A fabulous set of six antique sterling silver goblets, perfectly preserved in their original box. The goblets are very pleasing quality, over 30 grammes each, and are quite small, so we imagine used for sherry or liqueur. The shape is lovely, a traditional goblet shape, with spreading foot and baluster stem. The goblets are perfectly preserved in their original wooden box, with blue velvet and silk interior, also in remarkable condition, with hinges and clasp in full working order. All 6 goblets are clearly hallmarked for Birmingham 1911, and makers mark W&F.R, for Walter Hayes and Frank Rabone, who worked between 1911 and 1916, with the partnership dissolved in 1918, we assume sadly interrupted by World War 1.

A very fine silver samorodok cigarette case, of extremely good quality. Samorodok is a technique that produces a beautifully textured nugget like effect on the surface, that resembles tree bark. It is achieved by heating the silver to a temperature just below melting point, then cooling it abruptly in water. It is a very difficult technique to master, so samorodok is quite rare. Most examples extant today are of Russian origin, many by notable makers like Faberge. The case was produced in Turku, Finland, in 1955, by the makers M&N (we welcome assistance with identification of this makers mark). Turku is a medieval city, noted for its fine goldsmiths, and is Finland's oldest city. The hallmarks are clear, makers mark, Finland National mark, 813H purity mark, Turku town mark, and date letter B7 for 1955. We have been advised that makers mark M&N is for Miettinen & Nurmi, established 1945. They changed their name to Turun Hopea in the late 1960's.

An interesting pair of Scottish sterling silver triangular bowls, reproductions from the Traprain Treasure. The bowls have a large beaded rim, and rest on a circular foot, the bowls are quite deep, so useful for a number of items. They are quite heavy and well made. The hallmarks are very clear, Scottish thistle, Edinburgh castle and date letter D, along with "Brook & Son, St George St Edinburgh, and "Traprain Treasure 1919, Authorised Reproductions". Brook and Son were the leading Scottish silversmiths in the early 20th century, they operated between 1891 and 1939 from 87 George Street, they had a Royal Warrant from King George V (Hamilton and Inches today). The bowls are reproductions of a Roman bowl that was part of the Traprain Law treasure hoard, which was discovered by George Pringle at Traprain Law, East Lothian, in 1919. The hoard dates from 400 AD, and consisted of 160 pieces, mostly cut up ready for melting. William Brook was the silversmith involved in conserving and trying to reconstruct the origi...

A fabulous lion mask head and paw feet cauldron salt cellar with near matching mustard pot, complete with blue glass liner. The salt has a gadrooned rim, and 3 cast lion mask head and feet, with very pleasing detail, and is gilded with a matt finish. The weight of both is extraordinary, these are very heavy and good quality items. The mustard pot has a hinge lid and scrolling handle. The salt was made by Hollard, Aldwinkle & Slater in 1917, the mustard pot is by the Goldsmiths & Silversmiths Company, 1920. On very close inspection you can see they do not quite match, the lions are cast in different moulds, with very slight differences in the detail - but both are reproductions of a very popular early Georgian style circa 1750. This style was also copied by Paul Storr. The hallmarks on both are very clear, the lid is also hallmarked. Hollard, Aldwinkle & Slater was an important firm who worked between 1838 and 1932, they acquired a number of leading firms including Adams (Chawner), Hennell and Higgins. The Gol...

An early Georgian silver lemon (or orange) strainer, distinguished by a large bowl, a simple circular pierced design with 7 circles, and solid shaped handles. The strainer is engraved with a beautiful Scottish family crest on one handle, with motto "Audeo Quid Audeo" (translated I dare what I dare), above a rampant lion crest holding a shield (possibly with unicorn) and a bust of a man wearing head dress above a Ducal crown with strawberry leaves. The 7 circular piercings all have a pattern of 7 pierced holes in the centre, and in between on the sides of the bowl, overall simple but attractive and functional. The strainer is hallmarked with 4 hallmarks in the bowl, these are partially obscured by the piercing which was done after hallmarking. The date letter Q for 1731 is still clearly visible, the lion passant and crowned leopard head are still legible, the makers mark is partially struck, but the crown above rose in a shaped punch is clearly visible, above a partial L, so we can be confident this is the mar...

