Beautiful 17th century memorial (memento mori) matching spoon and fork set in outstanding condition, we feel they deserve to be in a museum. Both have cast triangular handles with an unusual finial, which appears to be a naked woman with a serpents head. The fork has 3 prongs, and the spoon has a crude short rattail. Both are engraved " SARA LEWES Obyt 7 Juny 1672". This set is illustrated and described on page 90-91 of the book "Cape Silver" by Stephan Welz, 1976. Welz describes them as possibly Cape, but we feel they are more likely to be Dutch. A very similar spoon is depicted on page 142 of "Dutch Silver" by M.H. Guns, the spoon has an almost identical bowl and shaft. No hallmarks are present. Note: - The curator of the Silver Dept, Rijksmuseum, Amsterdam, has now described this set as Auricular form, typical of Netherlands in the second half of the 17 th century. His opinion is that it is probably colonial, as known Dutch examples have hallmarks. Note 1 - This set has now been featured in an excellent a...
4 piece tea service comprising teapot, hot water jug, creamer and sugar, by the well known craftsman A.E. Jones. They are beautifully made, with spot hammered bodies and cast disc feet. A simple design of an embossed band with roses is present, as is the engraved initial R. All pieces are fully hallmarked with clear hallmarks, including the lids and even the finial screwnut.
Early Georgian sugar nips with scroll work arms and scallop shell grips. Scratched initials MD in hinge box. Marks (makers and lion passant) on outer side of finger ring, however the makers mark is only partially visible and appears to be ig (which we are informed could possibly be Phillips Garden). The date mark absent as is usual for nips of this period.
Plain, good hallmarks, English Pseudo and makers name. Daniel arrived in the Cape in 1820 (one of the settlers) as a child from Dublin, his Father (who had the same name) was also a silversmith.
Early pair of bright cut English provincial sugar tongs with clear makers and duty mark, however date and town mark are not present. Quite heavy and solid, have a nice feel. Initials TMM on bow.
A magnificent Bacchanalian pattern silevr dessert spoon, with fluted bowl. This is one of the rarest English silver flatware patterns, it was originally produced by Paul Storr. The spoon shows Bacchus, the Roman God of wine, riding a lion, whilst a topless Diana looks on, with another figure asleep at her feet. The back of the spoon is also beautifully decorated, with a masque over a theatre curtain, and tilted amphora of wine. Bunches of grapes and vine leaves complete the decoration. The spoon is extremely good quality, quite heavy to hold, sturdy enough to use as a serving spoon, and the hallmarks are clear.
Bacchanalian pattern is shown in "Silver Flatware" by Pickford (pg. 127), where an identical dessert service made by Wakely and Wheeler is depicted. The pattern was originally designed by Thomas Stothard, the famous painter and designer, for Rundell, Bridge & Rundell, the Royal silversmiths, in 1812, the first service was used by King George III. The other rare patterns in the same series include Boar...
Matching set of 5 Fiddle pattern Cape teaspoons, with engraved initials MIH. Very clear pseudo English hallmarks.
Beautiful, elegant, early Old English pattern sauce ladles, with a long drop and engraved initials JIL. Smith and Fearn were leading spoonmakers, and the hallmarks are very clear.
Cape tablefork in good condition, with very clear pseudo English hallmarks and makers mark. Initials ADL on the back of the fork.
Plain Cape Fiddle pattern Tablespoon, with very clear English Pseudo hallmarks. No makers mark is present, but the letter M is impressed twice, this has only been recorded on silver by Beck. Beck worked from Shortmarket Street and Greenmarket Square.
A Cape silver dessert fork, in the Fiddle pattern, with 4 prongs, which are quite long. The hallmarks are clear but slightly worn, they include pseudo English duty mark, castle, date letter C and makers mark LT. This is mark 139 in Cape Silver by Welz, the C has a small gap.
A Cape silver dessert spoon in the Fiddle pattern. The spoon has pseudo English hallmarks, all individually struck, all the hallmarks are very clear. They include duty mark, bird, castle and date letter e, with makers mark LT. This is makers mark 131 (Cape Silver by Welz), although they are struck in a different order, which is quite common. It appears the Cape silversmiths were not too scrupulous about how hallmarks were struck.
Fiddle pattern Cape teaspoon, with clear hallmarks (Welz no 27) including initials, 2 ladder device in ball, 2 shell device.
Cape Silver teaspoon in the Old English pattern, with very clear hallmarks, IC and shell. Combrink worked from Dorp Street.
A handbeaten, three legged, Arts and Crafts sweet bowl, with leaf and paw feet. In addition to the hallmarks (which are clear) the bowl is stamped "Connell, 83 Cheapside". Connell's was a highly regarded firm which was situated at 83 Cheapside from 1845 until it went into voluntary liquidation in 1939, probably as a result of the outbreak of war. Connell's of Cheapside have been described as "pioneers of modern artistic silverware" (Pudney, Silver Society Journal 11), one of the few traditional London dealers that promoted the Arts and Crafts movement. Much of their silver was produced by WH Haseler, William Hutton & Sons and AE Jones.
Cape Silver Fiddle pattern teaspoon with very clear hallmarks (mark 11 in Welz).
Cape Silver Fiddle pattern tablespoon, with very clear pseudo English hallmarks, including dutymark, bird, castle and date letter B. No makers mark is present, but as only Lawrence Twentyman used this sequence of marks we can be sure of its origin.
Pleasant set of 4 Cape Silver Fiddle pattern teaspoons. Very clear hallmarks showing makers initials between device.
A Cape silver tablespoon in the Fiddle pattern, with engraved owners initials "de C", so probably a Huguenot. The spoon bowl is quite wide and the top of the handle has a very provincial rib and turn. The hallmarks are very clear, and include makers mark LT, and pseudo-English hallmarks (leopards head, date letter a, duty mark and lion passant). This is mark 135 in "Cape Silver" by Welz.
Cape Fiddle pattern dessert spoon with an interesting crest, crudely engraved, of a raised arm holding an axe. Hallmarks are clear, DB repeated twice between two stars.
Early Cape tablespoon of Hanoverian pattern, with the end of the spoon turning up.
A lovely Victorian silver Christening spoon of very good quality in original leather case, reproducing the earlier 17th century Dognose pattern (as was popular in late Victorian times). The hallmarks are clear, including journeymans mark (the journeyman was the silversmith who made the spoon in the George Adams' workshop). George Adams was highly regarded, and was the leading spoonmaker of Victorian England
Plain Cape tablespoon with very clear hallmarks, showing makers initials between two Fleur de Lys.
An early Georgian silver rat-tail Hanoverian tablespoon, with a pronounced rib on the front of the stem, and oval bowl, as is usual for early Hanoverians. The spoon also has two lovely family crests (correctly engraved on the back of the stem), the first is a snake twisting around a pillar, the second a raised fist holding wheatsheaves, with crosses in the background. The rat-tail pattern first appeared in 1710, the rat-tail disappeared from Hanoverians in 1730. The spoon also has very clear bottom marked hallmarks, including a very clear makers mark (RO under stags head) for Nathaniel Roe. This is a rare mark, it is not recorded in Jackson, and the mark in Grimwade (mark 2396) was a poor impression, largely conjectural, and was undated by Grimwade. The mark is recorded by Wyler (pg 148).
Roe was a largeworker who worked in London between 1710 and 1717, when his newly born son died aged 4 days. He then left London for Norwich, where he continued work as a silversmith. He became Sherriff of Norwich in 1737.
Rare Russian tablespoon by Kordes, one of the very few silversmith's who were commissioned to work for the Imperial Family. The Assay Master is A. Mitin, who worked from 1842 - 1877. The town mark for St. Petersburg is the crossed anchors and scepter, and is in a square shield with corners, indicating the date of 1873. The 84 standard mark and makers mark are also clear. The assay master mark is clear, but the date letter is worn.
A lovely early Cape tablespoon in the Hanoverian pattern, with turn-up end. This spoon only has the makers hallmark, which is very worn but still faintly visible. Lotter generally only struck his makers mark, as is the case on this spoon. Lotter, who was part of a large family of silversmiths working in the Cape, was an extremely competent silversmith who made the Cape Town Lutheran Church chalice to match one made in Amsterdam in 1765.
A Fiddle pattern Cape Silver Tablefork by a well regarded Cape Silversmith, with engraved initials AW. The hallmarks are clear, being the makers mark struck twice. Lotter worked as a silversmith from 1810 - 1835, and was regarded by Heller as one of the finest of all Cape silversmiths.
Asparagus server with plain handle and blades with pierced floral design, one blade has a lip. Hallmarks are clear, the spring is also marked with a lion passant. Wellby was reknowned for its fine copies of earlier designs, and supplied many leading retailers, including Barnard & Sons. They were located in Garrick St, Covent Garden from 1866 - 1965.
Typically late Victorian sugar sifter with ornate cast handle depicting flowers and foliage, and gilded bowl. Hallmarks very clear.
Plain Cape saltspoon in the Fiddle pattern with gilded bowl, and very clear pseudo English hallmarks and makers mark.
A lovely Russian silver sardine fork in traditional style, the handle a well modelled fish, connected to the 3 pronged fork with a curved, twisted stem. The 3 prongs are also curved, and have short wide tines with flattened ends, for ease of use. The hallmarks include makers mark CH (or CB?), 84 standard mark and town mark, which is a little worn. Our best estimate is Novgorod or Orel (Watts, Russian Silver Hallmarks, pg 42-45), we are open to correction here.
This sardine fork has now been featured in an article entitled "Russian Silver Flatware Servers" by Dale Bennett, in the Magazine "Silver", January 2015, pages 14-19. It is described as "a most unusual flatware server", the author has never seen or heard of another Russian sardine fork. He describes it as a "highly imaginative server, with solid cast realistic sardine terminal". He describes the prongs as spade shaped, not sharp or pointed as in American sardine forks used for spearing, this is a lifter. He confirms town mark of Novgorod and date mid 1...
Georgian Irish Fiddle pattern sugar tongs, with very clear hallmarks. They also have the original owners initials (W over CW) scratch engraved in 18th century style (not script). Cummins worked from 1813 to 1846, so these tongs were made very early in his career. He worked from 31 Exchequer Street, and his name was also recorded as Cumying.
Pleasing early Scottish bottom - marked spoon, with very clear hallmarks, and good weight.
A replica Slip Top spoon, made to commemorate the silver jubilee (25 years on the throne) of King George V and Queen Mary. The spoon is in traditional slip-top form, with hexagonal stem, slip-top end and pear shaped bowl. Original Slip Top spoons date from the early 17th century, and were described by Eric Delieb (Investing in Silver) as "possibly the most graceful of spoons". The hallmarks are exceptional, showing very good detail, including the Jubilee mark which shows the sovereign's heads in profile. This mark was only used in 1934 and 1935 on a voluntary basis.
A very fine Cape tablespoon by a maker who has a reputation of excellent quality, clearly evident in this spoon. Whilst this spoon was made c1850, it is a copy of an earlier 18th century style (Hanoverian with turn up, and the crest on the back of the spoon). The crest is beautiful, a hand holding an elaborate cross and the motto "TORTIS IN ARDUIS", ("twisted and difficult"?). The hallmarks are very clear, showing makers initials and pseudo English hallmarks. Waldek took over the business of Lawrence Twentyman when he moved to India.
Aide memoire with 2 pierced silver covers, with a rose amongst scrolling foliage, and rope border. The silver protects 2 tortoiseshell covers, which in turn cover the ivory pages. Both silver covers are fully hallmarked, as is the clasp. The original owners shopping list is still visible in pencil. This miniature notebook would have hung from a chatelaine. Oldridge was the sole partner of Grey and Co of Great Portland Street. The firm was noted for its novelties, and supplied many leading retailers, including Asprey & Co.
Cape Fiddle pattern saltspoon complete with makers mark and pseudo english hallmarks (clearly visible), gilded bowl and engraved monogram TTA. The spoon is slightly longer than others we have seen. Townsend was a leading Cape silversmith, who had a shop on Heerengracht in Cape Town, and is regarded as one of the finest and most versatile of Cape silversmiths by Heller.
Lovely scottish provincial tablespoon with characteristic celtic point, with the silversmiths surname incised. Initial A. The hallmarks include the crowned shield and "flaming heart" used by Douglas.
Interesting set of 3 wine labels, for Port, Sherry and RRandy! - the original engraver made quite a mistake! The labels are Brittania silver (950 as opposed to sterling 925)and have a Georgian scroll design, in the style of Hester Bateman, circa 1785. They have zig zag engraved borders, and a small blank heraldic shield above the scroll. Levi and Salaman were well regarded, known for their work in reproducing the Georgian style.
A fob medallion depicting a golfer in full swing. The central cartouche is gilded, the detail of the golfer and surrounds is very good. The hallmarks are clear. Thomas Skelton worked from Vyse Street, Birmingham between 1909 and 1961. Sporting fobs were often used as sporting trophies in the early 20th century. Suitable as pendant.
Regimental spoon with Feather edge pattern and gilt bowl by George Adams, the highly regarded Victorian spoonmaker. The spoon has an engraved Royal Crown finial with mounted cross, containing 2 Fleur de Lys. The crown is above an 8 pointed star, containing a crest (hunting horn below ICRV) and the motto "Salus Populi Suprema Lex", which translates as "The health of the people is the supreme law". ICRV stands for Inns of Court Rifle Volunteers, which was a regiment supplied by members of the legal profession belonging to the 4 Inns of London (Lincoln's, Gray's, Inner Temple, Middle Temple). The regiment, which was active in the 18th century, was reformed in 1860 as the 23 Middlesex (Inns of Court) Rifle Volunteer Corps at Lincoln's Inn. The crest sits above an engraved chalice. The spoon is an unusual size, being larger than a teaspoon but smaller than a dessert spoon. The hallmarks are very clear, and in addition to the usual marks also include an additional mark C, possibly a journeyman's mark.
An antique silver and gold fob medallion, still in original box, marked "Fattorini & Sons, Goldsmiths, Bradford". The gold plaque is engraved "1904 E.P.R.F.U. Cup", we imagine Eastern Province Rugby Football Union (of South Africa). The back is engraved "Olympic F.C. (football club), 2nd Team, G. Brown". The hallmarks are excellent, this is also stamped "Fattorini Bradford".
Fattorini & Sons was a jewellery business established by Italian immigrants, they specialised in sports trophies and medals. They made both the FA Cup and the Rugby League Challenge Cup, both still in use today.
Early Dutch bottom-marked silver tablefork, with transitional elements from Dognose to early Hanoverian pattern. The fork has a distinct Dognose, and a very pronounced rib on the front of the fork. The fork has a double drop, with the "Hague Leaflet" (lofje), a little lip at the join of the handle, typical of flatware made in The Hague (as opposed to Amsterdam) (source Dutch Silver, pg 83, MH Gans). The fork is of good gauge, very pleasing to hold, and engraved with the initials HLZW on the back. The hallmarks are exceptionally clear, showing makers mark (triangle device), lion rampant silver guarantee mark (875), Rotterdam city mark, and date letter K for 1768. The fork also has a puzzling and rare 5th hallmark (added later), being the duty mark used in the Netherlands between 1807 and 1810, for articles of foreign manufacture without payment of duty (source Tardy, International Hallmarks on Silver, pg 317). We can only surmise the fork was re-imported into the Netherlands at that time. Thanks to information...
Two sterling silver Apostle spoons, the first St. Jude and the second St. James the Greater. Both Apostles are well modeled, with lovely detail. St. Jude carries an axe, St. James a staff and bible. Both spoons are from a set (no 146) which originally contained 13 spoons, issued by The Heritage Collection in 1978, limited to 1000 sets. The hallmarks are clear, and include maker mark CM (Cape Mint, part of the Pagliari Group), STG for Sterling silver, antelope head for South Africa, and date letter E for 1978. Both spoons have the Apostle's name engraved on the stem.
A Cape silver tablespoon in the Fiddle pattern, with pseudo English hallmarks. The spoon bowl is long and elegant, and the spoon is good quality and is pleasing to hold. The hallmarks are very clear (Welz mark 148 in Cape silver) and nicely detailed, even hair is visible on the duty mark, and the flag is visible on the castle. The base of the duty mark is cusped, and the makers mark LT is also clear.
A Chinese export silver dessert spoon in the Fiddle pattern. The pseudo-English hallmarks are in excellent condition, well struck and very clear. They include lion passant with triangular indent to punch, crowned leopards head, duty mark and makers mark L.
Linchong was an early maker of Chinese export silver, his silver is usually in the English Georgian style. He worked from New China Street, Canton. Linchong is described as the "unsung Cantonese master Georgian silversmith, who rivals Paul Storr in work quality, whose silver is very rare" - www.chinese-export-silver.com
A silver and gold fob medal with unengraved central shield, which we assume is 9ct gold. The medallion is engraved "Interworks Charity Competition Winners, 1943-1944, Vickers F.C., W. Finlay". This is interesting as it indicates that even in the middle of World War II, the workers of Vickers (major armaments manufacturers) still found time for a charity football competition. The awarding of silver and gold during the austere war years is unusual, but as can be seen from the date it was manufactured some time before war broke out, and kept in stock.
This spoon has an original inscription, "IIH en EL, 1812". These are presumably the initials of the owners and the date of their wedding. A set of 6 tableforks by the same maker and with the same inscription are pictured in David Heller's 2nd Cape Silver book, "Further researches in Cape Silver", page 46, plate 5, with description on page 41. An additional pair of tableforks with the same inscription are present in the Africana Museum, and are pictured in the book "Cape Silver" by Stephan Welz, pg 67.
Small Arts and Crafts basket, possibly Norwegian, with swing handle. The basket is spot hammered and has an attractive embossed 5 dome design. The base is stamped 830, and both the interior and the handle are hallmarked with a script V, the Dutch import mark (post 1906).
An interesting silver spoon, commemorating the 7th Battalion, The Duke of Cambridge Own Middlesex Regiment. The spoon has the regimental badge, a Roman soldier with shield and sword, surrounded by the motto "Pro Rege Patria et Laribus", translated "For King, Home and Country". A laurel wreath surrounds this, and the Royal crown sits on top. The spoon also carries the motto "South Africa 1900", signifying battle honours won during the Boer War, and "1798", which commemorates the Hampstead Volunteers of 1798, the founders of the Regiment. The regiment is known as the "Die Hards", a nickname earned during the Peninsula wars at Albuera in 1811. During the Boer War they were involved in the Relief of Ladysmith, and the attack on Spioenkop. The 7th Battalion were formed in 1907, it was a volunteer Battalion, and also a "special reserve" Battalion, whose duty was supplying drafts to the 4 front line Battalions in time of need. In 1911 (the year the spoon was made, so we assume it commemorates this event), the 7th be...
A silver thimble, size 11, with an unusual and attractive "pierced skirt" or "garland of flowers", the garlands decorated with tiny flowers, with leaves suspended between the garlands. The hallmarks are clear, but have some wear. The makers mark CH is very clear. The hallmarks are accompanied by size mark "11".
Charles Horner invented the "Dorcas" thimble in the 1880's, the business became famous for thimbles, hatpins and enamels. It was located in Halifax, Yorkshire, as a consequence most Horner silver is hallmarked in Chester. We have been informed that this border is called Vandyke.
A lovely set of classic deco coffee spoons, in original box. All 6 spoons are clearly hallmarked.
Plain Cape silver tablefork in the Old English pattern, with original owners initials lightly scratched on back (MF). Hallmark very clear, makers mark struck twice, either side of a flower (or bunch of grapes). Jan Lotter was an excellent silversmith who made most of the cape orangespoons (lemoenlepels) found today. He traded from Keerom St.
A collectable antique silver fob medallion depicting a footballer kicking a ball, and engraved "C.R.F.U., Second Team, 1905". The footballer has a beaded border, set on medallion shaped fob with flying scrolls. The hallmarks are clear. CRFU today stands for "Cornwall Rugby Football Union", but given the round ball we feel this was more likely a football rather than rugby club. Charles Winter worked between 1904 and 1911, first at Soho Metal Works and later at Soho Scientific Instrument Co. (Culme, Gold and Silversmiths).
Beautiful set of dainty Art Deco cake forks, in original box. Very clear hallmarks on all 6 forks. Charles Fletcher took over the firm Brewis and Co in 1907, the firm still exists today.
