A fabulous set of 6 Scottish Provincial dessert spoons in the Fiddle pattern, made by William Ferguson of Elgin, and hallmarked in Edinburgh over 3 different years between 1839 and 1841. The spoons are all engraved with original owners initial W, so clearly a set. The spoons are in excellent condition, with strong tips to the spoon bowls, with no sign of wear or use at all - no dents or scratches, these spoons must have sat in a drawer and not been used. Close examination of the 6 spoons reveals small differences in the size and shape of the bowls, shape of the Fiddle and the shape of the drop, which indicates these spoons were all made by hand. Furthermore, the spoons vary slightly in weight, the lightest is 33 grammes, the heaviest 39 grammes, they average 37 grammes, so a significant variation. The hallmarks on all 6 spoons are also very clear and well struck, they could not be better. They include makers mark WF and ELGIN, alongside Edinburgh hallmarks, 1 is for 1839, 3 for 1840 and 2 for 1841. 2 of the s...

A rare Cape silver marrow scoop, with 4 pseudo hallmarks and an unusual shaped stem. The marrow scoop is the usual shape, with a thinner and thicker scoop at either end, the stem has an unusual shape, slightly thicker in the centre, possibly to improve the grip. The scoop has 4 pseudo hallmarks, these are well struck but blurry, probably due to inferior or worn punches being used. They include pseudo date letter Gothic a, pseudo crowned leopards head town mark, pseudo duty mark with noticeable cusp to the right, and pseudo date letter B, also with cusps. No makers mark is present, and we have not seen this particular combination of marks together before. However, the only Cape silversmith who used these particular pseudo marks is Lawrence Twentyman, see Welz, Cape Silver & Silversmiths, page 155, marks 134 (capital B) and 135 (crowned leopards head, a and duty mark). In addition, a very similarly shaped Cape silver marrow scoop is depicted by Welz in the same book, page 77, centre, this example by Lawrence Tw...

A Cape silver Fiddle pattern dessert fork, with contemporary engraved initial M. The fork has excellent hallmarks, makers mark WM and the Cape Stub mark (see our articles section) consisting of 4 English pseudo hallmarks, Lion passant, date letter capital A, Georgian kings head duty mark and leopards head (town mark for London). The fork is very good quality and weight, and is suitable for use. The tines are very long, longer than usual, this fork has probably not been used. What is interesting about this Cape stub mark is that the punch is showing signs of wear, particularly the Leopards head. This lead to a mistake in Morrison (The Silversmiths and Goldsmiths of the Cape of Good Hope, 1936, pg 59), and later Heller (History of Cape Silver), where the hallmark is mistakenly drawn as an anchor (MM63 in Heller, pg 154).

A set of 12 antique Norwegian silver tablespoons, made in Bergen, Norway by the Bors family of silversmiths. The spoons are in the Fiddle and Shell pattern, and are single struck. Six spoons were made in November 1854 in 13 Loth grade by T Bors, the other 6 six spoons were made in August 1856 in higher grade 13 & 1/3 grade by Bors. The first set are heavier (average 50 grammes), better quality spoons, these are in excellent condition, the second set are lighter (average 40 grammes) and are in poorer condition. The first set are engraved with owners initials NIM on the front, the second set are prick engraved on the back with inscription and date 1856. Stylistically both sets are very similar, so can be used as a set of 12. The hallmarks on all 12 spoons are excellent, and include (first 6) 54 for 1854, 11/m for November, T.Bors maker, 13LG for 13 loth grade, and seven cannon balls (town mark for Bergen). The second 6 have 56 for 1856, 8/m for August, Bors makers mark, 13 1/3 grade mark, and seven cannon balls...

