Plain but pleasing Nathaniel Mills snuffbox, with gilt interior and an attractive crest. The crest, which is slightly worn, has a scalloped cartouche containing a griffin, encased by scrolling palms.

A pair of antique sterling silver handled sewing scissors, with the sterling handles modeled as 2 snakes with their tails wrapped around their bodies, and steel blades protruding from open mouth. The steel blades have an indent, very similar to that seen on grape scissors, so these could be grape scissors. The steel blades have makers mark triple S around cross. The scissors have 2 sets of hallmarks on both handles, the first original makers mark (eagle device and N), we believe these are Hanau, Germany, possibly Neresheimer, founded 1893. The second set are London import marks for 1900, with F import mark, and importer mark SBL for Samuel Boyce Landeck. Landeck of Campden Town was a known importer of foreign silver from 1891, he died in 1907, his son Boaz Moses Landeck continued with the business.

A near pair of silver golf trophies from the Manchester Old Golf Club, both won by the same person. The first was made in Sheffield in 1900 by Fenton Brothers, the second in London in 1901 by Harris & Sons. The trophies are bowls, similar in shape to rosebowls, but smaller. They both have a half fluted design. Both are engraved, the first reads "Manchester Old Golf Club, Atherton Silver Medal, 1900, Edwin Oliver, 98-15-83", the second "Old Manchester Golf Club, Silver Challenge Bowl, 1903, E. Oliver". The hallmarks on both are clear, one makers mark is rubbed but still visible.

A lovely porringer in the style of Charles II. Spot hammered, embossed with acanthus leaves and scroll handles with dolphin head. This porringer is very good quality, amongst the best we have seen. George Fox was a member of the well known Fox family of silversmiths, who supplied some of the leading silver retailers of the day. They are particularly well known for their fine copies of earlier styles (as is this piece). Britannia silver is higher grade than sterling silver, being 950/1000, as opposed to sterling's 925/1000.

An extremely rare Victorian silver Palm pattern butter knife, with initial W. Pickford describes the rarity of Palm pattern in his book "Silver Flatware", pg 148, this is the only Palm pattern butter knife we have seen. The hallmarks are clear, but the makers mark is worn. Palm pattern appears in the Chawner & Co (George Adams) pattern books, who were the most important 19th century silver flatware makers. Please note we also have Palm pattern soup spoons (S1612), made by George Adams in 1876.

A regimental silver match box cover (large size matchbox), with gold crest of the 21st Empress of India Lancers. The box is engraved "Presented by MJ Stapylton Late 21st Hussars", and stands on 4 bun feet. The box is hallmarked, but these are now worn due to over zealous polishing in the mess. The box is also engraved "Asprey London". Major Miles John Stapylton of the Yorkshire Hussars and 21st Lancers was Lord of the Manor of Eston in Myton, York. He was born in 1869 and married in 1900, he had 3 children. The regimental history is interesting. The were designated 21st Hussars in India in 1861, and in 1897 they were re-designated and equipped as 21st Lancers in Cairo. In 1898 they were the only regular cavalry to serve with the army sent to re-conquer Sudan to end Dervish rule. In the now famous Charge at Omdurman, they lost 21 men and won 3 Victoria Crosses. Winston Churchill participatedin this action as a lieutenant. As a result of the charge, they were awarded the title "21st Empress of India Lancers" by...

An interesting antique Dutch silver miniature scale, with 2 circular weighing pans mounted on 4 supports, resting on a table with a drawer with handle. Four weights of different sizes are also present, along with 2 bars, we assume lifters to move the weights. The table is rectangular, on 4 feet with a skirt, and is decorated with S shaped scrolls. The scale is 835 grade silver, typical of continental silver (and slightly lower grade than 925 sterling silver). The scale contains a number of interesting hallmarks, but as they are quite small they are difficult to decipher. The first mark is ZII, which is the Netherlands purity mark for 835 grade silver, (Tardy, International Hallmarks, pg 327). The second mark is Ad81 in a rectangular punch, this is the makers mark for Jacobus van Dam, who worked in Schoonhoven between 1849 and 1888. The 3rd mark is 835 in an oval punch (silver purity mark), the 4th mark is tiny and difficult to read, looks like "42NO". Some additional marks are present, these are indistinct, c...

Attractive set of pierced and engraved fish servers, with a very comfortable feel. Albany pattern handles, which are loaded. The Albany pattern was the only 19th century pattern to join the standard patterns after 1860. It was named after Queen Victoria's youngest son, the Duke of Albany, who died in 1884. Very clear hallmarks.