Beautiful pair of heavy egg spoons with Madras Artillery crest, in the Fiddle, Thread and Shell pattern. Very clear hallmarks. George Adams was the proprietor of Chawner and Co., the most important firm of silver spoon and fork manufacturers in Victorian England.
A rare Cape silver berry teaspoon, in the Fiddle pattern, with gilded berried bowl and decorated handle. The spoon must be well travelled in it's early life, as the spoon was made in Cape Town circa 1830, and probably "berried" in London in mid to late Victorian times, when the practice of "berrying" was popular (this practice is unknown in Cape silver). Plain Georgian silver spoons were embossed and chased with fruit and foliate scrolls (Pickford, Silver Flatware, pg 70), and the bowl was gilded to complete the effect.
The hallmarks are very clear, makers mark FW and pseudo English hallmarks (leopards head, date letter a, duty mark and lion passant), these are mark 163 (Cape silver by Welz). These are the same punches used earlier by Twentyman, Waldek took over Twentyman's shop and workshop in 1836.
Delightful silver handled (hook is steel) boot button hook, shaped as a leopard's head, of exceptional quality. The cast leopard's head has fine detail, including the 4 teeth and tongue. Buttonhooks were an essential Victorian accessory, used for buttons on boots and tight fitting clothing. The only hallmark present is an English Lion passant, which is worn, but still visible.
A fine example of a Scottish Georgian Silver toddy ladle, by very fine makers. The ladle is Fiddle pattern, and is engraved with the initial C, in contempory style. Toddy ladles are uniquely Scottish, used for that "wee dram" of spirits, but also suitable as sauce ladles. The hallmarks are very clear and detailed (the tree, fish and bell in the Glasgow town mark are all visible), an additional "star" journeymans mark is also present. Robert Gray and Sons of Glasgow produced "some of the finest British silver of the period" (Walter Brown, Finial, June 2006). Silver by Gray can be found with both Glasgow and Edinburgh marks, as between 1784 and 1819 the Glasgow assay office was closed.
Cast silver gilt sifter spoon, with pirate finial, and shell shaped bowl. This is a lovely spoon of good quality, the pirate finial has very good detail. George Fox was part of the famous Fox family of silversmiths, who supplied many of the leading retailers in their day. As is common with Fox silver, this spoon replicates an earlier style. The hallmarks are well struck, but slightly defaced by a scratch.
A boxed set of 6 silver enamel commemorative teaspoons, with enamel "Southern Rhodesia" with coat of arms, and cast bowls featuring "Rhodes Statue, Bulawayo". Cecil John Rhodes was a British empire builder, who obtained mineral rights in the territory later to bear his name in 1888. Southern Rhodesia (now Zimbabwe) was the name used for the British colony between 1901 and 1964. The spoons are in their original box, and were retailed by Birch & Gaydon, "Watchmakers to the Admiralty", of Fenchurch street, London. The hallmarks are clear on all spoons, although the makers mark (present but unidentified) is poorly struck and only partially visible.
A Canadian silver Fiddle pattern teaspoon, with an unusual gilded spoon bowl (gilded back and front of bowl), possibly for use as an egg spoon. The spoon has 2 interesting family crests, a raised fist holding a dagger and an envelope between 2 feathered wings, these are both very clear. The hallmarks are excellent, and include makers mark "SAVAGE.LYMAN & Co", pseudo Lion Rampant in circular punch, and pseudo duty mark in rectangular punch with canted corners. Joseph Savage and Theodore Lyman operated from Notre Dame Street, Montreal, between 1868 and 1879 when they were declared bankrupt. Their turnover suffered a major decline from $ 300000 to $ 90000 after the British Imperial forces were withdrawn from Montreal in 1870, so they must have catered to English clients. The firm was founded in 1818 by George Savage, who originally arrived in Canada as a soldier with Royal Welsh Fusiliers (Canadian silversmiths 1700-1900, John Langdon, pg 125, a book we highly recommend). Henry Birks, who founded the prestigious...
A delightful ladle shape sugar sifter, with an unusual pattern of stars, crosses and a half moon oval device. The pattern was cut by hand, and appears a little crude. The handle is initialled HI, and the hallmarks are clear with the exception of the makers mark, which is poorly struck, although still discernable.
Miniature toy trophy or goblet, with gilt interior. Woodward specialised in making trophies and cups for other retail firms. Clear hallmarks.
A Cape silver salt spoon, in the Fiddle pattern, with original gilded bowl, and original owners initials TB. The original gilding is a light lemon colour, worn and scratched from use, but still clearly visible and quite charming. The hallmarks are clear, and include makers mark PD for Peter Clarke Daniel, alongside pseudo hallmarks date letter B in indented punch and Georgian duty mark (Welz mark 42, page 148, Cape Silver). Peter Clarke Daniel was born in Dublin, he arrived in the Cape with the 1820 settlers as a child.
A Cape silver teaspoon, in the Fiddle pattern, by Johannes Combrink. The spoon has original owners initials HV engraved on the stem, the engraving is most attractive. The teaspoon has an unusual drop with incised curve. The spoon is marked with makers mark IC (Welz mark 30, Cape Silver, pg 147), this is very well struck and clear. Note faint scratch mark JER near hallmark, we presume a previous owner, visible in photo, not really visible normally unless you look close in good light.
An interesting antique silver spoon, used as a prize in a rifle shooting competition in Natal (now Kwazulu Natal), South Africa. The stem has the cast inscription "For Making Central Bulls Eye", the back of the bowl has an applied plaque, the emblem of the Natal Rifle Association. It contains a seated Boer soldier on a horse, with the motto "Semper Parati" (Always Prepared), and the date 1862, we assume the date the association was formed. The horse and rider are well modelled, as can be seen in the photos. Semper Parati is now the motto of the Boy Scout movement, perhaps Baden Powell encountered it during his time in South Africa during the Boer war.
The spoon was made by the highly regarded Levi & Salaman, and has Birmingham hallmarks for 1905.
A sterling silver fob medallion depicting a footballer (soccer player) kicking a ball. The detail is good, and the surrounding design of laurel wreath, triangles and crown is interesting. The hallmarks are clear. The connecting ring is also hallmarked. James Fenton worked from Great Hampton Street between 1856 and 1954. Fob medallions would have been attached to a gentlemen's "Albert" (watch chain), the now make attractive necklace pendants.
A delightful silver whistle in full working order, it emits a piercing and loud whistle (which certainly attracted attention when we tested it!). The whistle is engraved with scrolling foliage, and has a ring and link to allow it to be suspended from a chain or chatelaine. The hallmarks are very clear. This would make a lovely and functional pendant on a silver necklace. William John Hutchinson worked between 1900 and 1929.
Fiddle Pattern Konfyt fork, typical of those produced in the Cape. The fork is engraved "Irene". Konfyt forks were made and sold as individual items in the Cape (Welz, Cape Silver). The hallmarks are very clear, makers initials MLS between 2 Fleur de Lys (one is unclear). Smith was a VOC employee from Denmark who arrived in the Cape in 1757. He married 4 times, had 10 children and died in 1806.
Lovely set of twisted stem Apostle spoons, with cast silver Apostle finials, complete with nimbus (halo), signifying a saintly head. The spoons are very good quality, the cast Apostles have good detail, unlike the many sets of Apostle spoons mass produced later in the 20th century. The nimbus is engraved with Saint Esprit (Dove of the Holy Ghost), which signifies the descent of the Holy Ghost on the Apostle. The Esprit nimbus is frequently present in early (16th century) Apostle spoons. The hallmarks are clear on all spoons. Thomas Bradbury & Sons was a well known firm, in existance from 1769 to 1943, who mostly exported to the USA.
Cape sauce ladle with very clear hallmarks, the makers initials struck twice between 3 roses. Beets was the illegitimate son of the German Balthus Beets of Neubrandenburg and the Cape slave Angana.
A Georgian silver sifter spoon in the Old English Bright-Cut Edge pattern, with bottom marked hallmarks indicating a date pre 1777. The bowl has a lovely ornate floral piercing, and a flat base (as expected from original sifters). The Bright-Cut Edge pattern was popular between 1790 and 1800 (Pickford, Silver Flatware, pg 102), so we assume the sifter was updated in style then.
John Lambe was a specialist spoonmaker, he worked between 1762 and 1796. His makers mark I*L in oval punch is clear, the lion passant and crowned leopards head are worn but visible, the date letter is very worn but could possibly be the "a" of 1776.
Lovely boxed set of 8 deco coffee spoons, all with clear hallmarks. In original box from a South African retailer in Pietermaritzburg, the box reads " Farrants Ltd, Goldsmiths and Diamond merchants, 213 Church St, next to Standard Bank, Maritzburg".
Lovely Colonial condiment spoon, complete with pseudo English hallmarks, which are clear, and engraved initials WJ. Condiment spoons are a similar size to English saltspoons, but the bowl is at right angles to the spoon stem, similar to English cream or sauce ladles. This spoon also has a half moon tally mark, which identified the indigenenous workman who finished the piece (see Wynyard Wilkinson's book on Indian Colonial Silver). The Lattey Brothers worked from 10 Government Street in Calcutta.
A Chinese Export silver tablespoon, in the Fiddle and Thread pattern, with pseudo hallmarks. The spoon is lovely quality, quite heavy at 88 grammes, a pleasure to hold. It has no initials or crest, and no sign of them being removed. The hallmarks are clear, and include pseudo sterling lion, crowned leopards head (with a large grin, which gives it away), date letter L used by Linchong, and pseudo Georgian duty mark. Linchong worked from New China Street, Canton, between 1800 and 1850
A rare Chinese Export silver tablefork, in the Fiddle pattern, with excellent hallmarks, they could not be better. The hallmarks include pseudo sterling lion, pseudo crowned leopard's head, makers mark "YS" and pseudo Georgian duty mark. Yatshing silver is always "of a high standard" (www.chineseexportsilver.com), this fork is no exception.
A Cape Silver tablefork in the Old English pattern, with very clear Cape silver hallmarks. The marks include makers mark IL in circular punch struck twice, with an attractive flower mark (mark 74 in Cape Silver by Welz). This fork has contemporary rough, lightly scratched initials MT, probably the original owner, on the back of the fork. This matches item S1148, which is already sold. Jan Lotter was an excellent silversmith, who made most of the Cape lemoenlepels (orange spoons) found today. He traded from Keerom Street, and probably died young, as he only worked between 1813 and 1817.
Matching set of 6 teaspoons, with engraved initials. These spoons are all 1821, the last year of the crowned leopard London hallmark. Very clear hallmarks with the exception of the makers mark, which is only visible on one spoon.
Realistically modelled cast silver shell, with 4 shell spikes used as feet. It has lovely detail, and is very good quality. The only hallmark present is 800. having never seen one of these before, we are not sure of its origin or use, perhaps it is a salt.
A lovely Edwardian Christening set, comprising of a replica rattail trefid spoon with ribbed rattail, very distinct notches, with matching fork, in original box. Both have very clear hallmarks. Francis Higgins was a specialist spoon and fork maker, who carried a hammer with him in the workshop to destroy any work not up to his standards (Culme, Gold and Silversmiths). He also commented "it should last more than a lifetime, boy" - he would have been proud of this pair. Higgins supplied leading dealers, including Hunt & Roskell and Garrard, this set was retailed by Mappin & Webb of Oxford Street.
Pair of Cape Fiddle pattern Tableforks, by the highly regarded silversmith John Townsend. The length of the tines is good, and the forks have very clear Pseudo English hallmarks and makers mark. The initials CJH are engraved on the back of the forks. Heller described Townsend as the most versatile of all the English silversmiths at the Cape, capable of excellent craftmanship.
A well modelled silver equestrian medal, showing a horse rider with hounds on the front, and 3 horses in a field with a tree on the rear. It reads "Hunters Improvement and National, Light Horse Breeding Society, 1932". The medallion was modelled by Frank Hyams Ld, as indicated by his signature.
A lovely set of early Scottish tablespoons, complete with a double drop, by John Welsh, who was entered in 1742, and who made the Liberta Communion cups. The makers mark and townmark are very clear on both spoons, the date mark and thistle are visible one one spoon (slight wear), and worn on the other.
A lovely antique Irish silver brooch in the form of the Irish harp. The harp is decorated with traditional Celtic motifs, in the traditional manner. The hallmarks are clear, except Hibernia who is only partially visible.
A collection of 18 vintage Stocknagel, or hiking staff medallions, (also called walking stick badges), bought by hikers to commemorate a particular hike, and attached to their walking stick. Each medallion is stamped metal (not silver), with 2 holes for pin attachment, with lovely detail as can be seen on the photographs. The medallions include:
1. Dresden Neues Rathaus
2. Am Walchensee
3. Carl Hagenbucks Tierpark, Altona Stellingen, Haupteinsgang
5. Garmisch Partenkirchen
6. Mittenwold Viererspitse
7. Zum Besten Des Deutchen Marine Ehrenmals Kiel Laboe
8. St Johann Saarbruchen Kaiser Wilhelm Denkmaal
9. Dinkelsbuhl V Ost
10. Heidelberg C Weiss
11. Eibsee Mit Zugspitze
13. Feldberg Schwarzw 1500m UDM
14. Partenkurchen 722m Gegen die Zugspitze 2964m
15. Seilschwebebahn Zum Kreuzeck 1652m
16. Urfeld Am Walchenzee
17. Richard Wagner Bayreuth Festspilhaus
18. Nurnberg Eppelein Spring.
A set of four French liqueur sterling silver wine labels, for Benedictine, Chartreuse, Cointreau and Grand Marnier. The labels are rectangular with canted corners, the engraved names have been filled with black enamel, and the fronts have a matt finish. The labels are bordered with a zig-zag pattern, which has been engraved by hand, as it does not go all the way around the Grand Marnier and Chartreuse label, as the lettering does not leave sufficient size. The labels are attached to silver chains with eyelets. All 4 labels are clearly marked with makers mark W.J.W, and "Sterling Silver", we have not been able to identify the maker (all suggestions welcome, thanks). We believe the labels could be American from their style and hallmarks, but are open to correction, thanks. This is an interesting set, we have not seen a set specifically of French liqueurs before. Benedictine is a herbal liqueur, an interesting fact is that the Burnley miners club in Lancashire are big consumers (thanks to Lancashire regiments di...
A lovely Campari sterling silver wine label, with a very unusual but attractive design. The label has pierced scrolls and leaves on the side and below, and 5 semi-circular half domes on top. This is a good quality label, certainly made by a master craftsman. The label has 2 hallmarks, a stamped 925 indicating sterling grade silver, and a punched STG also indicating sterling silver. Unfortunately for such a lovely label it has no town or makers mark, we are guessing Italy as based on it being a Campari label, but it could also be American? We welcome suggestions on its origin, thanks. Note - we have now acquired 2 additional wine labels in the same design, for Whisky and Gin respectively. We now believe the labels to be South African in origin, and are researching the additional hallmarks.
A Southern Transvaal Football Association sterling silver medallion, we assume a football trophy. The medallion features the coat of arms of the original South African Republic (Transvaal), used from 1866. It features a lion, Boer soldier complete with rifle and bandolier, oxwagon symbolising the "Great Trek", with a fouled anchor in the centre. The medallion has not been engraved. The hallmarks include makers mark RMP (Royal Mint Pretoria) and 925 indicating sterling standard. The medallion is in its original box, with RMP on the lid. The medallion has a loop, so can be worn as a pendant.
A Chinese Export (or China Trade silver) silver tablespoon, with excellent pseudo hallmarks. The spoon is Fiddle pattern, and has an attractive and well engraved family crest, a Lion's head erased, which is contemporary. The hallmarks include pseudo sterling lion, pseudo crowned leopard's head, date letter "C', and pseudo Georgian duty mark. We have tentatively ascribed these marks to Cutshing, we would welcome other opinions. These marks are typical of the pseudo English marks deliberately created by Chinese silversmiths, for the export market. Cutshing are "widely recognised as producing some of the finest silver from the early China Trade period (1785-1840)" - www.chinese-export-silver.com, article on Cutshing.
A Jugendstil (Art Nouveau) silver baby pusher, of standard design and plain except for the Jugendstil decoration to the handle. The top of the pusher also has a wavy rim. The silver is 800 standard, which is common for German silver (usually 800 or 833 standard), so lower than sterling standard. The hallmarks are clear, including the German moon and crown used after 1888, 800 for grade, and wheel and star makers mark for Martin Mayer of Mainz. He started working in 1888, we have dated this circa 1905 given the style. Mayer produced designs by Peter Behrens, Hans Christiansen and Patriz Huber.
A Georgian silver wine label, engraved "Madeira", by Daniel Hockly. The label is rectangular with a reeded border, and has its original chain. It is fully hallmarked, the hallmakrs are clear.
Hockly emigrated to the Cape Colony as part of the 1820 Settlers, where he continued working as a silversmith, also using a DH makers mark. Hockly is mentioned as one of 5 wine label makers worthy of mention for the quality of their product amongst the new generation of specialists (Wine Labels, 1730-2003, pg 154)
An original antique silver Wembley badge, depicting the Wembley lion in silver set in tortoiseshell, with silver rim. Wembley, "The home of Legends", is amongst the most famous football stadiums in the world. This badge would have been made to commemorate the opening of Wembley by King George V in 1924. The Wembley lion, designed by Herrick in Egyptian style, was the symbol of the British Empire Exhibition of 1924 - the "Lion of Industry". Collett & Anderson were known for producing silver and tortoiseshell badges and brooches. The hallmarks are clear.
A Scottish Provincial dessert spoon in the Fiddle pattern, made in Arbroath. The spoon is initialled with the letter C. The hallmarks include makers mark AD, crowned head * 2, portcullis. The makers mark AD is very clear, the portcullis is clear, the crowned heads are visible but have some wear, perhaps the punches were worn. Overall hallmarks are very good.
A set of 4 Continental (probably German or Dutch) silver teaspoons with realistically modeled Boer soldier finial, complete with beard, hat, bandolier and rifle. The spoons are 835 grade silver. The Boer finial rests on a plinth, above a 4 sided and twisted stem with traditional mask head above the join to the bowl. The spoons also have a short rat-tail. All 4 spoons are hallmarked "835" and makers mark "B2V".
A Chinese Export (or China Trade silver) tablefork, in the Fiddle, Thread and Shell pattern, with scarce Union shell (Pickford, Silver Flatware, pg 118). This is a large and hefty fork of good gauge and quality. The hallmarks are extremely clear, being pseudo - English hallmarks lion passant, dutymark, crowned leopards head, date letter k and makers mark CU for Cutshing of Old China Street, Canton. Cutshing was quite prolific, he used a number of makers marks, including CUT, and worked between 1825 and 1875. CU was used during his earlier period (www.chineseexportsilver.com). Chinese export silver, which is stylistically Anglo-American of the late Georgian period, is "known for its fine workmanship and exceptionally heavy weight (Kernan, China Trade Silver, Checklists for Collectors, November 1965).
A set of 3 delightful fob medals, all won by H. Duncan of Camps Bay Amateur Swimming Club, South Africa. The first shows a lifesaver in action, with the words "The Royal Lifesaving Society, Competition Medal - Henry Cup, 1925, 1st, H. Duncan, Camps Bay A.S.C." The second shows a swimmer diving into a pool, and reads "RD 679779, C.B.A.S.C. Club C'ship, 1925-26, 3rd, H. Duncan". The 3rd, oval in shape, shows a swimmer with a yacht in the background, reads "C.P. Schools under 14 Team Race Championship, Gordons Cup, 1922". (C.P. stands for Cape Province). All 3 medals have clear hallmarks, the makers are Joseph Duffern & Co, William Hair Haseler and the unidentified JM respectively. WH Haseler had close ties with Liberty & Co.
A pair of Fiddle pattern Cape tableforks, with clear English Pseudo hallmarks, but no makers mark. As these marks were only used by Lawrence Twentyman, we can be certain of the maker.
Typical Cape konfyt fork in the Fiddle pattern, with an unknown makers mark, not recorded by Morrison, Heller or Welz. The mark is clear, JB between an unknown device, possibly a bird?
Typically Cape konfyt fork. Smith was a Dane who arrived in the Cape in 1757 as a VOC employee. The hallmark is partially obscured, with only LS of the MLS visible (overstruck?), but his 2 distinctive leaves are clearly visible.
Dainty set of Old English pattern silver teaspoons, 4 spoons by Ely & Fearn and 2 by the Batemans, but all with a matching crest (crest is contempory, indicating this set was put together soon after manufacture). The crest is very fetching, with a lion rampant holding a scallop between its fore-paws. Clear hallmarks.