A pair of full figural Indian sterling silver souvenir spoons, with bowls decorated with Mudlavia, Kramer, Indiana. The spoons are a good weight at 30 grammes each, and very pleasing quality, The detail on these spoons is excellent, the Indian is carrying a bow and tomahawk, his feathered headrest hangs to his waist. The bowls feature the Mudlavia Hotel in Kramer, Indiana, once again the detail is excellent (one spoon bowl is very clear, the second has some wear and is not as crisp). Both spoons are clearly hallmarked "Sterling", they also have a Dutch duty mark V in shaped shield, this mark was used 1906-1953 on imported silver, so at some stage these spoons were imported into the Netherlands. No makers mark is present. The Mudlavia Hotel was a spa built in 1890 by Harry Kramer to use the natural spring water, it drew visitors from around the world until it burnt down in 1920. Today the springs are owned by Perrier for use in their bottled water. The book "Collectable Souvenir Spoons" by Wayne Bednersh desc...

An interesting set of 4 Cape silver Fiddle pattern tableforks, by Lodewyk Beck. They have no initials, although 1 fork has the remnants of an initial just visible. It appears 1 fork was made at a different time, as the hallmarks are struck differently from the other 3. The hallmarks include makers mark LB with 4 pseudo English hallmarks, including lion, duty mark, castle town mark and date letter a. What is interesting about the hallmarks is that they are all individually struck, with not too much care, both the sterling lion and the date letter have been struck upside down on one, it appears the order and orientation of hallmarks was not important to Cape silversmiths. The 4th fork, has the same hallmarks but struck further apart. Lodewyk Willem Christiaan Beck worked between 1847 and 1867, from Shortmarket street and Greenmarket Square.

A delightful Chester silver miniature card box, complete with complete set of "Little Duke" cards. Box and lid are both hallmarked with Chester marks. George Nathan and Ridley Hayes worked between 1897 and 1912, they had premises in Howard Street, Birmingham and also a retail shop at 13 Hatton Gardens, London.

A rare set of 6 Victorian Military Fiddle Thread antique silver table forks, each over 90 grammes in weight, they have a lovely feel in the hand. The forks have an engraved family crest of a lion rampant, this is crisp and very clear. The hallmarks on all 6 forks are excellent, and include makers marks GA (George Adams) for Chawner & Co, the most important firm of silver spoon and fork manufacturers in Victorian England, known for excellent quality (these fine forks are no exception), See Culme, Gold & Silversmiths, page 82. Military Fiddle and Thread pattern has scrolls instead of shoulders, as do all military variants, this pattern is described by Pickford (Silver Flatware pg 117) as "a scarce variant of the Fiddle Thread pattern, building a service would be difficult".

A rare set of Old English Military Thread and Shell pattern (also called Military Shell) tableforks and dessertspoons (3 of each). These are good quality, the forks around 90 grammes each and the spoons over 60. All 6 have an engraved family crest, a raised lion facing right between 2 horns. The pattern has the regular Thread and Shell pattern, double struck (on both sides), but with scrolls instead of shoulders, as with all Military variants (Pickford, Silver Flatware, page 117). Pickford describes this pattern as "a rare pattern illustrated in the Chawner & Co Pattern book, Appendix page 218", where the Chawner book shows this pattern, termed as "Military Shell". Pickford did not illustrate a photographic example of this pattern , a further indication of its rarity. The hallmarks on all 6 items are very clear, makers mark GA for George Adams of Chawner & Co, and London date letter P for 1870. In addition, all pieces carry additional journeyman's marks (Y, K, 3 petal flower, O), so the particular silversmit...

A rare Victorian silver Old English Military Thread and Shell pattern soup ladle, of exceptional weight and quality. The pattern has the regular Thread and Shell pattern, double struck (on both sides), but with scrolls instead of shoulders, as with all Military variants (Pickford, Silver Flatware, page 117). The ladle has an interesting engraved family crest, a collared lion between 2 horns. The hallmarks are very clear, including makers mark GA (George Adams, who took over the Chawner business in 1840), and also includes 2 journeyman's marks S and N (the silversmiths who made the ladle in the Chawner & Co workshop). Ian Pickford, in the book Silver Flatware, describes Old English Military Thread and Shell as "a rare pattern, illustrated in the Chawner & Co. Pattern book(appendix pg 218). Any services and pieces are rare" - page 107. Chawner & Co were the most important firm of silver spoon manufacturers in Victorian England (John Culme, Directory of Gold & Silversmiths, page 82).