An Arts & Crafts English sterling silver cream or milk jug, at first glance it looks Scandinavian in design, with beautiful clean lines. This is typical of Eric Clements style, he is best remembered for his award winning Mappin and Webb tea and coffee service (this jug is a similar but different design). The jug is a delight to use, it pours beautifully. The hallmarks are excellent, and include "Designed by Eric Clements" facsimile signature, and "Mappin & Webb". Eric Clements is one of the 50 leading silversmiths profiled in the book "Designer British Silver, 1930-1985", by Andrew & Styles, a book which we highly recommend. "Clements was unusual in that he designed silver, and then had the designs manufactured by a craftsman, most silversmiths prefer to produce their own designs. He also had a dual career as educator and designer, he spent most of his career as Head of Industrial Design at Birmingham College of Art. Alongside his academic career he was consultant designer for Mappin and Webb, it is his desig...

A pair of early Georgian circular salt cellars, made by David Hennell I, the leading mid 18th century maker of salt cellars. The cellars have undulating gadroon borders, and stand on 3 cast silver shell headed hoof feet, this was the dominant design of salt cellars from 1735-1760, along with the lion mask paw feet variant. Both cellars have original owners engraved initials (possibly PH, but this is worn through polishing). The cellars are hallmarked 2 years apart (1748 and 1750), but are identical in design, and have been a pair for a long time given the style and wear on engraved owners initials. The 1748 cellar is slightly heavier (87 vs 78 grammes), it has 3 clear hallmarks, but no makers mark. The 1750 cellar has 4 hallmarks, including makers mark DH in script under Fleur-de-Lys in shaped shield (Grimwade mark 471), the marks have some wear but are all clearly visible. David Hennell was freed in 1735, he retired in 1773 to become Deputy warden of the Goldsmiths Company, and died in 1785. He described him...

A hand hammered silver bowl on upturned base, with silver ball feet and decoration. It is beautifully made, of good gauge, and is engraved "To Ian Desborough Elliot from his Godmother, 1901. In small things liberty, in great things unity, in all things charity". The hallmarks are clear, including the makers mark. The Guild of Handicraft Ltd was formed by Charles Robert Ashbee in 1898, and worked from New Bond Street. It went into liquidation in 1908, amidst complaints that the large London firms plagiarised designs and sold them cheaper. The Guild consisted of 50 craftsmen, and each item was made by hand.

A Victorian silver wine bottle stand, with blank central cartouche (suitable for engraving), with embossed shell and scroll decoration, raised edge and 4 very ornate scrolling feet. It is a good weight and is good quality, and suitable for use. The base is engraved "Hunt & Roskell, Late Storr & Mortimer, 8095". The sterling lion, town mark, date letter and duty mark are clear, but the makers mark is very faint and barely visible (although not necessary with the full name engraved on the base). Hunt & Roskell were the most prestigious silversmiths of Victorian England, having descended from Paul Storr, the most famous of English silversmiths. They were silversmiths and jewellers to Her Majesty Queen Victoria, and had an important display at the Great Exhibition of 1851. In 1865 it was recorded that they were the largest holders of precious stones in Europe (John Culme, Directory of Gold & Silversmiths, pg 245).

A very good quality silver sauceboat or gravyboat with shaped rim and leaf capped flying scroll handle, 3 cast hoof feet and a nice crest, a greyhound holding an arrow. The hallmarks are very clear, even the leopards' whiskers are visible! Smith and Sharp were important makers, who made some of the finest silver of the period (Pickford, Jackson's hallmarks). They supplied Parker & Wakelin, the Royal Goldsmiths who supplied the Prince of Wales and "half the nobility of England" (Grimwade, London Goldsmiths). The crest has been identified as belonging to the Watts family, and is described as "A greyhound sejant argent supporting with its dexter foot an arrow or headed and barbed of the first". The heraldic research report is available in our articles section.