Matching set of 6 dessertspoons, with engraved initials WG. Very clear hallmarks.
Beautiful and rare Cape spoon of unusual size and shape, with engraved initials AMW. It is teaspoon size but has a long stem, leading us to believe it is a mash spoon. Mash spoons were used to stir the teapot to assist brewing. Lotter produced very fine silver, although only for 4 years (1813-1817), indicating he probably died young. Very distinct makers mark.
A Scottish silver clan badge, which can be worn as a pendant or as a brooch or kilt sash pin. The badge comprises a "Lions Head Effrontee" (looking forward) with the motto "I Bear in Mind". This is the crest and motto of the Campbell clan of Barbreck. The Campbells are one of the most powerful clans of Scotland, descendants of King Robert Bruce. The Campbells of Barbreck are from the Argyll district. The badge is very good quality, the lion is cast and has lovely detail, it stands out from the badge. It is a pleasing weight, and hangs well from a chain. The hallmarks are clear, and include makers mark RWF. The badge also has a silver plaque which reads " R.W. Forsyth Ltd, Edinburgh & Glasgow". R.W. Forsyth was a leading Scottish department store from 1897 until the 1980's.
A set of 6 silver and enamel teaspoons, with the badge of the Transvaal Scottish Regiment. The badge has a Scottish thistle surrounded by heraldic strap and buckle, over the "Star of the Order of the Thistle". The motto "Alba nam Buadh" (Well done, Scotland or Scotland, Home of the Virtues) is underneath the thistle. All 6 teaspoons are fully hallmarked. James Fenton worked from Great Hampton St, Birmingham between 1905 and 1954.
An interesting set of good quality sterling silver teaspoons, with an unusual Art Deco stylised floral design. The design has 3 leaves on a long stem between 2 bars, with balls (berries?) above and below the bars, oval above and round below. The top of the spoons has an oval shield and pointed terminal, this is quite an elegant design. All 6 spoons have clear hallmarks on the back of the bowl, with makers mark O.W&S, we believe Owen Williams & Sons of Sheffield. Any information about this design would be most welcome.
A pair of antique sterling silver shoe buckles, made in Birmingham in 1912. The buckles are rectangular with canted corners, with a supporting centre strut for attachment to a shoe. Both buckles are clearly hallmarked, one makers mark has been over-stamped by the Levi & Salaman makers mark, so they were probably the retailers. Shoe buckles were fashion accessories for both men and women from the mid 17th century for the next few hundred years.
An interesting silver caddy spoon commemorating the Queen's silver jubilee, with a detailed crown finial over "E II R 1952-1977", and the hallmarks and silver jubilee mark forming a prominent part of the design. It is a very good weight, and good quality. The hallmarks are very clear. Da-Mar silverware was chaired by David Shaw, the MD was Martin Collins (www.silvermakersmarks.co.uk).
A beautiful American sterling silver flatware pattern, Baltimore Rose, or Balto Rose for short. This spoon is a very pleasing weight and is well made, the detail and texture makes this spoon a pleasure to hold and use. The roses are in relief, the modelling is superb. The back of the spoon has a blank cartouche for engraving. The hallmarks include "Sterling", the "diamond circle diamond" device of Schofield Sterling, and "Balto Rose". Frank Schofield founded the business in 1903, he was a die cutter and he cut the dies for Baltimore Rose. The company was acquired by Stieff in 1967 (Encyclopedia of American Silver Manufacturers, Rainwater, pg 295). This spoon would make an ideal Christening present.
A Chinese export silver tablespoon by Sunshing, with excellent hallmarks, they could not be better. The hallmarks include makers mark SS, both of the S's are very distinctive with a t junction at the end of the letter. Hallmarks also include English pseudo marks including lion passant (with fringes on the head), crowned leopard's head townmark, date letter C and duty mark.
A beautiful and very good quality antique silver spoon, commemorating the Diamond Jubilee (60 years on the throne) of Queen Victoria in 1897. The spoon has the Royal Coat of Arms and motto "Dieu et Mon Droit", a medallion bust of Queen Victoria, a Scottish thistle, VR for "Victoria Reigns", and the dates 1837-1897. The spoon is a pleasing weight and quality, this would have been an expensive souvenir in its day. The hallmarks are good, and include makers mark WG over JL, for William Gibson and John Langman. Gibson & Langman, originally from Belfast, Ireland, founded the famous Goldsmiths & Silversmiths Co Ltd in 1880, which was amalgamated into Garrards in 1952. They used the WG/JL mark until 1898, when they switched to the more familiar G&S Co Ltd mark. John Langman equipped and maintained the Langman field hospital during the Boer War, he was created Baronet in 1906. A matching silver fork to this spoon was sold as Lot 38 in the postal auction of the Silver spoon club of Great Britain, March 2012, The Finia...
A lovely pair of decorative Hanau silver Christening (or anointing) spoons, with an Apostle carrying a baby standing on a winged cherub's head. The stems are twisted, the base decorated with a peacock eating fruit, above a face. The back of the bowls are richly decorated with a diamond pattern and scrolling foliage, and the spoons have a rat tail. The spoons are cast, and as such are quite solid, with a pleasing weight. As is usual with Hanau silver, they are replica's of fine 17th century German silver.
The spoons, which have no Hanau hallmarks, were imported into Britian in 1889 by David Bridge of the firm John Smith & Co, as can be seen by makers mark D.B and capital F (hallmark for foreign silver, used between 1867 and 1903). The spoons also have date letter O for 1889. The hallmarks on both spoons are very clear. John Smith & Co. imported a great deal of decorative silver into Britian, much of which was of German origin, presumably Hanau (Culme, Gold and silversmiths).
A set of six silver teaspoons with enamel finials, 3 with a swimmer and 3 with a motorcyclist. The teaspoons have an attractive stem, and all 6 are fully hallmarked on the back of the bowl, and all are stamped "England". The enamels were hand painted, as the details on each differ slightly. We can only guess as to their origin, perhaps a special commission for a family involved in both sports.
A lovely golfing memorabilia teaspoon, with enamel finial of a lady golfer in early 20th century dress. The teaspoon shaft has an attractive design, and the hallmarks are clear. A.J. Bailey worked from the Everest works in Tenby Street.
Attractive Art Deco cake forks of good gauge, these are solid and pleasant to hold, unlike many flimsier cakeforks we have seen. Hallmarks are very clear on all 6 forks.
Lovely silver and enamel brooch celebrating the end of the First World War. A dove is carrying a Victory / Peace banner, enclosed in a laurel wreath.
A Cape silver salt spoon in the Fiddle pattern, with original gilding to the spoon bowl. The gilding is a lemony colour, and quite well preserved, some scratches from use. The hallmarks are very clear, Welz mark 121, 3 pseudo English marks (duty, date letter a and lions head town mark) are individually struck. The makers mark JT looks like it has been double struck, this is still clear. John Townsend (1800-1875) was an interesting character, descibed by Heller as one of the top 5 Cape silversmiths. He arrived in the Cape in 1821 on the ship Duke of Marlboro, and was involved in a number of businesses, including a hotel and auctioneering business, in addition to being goldsmith, silversmith, jeweller and watchmaker. He was embroiled in a number of court cases, mostly due to bad debt, in 1849 he stated "insufficient means to support his 10 children". He moved to Okiep in Namaqualand in 1852 as Manager of Spektakel Copper Mine, but was insolvent by 1868. He died in 1875, and is buried in the Springbok cemetery....
A beautiful miniature Kings pattern knife and fork set in original box, probably a christening present. Complete hallmarks on knife, very clear. Hadfield was a well known Sheffield flatware maker
A delightful pair of miniature silver toy spoons, in the Hanoverian pattern, with scroll backs. The spoons have original owners engraved initials J.P and S.P respectively, the engraving is crude, done by an amateur, but with loads of character (one possibility is these were given to twins as birth spoons). The engraving is on the back of the spoons, as is usual with 18th century examples. The spoons are clearly a matching pair, but have differences in the handle sizes (one being slightly wider), so clearly hand made. Both spoons have 2 hallmarks, lion passant and makers mark WP for William Pinder, marks are slightly worn, one is better than the other. Pinder was a smallworker, he worked between 1770 and 1784. Small spoons smaller than teaspoon size have traditionally been described as snuff spoons, they vary from 4 to 9 cm, (1.5 - 3.5 inches). Newer research has noted the wide variety of sizes, and suggested the smaller ones are snuff, and larger ones are toy spoons. Scroll back spoons were popular 1760-1770,...
A rare Dutch silver Hanoverian tablespoon (porridge spoon) made by Hendricus Johannes Wolterbeek in Nijmegen in 1770. The spoon has the usual central Hanoverian rib with strong turn-up, and a very wide circular drop, and a larger bowl than is usually seen. The spoon has an original engraved family crest of a well engraved crown above a stylised X, with flowing scrolls, this is on the back of the spoon, when spoons were displayed bowl down. The spoon's main delight are it's well struck and very clear hallmarks, including makers mark of crowned tree in irregular shaped punch for Hendricus Wolterbeek (1730-1805, he worked between 1755 and 1788). The second mark is a crowned double headed eagle city mark for Nijmegen, the third is a intricately crowned N 1st Standard (Grote keur, sterling 925 standard) mark for Nijmegen, the last mark is a crowned O date letter for 1770.
An interesting solid silver napkin ring, awarded as 2nd prize in the Dewar Shield of 1939 by SANRA (South African National Rifle Association). The ring is rectangular in shape, with but with lobed sides, so a pleasing shape, it is quite heavy at 55 grammes, the quality is excellent. The napkin ring has applied crest of the South African National Rifle Association, a jumping springbok under crossed rifles, above a laurel wreath, with SANRA above and SANS below (Afrikaans equivalent). The ring is engraved "The Dewar Shield, 1939, 2nd Prize". The silver hallmarks are clear, including maker mark for Charles Green & Co, who worked between 1904 and 1986.
A lovely set of 6 antique sterling silver coffee spoons (also called demitasse or 5 o'clock teaspoons), in the Marguerite pattern, which was designed by William Codman in 1901. The pattern has flowers and foliage, these are dainty and pretty spoons. No monogrammes are present, and all 6 spoons are clearly hallmarked "STERLING PAT. 1901", and the Gorham lion, anchor and gothic G. Gorham Corporation, which still exists today, was founded in 1831, they dominated the solid silver flatware market in the USA for 125 years (Gorham Silver, page 50).
An antique Dutch silver Zeeland Button costume belt buckle, in excellent condition. The buckle has 14 silver Zeeland buttons (Zilver Zeeuwse Knop), 2 large and 12 small, on a rectangular belt buckle, with central supporting strut for attachment to belt. The buttons themselves are made to a traditional design, with balls and filigree work, each Zeeland district has a slight variation. The buckle has 2 hallmarks, makers mark JW and the Dutch sword mark quality guarantee. The Dutch Button has been part of the Zeeland traditional costume since the 18th century.
A lovely sterling silver medallion, commemorating the 100 year anniversary of Stellenbosch University in 1966. This is a high quality medallion, with beautiful stylised engraving. The front depicts the "Ou Hoofgebou" (Old Main Building), the oldest building on campus, built in 1886, in Cape classical style, with collonaded veranda and ornamental balcony. This is surrounded with "HOER ONDERWYS OP STELLENBOSCH 1866-1966", translated Higher Education at Stellenbosch. The back has the Stellenbosch University Coat of Arms under "UNIVERSITEIT VAN STELLENBOSCH", this was adopted in 1918, described as "Quarterly: I and IV: Or, three towers gules 2 and 1; II: Azure, the head of the Roman goddess Minerva wearing a winged helmet, argent; III: Azure, three oak twigs each with two leaves below and an acorn above, argent, 2 and 1; Upon an inescutcheon sable, an open book proper, with a red initial letter S in upper dexter, and with two seals, one red and one blue, pendant from the book (source www.andrewcusack.com). The 3 ...
A Coin silver American tablespoon in the Fiddle pattern, made by A F Burbank in Boston, Massachusetts, made around 1853. The spoon is the usual American Fiddle pattern, quite different to English Fiddle pattern, with flat broad handle and pointed bowl. The spoon has very clear hallmarks, A.F. Burbank. and Boston, which are both well struck and very clear. This is the earlier Burbank mark, the later one is incuse, hence we believe this spoon was made early in his career. The spoon has a 3rd hallmark, a very small swan in oval punch (tiny but very clear), this is a French import mark used between 1893 and 1970, indicating legal fineness, so this spoon spent some time in France (Tardy, international Hallmarks, pg 208). The term "Coin Silver" is used for American silver flatware made before 1870 that is not Sterling, slightly lower grade at 90% silver (sterling is 92.5%), made from melted coins, prior to discovery of silver in the USA.
A lovely hand hammered Portuguese silver Arts and Crafts spoon, with a blue stone cabochon set in the handle, possibly turquoise. The spoon is a pleasing gauge, quite heavy, this is a good quality hand made spoon. The spoon has a rounded bowl with quite a long handle, so possibly a jam spoon or sauce ladle. The hallmarks include "Pedro A Batista", a very small Portuguese standard mark (eagle facing left above 925, in rectangular canted punch for Porto), and additional makers mark of crossed hammer and spanner.
Lovely elegant set of Art Deco coffee spoons, with striking finials, long handles and a right angle between stem and bowl. The hallmarks are clear on all spoons. Interesting to note these spoons were made in 1943, during the middle of the second world war. The well known firm of Dixon and Sons, which was formed in 1806, still exists today.
A beautiful set of 6 German Art Nouveau (Jugendstil) teaspoons, with typical sinuous lilies design. The spoons are 800 silver, and all have clear hallmarks. The makers mark of a man holding a stave is the mark of Gustav Haegermann of Burgdorf and Hannover. The set was retailed by Paul Hesse of Magdeburg (Breiteweg 64), who also stamped "Hesse" on all 6 teaspoons. The crescent and crown are the German silver marks used since 1888. The spoons are in their original box, also decorated in typical Art Nouveau or Jugendstil style.
A Scottish Provincial sterling silver brooch from Aberdeen, with a silver rim surrounding a polished oval pink granite. Aberdeen is known as the "Granite City", with its' building stone quarried from Rubislaw Quarry. The brooch is hallmarked with makers mark R&S and ABD, the unofficial Aberdeen town mark. Rettie and Son worked between 1824 and 1892, and are well known for their jewellery with the local granite (Benjamin, Antique Jewellery, page 92). The book "Aberdeen Silver, A Collectors Guide, Michael Wilson, pg 56, describes Rettie & Sons as "famous for silver and granite jewellery" Wilson also explains that the salmon pink granite used in this brooch is from the Corrennie Quarry, granite from Rubislaw is grey (pg 14).
A set of 6 teaspoons and matching jamspoon in original box, designed to commemorate the inauguration of the Voortrekker Monument in Pretoria on 16 December 1949. The front of the spoons have the Boer oxwagon wheel and powder horns, along with the Zulu shield and assegaai (spear). The rear has an outline of the Voortrekker Monument, with inscription "1949 SVK UWB". These spoons are good quality, with cast design. SVK stands for Sentrale Volksmonumente Komitee (Central Peoples Monument Committee) which was formed in 1931, with the aim to build a monument to honour the Voortrekkers (Pioneers) who left the Cape Colony in 1835. The spoons were sold to assist raising funds for the building of the monument, which cost GBP 350000. The hallmarks are clear on all spoons. The spoons were designed by the famous South African artist W.H. Coetzer, the original design is in MuseumAfrika in Johannesburg, and depicted in " Catalogue of Pictures in the Africana Museum", vol 6, pg 157, C1113. Willem Hermanus Coetzer also design...
A pretty Glove button hook, with silver ring for suspension from a chain. The handle is polished honey coloured tigers eye, a gemstone, the silver hook has attractive engraving. Buttonhooks for gloves were much smaller than those used for boots. This could be worn as a necklace pendant. The hallmarks are small but visible.
A very interesting pair of early Georgian Hanoverian tablespoons made by the same person (1 year apart), but with different makers marks (EJ and EO). The first was made in 1749 by Elizabeth Jackson (widow of Charles Jackson), the second circa 1750 by Elizabeth Oldfield (she remarried in 1750, hence the name change - and registered a new mark the same year). Both spoons are of good gauge, and have a long drop. The first spoon has very clear hallmarks, the second has clear makers mark, but other marks worn. One spoon has a worn crest of a dove carrying an olive branch.
Plain Cape butterknife with scimitar blade, and clear Pseudo English hallmarks. The makers mark is not present, but these particular Pseudo marks were only used by Twentyman (mark 134 in Welz, Cape Silver).
Cape Silver tablefork (Fiddle pattern) with interesting horse crest, initials HR and very clear hallmarks. The hallmarks include Pseudo English marks and the makers mark.
An antique sterling silver bowl or ash tray, set in the centre with a copper 1 penny Zuid Afrik. Republiek coin dated 1898. The bowl is engraved "Kruger Coinage", still clearly visible but worn from polishing. This penny was part of the first Kruger coinage, initiated in 1892 by President Paul Kruger. The bowl is dated 1900, which co-incides with the Anglo Boer War, we are not sure of the significance. The hallmarks are visible but slightly worn from polishing. The coin is in good condition, it has been protected by the raised silver rim.
Colonial silver child's fork and spoon, probably a Christening gift. It is very crudely made, and the pattern is a mix between Old English and Fiddle, more Continental than English, particularly the rounded shape of the drop . The set is finely engraved with the initials GPJ in elaborate script, and Madagascar. The hallmarks are clear, and consist of the makers mark I*D struck 3 times, in an irregular outline, so the punch was probably also handmade.
One mystery is the combination of very crudely made flatware, made by an amateur in possibly difficult conditions, with the fine engraving - so possibly added later. We welcome thoughts on their origin or identification of the I*D makers mark.
An interesting sterling silver replica of a Charles II trifid or lace back spoon, circa 1680. The stem is notched and decorated in traditional style, as is the back of the bowl, complete with rat-tail. The spoon is teaspoon sized, and very good quality, quite heavy to hold. The spoon is in it's original Mappin & Webb box, complete with Royal appointments to the Queen and Prince of Wales on the lid interior. The spoon also has it's original card, describing the origin of the spoon, it's decoration and an explanation of the hallmarks, making it an ideal Christening present.
A very rare Cape silver tablespoon in the Old English pattern, by a very rare maker whose work is seldom seen. The makers mark FLH is excellent, very well struck, this is accompanied by an anchor mark in a circular punch (mark 51 in Cape Silver by Welz). Herman (or Hermann) was born in the Cape in 1778, he worked between 1810 and 1811 from 38 Long Street. He was regarded as "one of the finest of all Cape silversmiths" by David Heller, in his book History of Cape Silver. He made a very fine covered sugar bowl, which is depicted on pg 101 of Cape Silver by Stephan Welz.
A magnificent dessert sized spoon with the Goddess Nike standing on a pedestal with the initials "JERC", in script initials. Nike is the Greek winged Goddess of victory, strength and speed, she appears on the back of every Olympic medal. The detail of the Nike casting is excellent, this is a spoon of exceptional quality, as you would expect from Garrard. The hallmarks are very clear.
The firm of R&S Garrard & Co (Garrard's), which began life in 1722 and still exists today, is famed for it's exceptional silver of very good quality. Garrard's were Crown Jewellers for much of their history, they lost the Royal warrant in 2007.
Re the script initials, we assume they belong to a sports club, perhaps a rowing or rugby club? - we would welcome opinion's or corrections.
A rare Liberty Cymric toothbrush, with silver handle set with two turquoise cabochons, and wooden (ebony) toothbrush set with bristles. The hallmarks are clear, including L&Co makers mark, but the CYMRIC mark is not present (as is usual on small items). This toothbrush matches the Liberty Cymric vanity set (S1360).
Beautiful pair of plain Cape tablespoons, with very clear makers mark. Both these spoons have the initial H lightly engraved on the back of the spoon shafts.
