A matching pair of nursery rhyme silver baby implements, a spoon and baby pusher, intended as Christening gifts. Both have short handles, the spoon with Jack and Jill picture, the pusher with Little Boy Blue. The detail on both is lovely, as can be seen from the photographs. Both are clearly hallmarked, the spoon was made in 1932, the pusher in 1936, but both by the same maker WH Collins, and both part of their nursery rhyme collection. The pusher has original owners initials MJ, lightly engraved so this could be removed. The pusher also has a registration number, indicating the design was protected.

A set of 12 Dutch silver cake forks, with a threaded border pattern, with the traditional thicker cake cutting tine. The forks are quite dainty, but still good quality, around 18 grammes each. All 12 forks are hallmarked with makers mark V.K. in horseshoe (or capital G), and the Dutch dagger used for small items of silver. Koninklijke Gerritsen & Van Kempen were based in the Dutch town of Zeist between 1924 and 1960, when they merged with Van Kempen & Begeer. Their head designer between 1934 and 1977 was Gustav Beran, a pupil of Josef Hoffman in Vienna (Art Nouveau & Art Deco Silver, Krekel-Aalberse, page 254).

A pair of Victorian silver grape scissors, once an essential implement in an upmarket Victorian drawing room, used to cut the stems of a bunch of grapes. This is the rarer type, with traditional scissor blades, as opposed to the more usual 2 wide flat faced blades with a 90 degree angle on one blade, sometimes called grape shears. This set is long and elegant, with a beaded border, and engraved leaf decoration on the back and front, and 2 vacant cartouche's for family crest or initials. The handles are oval rings, and the original steel hinge pin has an attractive circular silver cap with a floral design. The hallmarks are clear, and include makers mark CB on both arms, with date letter C for 1878, London town mark, sterling lion and Victoria duty mark. Charles Boyton & Sons was founded in 1809, and survived until 1933. They were manufacturing silversmiths, they supplied many prestigious retailers locally and internationally. A very similar example is depicted in the book "Millers Silver Buying Guide by Danie...

A Cape silver konfyt fork, in the Old English pattern with feather edge decoration and 3 tines, dating it around 1790 to 1800. The fork is struck with a makers mark only, i:V:G in an unusual shaped punch, which moulds around the dotted i. This fork matches S 1787, the main difference being longer tines (we believe original, these have not been shortened) and a makers mark that is good but not as clearly struck as the other. Welz describes this maker as unknown, but Heller (History of Cape Silver Vol I, pg 163) lists this maker as Johann Voigt? Both authors depict a different IVG punch from this one, with an additional fish hallmark (see our tablespoon S 1571 by the same maker to see the different punch and fish hallmark). Overall we agree with Welz and are not convinced by the attribution to Voigt, it seems far more likely to belong to a "van G" maker (for example van Graan, a known Cape name). Overall an interesting hallmark that requires further research. Note - a matching konfyt fork by the same maker is a...

A private die silver spoon featuring a King Protea, South Africa's national flower. The pattern is single struck, and contains a well modelled King Protea on the end of the spoon, the stem is decorated with a triple ribbed pattern with bands, ending in a diamond shape at the spoon bowl. We imagine this is a rare pattern, probably a special commission for a South African event or for a family with South African ties (all suggestions welcome). The hallmarks are clear, and include makers mark R.C for William Comyns & Sons, a firm that dates back to 1856, and still exists today. They are an important firm, their archive contains over 30 thousand patterns (in the V&A), they made all the coronets for the Queen's coronation. The spoon also has an additional hallmark in a very strange place, at the back of the spoon where the stem joins the bowl, this mark is circular and contains 3 C's in a pattern, we have now established the 3 back to back C's is a trademark used exclusively by William Comyns & Sons (Culme, Direct...

An interesting Arts & Crafts silver 2 pronged fork, hallmarked by Harry Warmington of the Guild of Handicraft, run by the Hart's of Chipping Campden. The fork has 2 flat tines, with shaped ends replicating an earlier style, the handle has 2 bumps, similar to Scottish Fiddle pattern of the 18th century. The fork is hand hammered, as you would expect from this studio, with individual hammer marks visible, and is engraved with initial T (also done by hand). The fork has a pleasant feel, and would be very suitable for serving cold meats. Harry Warmington was "an integral member of the Guild of Handicraft workshop for some 50 years, he was one of the best silversmiths to have worked in Campden, he was also a fine engraver. Despite his abilities, he never applied to become a Freeman of the Goldsmith's Company",quote from the book "The Harts of Chipping Campden, pg 31. Harry was recruited by George Hart in 1912 from the local grammar school, he joined the infantry in 1914 on the outbreak of World War I, then the Roy...

