A rare Cape Silver lemoen lepel (orange spoon) and matching konfyt fork (preserve), we have not encountered a matching set before, none are recorded in the Cape silver reference books. The spoon is the traditional elegant lemoen lepel shape, with narrow, pointed boat shaped bowl, v shaped drop, and triangular terminal. The matching fork has 4 tines, both feature traditional Cape prick engraving with a 4 petalled flower. Both are clearly hallmarked with makers mark IC in rectangular punch with canted corners for Johannes Combrink, and also are punched with initials IFS, we assume the original owner. Welz describes orange spoons as"probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). Heller, in his book History of Cape Silver, describes orange spoons as "exquisite". Johannes Combrink of the famous Co...

An interesting silver gilt Georgian vinaigrette, in the shape of a purse or handbag, the body decorated with chased 3 leaf device, which has been described as a trefoil design in the literature. The shape is lovely, very pleasing to hold, and with the texture has good grip. The quality is excellent, certainly made by a master craftsman. The base has a leaf design around oval eye. The lid is also beautifully decorated, a central flower on finely engraved cross-hatch surrounded by pattern border, and the side of the lid has a fruiting vine border, very delicately chased. The vinaigrette has 2 eyelets which holds the original chain, each chain link is also decorated with a bar pattern. The pierced grille has a foliate design, also engraved, both hinges are perfect. The interior gilding is also perfect. The vinaigrette has clear hallmarks, the lid has Georgian duty mark, very clear makers mark L&Co which is struck upside-down, and lion passant. The base has anchor town mark, partially worn makers mark and a very ...

A beautiful Dutch antique silver bachelor teapot, made in Amsterdam in 1802 by master silversmith Jacob Hendrik Stellingwerff. The teapot is a very classical design, navette shaped with a plain body with beaded rims, and straight "oil can" style spout. The handle is a plain wooden C scroll shape, with unusual but beautiful silver bands to attach the handle, this is a feature we have not seen before. The oval lid with a turned wooden baluster finial, securely held in place with a silver nut, fits very securely and snugly into the teapot. The teapot is quite small, hence our description as a bachelor teapot, it will probably only hold 2 cups of tea. The quality of the teapot is very pleasing, clearly Stellingwerff was a highly competent silversmith. The teapot base is clearly hallmarked with 5 hallmarks, these include a very clearly struck I.H.S makers mark for Jacob Hendrik Stellingwerff. The Amsterdam city mark and crowned lion rampant (Province of Holland 934 standard mark, so purer than sterling) marks have...

An 18th century Dutch silver salver, in the Louis XIV style, made by Gregorius van der Toorn in The Hague (Den Haag) in 1738. The salver is of almost square form, with moulded shaped corners with shell and scroll decoration and a stepped border, and sits on 4 curved shaped feet. An almost identical shell and scroll salver decoration is depicted in the book "Dutch Silver" by M.H. Gans, page 47, where this style of decoration is dated to 1730. The salver has 4 clear hallmarks, including makers mark G.T in oval punch for Gregorius van der Toorn, this mark is very clear, even showing detail of the indented font at the top of the G and T. The remaining hallmarks include crowned lion rampant Holland standard mark (fineness 934), The Hague (Den Haag or S Gravenhage) city mark (stork holding eel below coronet), this mark with slight wear on one side, and a clear date letter Q crowned for 1738. Gregorius van der Toorn was born in 1715, and became master in 1738, the year this salver was made. He died in 1771 after a l...

A rare Cape Silver lemoen lepel (orange spoon) and matching konfyt fork (preserve), none are recorded in the Cape silver reference books, but we have previously sold a similar pair (S1812). The spoon is the traditional elegant lemoen lepel shape, with narrow, pointed boat shaped bowl, v shaped drop, and triangular terminal. The matching fork has 4 tines, both feature traditional Cape prick engraving, 2 wavy rows around the border of the handles. Both are clearly hallmarked with makers mark IL in rectangular punch with rounded corners for Jan Lotter (makers mark 71 in Cape Silver by Welz), and are also punched with initials HB, we assume the original owner. Welz describes orange spoons as "probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", page 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). Heller, in his book History of Cape Silver, describes or...