A Cape silver Fiddle pattern tablespoon, with a rare makers mark. The spoon has engraved initials CJP, these are original and Colonial, the P slants at an angle. The hallmarks are excellent, makers mark DH in serrated punch, surrounded by 2 circular punch devices, Welz mark 56. The serrated edge was not shown by Welz, but it is shown by Heller Vol II, page 122, mark NMM 19. This is significant as no other Cape silversmith used a serrated edge punch. Daniel Hockly is one of the few Cape silversmiths trained prior to arrival in the Cape, whose work is known from both areas. Hockly trained in London, was registered as a smallworker in 1810, and is known for high quality wine labels (Grimwade mark 470, 473, page 548). He emigrated to the Cape in 1819, one of the "1820 Settlers", he arrived in Algoa Bay (now Port Elizabeth) in 1820 on board the SS Chapman, with 256 other settlers, his wife Elizabeth and 3 children, their 4th child Fanny Chapman was born onboard. The family remained in the Eastern Cape, spending ti...
A silver bowl bearing the crest of The Kings Royal Rifle Corps, complete with motto "Celer et Audax" (Swift and Bold). The bowl (or possibly ashtray, although we cannot imagine putting ash into such a lovely bowl) is well made, in Arts and Crafts style with hand hammered marks giving lovely texture. The crest is detailed, and has the initials EMV of the silversmith. The date 1914 is significant, being the start of the "Great War", now known as World War I, so was probably made to commemorate the departure of the Corps to the Western Front. The Corps, known today as the "Green Jackets", was expanded to 22 battalions during the war. As riflemen, they were in the thick of trench warfare, and earned 8 Victoria Crosses, but paid the price with the loss of 12824 men.
An interesting 17th century style silver notched 2 pronged fork, a replica of the earliest known English table fork. The fork has 3 notches at the top of the stem, a rare feature seen occasionally on puritan spoons. it also has 2 family crests, the top a griffiths head and wings, the Montagu family crest, the second is a peacock in pride, the crest of John Manners, 8th Earl of Rutland of Haddon Hall, the owner of the original fork. The original, made in 1632, is known as the Manners Fork, and is in the V&A museum in London. This fork is a good gauge, very pleasing to use, we tested it on cold meats and olives! The hallmarks are excellent, and include the optional Jubilee mark, used in 1934 and 1935. A real talking point for your dinner table. Note: - we now have another example of this fork, S 1808, in original box.
An interesting armorial silver spoon, with armorial of Robert Burns, who is widely regarded as the National Poet of Scotland, also "Scotland's Favourite Son", also voted "Greatest Scot of all Time" (Wikipedia). Burns night is celebrated on 25 January, with haggis on the menu, and the singing of "Auld Lang Syne". The armorial features a seeded holly bush, under shepherds pipe and crook, with a woodlark perched on a sprig of bay tree, and "Wood Notes Wild" from Milton's Allegro. The bottom of the shield has the motto "Better a wee bush than nae bield" (a small bush is better than no shelter at all), which Burns used to seal his letters.
A Swedish silver spoon, commemorating the Goteborg Jubilee Exhibition of 1923, celebrating 300 years since the city was founded. The spoon has the bust of the Swedish King Gustavus Adolphus The Great, who was King between 1611 and 1632, he founded Sweden as a great power, and was a great military commander. November 6 is still celebrated in Sweden as Gustavus Adolphus day. The spoon has a large, deep fig shaped bowl, the stem reads "1923 Goteborg", the finial has a circular bust of the King, surrounded by flowers and scrolls. The spoon has clear hallmarks, the Swedish 3 crown National mark, S sterling silver standard mark, date letter M8 for 1938, and Stockholm city mark (kings head), along with C.G. HALLBERG makers mark. We are not sure how to reconcile the 1923 date with it's 1938 production date, we can only assume it was still in demand. CG Hallberg was a prominent Swedish Goldsmith, jeweler to the Swedish court, and one of the top firms in Sweden in the early 20th century.
An interesting 17th century style silver notched 2 pronged fork, a replica of the earliest known English table fork. The fork has 3 notches at the top of the stem, a rare feature seen occasionally on puritan spoons. The original, made in 1632, is known as the Manners Fork, and is in the V&A museum in London. The original belonged to the Rutland family of Haddon Hall, and has the crest of John Manners, 8th Earl of Rutland. This fork is a good gauge, very pleasing to use, we tested it on cold meats and olives! The hallmarks are excellent, and include makers mark FH for Francis Howard, the firm worked between 1900 and 1986. A real talking point for your dinner table. Note: - we now have another example of this fork, S 1808, also in original box
A lovely replica 16th century spoon, made to commemorate Queen Elizabeth II's Silver Jubilee in 1977. The spoon has a gilded royal crown finial, traditional fig shaped bowl, hexagonal stem, and the Royal Coat of Arms on the back of the bowl. The Royal Coat of Arms has the motto " Dieu et Mon Droit", translated "God and my Right". The spoon is very good quality, as you would expect from Mappin & Webb, who hold a Royal warrant, and has a lovely feel. The hallmarks are excellent, with the Sheffield rose townmark in the bowl, as is usual on 16th century spoons. The spoon also has an additional hallmark, the Queen's jubilee mark, which was only used in 1977. This spoon would make a very suitable Christening present.
A Russian silver Fiddle pattern tablespoon, with very clear hallmarks, including town mark for Tallinn (now Estonia). The town mark is a shield containing 3 lions, and was used between 1842 and 1920 (Watts, Russian Silversmiths Hallmarks). The assay masters mark is very clear (YaN), the mark is recorded by Watts but unknown (pg 89). The makers mark CRH for Carl Reinhold Hefftler is very clear (we previously had this incorrectly identified as Rubert Hermann). The spoon has scripted initials "G et WP" on the front, and "H&TJ" on the back next to the hallmarks.
A silver figure depicting "The Trusty Servant" of Winchester College, one of the oldest and most prestigious of English public schools. The figure is well engraved, with lovely detail. A picture of the Trusty Servant hangs in the kitchen of Winchester College. The figure is dressed in Windsor uniform and wig, and has a pigs head, donkey ears, padlocked jaw, deers feet, sword and collection of household implements. These refer to "desirable attributes of a servant", padlocked jaw (to keep secrets), stags feet (swift errands), household implements (to work hard) and sword (to protect master). We are not sure what the figure was intended for (it has no stand or attachments), but is probably intended as a bookmark, or could be added to a trophy or adapted as menu holder.
Italian silver 800 beaker with an interesting military crest, of an eagle with wings outstretched, standing on a laurel wreath, with shield containing letters RI intertwined on chest. The crest is on both sides of the beaker, and the rim is decorated with a wreath.
Lovely set of Art Deco cakeforks, of good quality and gauge, suitable for everyday use. The town, sterling and date marks are clear on all forks, the makers mark is poorly struck and only faintly visible, but still identifiable as Lanson Ltd, who used this mark between 1933 and 1961.
A Gorham sterling silver Louis XIV pattern pickle knife, with a pair of matching master salt spoons. The pattern is striking, described as "17 th Century Magnificence", named after King Louis Quatorze of France, who "made his reign famous for it's splendour". The pickle knife (similar to an English butter knife) is bright cut and gilded, with no monogramme, which the 2 saltspoons have goldwash bowls and engraved initials G. The hallmarks are clear on all 3 items, "Patent 1870, Sterling, and the Gorham lion, anchor and gothic G. Gorham Corporation, which still exists today, was founded in 1831, they dominated the solid silver flatware market in the USA for 125 years (Gorham Silver, page 50).
A Cape silver konfyt (preserve) fork in the Fiddle pattern, with 3 tines. The only hallmark is the makers mark J.B which is clear, mark 16 in Cape Silver by Welz. Beyleveld was born in the Cape in 1792, he worked from Waterkant and Loop Street.
A delightful Georgian silver caddy spoon, heart shaped with a deep bowl, with a bifurcated stem, thread pattern and coffin end. The bifurcated stem is quire a fragile design, hence the old repair where the handle has been rejoined to the bowl. The spoon has very clear hallmarks in the bowl, as well as an additional makers mark on the handle. Matthew Linwood was a highly regarded silversmith described by Delieb as "produced some of the finest of all the Birmingham boxes" in his book "Silver Boxes". He is also well known for his caddy spoons. A very similar caddy spoon was part of the John Norie collection, depicted as lot 187 (Part 1, Woolley & Wallis, 2004). This particular spoon was made by Josiah Snatt in London 1801.
A lovely set of replica laceback rattail trefid spoons, decorated in traditional style, both on the front of the stems and the back of the bowls. The rattail is ribbed, the scrolls are elaborate, and the terminals have the traditional notched pattern. These spoons are Brittania standard (950 grade vs. 925 of sterling), as is often the case with early 20th century replica silver. These spoons are very good quality, and the hallmarks are very clear on all 6 spoons.
Pleasant set of Scottish Fiddle pattern tablespoons, of very good weight and by a well known maker. Extremely clear hallmarks on all spoons.
Art Deco sugartongs with a classic cast silver deco design on both arms. The tongs are well made, and feel heavy and solid to hold. The hallmarks are clear, and a facsimile Charles Boyton signature is also present. Boyton broke away from the family firm of Charles Boyton & Sons Ltd in 1934, setting up his own business emulating Omar Ramsden in the "decorative style". A number of pieces by Charles Boyton are featured in the book " A Personal Touch - The Seawolf Collection, late 19th and 20th century silver, pages 126-130", published by Museum Boijmans van Beuningen Rotterdam (which we highly recommend). He opposed the industrial methods of the family firm, and established a craft workshop, where hand made objects were engraved with his signature. He was inspired by Georg Jensen and Jean Puiforcat.
A pretty boxed silver butter knife and jam spoon, with lovely terminal design, which has been cut out by hand. Both pieces are good quality and in excellent condition, they do not appear to have been used. The hallmarks are clear on both. This would make a lovely wedding present.
A set of Art Deco sterling silver demitasse or coffee spoons, perfectly preserved in original box. The spoons have a horseshoe shaped bowl, and long elegant tapered handles. All 6 spoons have clear hallmarks. The box reads "L Pinn & Co, Jewellers, 43-45 Adderley Street, Cape Town. Lazerus Pinn was a Lithuanian emigrant who arrived in Cape Town in the 1880's, he opened the jewellery store in 1893, it has remained in the family and still trades today under the leadership of Jeremy Pinn.
A Pair of Dutch silver wine labels (flesenlabels), with oval centres surrounded by pierced and engraved scrolling flowers and foliage, engraved for Sherry and Whisky. The labels are cast, so a pleasing weight and quality, we have replaced the chains with good quality sterling silver chains. The labels are 2nd quality 835 standard, as indicated by the lion passant in hexagon hallmarks. Both labels have makers mark BWE interlocked in oval, for B.W. van Eldik & A.F. van der Scheer, of Hollandia Zilver smeden of Zutphen, who worked between 1917 and 1950.
A Chinese Export silver dessert spoon in the Fiddle pattern, with no engraving. The spoon is good quality, easily comparable to an English Georgian example. The hallmarks are good, with only slight wear to the top of the makers mark, and include pseudo duty mark, pseudo crowned leopards head (London town mark pre 1821), pseudo date letter P in incuse rectangle with cut corners, pseudo lion passant and makers mark WE WE WC. This is an imitation of the makers mark for William Eley, William Fearn and William Chawner. The Chinese Export silver collectors guide (4th edition, pg 763-767) says this maker remains unidentified, but was responsible "for an astounding production of silver items, almost all in the European neo-classical style. The work of WE WE WC is par excellence, it can rival the best of English, European and American silversmiths of the Georgian era. There is no such thing as a poor piece of WE WE WC silver. To have the wherewithal to create silver that rivaled the finest European and American silver...
A set of 6 Art Deco sterling silver coffee spoons, with ribbed finials, in original box. The hallmarks are excellent on all 6 spoons.
A circular silver bowl, with the crest of the Worshipful Company of Ironmongers, and the date 1937 engraved on it. The 2 lizards or salamanders are used in the crest of the Ironmongers as they could reputably survive fire. The Company of Ironmongers is one of the 12 great livery companies, 10th in order of precedence (The Goldsmiths are 5th). The bowl was made to commemorate the coronation of King George VI in 1937, and would probably have been distributed to it's freemen. The company is still active today, and its hall (destroyed during WW1) can be rented out for functions. The hallmarks are clear, including makers mark C.E, who has not been identified, but who worked between 1924 and 1956 (www.silvermakersmarks.co.uk, on our links page).
An antique sterling silver thimble, size 10, with a panelled gold band over the sterling silver. The panelled bands alternate between larger concave panels and smaller convex panels, with a decorative floral band between each panel. The interior of the thimble is marked "10, STERLING, and anchor", and the gold panelling is marked with makers mark SBC, with a large S, and smaller B and C inside the S. This is the mark for Stern Brothers & Co of Philadelphia, who were well regarded makers of antique silver thimbles. Stern used the combination of the SBC makers mark and anchor between 1908 and 1912, hence we can accurately date this thimble. Prior to 1908 they only used the anchor, after 1912 they used a GBC makers mark, as the firm changed names to Goldsmith Stern. They folded in 1933, a victim of the great depression.
We had previously incorrectly ascribed this mark to Simon Brothers, also thimble manufacturers of Philadelphia.
A Boer War teaspoon, with a very detailed Lee-Metford rifle as the shaft. The bowl is engraved "Souvenir of the Anglo-Boer War, 1899-1900". The rifle is very detailed, even the strap holes and buckle are visible.The butt of the rifle is engraved Lee-Metford, and the bayonet connects the bowl to the rifle. The hallmarks are very clear, as is the registration number "Rd No 349937". A similar spoon is illustrated in the book "Boer War Memorabilia" by Pieter Oosthuizen, figure 8 on page 119. The Lee-Metford rifle was soon replaced by the Lee-Enfield, which had the advantage of smokeless powder.
Art Deco octagonal sweet dish with Ivory handles, with very clear hallmarks. This dish could also be used for teabags, and would fit very nicely with the Deco tea service (item S179).
This caddy spoon is by Taylor & Perry, who are known for their good quality caddy spoons. The bowl is beautifully engraved with flowers and foliage, the handle with leaves. The cartouche has the initial H, and the hallmarks are very clear. The caddy spoon is Fiddle pattern.
Set of six Irish teaspoons, with an interesting falcon crest, in the Fiddle pattern. These spoons are larger than many other teaspoons (slightly longer and heavier). The hallmarks are very clear on all spoons.
A lovely set of six Art Deco coffee spoons, with unusual pierced design, celtic in appearance. They were retailed by Boodle & Dunthorpe, Goldsmiths of Lord Street, Liverpool, and are still in their original box. Boodle and Dunthorpe (Boodles) was founded in 1798 in Liverpool, and are still in the Lord Street premises in Liverpool. Boodles is a highly respected firm, they made the octagonal silver wedding cake stand for HRH Princess Elizabeth, now Queen. The spoons were made in 1939, just before the outbreak of World War II. The hallmarks on all 6 spoons are perfect.
Beautiful set of 6 classic Art Deco teaspoons, made by the highly regarded firm of Elkington. The spoons were made early in the Second World War, before production was halted in favour of the war effort. The hallmarks are clear on all 6 spoons.
A beautiful pair of sterling silver fruit serving spoons, made by Bailey & Co of Philadelphia between 1871 and 1878. The spoons have bright cut bowls which are gold washed, the handles also have a lovely design with palm leaves, we have not been able to identify the pattern (assistance welcome). The spoons have engraved owners initials MII in fancy script. The hallmarks are clear on both spoons, "STERLING PAT 1871, 1A, BAILEY & Co." The bowls also have an additional hallmark, an ornate shield with fancy design. Bailey & Co worked between 1832 and 1878 when they became Bailey, Banks & Biddle, they still exist today. Joseph & Charles Bailey are remembered for excellent quality, these spoons are no exception. The firm claimed the distinction of being the first to introduce the sterling 925 British standard to the American public, at the time the standard was 900 (Rainwater, Encyclopedia of American Silver Manufacturers, page 33).
A Scottish Provincial silver kilt pin brooch, made by John Fraser of Inverness, but hallmarked in Edinburgh as required by regulations. The kilt pin has a classic celtic design, and is a pleasing quality, and a good size and weight. The pin and clasp are also good quality, and in perfect working order. The hallmarks are clear, including makers mark JF incuse for John Fraser of Silvercraft, Inverness, who worked between 1965 and 1982.
An interesting antique silver spoon, used as a prize in a rifle shooting competition in Natal (now Kwazulu Natal), South Africa. The stem has the cast inscription "For Making The Possible", the back of the bowl has an applied plaque, the emblem of the Natal Rifle Association. It contains a seated Boer soldier on a horse, with the motto "Semper Parati" (Always Prepared), and the date 1862, we assume the date the association was formed. The horse and rider are well modelled, as can be seen in the photos. Semper Parati is now the motto of the Boy Scout movement, perhaps Baden Powell encountered it during his time in South Africa during the Boer war.
The spoon was made by the highly regarded Levi & Salaman, and has Birmingham hallmarks for 1904. We had a similar spoon, S 1563, now sold, with the same NRA plaque, but motto "For making the Bulls Eye".
A Chinese Export silver dessert fork in the Fiddle Thread and Shell pattern, one of the most popular Fiddle pattern variants. The fork is excellent quality and gauge, easily comparable to an English Georgian example. The hallmarks are excellent, and include pseudo duty mark, pseudo crowned leopards head (London town mark pre 1821), pseudo date letter P in incuse rectangle with cut corners, pseudo lion passant and makers mark WE WE WC. This is an imitation of the makers mark for William Eley, William Fearn and William Chawner. The Chinese Export silver collectors guide (4th edition, pg 763-767) says this maker remains unidentified, but was responsible "for an astounding production of silver items, almost all in the European neo-classical style. The work of WE WE WC is par excellence, it can rival the best of English, European and American silversmiths of the Georgian era. There is no such thing as a poor piece of WE WE WC silver. To have the wherewithal to create silver that rivaled the finest European and Ame...
An interesting coin silver American single struck Kings shape Thread and Shell pattern teaspoon, made by Samuel Kirk between 1824 and 1827. Whilst we describe this as a teaspoon, it is a large and heavy teaspoon, perfect for eating dessert. Single struck flatware means the pattern is only struck on one side, this only occurred in Scotland in the UK. The spoon has the original owners engraved family crest, a human head with full beard. The spoon has 3 hallmarks, makers mark S.Kirk in serrated rectangular punch for Samuel Kirk, Baltimore Coat of Arms large oval shield mark (quality mark), date letter C for 1824 - 1827, these are all well struck and clear. This dates to a very interesting period in US silver history, Baltimore between 1814 and 1830 was the only place and date where hallmarks were required on silver in the USA. The State Legislature of Maryland passed the Assay Act of 1814, which set the quality standard at 917, the Act was repealed in 1830 due to opposition by the affected silversmiths, includ...
An interesting antique silver Past Primo badge, from the Rhodesia (now Zimbabwe) branch of the Royal Antediluvian Order of Buffaloes (Buffs). The badge is very ornate, with central Buffalo head, complete with horns and red cabochon eyes (not sure if these are rubies?). The head is surrounded by blue enamel belt buckle, Past - Primo, set on a very ornate and finely engraved background of scrolls and flowers. The badge is suspended from a scroll with Buffalo horn, engraved Rhodesia, with bar at the back for attachment to a ribbon. The badge is quite large and heavy, quite good quality. The back is engraved "Presented to Primo T. Longmore for Valuable Services Rendered 1907". The hallmarks are very clear, including makers mark for Arthur Fenwick, who specialized in medallions, the suspension bar is also hallmarked. The Royal Antediluvian Order of Buffaloes (RAOB) was founded in 1822, and still exists today. It is similar to the Freemasons but is open in its practices, which are mostly charitable today. They were...
An interesting Cape silver tablespoon, that appears more Continental than Cape in style. It is Fiddle pattern, but without the shoulders seen in English Fiddle pattern, and the drop has a wide oval shape, another Continental silver feature. The spoon has a single hallmark, makers mark DC, well struck but by quite a crude, home made punch, with flaws in both letters. This punch is a different one from the one depicted in Welz (Cape Silver, pg 146, mark 21), but has been noted on other Cape Silver, so we are confident it is by Collinet (no other Cape silversmiths have initial DC). Collinet was born in Liege, Belgium, he worked in the Cape between 1810 and 1825. We assume he made this spoon early in his career, certainly before 1820 when a number of English silversmiths arrived in the Cape and dictated the style of silver.