A pair of Cape silver Fiddle pattern table forks, with traditional pseudo English hallmarks, which are clear on both forks. 5 hallmarks are present (Welz mark 4 in his Cape silver book, although struck in different order), they include makers mark LB, pseudo lion passant (quite fat with "camel hump"), pseudo Georgian duty mark, pseudo 3 turreted castle town mark (copy of Edinburgh town mark), and date letter a (which is struck upside down). Lodewyk Beck worked between 1847 and 1867 from Shortmarket Street and Greenmarket Square (still a vibrant market today), he was one of 6 Cape silversmiths who used pseudo English hallmark punches.

A fine set of 12 Victorian Scottish silver table forks, in the plain Old English pattern, these forks have a very good weight and feel in the hand. The forks are engraved with the original owners initial A with a typical Victorian flourish. The forks are in excellent condition, with long tines, these forks have not seen much use. All 12 forks have excellent hallmarks that are well struck and very clear, event Queen Victoria's hair is visible in the duty mark. The town mark also has clearly defined bird, bell and fish in the tree, the coat of arms of Glasgow. Robert Gray and Sons of Glasgow produced "some of the finest British silver of the period" (Walter Brown, Finial, June 2006).

A Cape silver konfyt fork, in the Old English pattern with feather edge decoration and 3 tines, dating it around 1790 to 1800. The fork is struck with a makers mark only, i:V:G in an unusual shaped punch, which moulds around the dotted i. This mark is well struck, and is clearly different from the I:VG mark depicted in Cape Silver by Welz (mark 170, pg 158), the key differences being the shaped punch above i and the second : between the V and G. Welz describes this maker as unknown, but Heller (History of Cape Silver Vol I, pg 163) lists this maker as Johann Voigt? Both authors depict a different IVG punch from this one, with an additional fish hallmark (see our tablespoon S 1571 by the same maker to see the different punch and fish hallmark). Overall we agree with Welz and are not convinced by the attribution to Voigt, it seems far more likely to belong to a "van G" maker (for example van Graan, a known Cape name). Overall an interesting hallmark that requires further research. Note - a matching konfyt fork ...

A Danish silver Skonvirke (Arts & Crafts) pastry or cake server, made by the respected Danish silversmith Evald Nielsen in 1925. The server is the No 4 pattern, which has organic flowing scrolls in relief, so quite pleasing to hold. The server is hand hammered, with the planish marks visible on the blade and the stem. The blade is nicely shaped, and has a raised lip which increases away from the pointed tip, so very practical to use. The server is 830 grade silver, as is usual for Danish silver. The well struck hallmarks include "Evald Nielsen" in an attractive script, with "No 4" indicating pattern, date letter "ANNO 1925", the letter "S" surrounded by dots in shaped punch for silver, and "830" in oval punch surrounded by dots for grade of silver. Evald Nielsen worked between 1905 and 1958 from Copenhagen, he designed all his own designs (as opposed to his contemporary Georg Jensen). He won numerous awards internationally, and his silver can be seen in numerous museums, including the Metropolitan in New York...

Two Cape silver four prong Old English pattern konfyt (preserve) forks, by Johannes Combrink. The forks are similar but have slight differences when viewed together, so probably made at different times. The longer fork has a wider stem end, but shorter tines, and is 1 gramme heavier. Both are hallmarked with a single makers mark IC (Welz mark 32, pg 147), both are clear and well struck.

A Tiffany silver baby or child's spoon and fork, intended as a Christening present. These are quite small, suitable for use by a toddler, they are really sweet. The pattern on the back and front has a double reeded edge, terminating in a V shape in the bowl. The fork tines are quite fat and blunt, so not dangerous. Both are hallmarked "Tiffany & Co Sterling M", the M indicating a date between 1907 and 1947.

