A rare Scottish provincial soup ladle, made by John Heron in Greenock. The ladle is the attractive Celtic Pointed pattern (Old English pointed, Pickford, Silver Flatware, pg 96), which was only made in Scotland and Ireland. The ladle has original engraved initial E, in traditional Scottish style. This is a large, substantial and heavy ladle, with a generous circular bowl, a pleasure to use. The hallmarks are excellent, very clear, just a portion on the right of the sailing ship not visible, it was not well struck on that side. The hallmarks include makers mark JH, anchor, 3 masted sailing ship complete with sails, rigging and flying pennants, initial C and oak tree (Turner, Directory of Scottish Provincial Silversmiths, pg 68, and Jackson pg 605. The anchor and sailing ship relate to Greenock's history as an important port and shipbuilding centre, the oak tree refers to the town's original name (Green Oak).
A Cape silver konfyt fork by the respected silversmith Johan Hendrik Vos, part of the Vos family of Cape Silversmiths. The fork is quite long and elegant, in the Old English pattern, and has no engraving. It has 3 tines, (later forks have 4 tines), so probably dates to before 1800. The fork also has a wide semi circular drop, also indicative of a date before 1800. The hallmarks are excellent, and consist of a square punch with 4 dots struck twice, either side of makers mark JHV in script in oval punch (Welz mark 152, Cape Silver and Silversmiths). Vos worked between 1766 and 1810, he apprenticed with Johann Hasse between 1761 and 1766. He married in 1770 and had 12 children, his wife Elizabeth continued his business after he died in 1810 by adding the hallmark Wed (Weduwee, or widow) next to his JHV makers mark (Welz mark 154). The Vos Family produced over 10 Cape Silversmiths between 1748 and 1862 (Heller, History of Cape Silver Vol 1, pg 66-71, and page 269 for a family tree). The 4 dot square punch was als...
A very interesting and beautiful German silver spoon made by J. F. Nicolassen in Hamburg, Germany, circa 1820. The spoon is well made and has lovely decoration, it has a deep fig shaped bowl, connected to the stem with a rat-tail. The handle is most unusual, with irregular scrolls finely engraved with a leaf pattern, with a tight scroll at both ends. This has been termed the auricular style (resembling ear lobe or conch shell) or lobate style, it originated from German Mannerism in the early 17th century, later adopted by the famous van Vianen Dutch silversmiths (Newman, Illustrated Dictionary of Silverware, pg 28, a book we highly recommend). This style was adopted by a few 17th century German and Dutch silver spoonmakers, but these spoons are rare today (see S 1181, Dutch silver Memorial spoon and fork set, for a similar example). This spoon is a 19th century replica of this earlier style, but still we believe a rare item, we cannot recall seeing similar examples. The hallmarks are very clear, and include t...
A rare pair of Cape Silver lemoen lepels (orange spoons), with an interesting provenance, they featured in the book Cape Silver and Silversmiths by Stephan Welz, pg 93. The spoons are the traditional lemoen lepel shape, with narrow, pointed boat shaped bowl, and triangular terminal, and Cape prick engraving. The spoons have a very elegant shape, the bowls deep and curved, the drop is distinctly v shaped, they have a lovely feel in the hand. Both spoons are clearly hallmarked with makers mark IL in rectangular punch for Jan Lotter, and also are punched with initials HB, we assume the original owner. Welz describes orange spoons as"probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). Jan Lotter, who died young after a short career (1813-1817), was part of the Lotter family of Cape silversmiths, he ma...
A rare pair of Cape silver teaspoons in the Fiddle pattern, with excellent hallmarks. They include the rare Masonic "Square and Compasses" symbol, the single most identifiable symbol in Freemasonry. This hallmark is very well struck on both spoons. The other hallmarks include makers mark TT for Thomas Lock Townsend (struck twice), and pseudo Georgian duty mark (Kings head) - see Welz, Cape Silver, mark 126. Thomas Lock Townsend arrived in the Cape in 1815, the first of the English silversmiths to arrive. He was followed in 1819 by his half brother John Townsend, who joined him in a brief partnership between 1824 and 1825. Thomas Lock Townsend found business difficult in the Cape, he was declared insolvent in 1819, and when he died in 1849 left insufficient estate to cover his funeral costs. Besides being registered as Goldsmith and Jeweller, he practised as mechanical dentist, lodging house keeper, and had an equipment store and fitting out warehouse (Welz, pg 141) We are selling these 2 spoons individually...