A commemorative silver wine label, engraved WHISKY, made to celebrate the silver jubilee of Queen Elizabeth II. The label has the Royal crown, with dates 1952-1977 above, and EIIR (Elizabeth 2nd Regina (Queen)) below. A scroll engraved "WHISKY" is below, above the 5 hallmarks which are an attractive part of the design. The hallmarks include the Silver Jubilee mark of the Queen only used in 1977. Da-Mar Silverware operated between 1975 and 1977, it was named after Chairman David Shaw and Managing Director Martin Collins. They also hallmarked silver in Edinburgh. The label is well made, it hangs well on a decanter or whisky bottle. This design is not pictured in the wine label "bible", "Wine Labels 1730-2003", published by the Wine Label Circle (membership of which we highly recommend). Da-Mar Silverware is also not listed as a known maker of wine labels (pg 400), so this maker needs to be added to the list. We assume these labels were made in small quantities.
A very interesting silver gilt cast spoon, with a well modelled gentleman in 18th century period dress, complete with cane and hat. The figure stands on a pedestal on twisted stem which changes texture (almost bark like) as it joins the spoon bowl. The spoon is in it's original box, marked "By Appointment A. Stephen & Co, Manufacturing Jewellers, Calcutta", so this spoon is well travelled. The hallmarks are very clear, and include registration number "RD 179159", showing the design was protected at the patent office. The spoon was probably designed as a Christening present for a wealthy family We welcome opinions on the origin of the figure.
A lovely Edwardian Christening present, made by the specialist spoonmaker Francis Higgins. It is a replica rattail trefid spoon with ribbed rattail, very distinct notches, and very clear hallmarks. The spoon has no engraving, so would be suitable to be engraved. The spoon is excellent quality, and is a joy to hold. Replicas of 17th century silver items were popular during Edwardian times, the replicas are usually very good quality, as is this trefid spoon. Francis Higgins carried a hammer with him in the workshop to destroy any items not up to his standards (Culme, Gold and Silversmiths). He also commented "it should last more than a lifetime, boy" - he would have been proud of this spoon. This spoon is very similar to one we have already sold (S 1327), which was made 4 years earlier, also by Higgins.
A Cape silver konfyt (preserve) fork in the Fiddle pattern, with 4 tines. The hallmarks are excellent, and include makers mark LB for Lodewyk Willem Christiaan Beck, and pseudo-English duty and town marks (castle), mark 7 in Cape Silver by Welz. Beck worked firstly from Shortmarket Street and then moved to Greenmarket Square, still today a vibrant market in the heart of Cape Town. Konfyt forks were made and sold as individual items, and are described by Welz as "having a great deal of charm" (pg 65, Cape Silver, Welz).
A lovely Hanau silver commemorative spoon, with a cast bust of Frederick the Great, with lovely detail. The bust sits on a plaque with the words "Fridericus Borussorum Rex 1740-1786", translated "Frederick King of Prussia". The stem of the spoon is decorative, with dolphins, a crown and a twisted design. The spoon bowl is also decorated with flowers and scrolling foliage. The hallmarks are clear, and include makers mark "n" (Scheffler 489) for Neresheimer, and stylised bunch of grapes (image 1, 3rd hallmark under Neresheimer on www.925-1000.com). The Neresheimer n is also called the "Nuremberg n" (Culme, Gold and Silversmiths). They also include importers mark B.M (struck twice) for Berthold Muller, who for many years was the sole British agent for Neresheimer (Culme). Berthold Muller and Son traded between 1892 and 1915, when Muller changed his name to Miller (we assume as a result of anti-German feeling in London during the First World War). The 2 B.M marks were struck by different punches, the larger one B...
A lovely example of an American souvenir spoon, which were very popular at the turn of the 20th century, and one of the finest we have encountered. The spoon depicts a Canadian Indian, complete with bow and arrows, tomahawk, feather headdress, Canada ribbon, and delightfully detailed moccasins. This is a rare spoon, the Indian here is not depicted in "Collectible Souvenir Spoons", the authority on souvenir spoons, by Wayne Bednersh. The spoon bowl depicts Brandon College, Brandon, Manitoba, and the Indian figure is holding the enamelled Royal Coat of Arms of the UK, with quarters of England, Scotland and Ireland, under the Royal Crown. This was used in Canada prior to the confederation in 1867, so it is a little mysterious why a Canadian spoon from 1900 is still using these arms. Brandon College was founded in 1899 as a Baptist institution, and was completed in 1901, this spoon would have commemorated the opening. Over 200 students of Brandon College fought during WWI, 2 were awarded the Victoria Cross. Brand...
A rare Cape silver salt spoon, in the Fiddle pattern, struck twice with a makers mark not depicted in any of the Cape silver reference books (although Ince is recorded in both Morrison and Welz). The spoon is struck twice with makers mark INCE, which is very distinct. The spoon is quite crudely made, slightly out of shape, it appears hand made in primitive conditions, it has a strong Colonial feel. The makers mark INCE is recorded by Turner as unascribed Scottish Provincial (Directory of Scottish Provincial Silversmiths, pg 84). It was also recorded as "unascribed Scottish" by Jackson (2nd edition, pg 557, on a tablespoon circa 1770, owned by The Marquess of Breadalbane) - this had been corrected by the third edition. We believe that the possible Scottish attribution is incorrect, and should be corrected to Cape.
A number of other Cape silver items made by Joseph Ince are known, including 3 items in the Mullne collection, now in a museum in Pretoria, all struck twice with INCE. In addition, a South Africa...
A lovely blue and white enamel and silver buckle of very good quality, in a circular floral shape. The buckle has a separate silver loop for attachment, and 4 matching silver and enamel buttons, complete with fastening attachment. The buckle is fully hallmarked with clear hallmarks, the buttons are all stamped "Sterling", probably of continental origin. Levi and Salaman were known for their souvenir spoons and enamel novelties and jewellery.
A Scottish provincial toddy ladle, made by David Gray of Dumfries, but with Edinburgh hallmarks for 1818. The ladle is Fiddle pattern, and has a beautiful crest of a crowned swan, standing with wings outstretched, with motto "Be Mindful". This is the crest and motto of Clan Campbell of Cawdor, headed by Earl Cawdor of Cawdor castle. The hallmarks are very clear, including triple cusp duty mark. The D of the makers mark appears to overstrike a P, but the G is very clear. The ladle also has a small heart shaped journeyman's mark.
A beautiful Tiffany sterling silver Berry spoon, in the Flemish pattern, with notched scroll end finial, and rat-tail. The spoon is a lovely shape, with the bowl at right angles to the stem. The shape of the spoon is also described as a casserole spoon, indeed it is suitable as a serving spoon. It is a good weight and lovely quality, and is still in its original felt bag, marked "Tiffany & Co, Paris, New York, London". The hallmarks are very clear, "Tiffany & Co Sterling PAT 1011M". The M date stamp indicates a date between 1907 and 1947, when John C. Moore II was president. The Flemish pattern was issued in 1911, hence we can date the spoon to between 1911 and 1947.
A set of 6 Scottish Fiddle pattern teaspoons, the shape of the Fiddle typically Scottish. They are accompanied by matching sugartongs with shell bowls. The hallmarks on all 7 items are very clear. The punch outline of the JW makers mark is very unusual, having a wave shaped indentation at both sides. The punch shape is identical to unknown maker "AW" who worked between 1828 and 1843, we assume he was John Williamson's father. John Williamson worked between 1845 and 1881, so these are very early examples of his silver.
A Victorian silver miniature replica of a porringer, probably intended as a toy. The porringer is typical 17th century style, with gadrooned and punched dot decoration, and scrolling handles. Daniel and John Wellby specialised in fine copies of early pieces (Pickford, Jackson's Hallmarks). The hallmarks are clear with the exception of the makers mark, which is partially worn but still identifiable.
A typical Cape silver konfyt (preserve) fork with 3 tines, in the Old English pattern, with traditional Cape engraved decoration, consisting of crude stars and a zig-zag pattern which extends all the way to the tines. The makers mark IL is very clear. Jan Lotter, who was regarded by Heller as "a highly skilled craftsman", only worked for 4 years between 1813 and 1817, so he probably died young. He made most of the prized Cape silver "lemoenlepels" (orange spoons) known to exist today.
Typically Cape konfyt (preserve) fork, in the Fiddle pattern. The hallmarks are also typically Cape (WC or WG?) in a shaped punch, between 2 crude stars. The makers mark is a little indistinct, either a worn or mistruck punch, or could even be overstruck. Given this is an unrecorded maker not listed in any of the reference books (as far as we can determine), it could have another Colonial origin.
Unusual pair of knife rests, shaped as a pair of "jacks", with a central ball with 6 arms, each ending in a small ball. They are nice and solid, and a very good weight. In addition to clear hallmarks, they also carry a registration number (111097), indicating the design was registered by Roberts & Belk, and a small crest depicting a Roman oil lamp. Roberts and Belk were a well known firm, first established in 1809, and bought by CJ Vander in 1961.
Cape Konfyt (preserve) fork with 3 prongs, with clear English Pseudo hallmarks and makers initials. Silver Konfyt forks are unique to the Cape.
Delightful set of 8 silver cocktail sticks, modelled as golfclubs, complete with handle and clubface. The hallmarks are clear and present on each stick. Turner and Simpson used this particular makers mark between 1929 and 1979.
Plain marrowscoop with a long drop, in lovely condition and with very clear hallmarks. The makers mark is very deeply struck. Schofield, who worked from Temple Bar, was reknowned for his impeccable craftmanship. He worked for the Royal Silversmiths Jeffries, Jones and Gilbert.
Unusual cape shellback tablespoon, this is the only example of a Cape shellback we have seen. Very clear English pseudo hallmarks and makers mark. Twentyman moved to India in 1832, where he continued to trade as a silversmith.
Fine pair of Fiddle pattern Scottish toddy ladles, with engraved initials WG. The makers mark is very clearly RC, possibly Robert Carfrae, who was an Edinburgh unfreeman in the early 1800's (Source Rod Dietert, who wrote Scottish Compendium) - this maker is not recorded in Jacksons. We had originally suggested Robert Clark, this is now proved incorrect as he joined the military and settled in North America circa 1800. Hallmarks very clear.
We have now been informed this mark belongs to Robert Chisholm, who worked alone from 1833-1835, when he formed the very successful partnership of Mackay & Chisholm (source Henry Fothringham, Historian to the Incorporation of Goldsmiths of the city of Edinburgh, website www.incorporationofgoldsmiths.co.uk).
Oval label, pierced Madeira, moulded with scallop shells and scrolling foliage. Very clear hallmarks.
Unusual spring loaded silver patented bookmark with textured pattern, in full working order. Both arms are hallmarked and stamped "Made in England", in addition to full hallmarks on body. Patent number 257529. Suitable for hard cover books. We think this would have made an excellent gift for a returning serviceman. The rectangular piece slides onto the front cover of a hard cover book, the spring arm reserves the page. The bookmark stays in place when closed and when you are reading.
A set of six sterling silver teaspoons, made in 1952 and carrying the coronation hallmark used to celebrate the coronation of Queen Elizabeth II, The spoons are an unusual pattern, with Fiddle pattern style shoulders, notched finial (2 corners cut away), and 4 engraved bands between notches, overall an attractive pattern. The hallmarks are clear on all 6 spoons.
A Fiddle pattern Cape silver table fork, with excellent pseudo hallmarks. The fork is a good weight, and the tines are long, this is a good quality fork. The pseudo marks include duty mark, leopards head town mark, date letter a and date letter J, Welz mark 122, but struck in a different order.
Delightful fox paperweight, suitable for holding a business card as well. Appears too large to be a place marker. Base is weighted.
A Scottish provincial toddy ladle in the Old English pattern, with circular bowl and a long, elegant, curving handle. The ladle is engraved with script initials AP, which are contemporary. The hallmarks include makers mark DM struck twice, either side of the Dundee town mark, a "Pot of Lilies". The pot of lilies is the arms of the burgh of Dundee (Jackson pg 598), the pot has 2 handles, clearly visible here. The hallmarks are clear, with slight wear to the lilies at the top of the mark. David Manson worked between 1809 and 1818, his work is quite rare.
A set of 6 Art Deco sterling silver coffee spoons, well preserved in original half moon box. The spoons have horseshoe shape bowls, and classic Art Deco finials, the 4 tower shape. All 6 spoons have clear hallmarks. The box is also lovely, half oval fan shape. Both box and spoons are small and dainty, smaller than most spoon boxes.
A lovely set of Art Deco silver grapefruit spoons, with unusual and decorative pierced terminals. The spoons are good quality and a pleasing weight, a pleasure to use on a grapefruit. The piercing is robust, these spoons are very suitable for use. The hallmarks are clear on all 6 spoons. The spoons also have a registration mark, RD 787919, which indicates the design was registered and protected by the patent office. Cooper Brothers worked between 1900 and 1979.
A typical Art Nouveau silver belt buckle, probably a nurses belt buckle. The buckle is an interesting shape, and has an Art Nouveau Female head, with flowing locks and flower in hair. The head is actually a separate piece of silver, also hallmarked, which provides depth to the buckle. The buckle is also engraved with different flowers and leaves.
Typical Scottish silver toddy ladle, in the Fiddle pattern, with engraved initail P. The ladle was made by Andrew Wilkie, a Dundee silversmith, but was assayed in Edinburgh. Silver by Wilkie is found with both Dundee marks (pot of lilies) and with Edinburgh marks, as is the case with other Scottish provincial silversmiths, brought about by the imposition of duty on hallmarked silver. According to Turner (Directory of Scottish provincial silversmiths and their marks), certain makers had a proportion of their silver fully stamped in Edinburgh, to keep their registration as a silversmith valid - and to keep the Revenue service happy that duty was being paid.
Engine turned vinaigrette with beautiful grille. The cartouche is initialled with initial T, the base has bright cut wrigglework with flowerhead. The interior is gilt. Joseph Willmore is described by Eric Delieb (Silver Boxes) as "a superlative silversmith, who worked in the trade for almost half a century".
Beautiful pair of Fiddle pattern Cape salt spoons. Vos died age 27 in 1862, having been a silversmith for 8 years at 127 Long street in Cape Town. Very clear hallmarks showing makers initials, in hexagonal outline, and pseudo English sterling and duty mark.
Stunning pair of very good quality 2 pronged pickle forks of 800 purity, with a beautiful jugendstil design on both the back and the front of the forks, and horseshoe pattern above the prongs. The box is intact, but showing signs of its age. The hallmarks are very clear, depicting the German moon, crown, 800 purity and a double headed eagle, the makers mark for Bruckmann. Bruckmann were the largest silver producer in Germany, and were noted for their Jugendstil designs.
An interesting Roman silver Ligula (or spatula), used for getting cosmetics (or medicinal products) out of long necked jars (balsamaries). The ligula has a rounded shaft with a slight knob on the end, a baluster decoration on the stem (perhaps to improve grip), and a feather or leaf shaped bowl, the 2 sides joined at a 135 degree angle. The bowl also has 3 curved engraved lines, possibly for decoration. The stem is quite rough to the feel (the opposite of smooth and even), it has a number of knocks, small cracks and holes, and discouloured patches, perhaps the result of a long and rough life, but we feel more likely from impurities in the silver when it was made (we welcome opinions, this is certainly not our area of expertise, thanks)
A lovely set of replica lace back trefid coffee spoons, perfectly preserved on original box, they do not appear to have been used. They are decorated in traditional style, both on the front of the stems and back of the bowls. The rat-tail is ribbed, the floral scrolls in relief are elaborate, with the pattern on the front matching the lace back back of bowl. The spoons ends also have the traditional notched pattern. All 6 spoons also have clear hallmarks, with FH makers mark for Francis Howard Ltd, who worked between 1900 and 2012. They are in their original box marked "H Perovetz Ltd, 51 Chancery Lane, London WC 2", Perovetz were leading London silver dealers until 1995. The set is also accompanied with its original explanatory card, "Sterling silver Charles II Trifid Lace Back spoon c1680", with notes on the spoon history, description, and explanation of all the hallmarks.
Pair of bright cut Hester Bateman sugar tongs with very clear hallmarks. Decoration swag and wrigglework with initials JR on bow.
A sterling silver and white enamel Guildhall School of Music & Drama medallion, perfectly preserved in it's original box. The medallion is good quality, a pleasing weight, with music scrolls, mask and City of London crest. The medallion reads "DIPLOMA L.G.S.M.", for Licentiate of the Guildhall of the School of Music. The back is engraved "Albert Edward Honey Teachers' Flute", surrounded by laurel wreath. Albert Honey was born in Devon in 1919, he was principal flute for the Band of Royal Dragoons during the war. He then joined the Scottish National Orchestra from 1951-1954 and BBC Review Orchestra 1954-1964. He then emigrated to South Africa to teach at Rhodes University in Grahamstown, he retired in 1984 after being awarded M.Mus and Ph.D. He palayed in the National Symphony Orchestra after retirement and died in 2001. The hallmarks are clear.
A pair of antique Irish silver sugar tongs in the Fiddle pattern, with engraved initials MMG. The tongs are a good weight and in excellent condition. The hallmarks are very clear, they could not be better. Philip Weekes worked between 1816 and 1848, he was apprenticed to Samuel Neville. The makers mark has a dot between the letters, this mark does not appear in Irish Silver by Bennett.
An antique silver whisky noggin, also called a Chota Peg, complete with antique silver whiskey wine label. The noggin is the traditional conical shape, with cut glass star base, glass handle and silver pouring collar and lid with thumb piece. The hallmarks are clear on both the rim and the lid. The noggin comes with a small kidney shaped wine label with original chain, engraved "Whiskey", also with clear London hallmarks for 1908 and Hukin & Heath makers mark, a respected firm. Whisky noggins were popular in Edwardian times, they contain a 1 gill (30 ml) measure, so a generous double tot, and were made to be taken to bed. They were also popular amongst British expats in India during the Raj period, where they were called "Chota Peg", or little drink, also "go to bed" drink. Joshua and John Maxfield, founded in 1855 in Sheffield, were celebrated at the Jewellers Exhibition of 1913 for "the extent and variety of novelties which they have placed on the market" Culme, Gold & Silversmiths pg 319. They had a showro...
A stylish set of six sterling silver coffee spoons, with an unusual but attractive shell design, we have not encountered this design before. The spoons are perfectly preserved in their original box, the box reads "James Dixon & Sons, Sheffield, Made in England", we assume the retailer. All 6 spoons are clearly hallmarked. Atkin Brothers was a well known firm founded by Henry Atkin in 1851, it survived over 100 years until it was acquired by C.J. Vander in 1958.
A Redhill & District Football League silver, gold and enamel fob medallion for the year 1925. The medallion has a central gold panel with 3 footballers and football, with goals in the background, marked with registration number 401749, so this design was protected. This is surrounded with a blue enamel ring with the writing, and decorative silver scrolls and suspension ring surrounding. The original suspension ring is also hallmarked, this is ideal for wear as a pendant. The hallmarks are very clear. The Redhill and District Football League still exists, is a regional English football league formed in 1897. It comprises teams from Surrey, Kent, Greater London and Sussex. It currently has four divisions, the highest of which, the Premier Division, is situated at the 14th level of the English football league system source Wikipedia). I am sure we can be confident that they no longer award such beautiful medallions!
An interesting Guild of Handicraft silver preserve spoon, hand made by the Harts of Chipping Campden. The spoon has a Celtic inspired finial with interlocking raised flowers on a matt background, which gives a nice contrast. The upper spoon shaft has been shaped with 4 notches on either side, which adds to the design, and also catches the light, similar to bright cutting. The fig shaped bowl is planished (hand hammered) with the individual hammer marks visible of the back of the bowl (the front of the bowl is smooth). The spoon also has a diamond shaped rat-tail, which is raised. The hallmarks are clear, including G of H makers mark.
An interesting British Arts & Crafts medallion, which could be worn as a pendant. The pendant has the Manchester Coat of Arms, complete with sailing ship and globe signifying Manchester's world trade, with bees on the globe signifying the industrial revolution. The supporters include an antelope and lion, and the motto "Concilio et Labore", translated "By Wisdom and Effort". The medallion also has Arts and Crafts symbols, including hammer & anvil, paintboard and brush, and hammer & wheel. The back is engraved "Awarded to Mabel Maynard for Miniature Painting, Manchester April 1901". The hallmarks are clear, and the loop is also hallmarked.