An interesting sterling silver Presidential Mint Julep cup, made by Mark J. Scearce of Shelbyville, Kentucky during the Presidency of Dwight D. Eisenhower. It is a copy of an early Kentucky silver mint julep cup, with beaded top and bottom borders, the cup is a substantial size and weight, the quality is very pleasing. This example has no engraving. The base is engraved "Mark J. Scearce, Shelbyville, Kentucky, Sterling", and has a Presidential eagle hallmark above the letters DDE, all the hallmarks are very clear. Scearce was fascinated by early coin silver mint julep cups, and started to produce these replica's during the Presidency of Harry Truman (1945-1953), they are still produced today, each with the eagle hallmark and initials of the current President. This cup has the initials DDE for President Dwight D. Eisenhower, who served between 1953 and 1961, so it is one of the earlier versions. As tradition goes, each new President receives one of these silver cups with their engraved initials, other famous r...

A beautiful Arts and Crafts hand made silver bowl in Art Deco style, made by the highly respected Chicago silversmith Lebolt & Co, who competed against the Kalo shop. The bowl is circular with a flat base, with 2 flat shaped side handles that form 2 of the 4 feet. The bowl has an applied monogram MS (in an Art Deco diamond shape) on the front, this is a common feature of Lebolt silver, which would have been commissioned for a specific owner. The exterior side of the bowl is planished (hand beaten), with the individual hammer marks giving it a wonderful texture that will glitter in candle light. The base is clearly hallmarked "LEBOLT HAND BEATEN" below the Lebolt logo of Lion holding a diamond around L, and "STERLING 464" which was probably a pattern number. Lebolt founder J. Myer Lebolt added a handwrought silversmithing department to his family's Chicago jewelry store in 1912 (source www.chicagosilver.com), it was sold from their stores in Chicago, New York and Paris. They and the Kalo Shop are remembered fo...

A silver "two-cigar" case, with Boer War inscription "Dr Kellner, from a Grateful "Australian" Patient, Bloemfontein, 1900". The Australian is in inverted comma's. The case is well made, good quality and gauge, and quite solid. The interior is gilded, and the hallmarks are clear on both sides of the case. H. Matthews was a large and well known Birmingham firm. Bloemfontein was the capital of the Orange Free State, and was surrendered to the British on 13 March 1900. Thirty thousand British troops entered Bloemfontein, and thanks to poor sanitation a typhoid epidemic broke out, which caused hundreds if not thousands of deaths. Doctors (who included Sir Arthur Conan Doyle) were in short supply, with 3 doctors per 350 patients (Pakenham, The Boer War, pg 382) - which no doubt led to the generosity of our unnamed "Australian". Today Bloemfontein hospital is on Kellner Street, we are not sure if there is a connection.

An interesting German silver gravy boat, both Arts & Crafts and Art Deco in style. The gravy boat is oval with a raised lip, and is on a fixed oval base to prevent drips. Both the boat and base are hand hammered, which creates an appealing texture. The handle is shaped bone, fixed to the boat with attractive silver rivets. The gravy boat is lovely quality, quite heavy, and very well made. The boat is hallmarked with the German silver moon and crown (used post 1888), 925 sterling silver standard mark, and makers mark IA for Josef Arnold. The base is also stamped "Arnold" Josef Arnold (1884 - 1960) worked in Hamburg, Germany, he trained with his father at Bruckmann & Sohne (Art Nouveau & Art Deco Silver, Annelies Krekel-Aalberse, pg 145 and 251). He initially taught in Erbach, Hanau and Hamburg, and opened his own workshop in Hamburg in 1931.

