A beautiful Dutch antique silver bachelor teapot, made in Amsterdam in 1802 by master silversmith Jacob Hendrik Stellingwerff. The teapot is a very classical design, navette shaped with a plain body with beaded rims, and straight "oil can" style spout. The handle is a plain wooden C scroll shape, with unusual but beautiful silver bands to attach the handle, this is a feature we have not seen before. The oval lid with a turned wooden baluster finial, securely held in place with a silver nut, fits very securely and snugly into the teapot. The teapot is quite small, hence our description as a bachelor teapot, it will probably only hold 2 cups of tea. The quality of the teapot is very pleasing, clearly Stellingwerff was a highly competent silversmith. The teapot base is clearly hallmarked with 5 hallmarks, these include a very clearly struck I.H.S makers mark for Jacob Hendrik Stellingwerff. The Amsterdam city mark and crowned lion rampant (Province of Holland 934 standard mark, so purer than sterling) marks have...

A rare Cape Silver lemoen lepel (orange spoon) and matching konfyt fork (preserve), none are recorded in the Cape silver reference books, but we have previously sold a similar pair (S1812). The spoon is the traditional elegant lemoen lepel shape, with narrow, pointed boat shaped bowl, v shaped drop, and triangular terminal. The matching fork has 4 tines, both feature traditional Cape prick engraving, 2 wavy rows around the border of the handles. Both are clearly hallmarked with makers mark IL in rectangular punch with rounded corners for Jan Lotter (makers mark 71 in Cape Silver by Welz), and are also punched with initials HB, we assume the original owner. Welz describes orange spoons as "probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", page 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). Heller, in his book History of Cape Silver, describes or...

A lovely pair of Georgian Irish silver hook-end basting spoons, made in Dublin in 1788, the spoons are a pleasing weight and quality. The spoons have the traditional hook end only found on some 18th Century Irish silver spoons, and are Old English in pattern. The spoon bowls are generous, very suitable for use as serving spoons. Both spoons are engraved with a peacock family crest, this has some wear but is still visible. Both spoons also have original owners initials P/IG on the back of the drops. The spoons are bottom marked with 4 hallmarks, the Hibernia, crowned harp and date letter Q for 1788 are clear on both spoons. The makers mark on both spoons has been lightly struck and unfortunately not readable (although first letter appears to be C in rectangular punch, so possibly Christopher Haines). Ian Pickford, in his book "Silver Flatware", describes hook-end or turned-over flatware as peculiar to Ireland, principally with 18th century serving pieces, for hanging the piece up (page 56).

An early 18th century Dutch miniature silver tea kettle, made in Amsterdam in 1737 by Frederik van Strant II, son of Frederik van Strant, who also specialized in silver miniatures. The kettle is baluster shape, with S shaped spout, and original domed lid with baluster finial. The handle is twisted silver wire in a rope design. The hallmarks are very clear, and include Amsterdam town mark and date letter C for 1737, and makers mark F over FS within a circular punch, for Frederik van Strant the Younger. Both father and son specialised exclusively in silver toys, and are one of the 3 great families, alongside the van Geffens and van Somerwils, who characterised the "Golden Age" of Dutch silver miniature toys. Frederik van Strant II worked between 1727 and 1754.

A rare 18th century Dutch silver miniature kettle, by Arnoldus van Geffen, the most famous of all the Dutch silver miniature makers. The kettle is circular with an S shaped spout and baluster finial, and has a swing handle, with lovely detail. An almost identical kettle, with a slightly less detailed handle, is pictured in the book "Miniature Silver Toys, Victor Houart, pg 51". This kettle, which is in the V&A museum in London, was also made by Arnoldus van Geffen in 1748. The same kettle is also pictured in "Silver Toys and Miniatures" by Miranda Poliakoff, pg 23, a V&A museum publication. The hallmarks are very clear, and include makers mark for Arnoldus van Geffen, a hunting horn in a heart. The Amsterdam town mark (crown above 3 crosses)is also present, alongside date letter capital Y for either 1733 or 1758 - these marks are very clear. Arnoldus van Geffen, who worked between 1728 and 1769, has been described as "the undisputed world leader in the field of miniature silverware" by Victor Houart, "Miniatu...