A matching set consisting of a Cape Silver tablefork and dessertfork, in the Old English pattern, with matching contemporary initials DJ, probably the original owner. The initials are engraved on the back of the forks, in Georgian style. Both forks are good quality, with long tines, and are a good weight. The hallmarks on both are excellent, very well struck and clear, consisting of makers mark IC between the shell and ladder devices used by Combrink. It is interesting to note that the devices are not struck in the same order, so their placement by the silversmith was probably random. This is a combination of marks 26 - 28 in Cape Silver by Welz. Combrink was a member of the well regarded Combrink family of Cape silversmiths.
Basting spoon in early Old English Pattern, with an elegant narrow handle. In later Old English Pattern the handles flatten out. Basting spoons, sometimes called Turkey spoons, are ideal for use as large serving spoons. The hallmarks are clear, although the makers mark is partially worn, only the GS is visible.
Scottish Fiddle pattern table forks, appear unused, with tines in excellent condition. Very clear hallmarks.
Spot hammered 3 piece travelling shaving brush, the brush screws into the holder when in use. All 3 pieces are individually hallmarked.
A 9 carat gold and enamel RAF (Royal Air Force) sweetheart brooch, beautifully preserved in its original box. The pin and box are both very good quality, the pin has lovely detail. The pin is stamped ? CT gold, the number is obscured, we assume it is 9 carat. The gold in the RAF lettering has a red colour, which contrasts nicely against the yellow gold wings and red and green enamel. The retailer was "T&J Perry Ltd, Jewellers & Silversmiths, 124 Regent St W".
A mixed set of antique American sterling silver, comprising of an olive spoon and olive fork. The spoon is Towle Empire pattern, patent 1894, with gold wash pierced bowl, this is a beautiful spoon. It was designed by George P Tilton, and has no monogramme. The fork is by Clark & Biddle, made between 1866 and 1870, it has a twisted stem, 3 tines with barbs, and intricate engraving. The fork has engraved owners initial P in fancy script, and is also engraved on the back "Thanksgiving 02", we assume 1902. Both items are clearly hallmarked.
A charming Dutch silver miniature foot stove, also called a foot warmer. The stove is bucket shaped, circular with a swing handle, and has an engraved 6 pointed star on top, with 6 holes on each star point, and a central flower shaped hole. This is surrounded by a zig zag pattern, repeated on the sides (top and bottom), the engraving is done by hand and is a little crude. The aperture on the side (for loading wood or coals) is also shaped in an eight pointed pattern. The base has one hallmark, a makers mark, Z2, for Karel Nicolaas zur Muhlen (mark 22153, in the book Netherlands Responsibility Marks since 1797).Muhlen worked between 1895 and 1905, he moved between Roosendaal, Alkmaar, Arnhem and Hertogenbosch. The handle ring is struck by the Dutch silver dagger, used between 1814 and 1953 on small items. A similar Dutch silver miniature foot stove is depicted in the book "Tall and Small, Antique Dutch Silver Miniatures by Aardewerk, item 40, this one made in 1771 in Amsterdam by Jan Bonket.
An interesting antique silver wine label, marked "Curacao". The label is triangular in shape, with wavy top, and a zig-zag engraved border. 'Curacao" is hand engraved, indicating the label's age, it adds considerable charm to the label. Curacao is a bitter orange flavoured liqueur from the Caribbean island of Curacao, still produced today (Grand Marnier is an example). It was popular in the 19th century, Curacao silver wine labels have been recorded between 1804 and 1892 (Wine Labels, 1730 - 2003, John Salter). The label is unmarked, but we believe it to be Swedish, or possibly French, due to its shape and style. A series of 4 very similar Swedish labels, by Hans Lyberg of Borus (1806 - 1848), is depicted in the book "Wine Labels, 1730-2003, John Salter, pg 370-371, number 1411-1413 ad 1426. Swedish labels were generally unmarked before 1900. 3 Similar French labels, pg 354 (1347-1349) are also shown in the book above, but our preference is Swedish origin (comments welcome, thanks). The Wine label book we des...
A set of 6 silver Art Deco grapefruit spoons, made in Sheffield in 1939, just before the start of the war. The spoons are classic Art Deco, with flared terminals, with shaped 5 sided bowls, with a strong curved tip for digging into a grapefruit. The spoons are a good weight and quality, perfect for everyday use. The hallmarks on a 6 spoons are very clear, the spoons also have a registration mark, RD 835635, which protected the design, and are also stamped "Made in England".
A pair of Cape silver dessert forks in the Fiddle pattern, with contemporary engraved initials "WHG". The initials are engraved on the back of the forks, indicating the fashion to place forks with tines down at that time. The forks are very good quality, a pleasing weight and are in excellent condition. The hallmarks are clear, and include makers mark WM and the "Cape Stub" mark, with 4 pseudo English hallmarks (see our articles section for a description of the Cape Stub).
A Boer War silver belt buckle, with pith helmet above 2 crossed rifles with bayonets attached, surrounded by a wreath with the British national flowers (rose, thistle, shamrock and leek). The engraving is quite attractive. Unfortunately we have not been able to identify the regiment, we have seen nurse's buckles similar to this, but feel the presence of rifles makes a nursing attribution unlikely.
A Scottish provincial Fiddle pattern dessert spoon, made by John Urquhart of Perth. The spoon has script initials L. Whilst the spoon bowl is disappointing, the hallmarks are very well struck and very clear. The Perth town mark (imperial double headed eagle displayed) is taken from the arms of the Burgh (Jackson, pg 613). The hallmarks include makers mark JU, double headed eagle, JU, double headed eagle, S (in an unusual shoreform shaped punch - Poole), having a noticeable indent away from base. These marks are fairly rare, indeed the makers mark and S are not included in Jackson (pg 614). Perth is the former capital of Scotland.
A Fiddle pattern Scottish silver toddy ladle, with a magnificent crest - a unicorn's head erased above a crown, with the motto "Virtute Acquiritur Honos", translated "Honour is acquired by Virtue". This is the motto of the Richardson family. The crown probably indicates the families membership of the peerage. The hallmarks are very clear, including makers mark AW in strangely indented punch. AW has been attributed to Alexander Wotherspoon (British silver makers marks website) but given the similarity of the punch to JW (John Williamson) there is a high probibility of a family relationship (father and son?), so the maker could be A Williamson.
A sterling silver caddy spoon, with the engraved crest of the Royal Mint of Pretoria. The spoon is good quality, a pleasing weight and the crest is very clear. The Royal Mint of Pretoria was opened in 1923 as a branch of the Royal Mint of London. It broke ties with London in 1941, becoming the South African Mint. The Royal Mint of Pretoria branch was one of 6 Royal Mint branches, the others in Canada (Ottawa), Australia (Sydney, Melbourne and Perth) and India (Bombay). The Pretoria Mint produced British gold sovereigns between 1923 and 1932, these carry the SA mint mark. The caddy spoon hallmarks are clear, being 925, silver and RMP makers mark. We assume the spoon was made in 1923 to commemorate the opening of the Mint.
Note: - We now have another example of this Royal Mint Pretoria caddy spoon available, please enquire
A Tiffany sterling silver Olympian pattern sugar tongs, of very good quality, and with no monograms. Olympian pattern depicts various different scenes from Greek mythology, and has been described as the most elaborate and complex of all Tiffany flatware patterns. This scene shows Pan with 4 nymphs or satyrs, with horns and goat leg hindquarters, one nymph with erect phallus (which must be pretty unique on a flatware pattern!), demonstrating Pan's status as fertility God. Ther tongs are hallmarked "M Tiffany & Co Sterling PAT 1878". The M indicates a date between 1875 and 1891.
A lovely silver and enamel fob, depicting a footballer in early 20th century dress. The fob would have been attached to a silver "Albert" or pocketwatch chain. The hallmarks are very clear.
A silver prize fob medallion, of the Surbiton Motor Club (just outside London), awarded for the London to Barnstaple race in 1927. The medallion is beautiful, and features a maiden in flowing dress holding a laurel wreath, and a shield with 3 fish, we assume the crest of the Surbiton motor club. The medallion is well made, the detail is excellent, this would make an attractive necklace pendant. The rear of the medallion has a laurel wreath, and is engraved "London Barnstaple 1927 A.W. Alliston". The hallmarks are clear.
Silver pierced vine leaf sherry label, made by the highly regarded Rawlings and Summers. The hallmarks, which are small but very clear, are on the front of the label. The chain appears original.
A mixed set of 6 Irish sterling silver spoons, 2 large mustard spoons, 2 smaller mustard spoons, and 2 small saltspoons (the last 2 a matching pair). The matching salt spoons are Dublin 1925 by Wakely & Wheeler, the 2 smaller mustard are by William Cummins (1829) and Samuel Neville (1832), the 2 larger mustard spoons are Christopher Cummins (1837) and JS (1867). 1 Spoon has a family crest, 2 have engraved initials and 3 are unengraved. All the hallmarks are clear.
Beautiful set of heavy, elegant grapefruit spoons with classic art deco design. Cased in original box marked "By appointment, Mappin and Webb Ltd, Oxford Street, London". The hallmarks are very clear.
A delightful antique sterling silver hedgehog pillbox, made in Germany circa 1900 by Gebruder Kuhn of Schwabisch Gmund. The hedgehog is realistically modelled, his quills and textured tummy give a lovely feel to the box. This is a quality item, well modelled, and the hinge and clasp work extremely well, no chance of pills falling out. The tail acts as a thumbpiece, the lid is clearly hallmarked on the interior. Gebruder Kuhn was established in 1860, in 1900 they were awarded a silver medal at the Paris World Fair, in 1911 the received the Grand Prix at the World Expo in Turin, by 1918 they had 300 employees. The Unicorn hallmark is from the Schwabisch Gmund coat of arms.
A pair of Georgian Scottish silver Celtic Pointed pattern tablespoons, by Alexander Ziegler, who worked in Edinburgh between 1782 and 1802. These are elegant spoons, and although tablespoons are large enough to be used as serving spoons today. Celtic Pointed (or Pointed Old English) is a style used in Scotland and Ireland, not seen in English silver (Pickford, Silver Flatware, pg 96). The spoons have contemporary engraved initials TB in traditional Scottish style. The hallmarks on both spoons are clear.
A Tiffany silver bleeding bowl, with flat pierced handle, in the traditional style. This bowl is very good quality, as you would expect from Tiffany. Bleeding bowls (known as porringers in the USA) were used extensively in the 17th century, different themes abound as to their use. Today they are often used as wine tasters, which is probably what this bowl was intended for. The base is stamped "Tiffany & Co, Sterling, 383". They are also popular as Christening gifts.
Set of matching spoons in the French Fiddle and Thread pattern, in 800 silver, made in Germany post 1884, all with the same engraved initials (HB). The set includes 6 tablespoons (in original box), 6 teaspoons (in original box) and a soup ladle. The spoons were retailed in Berlin by H Zimmermann, (Juwelier on Orienstr). The 12 spoons were made by Wilkens & Sohne, the ladle by another maker (mark a clearly visible W with 2 people). The ladle has a gilt interior and flat bottom. Note: - these should not be confused with the term "german silver", which is an alloy and not silver as such.
Plain Irish meat skewer with flat blade, and shoulder pattern beneath ring. The hallmarks are very clear, note the lack of a duty mark, as duty was only introduced on Irish silver in 1808. Initials VG. Neville was an extremely well regarded Dublin silversmith, who served as Warden and Master of the Goldsmith's Company. He was elected to the Dublin City Council in 1807.
A Cheshire Regiment 9 ct gold sweetheart brooch, with "Cheshire Regt" in blue enamel under the regimental oak leaves. The pin is stamped "9ct gold", no other hallmarks are present. The pin is still in its original box, marked "Dimmer & Son, 20 Eastgate Row, Chester".
The regiment was raised in 1689, and won the distinction of wearing the oak leaves at Dettingen, for protecting the king during the battle. The regimental motto is "Ever Glorious". They fought numerous engagements in the Anglo Boer War, including the capture of Johannesburg, and also raised 38 battalions during the Great war. In 2007 the regiment was merged into the Mercian regiment.
A Irish Georgian silver tablespoon, in the Old English pattern, with original owners engraved initials PRM. The spoon has a lovely feel, full of character, with quite a large bowl. The hallmarks are bottom marked, and very clear, they could not be better. They include Dublin Hibernia, Crowned Harp, date letter R for 1765 and makers mark C.S in diamond punch, with star above and below, very distinctive. Skinner worked between 1739 and 1765, so this spoon was made right at the end of his career. He was a highly respected silversmith, he was elected Warden in 1751, Master in 1754 and in 1755 was elected to the Dublin City Common Council (Bennett, Collecting Irish Silver, page 153).
An Irish Provincial silver Bright Cut Celtic Point tablespoon, made in Cork and hallmarked in Dublin in 1804. The spoon is quite large, over 23 cm, and has intricate bright cut engraving, the quality is excellent. The spoon has engraved family crest of a Boar's head, this too is beautifully engraved, and very crisp and clear. The hallmarks are clear, Dublin hallmarks for 1804, and JK in script makers mark for Joseph Kinselagh of Cork, he worked between 1802 and 1807, he may have been a descendant of earlier silversmith of same name, 1750-1783, perhaps the makers mark was passed down the family. More research is required on this maker.
An interesting Arts & Crafts copper ladle made by of of South Africa's leading Arts & Crafts silversmiths, the Austrian immigrant Kurt Jobst. The ladle has a long tapered handle, and a circular bowl that is quite flat, the bowl connected to the handle with a rat tail. The bowl (front and back) and the top of the handle are planished (hand hammered leaving a wonderful textured finish), in classic Arts & Crafts fashion, the back of the handle is smooth. The hallmarks are well struck and clear, and include his trademark "unicorn" KJ mark, along with "Jobst". Jobst was born in Austria in 1905, he served his apprenticeship in Hanau, Germany, his influence was the Bauhaus movement. He emigrated with his family in 1936 from Austria to South Africa to escape Hitler, and became one of Johannesburg's leading silversmiths. He was commissioned by the South African Government to make the official wedding present for Queen Elizabeth in 1947 (a silver box with diamond necklace), he also made silver for Ernest Oppenheimer (c...
An Irish Terrier Club sterling silver trophy spoon, which is in excellent condition. The spoon features a well modelled Irish Terrier head, which stands out in relief, on a shield under the banner which reads "The Irish Terrier Club". The spoon handle is pierced and engraved with an Irish shamrock, this is a lovely and unusual design for a spoon. The quality is excellent, the shield is cast silver, it is a pleasing weight. The spoon would have been specially commissioned by the club who wanted to present a more useful trophy than a medal. The club was established in 1911, and still operates today (although I doubt they still have such beautiful silver spoon trophies!), see www.irishterrierassociation.co.uk. The first president was the Marquis of Breadalbane, who was a noted antique silver spoon collector, so perhaps he drove the production of such beautiful trophy spoons. The hallmarks are clear, this spoon was made in Sheffield in 1924 by Martin Hall & Co Ltd, who worked between 1853 and 1962. Robert Martin ...
An antique silver golfing medallion, featuring a golfer in plus four's, his caddy and a lady observer with walking stick, all in traditional attire. The medallion is quite large and heavy, the quality is excellent. The detail is lovely, and includes a church, house, trees and fence in the background. The reverse has a laurel wreath, and is engraved "P.P.BURG GOLF CLUB 1911, won by J.C. TERBLANCHE". P.P.Burg stands for the town PaulPietersburg in northern Kwazulu Natal, South Africa, which was established in 1888. The front of the medallion has the engraver's initials WJD for William James Dingley, the back is fully hallmarked, but the hallmarks are worn (just discernable, including makers mark WJD.
A beautiful matching antique Swedish silver souvenir spoon and fork, with exquisite detail, featuring Stockholms Slott. Both are gilded, and have the Swedish Coat of Arms with red and blue enamel, on an ornate pedestal, with gadrooned stem, and rectangular feature at the base, The spoon bowl features "Stockholms Slott", with fabulous detail, palace, equestrian statue, trees, streetlights and pedestrians. Both are clearly hallmarked, C.G. Hallberg, triple crown national mark, Stockholm town mark and date letters T6 and U6 for 1896 and 1897. The original box, in full working order, reads "H.K.H. Kronprinsens Hof Juvelerare, C.G. Hallberg, Stockholm, Goteborg". Without doubt one of the best quality and nicest souvenir sets we have seen.
A set of 6 matching sterling silver golf teaspoons, with embossed crossed golf clubs and ball at the top of each spoon, with reeded border. The spoons are a good quality and weight. Hallmarks are clear on all 6 teaspoons. Walker and Hall were a large and successful firm, they worked between 1882 and 1960.
A rare Victorian silver Paxton pattern silver sugar tongs, in excellent condition. The tongs have the Paxton pattern on both arms, the pattern has a central flower with trailing foliage and flowers, with a Gothic border, and a very different and unusual foliage pattern on the tong bowls. The tongs have a good gauge, excellent quality, as you would expect from Chawner, the top maker of Victorian silver flatware. The hallmarks are very clear, including makers mark GA for George Adams of Chawner & Co. Ian Pickford, in his book "Silver Flatware", describes the Paxton pattern as "a very rare mid-nineteenth century pattern, named after Joseph Paxton the designer of the Crystal Palace for the Great Exhibition. It is illustrated in the Chawner pattern book, services are very rare, odd pieces may be found, building a service would be extremely difficult" - page 231, where a fork dated 1868, also by Chawner and currently in the V&A museum, is illustrated - see also pg. 219 for Chawner pattern book. Joseph Paxton was al...
A Scottish Provincial silver tablespoon, made in Aberdeen by Peter Ross between 1819 and 1822. The spoon is Fiddle pattern, and has original owners engraved initials AGC. The hallmarks are clear. The hallmarks include makers mark PR between two A hallmarks for Aberdeen. Ross was admitted as an Aberdeen hammerman in 1819, but only lived for 3 more years until 1822 (Aberdeen Silver by Michael Wilson). His legacy is Fiddle pattern flatware, he is not known to have produced other silver items. Note - We have a matching pair of tablespoons S 1891.
An early Cape silver Fiddle pattern dessert spoon, by one of the most highly renowned Cape Silversmiths, Johannes Casparus Lotter (I). The spoon has an engraved family crest of a bird (possibly a dove), this is well engraved. The hallmarks are excellent, and include makers mark .JCL struck twice in between 3 floral devices with 7 petals. This particular combination of marks is not illustrated by Welz in his book Cape Silver and Silversmiths, it is a combination of marks 76 (a distinctive .JCL maker mark), only used by Johannes Casparus Lotter (I), and mark 78, where the 7 petal floral device is used by his son Johannes Casparus Lotter (II). These hallmarks are particularly well struck, so much so that damage to the bottom left corner of the makers mark punch .JCL can clearly be seen. This leads us to believe the punch was well worn, and given this is a Fiddle pattern spoon we can assume this spoon was made towards the end of his career. Given the floral device has only been recorded in work by his son Johanne...
An Exeter silver sifter ladle in the Fiddle pattern, with an engraved family crest featuring a dog or wolf. The sifter is the traditional shape, with beautiful scroll and cross-hatch piercing. The hallmarks are excellent, and include makers mark JAP, Victoria duty mark, lion passant, castle town mark and date letter gothic C for 1839. James Andrew Page worked between 1833 and 1862 in Plymouth, he died in 1898. In 1862 the business became Page, Keen & Page, which survived being destroyed by bombs in 1941, and merged with Bowdens in 1970. Page, Keen & Page produced interesting silver replica spoons complete with early Plymouth hallmarks.
A pair of Cape silver teaspoons in the Fiddle pattern, with excellent hallmarks. The spoons also have a very faint and crudely scratched owners initial S on the back above the hallmarks, barely visible. The individually struck hallmarks include makers mark JT for John Townsend, pseudo duty mark, pseudo date letter a, pseudo leopards head town mark and pseudo date letter J (Welz mark 122, but struck in a different order). John Townsend (1800-1875) was an interesting character, descibed by Heller as one of the top 5 Cape silversmiths. He arrived in the Cape in 1821 on the ship Duke of Marlboro, and was involved in a number of businesses, including a hotel and auctioneering business, in addition to being goldsmith, silversmith, jeweller and watchmaker. He was embroiled in a number of court cases, mostly due to bad debt, in 1849 he stated "insufficient means to support his 10 children". He moved to Okiep in Namaqualand in 1852 as Manager of Spektakel Copper Mine, but was insolvent by 1868. He died in 1875, and is...