A fine set of 12 Victorian Scottish silver table forks, in the plain Old English pattern, these forks have a very good weight and feel in the hand. The forks are engraved with the original owners initial A with a typical Victorian flourish. The forks are in excellent condition, with long tines, these forks have not seen much use. All 12 forks have excellent hallmarks that are well struck and very clear, event Queen Victoria's hair is visible in the duty mark. The town mark also has clearly defined bird, bell and fish in the tree, the coat of arms of Glasgow. Robert Gray and Sons of Glasgow produced "some of the finest British silver of the period" (Walter Brown, Finial, June 2006).

Unusual pair of knife rests, shaped as a pair of "jacks", with a central ball with 6 arms, each ending in a small ball. They are nice and solid, and a very good weight. In addition to clear hallmarks, they also carry a registration number (111097), indicating the design was registered by Roberts & Belk, and a small crest depicting a Roman oil lamp. Roberts and Belk were a well known firm, first established in 1809, and bought by CJ Vander in 1961.

An unusual Russian silver kvass jug in Trompe L'Oeil style ("deceive the eye"), which is a type of chased decoration designed to imitate a surface or texture, to create a 3D impression. The jug is typically Russian in style, and the texturing imitates rush work or raffia (woven birch wood strips). The detail is amongst the best we have seen, the silversmith was definitely a true artist. The interior of the jug is gilded, and the hallmarks on the base are clear, although part of the makers mark is worn. The handle also has the St Petersburg hallmark. The assay master is Aleksandr Frans Fan der Flit (or van der Vliet), who worked in St Petersburg 1882 to 1894, his Cyrillic initials are AF, source www.925-1000.com. This assay master is described as unknown by Watts (Russian Silversmiths Hallmarks 1700-1917, Geoffrey Watts, pg 73). We are not experts on cyrillic makers marks, so are not certain we have correctly identified the maker - all opinions welcome. Kvass is a traditional Russian and Ukrainian fermented b...

An important Royal silver brandy saucepan, which was given by Queen Victoria to her grandson Prince Christian Victor (Christle) of Schleswig-Holstein in 1868 as a christening present. The quality of the saucepan is excellent, it is the usual bulbous shape with a spout and turned ivory handle. It has a detachable domed lid, with a hinged projection for covering the spout, and an ivory and silver finial. The interior is gilt, it sits on a raised foot and has the traditional heart shaped join between body and handle. The saucepan and lid are both decorated with scrolling foliage and flowers, which is beautifully engraved. The lid fits snugly, the hinge is excellent, and the handle and finial are firmly secure. The saucepan is engraved "From his Grandmama Victoria R, 14 April 1868" on the front, the back has a scrolling foliate cartouche with the engraved initials "CV" below a coronet. The hallmarks are very clear, and are accompanied by the number 113 struck into the base (perhaps a pattern number?). The base al...

A set of 4 German silver teaspoons (and a very similar tablespoon, see additional description at the bottom) with an intricate and beautiful design, made by the very prestigious firm of Daniel Vollgold & Son, who were the Court Jewellers to the Prussian Royal Family. The spoons are 800 standard and are great quality, in excellent condition, we love these spoons. The design features a cherub's head with flowing locks, set amongst scrolls, flowers and hanging fruit, the reverse has a shield shaped cartouche, engraved with the letter B in flowing script. The spoons have a baluster urn finial. All 4 spoons are hallmarked with makers mark (V) alongside 800, and the German crescent and crown in use since 1888, the marks have some wear but all are visible. Daniel Vollgold founded his business in Berlin in 1838, and was appointed Court Jeweller to the Prussian Royal family in 1860, and were still the Berlin Court Goldsmiths in 1903. They supplied silver to both Emperor's William I and Wilhelm II, and exhibited at the...