A beautiful French Niello snuffbox with a huntsman in 17th century period dress with his dogs. Gilt interior with inscription - From William Yates to John Rutherford, Sept 16th 1888. The box is fully hallmarked on the lid rim with the Paris standard mark for 1819-1838, the middle guarantee mark, and a makers mark, which appears to be W&W (or M&W or V&W) below a head, above a wagon wheel, set in a diamond (very small so difficult to see).

A mixed set of 6 Irish sterling silver spoons, 2 large mustard spoons, 2 smaller mustard spoons, and 2 small saltspoons (the last 2 a matching pair). The matching salt spoons are Dublin 1925 by Wakely & Wheeler, the 2 smaller mustard are by William Cummins (1829) and Samuel Neville (1832), the 2 larger mustard spoons are Christopher Cummins (1837) and JS (1867). 1 Spoon has a family crest, 2 have engraved initials and 3 are unengraved. All the hallmarks are clear.

Two interesting 19th century Spanish silver tablespoons, both with excellent hallmarks. Both spoons are 930 grade, so slightly higher grade than sterling (925). Both spoons are the same pattern, similar to Old English, but with a Continental flavour. The bowls have pronounced tips, no drops are present and the stems are flattened with an elegant oval stem. Both spoons have contemporary engraved initials, JL and I with lots of flourishes. Both spoons have 3 distinct hallmarks, denoting town, maker and assay master. The Barcelona spoon has town mark BAR under Maltese Cross in a domate punch, this mark was used circa 1825 (courtesy of Spanish silver website www.munozarce.com). The assay masters mark is P.FLORENSA, with P.FLO above RENSA. The makers mark is JA CARRERAS for Jacint Carreras. The Palma spoon has town mark M under palm tree in Loboid punch for Palma de Mallorca, this mark was used on large items in the 19th century (Tardy pg 108). The second mark is assay master A FORTEZA, the third mark is maker J M...

A rare Tudor pattern sugar spoon, made by Chawner & Co, the leading flatware maker of Victorian England. The sugar spoon is a pleasing quality, and is in excellent condition, it has no engraving. The Tudor pattern is a Gothic Revival pattern, it has 2 small scroll circular projections on each side of the stem, this differentiates it from the "Straight Tudor" pattern. The sugar spoon is clearly hallmarked, it also has a double dot journeyman's mark. In addition, it also carries the British Registry design number and date chart diamond, which rarely occurs on silver flatware. The presence of the design mark indicates that Chawner registered the design to protect it being copied. Tudor is described by Pickford (Silver Flatware page 150) as "a rare Chawner & Co pattern registered August 14th 1850, along with Straight Tudor, it appears in the Chawner Pattern book (page 218). Odd pieces may on rare occasions, be found, but building a service would be extremely difficult". The Tudor pattern is showcased in the V&A ...

A beautiful pair of sterling silver fruit serving spoons, made by Bailey & Co of Philadelphia between 1871 and 1878. The spoons have bright cut bowls which are gold washed, the handles also have a lovely design with palm leaves, we have not been able to identify the pattern (assistance welcome). The spoons have engraved owners initials MII in fancy script. The hallmarks are clear on both spoons, "STERLING PAT 1871, 1A, BAILEY & Co." The bowls also have an additional hallmark, an ornate shield with fancy design. Bailey & Co worked between 1832 and 1878 when they became Bailey, Banks & Biddle, they still exist today. Joseph & Charles Bailey are remembered for excellent quality, these spoons are no exception. The firm claimed the distinction of being the first to introduce the sterling 925 British standard to the American public, at the time the standard was 900 (Rainwater, Encyclopedia of American Silver Manufacturers, page 33).

A rare Victorian silver Paxton pattern silver sugar tongs, in excellent condition. The tongs have the Paxton pattern on both arms, the pattern has a central flower with trailing foliage and flowers, with a Gothic border, and a very different and unusual foliage pattern on the tong bowls. The tongs have a good gauge, excellent quality, as you would expect from Chawner, the top maker of Victorian silver flatware. The hallmarks are very clear, including makers mark GA for George Adams of Chawner & Co. Ian Pickford, in his book "Silver Flatware", describes the Paxton pattern as "a very rare mid-nineteenth century pattern, named after Joseph Paxton the designer of the Crystal Palace for the Great Exhibition. It is illustrated in the Chawner pattern book, services are very rare, odd pieces may be found, building a service would be extremely difficult" - page 231, where a fork dated 1868, also by Chawner and currently in the V&A museum, is illustrated - see also pg. 219 for Chawner pattern book. Joseph Paxton was al...