A rare Cape silver Kings pattern (with diamond point} dessert spoon, by Fredrik Waldek. The spoon has original engraved initials HMC, and is very good quality and gauge, as is usual for Cape Kings pattern silver, very suitable for use. The hallmarks include makers mark FW with the Cape Stub mark (see article in our articles section) of 4 pseudo English hallmarks struck in a stub (Welz mark 165). Fredrik Waldek was also a chronometer, clock maker and jeweller. Heller (History of Cape Silver) commended Waldek for "excellent workmanship", this spoon is no exception. Only Waldek and Twentyman produced Kings pattern in the Cape.
A beautiful Irish Georgian silver sugar tongs, with bright cut engraving, Irish "Star" and shell style bowl. The tongs also have a well engraved Lions head family crest in one of the cartouches on the side. No initials are engraved on the bow. The tongs are very good quality, as you would expect from Irish Georgian silver. The tongs have 3 hallmarks, crowned harp for Dublin in rectangular punch with cut corners (used 1793-1809), makers mark JD in script in oval punch, and Hibernian duty mark. No date letter is present, as is usual on Georgian silver tongs (Hodges, Georgian Silver Sugar Tongs, pg 198). John Daly worked between 1786 and 1809, from the style of the tongs we place them circa 1795. Irish tongs by Daly are probably rare, as they were not recorded by Hodges in the book described above.
A very interesting commemorative silver serving spoon, celebrating the 100th anniversary of Samuel Crompton who died in 1827. Crompton was an inventor who invented the spinning mule, he is regarded as a pioneer of the British spinning industry, which contributed greatly to the industrial revolution. This is a lovely spoon, very good quality and weight, ideal for serving. The hallmarks are excellent, and are accompanied by a registration mark, Rd 727476, indicating the spoon design was registered at the patent office. The spoon is also stamped "Preston's Ltd". Prestons of Bolton is a jewellery store founded in 1869, it still exists today, and is regarded as the "Diamond Centre of the North". Crompton was born, lived and died in Bolton.
A delightful silver Christening present, consisting of a boxed set containing child's spoon and pusher, decorated with a scene from the "This little piggy" nursery rhyme. The spoon bowl shows a pig complete with straw hat, in a donkey drawn cart, with trees, hills and birds in the background, along with inscription "This little pig went to market". The detail is lovely, as can be seen in the photos. Both handles are decorated with the same flower and scroll pattern. The hallmarks on both are very clear, and include a registration number "Rd No 348578", indicating the design was registered to prevent copying by other firms. Levi & Salaman was established in 1870, and was merged into Barker Brothers in 1921 (Culme, Directory Gold and Silversmiths). They were highly regarded, particularly for good quality souvenir spoons. An interesting story is that one of their spoons saved a soldiers life in WWI when it deflected a bullet, this spoon was viewed by the Queen at the British Industries Fair in 1915 (Culme).
A rare Scottish Provincial pointed end tablespoon, with excellent hallmarks by a scarce maker. The spoon has script initial M (contempory) above the number 8, we assume its position in its original set. The spoon has some overall wear, but is a good weight, still a lovely spoon. Pointed end spoons are uniquely Scottish, the style was never adopted in England.
The hallmarks are well struck and very clear, makers mark S.L struck twice, with the Dundee pot of lilies and date letter m. Similar makers can be seen on lot 190, Woolley & Wallis sale of a private collection of Scottish Provincial Flatware, January 2009.
Basting spoon that was made in Bristol but hallmarked in Exeter. The spoon is a good weight, and has no wear in the bowl. The hallmarks are extremely clear, even including the workman's tallymark. A lovely spoon, ideal for use as a serving spoon. William Woodman of Bristol were one of England's largest flatware producers in their day.
Two Cape silver tablespoons in the Fiddle pattern, with engraved initials HV, attractively engraved by hand in Colonial style. The hallmarks are excellent, makers mark DB struck twice between 3 stars (Welz mark 15). Although from the initials we can see they are a pair, they are slightly different in quality, weight and condition. 1 spoon is beautiful, good quality, weight and condition, the other less so, it is lighter and has had a rougher life.
A Scottish provincial silver toddy ladle, made in Inverness by Donald Fraser, but hallmarked in Edinburgh in 1830. The ladle is Fiddle pattern and is plain. The hallmarks are very clear, including a large makers mark D.F.
A lovely silver belt buckle, decorated with a mother of pearl flower with purple, white and orange colours, which change colour as it catches the light. The buckle is also engraved with leaves and flowers in bright cut fashion. The buckle has Birmingham hallmarks, with makers or retailers mark "FHA Ld" overstriking other marks, including the date letter. FH Adams used this mark between 1908 and 1915, they worked from New John Street. Given the style of decoration and lovely mother of pearl work, it is possible the buckle is continental in origin, and received Birmingham marks after import into Britian.
An attractive pair of French Silver grapefruit spoons, with double shell and foliage pattern. These spoons have extremely rare and strange hallmarks. The first is the Giraffe's head Recense mark (Poincon de recense) for Paris, only used between May and October 1838, a period during which the hallmarking system was being changed. It was applied to verify authenticity of marks for the interim period. In addition, th spoons have the Paris assay office mark (medium, 1819-1838), and one spoon has the Paris silver standard 1 (950 grade), whilst the other has the Paris silver standard 2 (800 grade), which as the spoons are identical in every other respect by the same maker, must be an error by the assay master during a confused period. The spoons also have additional marks alongside the makers mark which we have not identified (see photo).
A lovely Irish silver torque, hand crafted with clearly visible hand hammered marks. This is a neck torque (as opposed to a bangle torque intended for a wrist). Torques are a traditional Celtic design.
Padraig O'Mathuna worked from the lovely town of Cashel in Tipperary. Cashel is the traditional seat of the Kings of Munster.
A rare Cape twisted stem teaspoon, with spearhead handle and typical Cape floral engraving, and clear hallmarks. It is very similar to those made by Jan Byleveld circa 1820, so we can only assume it was made by Vos to match an earlier one made by Byleveld. Vos worked from 127 Long Street for 8 years, before dying at the young age of 27. He was one of the last working Cape silversmiths.
A rare Cape Silver twisted stem konfyt (preserve) fork, with spearhead handle and typical Cape floral engraving. This is similar to the pair (item S 1188), but the engraved flower lacks foliage and the only hallmark present is the makers mark, which is very clear.
Early marrow scoop of good gauge, with good hallmarks - the makers mark and date letter are very clear, the sterling and town mark are slightly squashed but still legible. A lion crest is present, but worn.
A Boer War "sweetheart brooch" in 15 carat gold, so we assume the sweetheart was an officer. The brooch carries the badge of an Infantry Regiment, the 19th (County of London) Battalion, St Pancras. It is engraved "South Africa, 1899 - 1902". The gold has a reddish colour, whcih contrasts well with the red and blue enamel. It is lovely quality, even the clasp and pin are in 15 ct gold. Both the brooch and pin are stamped "15ct", these are the only hallmarks. 15 ct gold was only used in Britian between 1854 and 1932, when the 15 ct and 12 ct standards were replaced by 14 carat.
A Cape Colony National Rifle Association silver shooting trophy, the Inter Colonial Grand Challenge Shield. The shield is mounted on its original wooden stand, with brass hinge, it also has an additional silver plaque on the back that is engraved "The Grand Challenge Shield 1945". The shield has lovely detail, 6 flags divided by Kings crown, above a ribbon that reads "CAPE COLONY NATIONAL RIFLE ASSOCIATION". Below that, the Cape Colony coat of arms with female herald supporters, blowing trumpets. To the right and left Zulu shields and spears above crossed rifles, all above a shooting range scene, with seated adjudicator and spectator with binoculars, surrounded by laurel wreath. The base has a cartouche which reads "INTER COLONIAL GRAND CHALLENGE SHIELD". This shield is also found in white metal and copper, this is a sterling silver version, with a full set of clear hallmarks. It is listed in Laidlaw (Commemorative Medals of South Africa, 1017), it was first produced by Mappin & Webb between 1902 and 1910. Ev...
A set of 6 rat tail trefid coffee spoons, reproductions of a 17th century style, but just a few years short of being antique themselves. The spoons are in excellent condition, they do not appear to have been used. The original box reads "Wilson & Gill, The Goldsmiths, 139 Regent Street, London W", under a crown. Wilson and Gill was established in 1892, it still trades today as Hester Clarke (www.hesterclarke.co.uk), run by the 5th generation descendants. The hallmarks are clear on all 6 spoons, including makers mark TB&S for Thomas Bradbury & Sons, a leading Sheffield manufacturer.
Plain marrowscoop, by specialist spoonmaker Elizabeth Oldfield. This scoop is very dainty, being smaller than later versions. Oldfield was the widow of silversmith Charles Jackson, and had a previous mark as Elizabeth Jackson. She remarried in 1750, when the mark pictured here was registered. The hallmarks are clear, and the original owners initials "WY" are scratched in small letters next to the makers mark.
A Cape silver tablespoon in the Old English pattern, with a very rare Cape silver hallmark. The spoon is good quality and weight, well preserved, and has a colonial V shaped drop. The hallmarks include makers mark WM, and a very rare Cape silver stub mark that is not depicted in Cape Silver by Welz (Welz shows the regular Cape stub mark, used by 5 silversmiths including Moore, with 4 pseudo English marks). This stub mark has the lion passant, a gothic capital A, smiling leopards head and Queen Victoria duty mark, with detailed hair. As can be seen, this is a very different stub from the one usually seen, struck with a different punch (Welz mark 100). This rare stub mark is depicted by Heller (History of Cape Silver) as MM62 (pg 154), the regular Cape stub mark is MM61 (see also our articles section for an article on the Cape stub). The hallmarks are very well struck, this is a perfect example. A third stub mark, including an anchor, is also depicted in Heller (MM63), this same mark is also present in Morrison...
A good associated set of Onslow Tablespoons, of good gauge and with good ends, very pleasing to use. The 3 oldest spoons are original Onslow, and have the owners initials L+D scratch engraved on them. The 3 later spoons were converted in late Victorian times, a common practice (Ian Pickford comments in his excellent Flatware book that most Onslow pattern flatware that exists today is converted). A very faint butt joint can be detected on close examination with a loop, but is so faint it cannot be seen by the naked eye and is not visible in photographs. The hallmarks are all clear, the Adams spoons have an indented duty mark.
An interesting 17th century style silver notched 2 pronged fork, a replica of the earliest known English table fork. The fork has 3 notches at the top of the stem, a rare feature seen occasionally on puritan spoons. The original, made in 1632, is known as the Manners Fork, and is in the V&A museum in London. The original belonged to the Rutland family of Haddon Hall, and has the crest of John Manners, 8th Earl of Rutland. This fork is a good gauge, very pleasing to use, we tested it on cold meats and olives! The hallmarks are excellent, and include makers mark FH for Francis Howard, the firm worked between 1900 and 1986. The fork comes in it's original box, with label "V.K. Chapman, Jeweller & Silversmith, 104 South St, St. Andrews", A real talking point for your dinner table. This fork is identical to S 1568 which we have already sold, made 2 years later.
A Cape silver tablespoon in the Old English pattern, with rare makers mark, which is very well struck. The tablespoon has a long drop, and initials "TA" on the back of the spoon, dating this spoon to the 18th century. The marks include makers mark "IVC" struck twice, either side of a very clear fish hallmark, complete with mouth, eye, fins and scales, this hallmark is very well struck. This is mark 171 in Cape Silver by Welz, who lists it as an unknown makers mark. The fish in Welz is not as clear as this actual hallmark. Welz also depicts the mark as "I:VG", so it must be a different punch - the dots are not present here, but the C could easily be a G. This mark is also depicted by Heller (History of Cape Silver, Vol 1) on page 163, where the fish detail is clearly visible - he attributes this mark to Johann Voigt (?), indicating the attribution had not been proved. Overall an interesting and rare Cape silver mark, extremely clear, this needs further research.
A highly unusual Chinese Export silver tablespoon in the Fiddle pattern, complete with "pseudo English" hallmarks, used by Linchong of Canton, alongside Indian Colonial silver hallmarks, used by R.S. of Calcutta. The hallmarks are clear, and include the pseudo lion passant, crowned leopards head, date letter L and duty mark as used by Linchong of Canton, who made silver in the Georgian style. The Indian Colonial marks include makers mark RS (unidentified) and a tallymark (No. 18, Indian Colonial Silver, Wilkinson), the tallymark is thought to identify the journeyman who completed the piece. One possible scenario is that the spoon was produced in Canton, and imported into Calcutta, India by RS, who was possibly a retailer only. We would be interested in hearing other opinions on this unusual spoon. This very spoon and it's hallmarks is depicted in the book "Indian Colonial Silver" by Wynyard Wilkinson, page 116, where the author noted the lack of connection of the marks, but did not identify the maker Linchong...
A Chinese export silver dessert spoon and fork, in the Fiddle, Thread and Shell pattern. This pair is exceptionally good gauge, this is probably the heaviest dessert spoon and fork we have ever encountered, over 80 grams each, in fact heavier than many tablespoons and forks. They are typical of the good quality, early Chinese export silver that imitated the plain English Georgian silver styles. The hallmarks are clear on both, and include "pseudo English" crowned leopards head, duty mark and lion passant, along with makers mark CC. The lion hallmark punch is quite distinctive, the right hand edge merges with the back leg of the lion. CC is an unidentified silversmith who worked from Canton between 1800 and 1850, generally producing good quality silver.
A rare Philadelphia coin silver teaspoon, in the American Fiddle pattern, made by John Townsend. The spoon has original owners script initials engraved on both sides, ALH on the front and AH on the back. The makers mark J.TOWNSEND in rectangular punch is clearly struck, this is a rare makers mark, not illustrated in the book "Philadelphia Silversmiths and related Artisans to 1861", by Catherine Hollan, which has over 3800 entries. The punch itself is interesting, the letters are not quite properly aligned, with the E lower than the S, so perhaps the punch itself was home made. John Townsend was born in 1789 in Pennsylvania, he was listed as a jeweller, clockmaker and watchmaker, he worked between 1811 and 1860. His son John K Townsend was born in 1809, he practised as a watchmaker and dentist, first in Philadelphia and later in Washington. Philadelphia was the largest silver market in the USA between 1760 and 1820. Our interest in this particular spoon is that Townsend shares a name with Cape Silversmith John...
An interesting set of 6 sterling silver rat tail Hanoverian pattern teaspoons, retailed by Liberty, made to celebrate the coronation of Queen Elizabeth II, with hallmarks from 6 different towns - London, Birmingham, Sheffield, Chester, Glasgow and Edinburgh. The spoons have engraved owners initials J&J. All 6 spoons also have the optional coronation mark used in 1952 and 1953. All of the hallmarks are well struck and excellent, note the different style makers mark for Roberts & Belk used on the London spoon. The spoons are in original box (note condition and water damage from photos), exterior reads "British Hallmarks", interior reads "Liberty, British Hallmarks, London Leopards Head. Birmingham anchor, Sheffield crown, Chester three sheaves with sword, Glasgow Tree, Edinburgh castle", with pictures of the hallmarks. This set would make an excellent gift to a young collector interested in hallmarks.
A set of six Art Deco sterling silver grapefruit spoons, in perfect condition. The spoons have fluted bowls, with strong tips for digging into grapefruit, the bowls are also gilded. The finials are pierced, the design looks like a stylised Fleur-De-Lys, reminds us of a Gothic arch. All 6 spoons have clear hallmarks.
A sterling silver dessert fork in the magnificent Bacchanalian pattern. This is one of the rarest English silver flatware patterns, it was originally produced by Paul Storr. The fork shows Bacchus, the Roman God of wine, riding a lion, whilst a topless Diana looks on, with another figure asleep at her feet. The back of the fork is also beautifully decorated, with a masque over a theatre curtain, and tilted amphora of wine. Bunches of grapes and vine leaves complete the decoration. The fork has original owners engraved initials AMD. The fork is extremely good quality, quite heavy to hold, and the hallmarks are clear. They include makers mark FH for Francis Higgins and London hallmarks for 1846. Bacchanalian pattern is shown in "Silver Flatware" by Pickford (pg. 127), where a dessert service made by Wakely and Wheeler is depicted. The pattern was originally designed by Thomas Stothard, the famous painter and designer, for Rundell, Bridge & Rundell, the Royal silversmiths, in 1812, the first service was used by ...
A rare Victorian silver Cyclists Touring Club certificate holder, in the form of a pendant, with an original enamel membership certificate for 1899. The holder is in the shape of a bicycle wheel, complete with spokes, and is decorated with the badge of the Cyclists Touring Club, three feathered wings surrounding a central cog which says "trademark". The initials CTC in gothic script complete the logo. This logo should be familiar to all, it is still used today on Bicycle playing cards, which have been produced since 1885. The holder, which is silver, is unmarked, the pendant loop however is hallmarked with the English sterling lion passant. The enamel badge has the same logo with the date 1899 on a green background. The rear, which reads "Cyclists' Touring Club Membership Certificate", is signed by secretary Ernest R Shipton. The original member's details are still visible, it reads "No 23689, W.O. Trotter, Oak House, Brandon". Oak House in Brandon, Suffolk still exists at 70 High Street, it is the home of De...
A pair of Fiddle pattern Cape silver teaspoons, with original engraved initials "RHL". The teaspoons are a pleasing weight, and are well made, good quality spoons, well preserved. The spoons have a Colonial feel, the Fiddle is more flattened than English examples. The engraving of the initials is lovely, they also has a Colonial feel. The hallmarks are excellent on both spoons. The include makers mark JJV in an unusual 6 sided punch (Welz mark 161), pseudo sterling lion, and pseudo duty mark (Queen Victoria's head with good detail, and hair bun). Jacobus Vos worked from 127 Long Street, unfortunately he died young, age 27, unmarried, which is a pity as he produced good quality silver.
Two Scottish silver toddy ladles in the Fiddle pattern, both made in Glasgow but by different makers at a different time (not a pair). The earlier one by D. McDonald is slightly longer, and has an engraved initial W. The later one by W. Allan is shorter, and has a less pronounced bowl angle. Both have a very clear and full set of Glasgow hallmarks, the fish, bird and bell being fully visible in the town mark.
A set of Edwardian replica Apostle spoons, with gilded Apostles and gilded fig shaped bowls, in original felt and silk lined box. The spoons are quite large, suitable for use as serving spoons. The practise of reproducing earlier styles of silver was common at the turn of the century. These spoons are very fine quality. The Apostles appear to be:
1. The Master (Saviour) with orb and cross.
2. St Peter with key.
3. St James the Greater with pilgrims staff.
4. St Matthew with purse.
We are not sure of the significance of a boxed set of 4 Apostles, perhaps originally a Christening present. Wakely and Wheeler (originally Lias & Son) were manufacturing silversmiths, who supplied many leading dealers in their day. The hallmarks on all 4 spoons are clear.
A lovely 9 carat gold music prize medallion, decorated with crisp and finely detailed musical instruments, including a harp, violin, trombone, oboe and clarinet, complete with sheets of music. The medallion is engraved "SFCC EISTEDDFOD, 1922, SENr Piano Solo, 1st Prize, Miss M Butt". The engraving has been done by hand. The medallion is attached to a gold link by scrolling foliage. The hallmarks are very clear, including makers mark T&S, 9 ct gold hallmarks, Birmingham town mark and date letter for 1922. The ring also has gold hallmarks.
Plain silver piecrust waiter by Asprey, of exceptional quality, as you would expect from Asprey. The waiter has 3 feet, very clear hallmarks, and is also stamped "Asprey London, J". It is a good weight, and in excellent condition.
Beautiful christening set (boxed spoon and fork) with Hey diddle diddle nursery rhyme, in original box. Exquisite detail, as can be seen from the photographs. Spoon bowl shows detail of complete nursery rhyme. The shafts have a dog, the cow jumping the moon and the cat (who has mysteriously switched from a fiddle to a cello!). Levi and Salaman were well known for their large selection of intricate souvenir spoons. Very clear hallmarks.