A lovely pair of Georgian Irish silver hook-end basting spoons, made in Dublin in 1788, the spoons are a pleasing weight and quality. The spoons have the traditional hook end only found on some 18th Century Irish silver spoons, and are Old English in pattern. The spoon bowls are generous, very suitable for use as serving spoons. Both spoons are engraved with a peacock family crest, this has some wear but is still visible. Both spoons also have original owners initials P/IG on the back of the drops. The spoons are bottom marked with 4 hallmarks, the Hibernia, crowned harp and date letter Q for 1788 are clear on both spoons. The makers mark on both spoons has been lightly struck and unfortunately not readable (although first letter appears to be C in rectangular punch, so possibly Christopher Haines). Ian Pickford, in his book "Silver Flatware", describes hook-end or turned-over flatware as peculiar to Ireland, principally with 18th century serving pieces, for hanging the piece up (page 56).

An early 18th century Dutch miniature silver tea kettle, made in Amsterdam in 1737 by Frederik van Strant II, son of Frederik van Strant, who also specialized in silver miniatures. The kettle is baluster shape, with S shaped spout, and original domed lid with baluster finial. The handle is twisted silver wire in a rope design. The hallmarks are very clear, and include Amsterdam town mark and date letter C for 1737, and makers mark F over FS within a circular punch, for Frederik van Strant the Younger. Both father and son specialised exclusively in silver toys, and are one of the 3 great families, alongside the van Geffens and van Somerwils, who characterised the "Golden Age" of Dutch silver miniature toys. Frederik van Strant II worked between 1727 and 1754.

A rare 18th century Dutch silver miniature kettle, by Arnoldus van Geffen, the most famous of all the Dutch silver miniature makers. The kettle is circular with an S shaped spout and baluster finial, and has a swing handle, with lovely detail. An almost identical kettle, with a slightly less detailed handle, is pictured in the book "Miniature Silver Toys, Victor Houart, pg 51". This kettle, which is in the V&A museum in London, was also made by Arnoldus van Geffen in 1748. The same kettle is also pictured in "Silver Toys and Miniatures" by Miranda Poliakoff, pg 23, a V&A museum publication. The hallmarks are very clear, and include makers mark for Arnoldus van Geffen, a hunting horn in a heart. The Amsterdam town mark (crown above 3 crosses)is also present, alongside date letter capital Y for either 1733 or 1758 - these marks are very clear. Arnoldus van Geffen, who worked between 1728 and 1769, has been described as "the undisputed world leader in the field of miniature silverware" by Victor Houart, "Miniatu...

A delightful 18th century Dutch silver miniature chocolate pot, by Hendrik Duller. The pot is pear shaped, sits on 3 feet, and has a turned wooden handle at right angles to the pouring spout. The removable lid fits snugly, the stirrer is missing. An identical chocolate pot, also by Hendrik Duller, is pictured on pg 67 of "Miniature Silver Toys" by Victor Houart, which is described as "a wonderful pear shaped chocolate pot on 3 feet in the form of volutes, with wooden handle at right angles to spout" (pg 76). This pot is in the V&A museum, and is also depicted on pg 27 of "Silver Toys and Miniatures" by Miranda Poliakoff, a V&A museum publication. Houart also describes Hendrik Duller as "the last great specialist in the field", pg 76. The hallmarks include makers mark HD, Amsterdam town mark and a date letter that is only partially visible. The date letter could be C, G, O or Q, so either 1787, 1791, 1797 or 1799. Hendrik Duller worked between 1776 and 1811. An almost identical miniature chocolate pot, Hendrik...

A matching set of crested Georgian silver flatware, including 12 tablespoons, 2 sauce ladles, 2 saltspoons and butterknife, all of very good gauge and quality. The pattern is Fiddle and Thread, and all pieces have an interesting double crest, indicating a marriage between 2 noble families. The first crest is of a head and shoulders of a bearded man with unruly hair, the second a raised fist holding a halbeard. The saltspoons have gilded bowls to prevent corrosion. The butterknife is a later addition to the set (made in 1895), and only has the bearded man crest. The makers mark on the butterknife has been removed, possibly to allow the retailer to overstamp. Chawner was a prolific spoonmaker, he ran a large workshop of journeymen, whose individual marks can be seen on the spoons (devices include stars, bars, circles and triangles).