A delightful 18th century Dutch silver miniature chocolate pot, by Hendrik Duller. The pot is pear shaped, sits on 3 feet, and has a turned wooden handle at right angles to the pouring spout. The removable lid fits snugly, the stirrer is missing. An identical chocolate pot, also by Hendrik Duller, is pictured on pg 67 of "Miniature Silver Toys" by Victor Houart, which is described as "a wonderful pear shaped chocolate pot on 3 feet in the form of volutes, with wooden handle at right angles to spout" (pg 76). This pot is in the V&A museum, and is also depicted on pg 27 of "Silver Toys and Miniatures" by Miranda Poliakoff, a V&A museum publication. Houart also describes Hendrik Duller as "the last great specialist in the field", pg 76. The hallmarks include makers mark HD, Amsterdam town mark and a date letter that is only partially visible. The date letter could be C, G, O or Q, so either 1787, 1791, 1797 or 1799. Hendrik Duller worked between 1776 and 1811. An almost identical miniature chocolate pot, Hendrik...

A matching set of crested Georgian silver flatware, including 12 tablespoons, 2 sauce ladles, 2 saltspoons and butterknife, all of very good gauge and quality. The pattern is Fiddle and Thread, and all pieces have an interesting double crest, indicating a marriage between 2 noble families. The first crest is of a head and shoulders of a bearded man with unruly hair, the second a raised fist holding a halbeard. The saltspoons have gilded bowls to prevent corrosion. The butterknife is a later addition to the set (made in 1895), and only has the bearded man crest. The makers mark on the butterknife has been removed, possibly to allow the retailer to overstamp. Chawner was a prolific spoonmaker, he ran a large workshop of journeymen, whose individual marks can be seen on the spoons (devices include stars, bars, circles and triangles).

A lovely Georgian silver chamberstick, of good quality and gauge, that is still in excellent condition. The pan is circular but with an octagonal design, the border has alternating devices (one floral, one more rectangular). The candle nozzle is also octagonal, with a column design. The flying scroll handle has a cast thumb-piece with engraved family crest, and slot for holding the companion extinguisher. The chamberstick also has its original detachable conical extinguisher (sometimes called dunce cap extinguisher) with acorn finial, this is also engraved with the same family crest, its attachment has the same floral motif as on the pan. The hallmarks are very clear on both pan and extinguisher, and include Sheffield hallmarks for 1822 and makers mark I&J.S. for John and James Settle, who worked between 1814 and 1824. A number of impressive pieces by these makers have survived, including a pair of impressive wine coolers that can be seen on the Rau website (www.rauantiques.com). The crest , a "demi-lion ram...

A set of 6 Cape Silver tablespoons in the Fiddle pattern, with initials CIH over WAM. The initials CIH are older, the have more wear than the WAM initials, which would have been added later after a change of ownership of the spoons. All 6 spoons have excellent hallmarks, makers mark FW with the "Cape Stub" pseudo English hallmarks (see article on the Cape Stub in our articles section).

An 18th century Dutch silver salver, in the Louis XIV style, made by Gregorius van der Toorn in The Hague (Den Haag) in 1738. The salver is of almost square form, with moulded shaped corners with shell and scroll decoration and a stepped border, and sits on 4 curved shaped feet. An almost identical shell and scroll salver decoration is depicted in the book "Dutch Silver" by M.H. Gans, page 47, where this style of decoration is dated to 1730. The salver has 4 clear hallmarks, including makers mark G.T in oval punch for Gregorius van der Toorn, this mark is very clear, even showing detail of the indented font at the top of the G and T. The remaining hallmarks include crowned lion rampant Holland standard mark (fineness 934), The Hague (Den Haag or S Gravenhage) city mark (stork holding eel below coronet), this mark with slight wear on one side, and a clear date letter Q crowned for 1738. Gregorius van der Toorn was born in 1715, and became master in 1738, the year this salver was made. He died in 1771 after a l...