A pair of beautiful Norwegian 830 silver caviar spoons in the Russian style, made by Jacob Tostrup, one of Norway's leading silversmiths, goldsmiths and jewellers. The quality and the decoration of the spoons is superb, Tostrup has used a combination of selective gilding of parts of the handles to accentuate the spoons design and high quality engraving. The spoons have circular bowls and a typically Russian design, dating back to a period when Russian influence was greater in Norway than it is today. The intricate engraving has clearly been done by a master craftsman. The backs of the bowls are engraved with original owners initials P & T B in script. The spoons have been perfectly preserved in their original silk and felt lined wooden box, which reads "J. Tostrup Juwelier Kristiana". Both spoons are clearly hallmarked "830 TOSTRUP 1879". Jacob Tostrup was founded in 1832, Jacob died in 1890 but the business was continued by family members until 1962. "Jacob Tostrup received the title royal court jeweler, a...

An interesting Hanau silver circular box, the lid an exact copy of a famous silver Dutch medallion of 1653 by Wouter Muller commemorating the death of Admiral Maarten Tromp. The lid has rich detail, a naval engagement with two Man-of War ships at close range, with an English ship sinking in the foreground, other ships in the background, all in high relief. The inscription around the edge reads :Waarom doet Muller Tromp door kunst van gout en silverleeven: om dat hy'd yzer eew door krygsdeugd heeft verdreven, obyt den. 10 aug: 1653", translated "Why does the art of Muller make Tromp live in gold and silver? Because his valour has removed from us the age of iron. Died 10 August 1653". The circular edge of the box is decorated with putti playing musical instruments, with birds (peacocks and owls), interspersed with blank oval cartouches. The interior is gilded, so it was possibly a snuff box, but could be used on a desk or dressing table for small items (ideal for cufflinks). The base is clearly hallmarked with ...

A magnificent set of 4 Victorian cast silver Cherub salts, replicas of a style introduced by Paul de Lamerie. The salts have a cast vine leaf bowl, supported by a cherub with arm outstretched, and two dolphin feet supporting the bowl. These are fabulous quality, they weigh between 232 and 273 grammes each, averaging at 255 grammes each, and the condition is excellent. The cherub (also called amorini and putti, but not cupid as no wings present) is naked except for a small loincloth, he is well modelled, note the detail of his hair. The bowl is a cast vine leaf, also well modelled, and the 2 stylised dolphin feet are copies of those used by Lamerie. The salts are all solid, and stand well on the table, no wobble at all. Traces of original gilding are still visible, especially on the harder to reach areas on the body of the cherub (we imagine much of the gilding has been polished off over the years. The cherub is hollow, the casting hole visible under his bottom. One salt is clearly hallmarked on the vine leaf,...

A beautiful Gorham sterling silver Louis XIV pattern gilded sugar sifter spoon and matching ladle, retailed by Starr & Marcus of New York. The pattern is striking, described as "17 th Century Magnificence", named after King Louis Quatorze of France, who "made his reign famous for it's splendour". The sifter spoon bowl is intricately pierced, clearly done by a master craftsman, one of the best we have seen. The design has 12 panels around the outside, each with a pierced starburst and V shaped flower, the centre has more starbursts and a pierced branch design, completed with pierced circles. The ladle (we assume for gravy) has a plain bowl, but with deep gold gilding (described as goldwash in the USA), both have original owners engraved initials Gothic S. The hallmarks are clear on both items, "Patent 1870, Sterling, and the Gorham lion, anchor and gothic G, along with retailers mark "Starr & Marcus". Gorham Corporation, which still exists today, was founded in 1831, they dominated the solid silver flatware m...

A magnificent Arts and Crafts silver Apostle spoon, one of the finest we have seen. The spoon has a well cast Apostle complete with Nimbus in flowing robe, with one hand raised in blessing. The detail is lovely, including the full beard and flowing hair. He stands on an attractive pedestal with scrolls and foliage. The stem is very unusual, with an open pear shaped loop at the base and central groove (front and back), it is hand hammered and is wrapped in an applied entwined scroll. The bowl is also hand hammered, circular but tapered as it joins the stem, with a fascinating drop (or join), the tapered bowl splits into two strands which are curled into rolls, held in place by 2 silver balls - we have never encountered this before in a spoon. The hallmarks are clear, including makers mark F.C in quatrefoil punch for Frederick Courthope. Courthope took over the business of respected George Angell in 1884. he started trading in his own name in 1889, he worked until 1912. He was a master silversmith, who hand mad...