the original gilding is also extremely well preserved. The interior lid corner has a scratch cross, probably a mark of ownership. The hallmarks are also excellent, Welz mark 116, makers initials MLS set between 3 crown devices. Smith was a Dane who arrived in the Cape in 1757 age 35, so we assume already trained as a silversmith (his work is always good quality). He lived a long live, married 4 times, and had 10 children, he died in 1806 age 84.

A magnificent Arts and Crafts silver Apostle spoon, one of the finest we have seen. The spoon has a well cast Apostle complete with Nimbus in flowing robe, with one hand raised in blessing. The detail is lovely, including the full beard and flowing hair. He stands on an attractive pedestal with scrolls and foliage. The stem is very unusual, with an open pear shaped loop at the base and central groove (front and back), it is hand hammered and is wrapped in an applied entwined scroll. The bowl is also hand hammered, circular but tapered as it joins the stem, with a fascinating drop (or join), the tapered bowl splits into two strands which are curled into rolls, held in place by 2 silver balls - we have never encountered this before in a spoon. The hallmarks are clear, including makers mark F.C in quatrefoil punch for Frederick Courthope. Courthope took over the business of respected George Angell in 1884. he started trading in his own name in 1889, he worked until 1912. He was a master silversmith, who hand mad...

A late 17th century Augsburg silver brandy bowl, with a beautiful embossed scene in high relief. The bowl is the traditional shape, a scalloped oval dish with 2 scroll handles, with the base and sides embossed in great detail. The base features a basket of fruit, flowers and nuts in abundance, under 2 flying doves holding a laurel wreath, below rays (we assume to signify God looking down on a bountiful harvest). The sides are embossed with scrolls, the sides are also gilded, with quite a bit or original gilding still present, the base has no gilding. The bowl is clearly hallmarked with the Augsburg town mark of a pyr (pinecone), not a pineapple as sometimes described. The bowl is also hallmarked with an indistinct makers mark, we think PL (all assistance welcome), and a well defined assay scrape (zigzag).

A beautiful pair of Art Nouveau or Jugendstil 800 silver milk or cream jugs, decorated with applied poppies, these are very small jugs, they could almost be described as miniature. The milk jugs are baluster in shape, with a generous pouring lip, and double scroll handles, and flat bases. The interiors are gilded, we can imagine these being used with expresso coffee cups. Both jugs are clearly hallmarked with 4 hallmarks, the German Crown and Crescent mark used after 1888, makers mark LW intertwined in a shield for Lutz & Weiss, 800 standard mark and a lion passant also used by Lutz & Weiss. Lutz & Weiss Silberwarenfabriek was founded in 1882 in Pforzheim, they were an important German firm of silversmiths.

A lovely Georgian silver chamberstick, of good quality and gauge, that is still in excellent condition. The pan is circular but with an octagonal design, the border has alternating devices (one floral, one more rectangular). The candle nozzle is also octagonal, with a column design. The flying scroll handle has a cast thumb-piece with engraved family crest, and slot for holding the companion extinguisher. The chamberstick also has its original detachable conical extinguisher (sometimes called dunce cap extinguisher) with acorn finial, this is also engraved with the same family crest, its attachment has the same floral motif as on the pan. The hallmarks are very clear on both pan and extinguisher, and include Sheffield hallmarks for 1822 and makers mark I&J.S. for John and James Settle, who worked between 1814 and 1824. A number of impressive pieces by these makers have survived, including a pair of impressive wine coolers that can be seen on the Rau website (www.rauantiques.com). The crest , a "demi-lion ram...