An Arts & Crafts planished (hand hammered) cream jug, with reeded handle that branches out into 6 cast wheat sheaves, with a cast silver mouse on top looking in. The pouring lip is broad, and the jug sits on a circular foot. The hallmarks are excellent. Sarah Jones is one of the 50 leading silversmiths profiled in the book "Designer British Silver, 1930-1985", by Andrew & Styles, a book which we highly recommend. "Her work is quirky and amusing, she is a superb modeller who produces charming animal studies. Her work is in the Royal Collection, a flower study is on Her Majesty Queen Elizabeth's dresser table (pages 266-271). Note: A similar beaker, made by Sarah Jones in 1984 with applied cast silver mouse on wheatsheaf, can be seen on the Styles silver website www.styles-silver.co.uk.

A beautiful and classic Art Deco silver tea service, consisting of teapot, coffeepot, milk jug and sugarbowl. The set is extremely well made, and is a very good weight. The set has ivory handles and finials, and deco engraving. The milk jug and sugarbowl have gilt interiors. All four pieces are fully hallmarked, with clear hallmarks. Viners are well known for their deco silver.

A typical early Georgian two handled punch strainer, which was used for straining orange and lemon pips in the preparation of punch, which was a very popular drink in early 18th century Britian (before wine became popular). The bowl is pierced with 81 crosses arranged in a square, surrounded by pierced foliate decoration. The rim is reeded, and the handles are typical of the period. The strainer has an attractive crest of a clenched fist holding 3 three leaf clovers.The bowl interior is hallmarked with the makers mark struck 4 times, 3 of which are partially obscured by the pierced crosses, and one of which is fully intact and very clear.

A lovely German silver traditional marriage or bridal cup, in 800 silver, in the form of a lady in 17th century costume. The lady has a tight bodice, and wear a traditional hat. Her outstretched arms hold a foliate openwork support from which the small swivel cup is suspended. Her wide long skirt forms the bottom cup, the decoration is very fine, this is a truly lovely example. These cups originated in Nuremberg in the 17th century, they were called "Jungfraubecher" and were used in wedding banquets, where the spouse drinks from the bigger cup, the bride drinks from the smaller cup simultaneously, with the aim of not spilling a drop. The cups were also popular at the end of the 19th century, when they were used for wagers as well as weddings, hence the name wager cup. Richard Garten was active in Dresden between 1860 and 1905, he specialized in commemorative pieces and antique reproductions. His work is always very good quality, this piece is no exception. The hallmarks include the moon and crown (Germany po...

A British Military World War II Silver Chaplain's Chalice Set (an identical pair, but one is sterling silver and the other is silver plate). The Chalices are a standard design dating back to the 17th century, with a semi spherical bowl, a knobbed baluster stem (designed for grip with thumb either above or below), and a circular domed foot with a rim. Both chalices are engraved with a cross, and are on the small size, so probably designed for travel. The silver plated chalice has a gilded interior, the gilding is good. Whilst both chalices appear identical, the sterling silver one is heavier (171 grams vs 142 grams for the plated version. Both chalices are clearly marked with the broad arrow (sometimes called crows foot or pheon), this mark is associated with the War Department, but has a history that dates back to Henry VIII and the establishment of the Board of Ordnance by Sir Philip Sydney, originally to mark supplies to the Royal Navy. In 1875 the symbol was listed in the Public Stores Act, and was used to...

An antique silver picture frame, in Art Nouveau form, depicting 3 farm workers in the fields cutting hay with scythes, with a village church in the background, with the motto "Peace hath her victories, Milton". The quote by Milton (1608-1674) apparently in a letter to Lord General Cromwell, is the first line of a sonnet "Peace hath her victories, no less renowned than war". This line is amongst the most remembered of Milton's work. The hallmarks are small but clear, and the frame also has a registration number (to protect the design being copied). This frame has a new black velvet backing professionally done, the original velvet backings on these antique picture frames is often in very poor condition. With the new backing, this frame is suitable for daily use and display.