A rare surviving matched set of 12 Georgian Irish silver knives in the Fiddle, Thread and Shell pattern, 6 are table knives and 6 are dessert knives. The knives are in good condition considering their age, and are suitable for use. The steel blades are in good condition, and quite sharp, we believe these are later replacements fitted into the original silver handles, they are not marked at all. The pattern is repeated on both sides, and has shells at the top and bottom, with a scroll in the centre. We have described these as Fiddle, Thread and Shell, but have been unable to confirm this, all assistance welcome, other examples we have seen have no shell at the bottom of the handle, so perhaps this is a different pattern or an Irish variant. Both sets of six are a set, whilst both sets are the same pattern, there are a few differences, hence our description a matched set, the 2 sets of 6 were matched together at some time. The 6 table knives have no engraving, the 6 dessert knives have a beautiful engraved fam...

A lovely Georgian silver chamberstick, of good quality and gauge, that is still in excellent condition. The pan is circular but with an octagonal design, the border has alternating devices (one floral, one more rectangular). The candle nozzle is also octagonal, with a column design. The flying scroll handle has a cast thumb-piece with engraved family crest, and slot for holding the companion extinguisher. The chamberstick also has its original detachable conical extinguisher (sometimes called dunce cap extinguisher) with acorn finial, this is also engraved with the same family crest, its attachment has the same floral motif as on the pan. The hallmarks are very clear on both pan and extinguisher, and include Sheffield hallmarks for 1822 and makers mark I&J.S. for John and James Settle, who worked between 1814 and 1824. A number of impressive pieces by these makers have survived, including a pair of impressive wine coolers that can be seen on the Rau website (www.rauantiques.com). The crest , a "demi-lion ram...

A lovely set of 12 Scottish Georgian silver tablespoons in the Old English pattern, made in Edinburgh by Francis Howden in 1807. All 12 spoons have original owners engraved initial B, and each spoon is also engraved with numbers 1 - 12, all the engraving is clearly visible. These are great quality spoons, with strong tips, and a generous size and weight, and their condition is excellent. All 12 spoons have clear hallmarks. Francis Howden was freed in 1781, he was Deacon between 1811 and 1813, he was a highly respected member of the Goldsmiths Incorporation, he established the Widow's fund in 1817 (Source: Silver Made in Scotland, Dalgleish & Fothringham, page 222). He died in 1848 aged 90.

A rare early Georgian silver brandy saucepan or warmer, made in 1727 in Plymouth by Richard Freeman, and hallmarked in Exeter. The brandy saucepan is the traditional baluster shape, with a short beak shaped spout at right angles to the handle, with decorative silver ball underneath, and a concave base which has preserved the hallmarks. The turned wooden handle is securely fastened with a brass pin, the silver handle has a tear-drop shaped reinforcing plate where it connects to the pan. The handle has a thumb sized slice out of the wood on the side, we assume done by the original owner to improve the grip. The hallmarks are excellent, and include makers mark R.F in shaped shield (makers mark M50 in the book "West Country Silver Spoons and their makers 1550-1750", by Tim Kent, page 90, where he describes Freeman of Plymouth as "a prolific local goldsmith whose career extended over 50 years" (1701-1753). He was admitted to the Freedom of Plymouth in 1719, and entered this particular mark in Exeter in 1720 (the n...

A fabulous quality Georgian silver dinner plate or dish, in the traditional shape with applied gadroon border and contemporary family armorial and Royal coronet indicating a son of the Sovereign. The armorial is the Marital arms of Evans-Freke and Gore, the Royal Cypher is for HRH Prince Augustus Frederick, Duke of Sussex. Whilst these are called plates, it is more of a dish or bowl in shape, and is the smaller diameter, so probably used for a starter dish - but very suitable for use as a bowl today. It must have belonged to a large set, as the base is engraved "No 64", along with 18.10. The hallmarks are clear, the makers mark has been partially double struck with a partial repeated G and pellet above, but still clearly Grimwade mark 852 for George Methuen. He was freed as a large worker in 1743, he worked until 1761, so this dish was produced in his last year of work. Grimwade notes his principal output was salvers, dinner plates and dishes, and notes "his work shows a high standard of design and finish, i...