A pair of attractive and unusual Georgian silver salt cellars, with a lovely pattern created by numerous embossed ovals with circular eyes, with a textured matt pattern in between. The cellars have 4 cast silver shell headed hoof feet, with additional cast shell feet below the hooves. The cellars have irregular gadrooned rims, and gilded interiors. They are a substantial size and weight, over 160 grammes each, these are lovely quality. The hallmarks are clear, but the makers mark is partially worn on one cellar, and slightly worn on the other, but no doubt this is William Fountain (Grimwade mark 3127). William Fountain was freed in 1785, he had a long career and worked until 1825 (he used this mark between 1805 and 1825). He produced some notable silver, examples of his work are in numerous museums, including the V&A in London.

A rare early Georgian silver brandy saucepan or warmer, made in 1727 in Plymouth by Richard Freeman, and hallmarked in Exeter. The brandy saucepan is the traditional baluster shape, with a short beak shaped spout at right angles to the handle, with decorative silver ball underneath, and a concave base which has preserved the hallmarks. The turned wooden handle is securely fastened with a brass pin, the silver handle has a tear-drop shaped reinforcing plate where it connects to the pan. The handle has a thumb sized slice out of the wood on the side, we assume done by the original owner to improve the grip. The hallmarks are excellent, and include makers mark R.F in shaped shield (makers mark M50 in the book "West Country Silver Spoons and their makers 1550-1750", by Tim Kent, page 90, where he describes Freeman of Plymouth as "a prolific local goldsmith whose career extended over 50 years" (1701-1753). He was admitted to the Freedom of Plymouth in 1719, and entered this particular mark in Exeter in 1720 (the n...

A magnificent and rare Dutch silver tea caddy, octagonal with baluster shape, with pull off domed lid with 4 sided pointed terminal. The caddy has lovely decoration, combining flowers, shells and acanthus leaves in a simple but effective style. The decoration is all hand engraved, and is a little crude. The caddy is well made and is a good weight, individual hammer marks can be seen on the inside. The caddy is quite small, as is usual for these early octagonal baluster tea caddies, when tea was an expensive commodity. Tea would have been poured from the caddy directly into the teapot, this style pre-dates caddy spoons (Delieb, Investing in Silver, pg 27, where an English version of similar style to this caddy is depicted). The hallmarks are clear and include date letter V for 1754, makers mark V.M in heart for Andreas Cornelis Muller (Schadee, Zilverschatten, Drie Eeuwen Rotterdams Zilver, pg 233), citymark for Rotterdam, Dutch lion assay mark (935 silver, this is higher grade silver than sterling 925 stand...

A rare surviving matched set of 12 Georgian Irish silver knives in the Fiddle, Thread and Shell pattern, 6 are table knives and 6 are dessert knives. The knives are in good condition considering their age, and are suitable for use. The steel blades are in good condition, and quite sharp, we believe these are later replacements fitted into the original silver handles, they are not marked at all. The pattern is repeated on both sides, and has shells at the top and bottom, with a scroll in the centre. We have described these as Fiddle, Thread and Shell, but have been unable to confirm this, all assistance welcome, other examples we have seen have no shell at the bottom of the handle, so perhaps this is a different pattern or an Irish variant. Both sets of six are a set, whilst both sets are the same pattern, there are a few differences, hence our description a matched set, the 2 sets of 6 were matched together at some time. The 6 table knives have no engraving, the 6 dessert knives have a beautiful engraved fam...

A Dutch antique silver pipe lighter (Zilver Pijpenkomfoor), made by Jacob van Nieuwcasteel in Utrecht in 1797. The silver frame is circular, beautifully decorated with pierced flowers and a reeded design, on 3 legs. It is fitted with a copper dish, which is fastened to a wooden mahogany base with 3 feet, by an iron screw with 2 leather circular nuts. The hallmarks are clear, and include makers mark IVN, Utrecht town mark struck twice (grote keur), and date letter Z for 1797. A very similar pijpenkomfoor, made by Jacob van Nieucasteel in 1816, is present in the Rijksmuseum in Amsterdam, described as follows "Pijpenkomfoor van zilver op blad van mahoniehout en met binnenbak van rood koper. Gewelfd en aan beide zijkanten iets oplopend. Vier gebogen poten, Jacob van Nieuwcasteel, 1816". Van Nieucasteel worked between 1790 and 1818, his work is preserved in numerous museums. These items are also found in the Cape made by Dutch silversmiths, referred to as "Tessies".