A very fine pair of Georgian silver barrel shaped beakers by the well known Bateman family; Peter, Ann and William. The beakers are patterned as half barrels, complete with individual staves and the hoops to hold them in place. This set is not intended to fit together to form a single barrel, as is sometimes the case with this form, they do not have the push-fit rim, and the crests are both aligned the same way (one crest would have been reversed if intended to fit together). The beakers are very good quality, a satisfying gauge and weight, they have a lovely feel in the hand, suitable for use (with a fine scotch whisky!). Both beakers have an interesting family crest, a dragons head above a Ducal coronet, between feathered wings, the engraving is crisp. This crest can be associated with the Dalton, Draycott and Codrington families. Peter Bateman was Hester Bateman's 2nd son, Ann Bateman was married to his brother Jonathan (who unfortunately died young in 1791), and Willam was the son of Ann and Jonathan. T...
A Cape silver snuff box by Daniel Beets, oval in shape with a three quarter hinged lid, which is well made as it is perfectly flush with the lid, and a small but practical thumbpiece. It is a pleasing design for a snuff box, has a very nice feel in the hand, easy to take in and out of a pocket. This is a fairly rare design for Cape silver snuff boxes, most were rectangular, or had a protruding hinge. This box has been well used, as can be seen from the considerable wear to the engraving, and has been repaired more than once in its lifetime. The lid has remnants of engraved wreath surrounding owners initials and date, no longer legible. The box also has 3 worn engraved stars, typically Cape in style, one either side and on the fixed portion of the lid. The interior has original gilding, a lovely golden yellow colour, quite well preserved on lid and hinge, but only some still present in base and sides, the rest has been lost during repairs. The base shows signs of repairs and splits, so has been re-attached at ...
An early Cape silver Hanoverian pattern soup ladle, by Daniel Heinrich Schmidt, described as the greatest of Cape silversmiths by David Heller (History of Cape Silver). The ladle is a very pleasing gauge, very heavy to hold, and has a long drop. It also has the central Hanoverian rib on the front, and a strong turn up. The ladle is hallmarked with makers mark DHS, which is clear, but struck by a worn punch (mark 174 in Welz, described as unknown by Welz, but now known to be Schmidt's mark). Schmidt had a long career (1768-1811), his makers mark punch must have become worn over time. The second hallmark is larger and circular, but worn, probably the bunch of grapes hallmark often used by Schmidt. the third mark nearby does not appear to be a hallmark, but an imperfection in the silver.
A Chinese Export silver tablespoon, in the Fiddle and Thread pattern, with pseudo hallmarks. The spoon is lovely quality, quite heavy at 88 grammes, a pleasure to hold. It has no initials or crest, and no sign of them being removed. The hallmarks are clear, and include pseudo sterling lion, crowned leopards head (with a large grin, which gives it away), date letter L used by Linchong, and pseudo Georgian duty mark. Linchong worked from New China Street, Canton, between 1800 and 1850
A rare Chinese Export silver tablefork, in the Fiddle pattern, with excellent hallmarks, they could not be better. The hallmarks include pseudo sterling lion, pseudo crowned leopard's head, makers mark "YS" and pseudo Georgian duty mark. Yatshing silver is always "of a high standard" (www.chineseexportsilver.com), this fork is no exception.
A Chinese Export (or China Trade silver) silver tablespoon, with excellent pseudo hallmarks. The spoon is Fiddle pattern, and has an attractive and well engraved family crest, a Lion's head erased, which is contemporary. The hallmarks include pseudo sterling lion, pseudo crowned leopard's head, date letter "C', and pseudo Georgian duty mark. We have tentatively ascribed these marks to Cutshing, we would welcome other opinions. These marks are typical of the pseudo English marks deliberately created by Chinese silversmiths, for the export market. Cutshing are "widely recognised as producing some of the finest silver from the early China Trade period (1785-1840)" - www.chinese-export-silver.com, article on Cutshing.
A set of 5 Cape Silver tablespoons in the Fiddle pattern, with initials GHJ which are clearly engraved. The spoons have a chamfered edge (very Continental in style), and all 5 spoons have clear hallmarks (Welz mark 135). The marks include crowned leopards head, date letter a, duty mark and lion passant.
A rare Cape Silver lemoen lepel (orange spoon) and matching konfyt fork (preserve), we have not encountered a matching set before, none are recorded in the Cape silver reference books. The spoon is the traditional elegant lemoen lepel shape, with narrow, pointed boat shaped bowl, v shaped drop, and triangular terminal. The matching fork has 4 tines, both feature traditional Cape prick engraving with a 4 petalled flower. Both are clearly hallmarked with makers mark IC in rectangular punch with canted corners for Johannes Combrink, and also are punched with initials IFS, we assume the original owner. Welz describes orange spoons as"probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). Heller, in his book History of Cape Silver, describes orange spoons as "exquisite". Johannes Combrink of the famous Co...