A magnificent and rare Dutch silver tea caddy, octagonal with baluster shape, with pull off domed lid with 4 sided pointed terminal. The caddy has lovely decoration, combining flowers, shells and acanthus leaves in a simple but effective style. The decoration is all hand engraved, and is a little crude. The caddy is well made and is a good weight, individual hammer marks can be seen on the inside. The caddy is quite small, as is usual for these early octagonal baluster tea caddies, when tea was an expensive commodity. Tea would have been poured from the caddy directly into the teapot, this style pre-dates caddy spoons (Delieb, Investing in Silver, pg 27, where an English version of similar style to this caddy is depicted). The hallmarks are clear and include date letter V for 1754, makers mark V.M in heart for Andreas Cornelis Muller (Schadee, Zilverschatten, Drie Eeuwen Rotterdams Zilver, pg 233), citymark for Rotterdam, Dutch lion assay mark (935 silver, this is higher grade silver than sterling 925 stand...

A beautiful Dutch silver chestnut vase, possibly made in the late 18th century by Hendrik Jurrien Wolters in Zutphen. The vase is urn shaped, on a stepped and reeded oval base, with matching reeded rim. The lid has an ivory oval baluster finial, capped with a silver ball, and the faint remains of an engraved crest and owners initials. The interior of the lid is gilded. The base interior has no gilding or engraving. The base has 3 hallmarks, cross (possibly Zutphen town mark), head or tree mark (similar to English Georgian duty mark), and makers mark HI or IH, or possibly even HP. We have tentatively identified this as Zutphen, given the similarity of the cross to the Zutphen town mark, and Hendrik Jurrien Wolters, who used a mark HIW (all assistance welcome). Previously this vase was described as Indian Colonial or Cape Silver by a Cape Town based auction house, we prefer the Dutch attribution, we even considered the vase could be Dutch Colonial in origin. This vase was also previously described as a tea cad...

A Dutch antique silver pipe lighter (Zilver Pijpenkomfoor), made by Jacob van Nieuwcasteel in Utrecht in 1797. The silver frame is circular, beautifully decorated with pierced flowers and a reeded design, on 3 legs. It is fitted with a copper dish, which is fastened to a wooden mahogany base with 3 feet, by an iron screw with 2 leather circular nuts. The hallmarks are clear, and include makers mark IVN, Utrecht town mark struck twice (grote keur), and date letter Z for 1797. A very similar pijpenkomfoor, made by Jacob van Nieucasteel in 1816, is present in the Rijksmuseum in Amsterdam, described as follows "Pijpenkomfoor van zilver op blad van mahoniehout en met binnenbak van rood koper. Gewelfd en aan beide zijkanten iets oplopend. Vier gebogen poten, Jacob van Nieuwcasteel, 1816". Van Nieucasteel worked between 1790 and 1818, his work is preserved in numerous museums. These items are also found in the Cape made by Dutch silversmiths, referred to as "Tessies".

A fabulous early Georgian (George II) silver sauce boat, one of the best we have seen. The sauce boat is an exceptional size and quality, tipping the scales at 492 grammes (17.4 ounces), and is wider and shallower than later examples. The sauce boat has Rococo decoration, with engraved swirling shells, flowers and scrolls, it also has an intricate diamond pattern which is also hand engraved. The 3 cast shell feet are also fabulous, with a scroll between shell foot and shell attachment. The leaf capped double scroll handle has also been cast and applied. The sauce boat has a Rococo family armorial (3 wheat sheaves and a cross) on one side and a family crest on the other, consisting of a lion rampant holding 2 wheat stalks. The Sable a cross potent is the Alleyn family, in this case the arms of the wife, we have not yet identified the arms of the husband. It may possibly be the Lidsel family from Essex, Gules three garbs argent. This sauce boat is accompanied with the Heraldic report identifying the Alleyn fami...

A fabulous set of 12 Scottish Provincial tablespoons in the Fiddle pattern, made by Rettie & Son in Aberdeen in 1837, and hallmarked in Edinburgh. The spoons are good quality, and in remarkable condition, they have not been used much, 10 are perfect, 2 have a very small dent to the bowl. The spoons are engraved with original owners initial W. All 12 spoons are clearly hallmarked "R&S A B D" for Rettie and Son, Aberdeen, alongside full Edinburgh hallmarks for 1837, with William IV duty mark. Middleton Rettie and his son William started the business in 1824, supplying quality goods from 151 Union Street to wealthy Aberdeen citizens. They were joined by other brother James in 1847, and traded until 1892. They are known for extremely high quality items (Michael Wilson, Aberdeen Silver, page 56), these spoons are no exception. Note - We have a matching set of dessert spoons S 11346.