A Cape silver konfyt (preserve) fork in the Old English pattern, with 4 tines. The fork is good quality and is in excellent condition, with clear hallmarks. The fork has original owners engraved initials CB. The hallmarks consist of makers mark IC in between 2 castle devices (Welz mark 35, Cape Silver and Silversmiths). Johannes Combrink was born in the Cape in 1781, he married Aurelia Lotter in 1807 and died in 1853. He worked from Dorp Street.

A pair of Canadian silver tableforks in the Fiddle pattern, with original owners script initials EB engraved on the back of the forks. The hallmarks on both forks are clear, and include pseudo lion passant (with a very thin body), pseudo oval Georgian duty mark, and makers mark PB for Peter Bohle. The lion passant is struck upside down on both forks, indicating the striking of marks was rather haphazard. Peter Bohle (1786 -1865) was the son of silversmith David Bohle, both his brothers (David & Francis) were also silversmiths. Peter was apprenticed to leading Canadian silversmith Robert Cruikshank for 7 years between 1800 and 1807, but spent his career working in Montreal, Quebec. He is known to have manufactured for the trade (sold to Savage & Lyman), he also partnered with Robert Hendery between 1853 and 1856 (Canadian Silversmiths 1700-1900, John Langdon, page 50). The family were German immigrants from Hanau (known for its silver industry).

A pair of Cape silver sugar tongs, in the Fiddle pattern, made by John Townsend. The tongs are plain, with no engraving, and are in excellent condition. The Cape silver pseudo hallmarks are very clear, makers mark JT with indent at the top of the punch, pseudo duty mark, pseudo lion passant, pseudo date letter a and the tree mark, all struck individually, this is makers mark 123 in Welz (Cape Silver and Silversmiths), but in a different orientation (all at 90 degrees). John Townsend (1800-1875) was an interesting character, described by Heller as one of the top 5 Cape silversmiths. He arrived in the Cape in 1821 on the ship Duke of Marlboro, and was involved in a number of businesses, including a hotel and auctioneering business, in addition to being goldsmith, silversmith, jeweller and watchmaker. He was embroiled in a number of court cases, mostly due to bad debt, in 1849 he stated "insufficient means to support his 10 children". He moved to Okiep in Namaqualand in 1852 as Manager of Spektakel Copper Mine, ...

A beautiful antique French cast silver sugar tongs, decorated with grapes, vines and leaves, the nearest English equivalent would be the Chased Vine pattern. The tongs are excellent quality, Ist grade 950 standard, very heavy in the hand, and clearly the work of a master craftsman. The tongs have original owners initials MRP engraved on the bow in a Gothic script. The tongs are clearly hallmarked, makers mark L I A (with funerary urn) for Louis-Isidore Angee, who worked between 1834 and 1842 from Place De Dauphin, Paris. Both arms are also clearly hallmarked with Minerva’s head 1st grade (950/1000) (hidden in the decoration), and an additional crab discharge mark (partially struck on the inside) is also present.

A set of three sterling silver items, namely ladle, saltspoon and butterknife, in the popular Fiddle, Thread and Shell pattern, with engraved Marais Family coat of arms, which is very clear on all 3 items. The ladle is a pleasing size and weight,108 grammes, the quality is excellent on all 3 items. The hallmarks are very clear, including makers mark D&J W, for Daniel & John Wellby, who worked between 1827 and 1974 from Garrick Street, London. The Marais family coat of arms is described as "Azure, a chain sable fesswise, in chief a crescent reversed and a base of two hills vert" - Pama, Heraldry of South African Families, page 53, depicted on Plate 18, no 280, of the Bell Krynauw Collection. It dates back to Charles Marais of the farm Plasir de Merle, who arrived in the Cape in 1688, and was "murdered by a Hottentot on the farm in 1689". Note - we have other matching items with the Marais Family armorial.

A very rare Victorian silver Straight Tudor pattern flatware set, made by Chawner & Co, the leading flatware maker of Victorian England. The spoons and forks are fabulous quality, and are in excellent condition. The Straight Tudor pattern is a Gothic Revival pattern, it omits 2 small scroll circular projections on each side of the stem, this differentiates it from the "Tudor" pattern. All 48 pieces are clearly hallmarked, they also carry the British Registry design number and date chart diamond, which rarely occurs on silver flatware - class I for metal, date letter v for 1850, and R 14 indicating 14 August. The presence of the design mark indicates that Chawner registered the design to protect it from being copied. Straight Tudor is described by Pickford (Silver Flatware page 149) as "a rare 19th century Chawner & Co design which appears in their pattern book (page 219), registered August 14th 1850, along with Tudor. Services and pieces are rare, building a service would be extremely difficult". The Tudor ...