A fabulous set of 12 Scottish Provincial dessertspoons in the Fiddle pattern, made by Rettie & Son in Aberdeen in 1837, and hallmarked in Edinburgh. The spoons are good quality, and in remarkable condition, they have not been used much, 11 are perfect, 1 has a very small dent to the bowl. The spoons are engraved with original owners initial W. All 12 spoons are clearly hallmarked "R&S A B D" for Rettie and Son, Aberdeen, alongside full Edinburgh hallmarks for 1837, with William IV duty mark. Middleton Rettie and his son William started the business in 1824, supplying quality goods from 151 Union Street to wealthy Aberdeen citizens. They were joined by other brother James in 1847, and traded until 1892. They are known for extremely high quality items (Michael Wilson, Aberdeen Silver, page 56), these spoons are no exception. Note - We have a matching set of tablespoons S11345.

A beautiful Dutch silver chestnut vase, possibly made in the late 18th century by Hendrik Jurrien Wolters in Zutphen. The vase is urn shaped, on a stepped and reeded oval base, with matching reeded rim. The lid has an ivory oval baluster finial, capped with a silver ball, and the faint remains of an engraved crest and owners initials. The interior of the lid is gilded. The base interior has no gilding or engraving. The base has 3 hallmarks, cross (possibly Zutphen town mark), head or tree mark (similar to English Georgian duty mark), and makers mark HI or IH, or possibly even HP. We have tentatively identified this as Zutphen, given the similarity of the cross to the Zutphen town mark, and Hendrik Jurrien Wolters, who used a mark HIW (all assistance welcome). Previously this vase was described as Indian Colonial or Cape Silver by a Cape Town based auction house, we prefer the Dutch attribution, we even considered the vase could be Dutch Colonial in origin. This vase was also previously described as a tea cad...

A fabulous early Georgian (George II) silver sauce boat, one of the best we have seen. The sauce boat is an exceptional size and quality, tipping the scales at 492 grammes (17.4 ounces), and is wider and shallower than later examples. The sauce boat has Rococo decoration, with engraved swirling shells, flowers and scrolls, it also has an intricate diamond pattern which is also hand engraved. The 3 cast shell feet are also fabulous, with a scroll between shell foot and shell attachment. The leaf capped double scroll handle has also been cast and applied. The sauce boat has a Rococo family armorial (3 wheat sheaves and a cross) on one side and a family crest on the other, consisting of a lion rampant holding 2 wheat stalks. The Sable a cross potent is the Alleyn family, in this case the arms of the wife, we have not yet identified the arms of the husband. It may possibly be the Lidsel family from Essex, Gules three garbs argent. This sauce boat is accompanied with the Heraldic report identifying the Alleyn fami...

An interesting set of 6 Fiddle pattern tableforks, made in 1815, the year of the battle of Waterloo. The forks are a pleasing weight, and very good quality, they have a lovely feel. The forks are engraved with an interesting family crest, a leopards head with an arrow in its mouth, this is unusually engraved on the back of the forks. The hallmarks are excellent, including date letter U for 1815 and makers mark WE/WF for William Eley & William Fearn, who were leading makers of flatware. We welcome any assistance with identification of the family crest.

A Georgian silver loving cup which has been used as a horse racing trophy, the cup has a beautiful engraved race horse with jockey in full flight. The loving cup is the plain standard design, with a banded girdle, sitting on a banded spreading foot, with 2 scroll handles with thumb piece for easy grip, and heart shaped ends to the base of the hollow handles. The engraving is superb, and still in crisp condition, the detail of the jockey and horse racing between two posts is very pleasing. The cup is in very good condition, and has no engraving besides the horse. The Georgian hallmarks for London 1808 are clear, the makers mark WB in rectangular punch has partial wear to the W, but still legible. William Bennett worked between 1796 and 1825, he specialized in trays and salvers, but made numerous other items of hollowware as well. His mark is often confused with William Bateman, but as Bateman only entered his mark in 1815 we can be certain this cup was made by Bennett.