A rare Exeter silver caddy spoon, made by Henry Samuel Ellis, who was only mentioned in the Exeter records in 1853, silver by him is rare (he died in 1878). The spoon has a vine leaf on the front of the handle, and a gilded fluted shell bowl. This is an unusual design, only used by Ellis in 1853 as far as we know (a few 1853 spoons by Ellis have this design, it is now called the HSE trademark leaf terminal - see www.antiquesilverspoons.co.uk and Bonhams - Knowle lot 121, 19/9/2006). The hallmarks are clear, the HSE makers mark is slightly worn at the top. Henry Samuel Ellis was Mayor of Exeter in 1868, his photograph is courtesy of www.exetermemories.co.uk. Henry Ellis and Son, advertised that their spoons were made with silver from the Combe Martin silver mine Story of the Caddy Spoon, 1775-2015, exhibition catalogue, page 35). Combe Martin is in North Devon, the disused silver mines are now a tourist attraction. Silver from Combe Martin was used for items in the crown jewels, it also financed war expenses o...

An early Victorian cast silver caddy spoon, with beautifully detailed vines, leaves and grapes. The spoon has an oval shaped bowl with pointed bowl end, the handle realistically modelled. The back of the bowl is partially covered with vine leaf and grapes. The hallmarks are clear, including date letter for 1844 and makers mark CR/WS for Charles Rawlings and William Summers, a well known business that traded between 1829 and 1897. They are known for very fine snuff boxes, wine labels and small items.

A Norwegian silver baptism spoon made by leading Norwegian silversmith David Andersen circa 1900, this is a replica of an original 16th century baptism spoon. the quality and workmanship is excellent, as is usual for these Norwegian and Danish baptism spoons. The spoon features a naked female holding fig leaf and plunging a sword into her bosom, standing on an elaborate plinth, finely decorated with faces and foliage. the tear shaped bowl is finely engraved on the back and the front, the front with Norwegian Madonna and Child, the back features Christ on the cross, overlooked by a bishop under a dove, and inscription "HIELP OS DI HELIGE TREI FOLDIG HED M M D 1511", which translates "Help us your holy Trinity". The spoon is clearly hallmarked with purity 830 and David Andersen makers mark, this mark was used between 1888 and 1925. A similar spoon is shown in the book "Collectable Souvenir Spoons Volume II, page 29, by Wayne Bednersh, and also on his website www.spoonplanet.com under Norwegian and Danish silver...

A set of 4 Canadian silver teaspoons in the Fiddle pattern, made by John Ramage of Kingston, Ontario between 1851 and 1869. The spoons are quite large for teapoons, and a pleasing weight, around 18 grammes each. All 4 spoons have engraved original owners initials AW, in a beautiful flowing script, quite different to English engraving of the period, so distinctly Colonial. All 4 spoons are hallmarked with maker mark "J. Ramage" in rectangular punch, clear on one spoon, and some wear to the last few letters on the others. John Ramage Senior was a Scottish immigrant who arrived in Quebec in 1817 on the Prompt, he settled in Lanark County before moving to Edwardburg (source www.ramagefamilyhistory.com). Both John senior and his son (also John) were listed as "working silversmiths, jewellers, clockmakers and watchmakers" in Kingston, Ontario in 1857, at 63 Brock Street, before moving to Princess Street (source Langdon, Canadian Silversmiths 1700-1900, page 118).

A set of 6 Victorian silver trefid teaspoons, with lovely bright cut engraving. The spoons have the traditional trefid shape, with 2 deep notches, and a wide flattened terminal. The spoons are engraved in Victorian style, with scrolls and and leaves, zig zags and hatching, the quality of the engraving is superb, these spoons will sparkle in candlelight. The spoons are in excellent condition, and appear to never have been used, a pity with such lovely spoons. The original box reads " Forsyth & Co, Jewellers, Pietermaritzburg, Natal", the box itself is excellent quality, silk and velvet interior. The hallmarks on a 6 spoons are excellent. Forsyth & Co still exists today, they date back to before 1897, as an advert from 1897 has been found (see photograph). Hilliard & Thomason were manufacturing silversmiths who worked from Spencer Street, Birmingham, between 1847 and 1902. They exhibited at the Great Exhibition on 1851.

A rare set of 6 Rose pattern Victorian silver teaspoons, by the highly respected firm of Elkington. These are the heaviest and best quality teaspoons we have ever encountered, each teaspoon averages over 44 grammes, no expense was spared when these were made. The pattern is double struck, and has good detail, with trailing roses, and Anthemion heel (Pickford, Silver Flatware, pg 131. The crest area has not been engraved. The hallmarks are clear, it appears the Elkington and Co Ltd makers mark is overstriking another maker, indicating Elkington purchased these from a specialist maker (possibly CJ Vander, who are known to have possessed Rose pattern dies, depicted in Pickfords book, pg 25) and overstruck their mark, a common practise. Pickford describes the pattern as rare, and he notes 2 different types (different heels). Close examination shows that these spoons have a slightly different design from the one depicted in Pickfords Flatware book (pg 131), with more leaves, so different dies must have been made. ...