An antique silver nutcracker, quite a rare item as nutcrackers are usually silver plate, occasionally with silver handles, this example is solid silver, so quite an extravagance in it's day. The nutcracker is the usual form, with 2 handles connected with an extremely strong hinge, the arms are reversible, so can be turned around to accommodate different sized nuts. The cracking portion is oval in shape, with textured sides to hold nut firmly in place, with rectangular hole to allow shell to pass through. The handles are rounded, with balls on the ends. These are good quality nutcrackers, quite heavy at just under 200 grammes, and very suitable for use. Both arms and the hinge are clearly hallmarked. William Comyns & Sons was an important firm of manufacturing silversmiths, established in 1859, they supplied many of the leading retailers, including Tiffany, Thornhills of New Bond Street, and Carringtons, Wilson & Gill and Goldsmiths & Silversmiths of Regent Street (Culme, Directory of Gold and Silversmiths, pa...

An Arts and Crafts sterling silver butter knife, made by the little known silversmith Denis Lacy-Hulbert. The knife has the traditionally shaped blade, for spreading, not cutting, and a flat rectangular stem which is planished (hand hammered, the blade is also planished), very similar in style to Puritan spoons. The hallmarks form part of the decoration, proudly struck on the front of the stems, evenly spaced, these are very clear, and include makers mark D L-H and the optional Silver Jubilee mark used in 1977 to celebrate 25 years on the throne for Queen Elizabeth II. Denis (Ben) Lacy-Hulbert (1911-2005) was Managing Director of a family steel tube/ cylinder manufacturing business, silversmithing was a hobby, very few items are recorded by him. Denis also made antique replica items in 18 carat gold, notably a strawberry dish and tumber cups. Denis Lacy-Hulbert registered his mark in 1953, but most surviving work appears to be between 1972 and 1983, he was based in Chesterfield, Darbyshire. The business Lac...

A set of six Victorian Scottish silver spoons, with matching tongs, in a Grecian pattern variant, not present in the book Silver Flatware by Ian Pickford, so we believe to be rare. The spoons can best be described as very large teaspoons, but definitely more suitable for eating dessert. The spoons and tongs have original owners engraved initials CS in fancy script. The pattern is very similar to Grecian, but noticeable differences include a shell at the top of the stem, and small beads as a border of the stem. The pattern is single struck, as is usual for Scottish flatware. Grecian pattern is a mid 19th century pattern, first exhibited by George Adams of Chawner & Co. at the Great Exhibition of 1851, the pattern is also present in the Chawner pattern book (pages 144, 145 and 218 of Pickford book above). The hallmarks are excellent on all 7 items, they could not be clearer, and include the Glasgow town mark with tree and fish. Robert Scott worked from Buchanan Street, Glasgow between 1849 and 1927. We really l...

A pair of early Georgian Hanoverian tableforks with 3 tines or prongs, made by the leading Huguenot spoonmaker of his day. The forks are a pleasing quality, and are in excellent condition, with no engraving, we really like these forks. The forks are bottom marked, as is usual for this period, as a result the hallmarks are slightly squashed, some are clear and some partially visible. The first fork has very clear PH under acorn makers mark (this could not be better), with worn lion passant and crowned leopards head town mark, and a partially visible K for 1725, good enough to be certain of the date. The second fork also has partially worn lion passant and crowned leopards head town mark, and a partially visible K for 1725, but makers mark is not visible. Paul Hanet is described by Grimwade (London Goldsmiths, page 532) "from the evidence of the survival of pieces bearing his mark, Hanet was clearly one of the principal Huguenot spoonmakers of his day". Hanet entered his first London mark in 1716, he was "Fre...

A rare Cape silver table fork in the Fiddle and Shell pattern, examples are known to exist but these are regarded as rare. The fork is single struck (pattern only on the front), the shell is a lovely feature. A similar example is depicted the book "Further Researches in Cape Silver" by David Heller, page 68, plate 13, also made by Lawrence Twentyman. English versions of this pattern are also scarce, mostly made in Scotland and Newcastle, London versions are rare (Pickford, Silver Flatware, page 114). The hallmarks are clear, makers mark LT and 4 pseudo hallmarks (crowned leopard's head town mark, date letter a, duty mark and lion passant), this is mark 135 in Cape Silver by Welz. Note: We have 2 other examples of this fork, S 11436 and S 11437.

An extremely rare Cape silver konfyt (preserve) fork with tubular handle, by Cape silversmith Lodewyk Beck. The fork has 4 tines, the only decoration is the baluster shape where the tines join the handle. The handle is similar to the Cannon handle pattern of early English flatware. The fork is clearly hallmarked with makers mark LB at the end of the handle. Similar forks are illustrated in Heller's History of Cape Silver (Vol 2, pg. 82) by Johannes Heegers, and Welz's Cape Silver (pg. 68), these are by Johannes Combrink. Lodewyk Beck worked firstly from Shortmarket Street and then moved to Greenmarket Square, still today a vibrant market in the heart of Cape Town. Konfyt forks were made and sold as individual items, and are described by Welz as "having a great deal of charm" (pg. 65, Cape Silver, Welz). Note - We have a matching fork S11421.