A rare Cape silver mustard spoon, in the Fiddle pattern with gilded bowl, and excellent hallmarks. This is a lovely, well made spoon, with a marked angle at the drop, and pleasing proportions. The hallmarks include makers mark JT in damaged punch (Welz mark 123), and 4 pseudo marks (Georgian duty, lion passant, date letter a and tree mark). Heller does record Cape made salt and mustard spoons, and depicts 6 salt spoons in his book "History of Cape Silver" (pg 202, plate 67). Cape mustard spoons appear to be be much rarer than salt spoons, this is the only known example we have encountered. Note: We have now acquired an additional 3 Cape silver mustard spoons by John Townsend, see S 1971 (pair) and S 11082, which brings the total of known Cape silver mustard spoons to 4, all by Townsend.
Extremely rare marrow spoon (as opposed to the commomer marrow scoops), with a lovely shellback. Hallmarks are very distinct. Bennett was a well regarded silversmith who worked on London Bridge.
A rare Irish provincial silver toddy ladle made in Cork, but hallmarked in Dublin. The ladle is circular with a lip for pouring, and has a whale bone handle. The ladle is beautifully decorated, with embossed flowers, leaves and scrolls, on a stippled background. The pouring lip is decorated with a "sunburst" collar. The decoration is typical of the Irish silver of the 1820 period, with floral repousse (embossing) on a background stippled to a matt finish (Bennett, Collecting Irish Silver, pg 79). The whalebone handle is 4 sided, and has an unusual knop end, the circular knob set above silver banded decoration. The hallmarks are all very clear, including makers mark PG in oval outline (Cork mark no. 80 in Bennett). The Dublin Goldsmiths company passed an act in 1807 requiring the Kings head to be stamped on all plate made in Ireland. As this could only be done in Dublin, it forced the provincial goldsmiths to start sending silver to Dublin for hallmarking. Garde, who worked in Cork between 1812 and 1845, appe...
A magnificent Scottish Georgian silver punch ladle, by one of the finest Scottish silversmiths of the period. The ladle has a circular bowl, finely decorated with bunches of grapes and vine leaves, the decoration is truly a work of art. The ladle has a lip which is also decorated, similar to a gadroon pattern. The handle is held in place with a traditional heart shaped plaque, this has a previous owners initials lightly scratched into it, hardly visible but a nice addition. The silver handle is also decorated with grapes and vine leaf. The original handle is wood, which has been turned into an attractive shape. The ladle is finished with a silver knob and cap, also decorated in the same fine grape and vine pattern. The ladle is a generous size and weight, is very good quality, and is in superb condition. The hallmarks are very slightly worn but still clearly visible, and include the Glasgow town mark, lion rampant, date letter G, duty mark and makers mark RG&S. Robert Gray worked in Glasgow from 1776, adding ...
A pair of Cape silver Fiddle pattern konfyt (preserve) forks, with 4 tines, by Johannes Combrink. Both forks have excellent hallmarks, maker mark IC between 2 devices (possibly pomegranite?), see Cape Silver by Welz, mark 27, pg 147 - although on these forks the device has been reversed, with ball on inside, showing Cape silversmiths were not too concerned how hallmarks were struck. Johnannes Combrink worked between 1814 and 1853, he was a fine silversmith who produced good quality work.
A Cape silver teaspoon, in the Fiddle pattern, by Johannes Combrink. The spoon has original owners initials HV engraved on the stem, the engraving is most attractive. The teaspoon has an unusual drop with incised curve. The spoon is marked with makers mark IC (Welz mark 30, Cape Silver, pg 147), this is very well struck and clear. Note faint scratch mark JER near hallmark, we presume a previous owner, visible in photo, not really visible normally unless you look close in good light.
A Cape silver Fiddle pattern tablespoon, with a set of extremely rare Cape silver hallmarks. The hallmarks include makers mark LT, and pseudo marks that include date letter A, lyre and duty mark. These marks are shown by Welz in his book Cape Silver (mark 144, page 156), they are also shown by David Heller in his book History of Cape Silver (mark MM84, page 156). The makers mark, A and lyre mark are well struck and very clear, the duty mark is worn at the top. The date letter A is quite distinctive, with one arm much thicker than the other.