A very rare set of 6 sterling silver shellfish (or lobster) forks, we have never seen another set. The forks have 2 sharp and longer tines, with a third shorter and fatter tine, this tine also has a sharp edge for cutting. The forks are engraved with Gothic initial "B". This very specific design, for a very specific purpose, we believe to be extremely rare, nothing similar is recorded in the book "Silver Flatware" by Ian Pickford, who depicts and describes a great variety of silver eating implements. The forks are good quality, and as mentioned above, in excellent condition - they are so appealing I am tempted to go and purchase a lobster straight away so I can test them! All 6 forks are clearly hallmarked with Sheffield marks for 1931, and distinctive makers mark W&G in wavy topped escutcheon punch (Poole, Identifying Antique British Silver, pg 15), this maker worked between 1907 and 1941, possibly Wilson and Gill (www.britishmakersmarks.co.uk). The original box has the retailers mark "T.S. Cuthbert, Watch ...

A rare set of spring hinged Georgian silver sugar tongs, in perfect condition, which is quite unusual for these type of tongs. The tongs have a hinge with steel spring built into it, the steel is visible on the rear.The arms are cast, and have a bead and thread edge, the grips have an attractive pattern. The hinge bears the Innes family crest, of a lion holding a palm frond, under the motto "Ornatur Radix Fronde", translated "The root is adorned by the foliage". As is usual for Scottish crests, the motto is above (English crests the motto is below), the Innes family comes from the Moray area of Speyside (so perhaps these tongs should be used for adding ice to whisky rather than sugar to tea!). Both arms are hallmarked with makers mark IB and lion passant, which indicates they were made before 1784 when the duty mark was added. These type of tongs were made between 1765 and 1780 (Georgian Silver Sugar Tongs, Graham Hodges, pg 10, a book we highly recommend), and are rare in undamaged form. John Baker II worked...

A Jugendstil (Art Nouveau) silver baby pusher, of standard design and plain except for the Jugendstil decoration to the handle. The top of the pusher also has a wavy rim. The silver is 800 standard, which is common for German silver (usually 800 or 833 standard), so lower than sterling standard. The hallmarks are clear, including the German moon and crown used after 1888, 800 for grade, and wheel and star makers mark for Martin Mayer of Mainz. He started working in 1888, we have dated this circa 1905 given the style. Mayer produced designs by Peter Behrens, Hans Christiansen and Patriz Huber.

Lovely elegant set of Art Deco coffee spoons, with striking finials, long handles and a right angle between stem and bowl. The hallmarks are clear on all spoons. Interesting to note these spoons were made in 1943, during the middle of the second world war. The well known firm of Dixon and Sons, which was formed in 1806, still exists today.

A set of 6 Cape Silver tablespoons in the Fiddle pattern, with initials CIH over WAM. The initials CIH are older, the have more wear than the WAM initials, which would have been added later after a change of ownership of the spoons. All 6 spoons have excellent hallmarks, makers mark FW with the "Cape Stub" pseudo English hallmarks (see article on the Cape Stub in our articles section).

Typically Cape konfyt (preserve) fork, in the Fiddle pattern. The hallmarks are also typically Cape (WC or WG?) in a shaped punch, between 2 crude stars. The makers mark is a little indistinct, either a worn or mistruck punch, or could even be overstruck. Given this is an unrecorded maker not listed in any of the reference books (as far as we can determine), it could have another Colonial origin.

Typical Scottish silver toddy ladle, in the Fiddle pattern, with engraved initail P. The ladle was made by Andrew Wilkie, a Dundee silversmith, but was assayed in Edinburgh. Silver by Wilkie is found with both Dundee marks (pot of lilies) and with Edinburgh marks, as is the case with other Scottish provincial silversmiths, brought about by the imposition of duty on hallmarked silver. According to Turner (Directory of Scottish provincial silversmiths and their marks), certain makers had a proportion of their silver fully stamped in Edinburgh, to keep their registration as a silversmith valid - and to keep the Revenue service happy that duty was being paid.

A lovely set of Jugendstil German 800 silver teaspoons, of very good quality. The spoons all have a cast crest depicting an eagle within a shield, over a cross within another shield. This has the appearance of a military crest, but this is not our area of expertise. The spoons are in their original box, marked "HG Berg, Guldsmed, Sandefjord", which is in Norway - so the possibility exists that the spoons were manufactured in Germany for the Norwegian market, so the crest could be Norwegian. Note - The spoons weigh 145 grams, not 160 grams as per our original description. Close inspection also reveals that 4 spoons are by maker S in circle (which we have not been able to identify), 2 spoons have a zig-zag makers mark, which we believe is Wilhelm Muller of Berlin, who worked between 1880-1940.