An extremely rare Cape silver konfyt (preserve) fork with tubular handle, by Cape silversmith Lodewyk Beck. The fork has 4 tines, the only decoration is the baluster shape where the tines join the handle. The handle is similar to the Cannon handle pattern of early English flatware. The fork is clearly hallmarked with makers mark LB at the end of the handle. Similar forks are illustrated in Heller's History of Cape Silver (Vol 2, pg. 82) by Johannes Heegers, and Welz's Cape Silver (pg. 68), these are by Johannes Combrink. Lodewyk Beck worked firstly from Shortmarket Street and then moved to Greenmarket Square, still today a vibrant market in the heart of Cape Town. Konfyt forks were made and sold as individual items, and are described by Welz as "having a great deal of charm" (pg. 65, Cape Silver, Welz). Note - We have a matching fork S11422.

A set of 5 Fiddle pattern Cape silver tableforks, made by Willem Lotter. The forks are quite long and elegant, with bevelled edges, quite attractive and pleasing quality. All 5 forks are struck with makers mark WGL in irregular punch between 2 oval devices (Welz mark 88). Welz depicts this mark as a face, we are not convinced, this requires further research. Willem Gotfried Lotter worked between 1810 and 1835, his father (also Willem Gotfried) was also a silversmith, they shared the same punches. Lotter died in Richmond, which was established as a spa town for sufferers of tuberculosis.

A Cape silver tablefork in the Old English pattern, with 4 tines. The fork was made by Johannes Combrink who worked between 1814 and 1853. The hallmarks are well struck and clear, Welz mark 24, makers mark IC with canted corners and anchor hallmark.

A lovely pair of Cape silver konfyt (preserve) forks in the Fiddle pattern with 4 tines, the forks are in excellent condition and have no engraving. Both forks have clear hallmarks, makers mark W.M and the Cape Stub mark (see our articles section) consisting of 4 English pseudo hallmarks, Lion passant, date letter capital A, Georgian kings head duty mark and leopards head (town mark for London).This is mark 100 in the book Cape Silver by Welz, except the makers mark he depicts does not have the dot between the W and M, which shows Moore had at least 2 different punches. Konfyt forks are typically Cape, they were made and sold as individual items, and are described by Welz as "having a great deal of charm" (pg 65, Cape Silver, Welz). William Moore was a goldsmith and jeweller who worked between 1840 and 1863 from St Johns Street, Cape Town, Parliament is located on St Johns street so it was a prestigious location.

A rare Georg Jensen sterling silver # 42 pattern fork, this design has been called pea pod. The fork is hand hammered, with hammer marks visible, this is a lovely fork, exceptional quality. The fork has 4 tines, and at 14.5 cm length could be either a Child's fork, or small serving fork (ideal for cold cuts). The design is informally known as pea pod, but officially just called pattern # 42. The design is lovely, with 6 cast peas alongside a series of leaves, it has also incorrectly been described as "flattened magnolia". Georg Jensen himself produced this design in 1918, it is one of the "Numbered Ornamental Pieces" that were made in small quantities so not often found. It is depicted in the book "Georg Jensen A Traditional of Splendid Silver", by Janet Drucker, pages 290 and 291, we highly recommend this book. The hallmarks are clear, 42 (pattern number) above Georg Jensen in dotted oval, above "STERLING DENMARK".

A pair of Cape silver table forks in the Fiddle pattern, without any engraving. The forks are in excellent condition, they have not seen much use at all. Both forks are clearly hallmarked with makers mark LT and 4 pseudo hallmarks (lion passant, duty mark, date letter a and crowned leopard's head town mark), this is mark 135 in the book Cape Silver by Stephan Welz.

A set of 3 Danish Sterling silver serving pieces, comprising a spoon, fork and ladle. Each is topped with matching sterling silver Danish Royal crown, which is well modeled. The set comes in its original silk and purple velvet lined box, they do not appear to have been used. The fork is long and elegant with 2 prongs, the spoon bowl is quite wide for serving, and the ladle has a deep bowl. All three are hallmarked clearly with "STERLING DENMARK" and makers mark SDG, with the D and G inside the curves of the S. We believe this indicates they were made post 1977, when the Danish official hallmarks were retired. The crown is a replica of the Danish Royal closed crown of Christian V, so it is also possible these were made to commemorate the coronation of the current Danish Queen Margrethe II in 1972.

A lovely set of 12 rat-tail trefid silver teaspoons and matching sugartongs, also with rat-tail, well preserved in original box. This set is antique, being over 100 years old, but was made as a replica of an earlier style (circa 1680). In late Victorian and Edwardian times good quality replicas of earlier styles were popular, this set is also very good quality, and is suitable for use. The hallmarks on all 13 pieces are excellent. James Dixon & Sons is a well known firm, first established in 1806 and still in business today.They employed over 600 people during Victorian times (Culme, Directory of Gold & Silversmiths).