A set of 6 Victorian silver trefid teaspoons, with lovely bright cut engraving. The spoons have the traditional trefid shape, with 2 deep notches, and a wide flattened terminal. The spoons are engraved in Victorian style, with scrolls and and leaves, zig zags and hatching, the quality of the engraving is superb, these spoons will sparkle in candlelight. The spoons are in excellent condition, and appear to never have been used, a pity with such lovely spoons. The original box reads " Forsyth & Co, Jewellers, Pietermaritzburg, Natal", the box itself is excellent quality, silk and velvet interior. The hallmarks on a 6 spoons are excellent. Forsyth & Co still exists today, they date back to before 1897, as an advert from 1897 has been found (see photograph). Hilliard & Thomason were manufacturing silversmiths who worked from Spencer Street, Birmingham, between 1847 and 1902. They exhibited at the Great Exhibition on 1851.
Bright cut helmet shaped cream jug with beaded rim and square base, very typical of the period. Clear hallmarks, with evidence hallmarks were applied before the bright cut engraving. Cartouche has initials engraved on it. Very interesting makers name!
An extremely rare Victorian silver Palm pattern butter knife, with initial W. Pickford describes the rarity of Palm pattern in his book "Silver Flatware", pg 148, this is the only Palm pattern butter knife we have seen. The hallmarks are clear, but the makers mark is worn. Palm pattern appears in the Chawner & Co (George Adams) pattern books, who were the most important 19th century silver flatware makers. Please note we also have Palm pattern soup spoons (S1612), made by George Adams in 1876.
A pair of Victorian silver vine leaf wine labels, pierced for Rum and Gin. The labels are single leaf symmetrical, with a textured front, these are die stamped labels. The hallmarks are clear on both labels.
A Darlington Dog Show antique silver jam or marmalade spoon, presented as a trophy in 1912. The spoon is excellent quality, very good weight and feel in the hand, a pleasure to use. The traditional scalloped jam spade bowl has a circular embossed armorial or crest, with bulls head and covered wagons, surrounded by "DARLINGTON DOG SHOW", and the date 1912 engraved beneath. The spoon handle is also lovely, it appears to be a variant of the Windsor pattern (Ian Pickford, Silver Flatware, page 162. The hallmarks are very clear, the spoon also has a registration number meaning the design was protected by Atkin Brothers. The Darlington Dog Show dates back to 1860, when dogs were added to the Darlington Horse and Foal Society, it still exists today, see www.darlingtondogshowsociety.weebly.com. It has championship show status from the Kennel club, is held at Ripon race-track, events attract over 10000 dogs.
A delightful antique silver Christening present, a child's feeding spoon decorated with a scene from J.M. Barrie's Peter Pan, depicting Captain Hook, complete with hook and pistol, running away from the crocodile, with the Jolly Roger pirate ship in the background. The handle, which forms a circle (traditional baby feeding spoon), is also decorated with Peter Pan playing his flute, and 2 scenes with rabbits. The detail is lovely, as can be seen in the photos. The hallmarks are very clear, and include a registration number "Rd No 611912", indicating the design was registered to prevent copying by other firms. Levi & Salaman was established in 1870, and was merged into Barker Brothers in 1921 (Culme, Directory Gold and Silversmiths). They were highly regarded, particularly for good quality souvenir spoons. They made a number of variations of these nursery rhyme spoons, including "this little pig (S 1535) and "hey diddle diddle (S120) featured on our website. They also made a "little miss muffet" version.
An interesting German silver coin dish, with a German 3 Mark silver coin set in the centre of the circular dish. The coin is a special issue by the city of Hamburg, the front has the Hamburg city armorial (3 turreted castle supported by lions, it has lovely detail), and city motto "FREIE UND HANSESTADT HAMBURG", the obverse has German eagle and "DEUTSCHES REICH 1911 DREI MARK". The bowl is also engraved "UBERSEE-KAFFEE, Hamburg", Ubersee Kaffee (translated Overseas Coffee) was a large German coffee business focussed on the export market, we assume this was a corporate gift. Given the size of their building it must have been a substantial business (see photo). The hallmarks are clear, the German silver half moon and crown used after 1888, 835 standard mark, and a script makers mark von Hafen, for Juwelier von Hafen, a Hamburg Jeweller established in 1902, they still exist today, specializing in jewelry with a nautical theme.
A practical and interesting set of Arts & Crafts handmade sterling silver ice tongs, made by Leonore Doskow of New York. The tongs consist of a square silver rod that has been twisted in a circle to create a spring, with two 2 pronged grips, which are curved inwards, with sharp points, very suitable for picking up ice cubes (definitely the most practical ice tongs we have ever used). One arm is hallmarked "LEONORE DOSKOW HANDMADE STERLING", this is well struck and clear. Leonore Doskow (1911-2008) turned a hobby into a career during the Great Depression, a sugar bowl she made was exhibited in the Metropolitan Museum of Art in 1940. Her business grew to employ 75 staff during its peak, mostly producing silver novelties and silver containing monogrammes. She was featured in a Silver Magazine article in 1973.
A Dutch silver Hanoverian pattern tablespoon (or porridge spoon as referred to by the Dutch) made in Utrecht in 1805 by Sebastiaan de Mare. The spoon has the traditional Hanoverian central rib with turn up end, and a wide drop. The spoon has the original owners initials BI engraved on the back of the spoon, dating back to when spoons were placed on the table bowl down (with initials displayed). The spoon has 5 clear hallmarks, including an excellent makers mark of a laying deer for Sebastiaan Gijsbert de Mare, this mark is a lovely makers mark and exceptionally well struck and clear. The spoon also has the Utrecht city coat of arms mark struck twice, indicating first standard ( Grote Keur), or 925 sterling standard. The date letter is slighty obscured, we believe X for 1805 but could also be K for 1793. The final mark is the Dutch Crowned O second assay mark, quite rare as only used between 1807 and 1810, used as a re-examination mark of earlier silver when resold, or for imported articles without payment of ...
A rare Dryad Metal Works Arts & Crafts silver jam spoon, made by Collins & Co, the Art metal workers of Dryad Works, Thornton Lane, Leicester, in 1915. The spoon has a stylized Arts & Crafts tree with 7 leaves on a hand hammered background, and also has a rat-tail, the join of stem and bowl is also quite unusual, but has a lovely shape. The spoon is stamped DRYAD with an interesting font (note capital A), alongside the Birmingham hallmarks for 1915 and makers mark for Collins & Co. Dryad, which is a female wood nymph from Greek mythology, was formed in 1906 by Harry Peach and Benjamin Fletcher (head of Leicester School of Arts), it initially produced cane furniture, but branched out to other Arts & Crafts. Dryad Metal Works was established in 1915 when William Pick (of Collins & Co), and a former pupil, joined Harry Peach in partnership. The Collins and Co. mark was used between 1915 and 1919, although it is unlikely much was produced during the Great War of 1914-1918. We believe this spoon is one of the ear...
An interesting Roman reproduction Scottish silver tea strainer, with a stylised dolphin handle. The bowl is circular, with holes in radiating circles, and has a substantial rim. The handle is lovely, the dolphin tail is cleverly curved, to allow it to loop over a finger whilst the thumb holds the tail in place. The dolphin has a large mouth, 3 fins around the head, and the body is decorated with dots. The strainer is very good quality, and is a pleasure to use. The hallmarks are very clear, makers mark B&S in serrated punch, Scottish thistle, Edinburgh castle and date letter U. An additional hallmark is present, a stylised "S" in a diamond punch. Brook and Son were the leading Scottish silversmiths in the early 20th century, they operated between 1891 and 1939 from 87 George Street (Hamilton and Inches today). This strainer is a reproduction of a Roman spoon that was part of the Traprain Law treasure hoard, which was discovered by George Pringle at Traprain Law, East Lothian, in 1919. The hoard dates from 40...
A pair of Irish Georgian silver tablespoons, with bright cut "Dublin Bow" engraving. The oval shield under the star is engraved with original owners initials CFS and AJS, possibly a husband and wife. This engraving was popular in Ireland between 1790 and 1800, the bright cut glitters in candlelight, the Bow pattern is much rarer than the Dublin Star pattern, the Star, Bow and Prince of Wales Feathers (unique to Limerick) are unique to Irish silver. The spoons have extended drops, and the hallmarks are very clear on both spoons. These include date letter X for 1794, Harp Crowned and Hiburnia in rectangular punch (first introduced in 1794), and makers mark I.D in oval punch for John Dalrymple, who worked between 1789 and 1794 (www.silvermakersmarks.co.uk). John Dalrymple is a rare makers mark, he was not featured in the book "Collecting Irish Silver" by Douglas Bennett, who wrote the definitive guides on Irish silver.
A pair of magnificent Bacchanalian pattern fruit serving spoons. This is one of the rarest English silver flatware patterns, it was originally produced by Paul Storr. The spoons shows Bacchus, the Roman God of wine, riding a lion, whilst a topless Diana looks on, with another figure asleep at her feet. The back of the spoons are also beautifully decorated, with a masque over a theatre curtain, and tilted amphora of wine. Bunches of grapes and vine leaves complete the decoration. The spoons are extremely good quality, quite heavy to hold, sturdy enough to use as a serving spoon, and the hallmarks are clear on both spoons.
Bacchanalian pattern is shown in "Silver Flatware" by Pickford (pg. 127), where an identical dessert service made by Wakely and Wheeler is depicted. The pattern was originally designed by Thomas Stothard, the famous painter and designer, for Rundell, Bridge & Rundell, the Royal silversmiths, in 1812, the first service was used by King George III. The other rare patterns in the same series in...
A South African sterling silver military caddy spoon, with an applied badge of the SAPPERS, the South African Engineers Corps. The badge is a flaming grenade (inherited from the British), the button below reads "South Africa Suid Afrika" , so both English and Afrikaans, the bage is a coppery gold colour, we are not sure of it's composition. The caddy spoon has a rounded bowl, with wide flat handle with a series of indents, this pattern (and others with slight variations) was designed by RMP (Royal Mint Pretoria), which became the SAM (South African Mint) in 1941. The spoon is good quality, and has a pleasing weight. Similar designed caddy spoons, by both RMP AND SAM, can be seen elsewhere on Leopard Antiques (S1362, S1652, and S1762). The spoon is hallmarked "STER SIL", clearly struck, no other hallmarks are present. We have tentatively dated this spoon to the World War II period, when the SA Engineers saw distinguished service in Italy, but it could be earlier (1923-1939).
A pair of lovely steam train sterling silver spoons, depicting the Rovos Rail steam train and wagons of Southern Africa. The spoons have good detail, and show steam train, caol wagon, water wagon and passenger compartment. The passenger wagon has engraved initials RVR for Rovos Rail (see www.rovos.com), the spoons have teaspoon sixed bowls but the handles are longer. The handles are cast silver and pierced. Both spoons are hallmarked with makers mark "C.M" for Cape Mint, and also "SIL" for sterling silver. We assume the spoons were made to commemorate the opening of Rovos Rail in 1986. Rovos Rail is a luxury rail service operating in Southern Africa, the Pride of Africa has been described as the "most luxurious train in the world".
A great quality early Georgian Hanoverian tablespoon, with excellent hallmarks. The spoon has no engraving, a long (almost double) drop, and a long elegant shaped bowl. The spoon is 70 grammes, so quite heavy, quite pleasing to hold. All 4 hallmarks are excellent, which is unusual as the marks are often squashed on these early spoons. They include lion passant and leopards head crowned, both with good detail, date letter d for 1739 and makers mark P.R in script, under shell in oval, in unusual punch shape, (Grimwade mark 2229), described as "domed grooveform" (Poole, Identifying British Silver, page 15). Philip Roker was born in 1693, apprenticed to specialist spoonmaker Joseph Barbutt in 1707, and freed in 1720 (so an unusually long apprenticeship). he worked in Westminster and Greenwich as a largeworker and spoonmaker, until his death in 1757. He used this mark between 1739 and 1743. His father and sons were also silversmiths.
A Tiffany & Co sterling silver pillbox, modelled as a nut or peach pit. The box is cast silver, and has lovely texture, it is a pleasure to hold. The interior reads "Tiffany & Co, 925, Sterling, Italy" Italy is one of the few locations outside of USA that Tiffany has used to manufacture jewellery and silver items.
A lovely and unusual set of 6 silver teaspoons, with an embossed stylised Fleur-de-Lis on the front, and picture back Fleur-de-Lis surrounded by a branch on the back of the bowl. They have a slight "Fiddle" at the base of the stem. The spoons are a good gauge, and a pleasure to use. Given they were made in 1918 at the end of WW1, perhaps they were intended to celebrate France returning to peace. John Yeomans Cowlishaw was highly regarded for his fruit and dessert knives, the firm existed from 1862 to 1950. Cowlishaw unfortunately committed suicide in 1895, the business was carried on by his son. The hallmarks are clear on all 6 spoons.
An interesting set of 4 Scottish silver dessert spoons in the Old English pattern, made by a highly regarded silversmith, Patrick Robertson. The spoons are bottom marked, and are engraved with a floral device. The hallmarks are excellent, including makers mark "PR" for Patrick Robertson, which is well struck. Robertson had a long and distinguished career, he worked between 1751 and 1790. He was born in 1729, and was apprenticed to Edward Lothian in 1743. He was Deacon in 1755 and 1765, and was a member of the Royal Company of Archers. He was related to the architect Robert Adam ("Silver Made in Scotland", Dalgleish and Fothringham).
A pair of Arts & Crafts Danish silver tablespoons, in a modernist Georg Jensen style Martele pattern, with matching cheese knife. The pattern is planished, or hand hammered, (Martele is French for hammer, Gorham uses the Martele brand for its hand hammered range), this creates an uneven surface which reflects the light, so a very pleasing pattern. The pattern also has balls and scrolls. The spoons are hand hammered on the front side of the handle only, but the bowls are planished on both sides. The spoons have original owners initials CC engraved on the back, the knife has no engraving. All 3 items have 2 clear hallmarks, the Danish 3 tower silver guarantee mark for 826/1000 grade, with date letters (the spoons are 1925 and the knife is 1927). They also have assay masters mark CFH for Christian F. Heise, who worked between 1904 and 1932.
An interesting antique military silver trophy spoon, awarded by the NRA (National Rifle Association) of Britain as a shooting trophy. The spoon has a NRA medallion set into it, with a scroll engraved "NRA" above the English Coat of Arms, complete with motto's "Dieu et Mon Droit" and "Honi Soit Qui Mal Y Pense" above an enamelled badge with 2 running antelope. The spoon is substantial and very good quality, with scrolls surrounding the coat of arms, and a leaf pattern on the stem. The back of the spoon is engraved "Emma Thresh Trophy 1921". The Emma Thresh Trophy belongs to the Natal Carbineers, South Africa's senior regiment. The trophy itself is 16 kilograms of silver, and was donated in 1903 by Emma Thresh, as the shooting trophy for Colonial Forces. The spoon also has a registration number, RD444590, which appears twice on the spoon.
A pair of Russian silver and enamel teaspoons, with twisted stems and decorated enamel bowls and stems. These spoons are 88 grade silver as opposed to the commoner 84 grade, and were made in Moskow, as indicated by the delta (triangle) next to the Kokoshnik. The makers mark we believe to be that of Ivan Khlebnikov, an important maker who received the Imperial Warrant, and who specialised in enamel. The hallmarks are small but discernable. (Note: - as we are not experts in Russian silver, we cannot vouch for our identification).
An ancient Greek silver Drachm, set in a 14 carat gold bezel with pendant loop. The Drachm depicts Alexander the Great of the Kingdom of Macedonia, the most successful general of all history. The front shows an idealised portrait of Alexander in the guise of the mythical hero Heracles, clad in a Nemean lion skin headdress. It is in high relief, the detail is lovely. The back depicts the God Zeus, seated with bare chest, he holds a trident and has a bird in the other hand. It also contains a number of symbols and letters that indicate the mint mark for Amphipolis (right angle above torch, and M and star below chair). Amphipolis was an important naval base during the reign of Alexander, it ceased to exist around 400 AD. The pendant ring is stamped 585, indicating the gold is 14 carat. Note - it has been brought to our attention by a coin expert that this is not an original coin, but a later replica, as only Poseidan, not Zeus, should be holding a trident, apologies. We have reduced the price by 50%.
A Scottish provincial antique silver toddy ladle, in the Fiddle pattern, engraved with script initials TIR. The bowl is quite wide (5.0 cm) and oval in shape. The hallmarks are very clear and well struck, makers mark R&S and the A,B and D of Aberdeen struck separately. Middleton Rettie and Sons worked in Aberdeen between 1824 and 1891, they are known for their very fine silver.
A Versace Medusa silver plated sauce ladle, made for Versace by Rosenthal. The ladle is great quality, and has a pleasing feel in the hand. The ladle has the Versace Medusa head on the front, and a bead pattern on the rear. It is engraved "Versace Rosenthal 150". The ladle comes in it's original Versace box, with the Medusa logo and "Rosenthal studio-linie" in gold print. This ladle retails for Euro 345 on the Rosenthal website.
A Swiss 800 silver scalloped silver bowl, with an inserted Canton Bern 5 Batzen coin dated 1810. The bowl is planished (hand hammered in Arts and Crafts style), and has 6 segments. The bowl has a pleasing weight and is good quality, we believe hand-made. The coin reads "DOMINUS PROVIDEBIT", translated "The Lord will provide". The bowl is hallmarked 800 (800 grade silver), and a shaped shield with V and 3 circles for the prestigious Jezler of Schaffhausen, established in 1822 and a leading Swiss silver and jewellery brand today.
A pair of Art Deco silver serving spoons, made by the German firm of Lutz & Weiss in Pforzheim, circa 1930. The spoons have the classic Art Deco pyramid pattern design, repeated on both sides, and an unusual but very practical 4 sided bowl, with rounded edges and a pointed front. The hallmarks include 835S indicating silver of 835 purity, makers mark of intertwined LW in a shield, and a Dutch import mark used since 1906 (V in shaped shield with shaded background), indicating the spoons must have been imported into the Netherlands at some stage. Both sets of hallmarks are clear. Lutz & Weiss Silberwarenfabriek was founded in 1882.
A Chinese Export silver butter knife in the Fiddle pattern, with Stags head crest and original owners initials TMK. The knife is good quality, easily comparable to an English Georgian example. The hallmarks are excellent, and include pseudo duty mark, pseudo crowned leopards head (London town mark pre 1821), pseudo date letter P in incuse rectangle with cut corners, pseudo lion passant and makers mark WE WE WC. This is an imitation of the makers mark for William Eley, William Fearn and William Chawner. The Chinese Export silver collectors guide (4th edition, pg 763-767) says this maker remains unidentified, but was responsible "for an astounding production of silver items, almost all in the European neo-classical style. The work of WE WE WC is par excellence, it can rival the best of English, European and American silversmiths of the Georgian era. There is no such thing as a poor piece of WE WE WC silver. To have the wherewithal to create silver that rivaled the finest European and American silversmiths of th...
A modern reproduction of a very famous silver wine label, the Leopard's Pelt originally made by Paul Storr in 1809. The label, which was made to commemorate the Queen's silver jubilee, has very good detail, and is a faithful reproduction of the original, complete with Leopard's pelt draped over the label, surrounded by vine leaves and bunches of grapes. It is engraved "Brandy", and has clear hallmarks, including the silver jubilee hallmark only used in 1977 to celebrate the 25th anniversary of Queen Elizabeth II. The label is die stamped, and has a silver chain. The original is described as "one of the classics of the period, derived from an element of the Warwick Vase" (Wine Labels 1730-2003, pg 164, pg 160 and 161 for images). Also quoting from the Wine Label, book, "The Lion's pelt detail on the Warwick Vase (marble vase discovered at Hadrian's villa in Tivoli in 1770) led to the famous Paul Storr label of this name" (pg 32, and figure 31). It is interesting that the book adds confusion by referring to bot...
An early Cape silver tablespoon, in the Hanoverian pattern (with turned up end). The pip at the top of the stem is very pronounced, sufficient that the spoon can "hang" from a finger!. This spoon also has a very unusual "fat" drop, also with a pronounced pip, we have not seen this feature before. This probably indicates the spoon was made early on in Schmidt's career. The spoon has makers mark DHS for Daniel Heinrich Schmidt, described by Heller (History of Cape Silver) as the Cape's "Greatest Silversmith". This spoon is extremely good quality, it is pleasing to hold. The second mark is the bunch of grapes used by Schmidt.
Schmidt was originally a soldier and sword cutler from Germany, he arrived in the Cape in 1768 with the VOC (Dutch East India Company). He worked until 1811 (Welz, Cape Silver, pg 139).
An interesting collection of York silver teaspoons, with well struck and interesting York silver hallmarks. The oldest spoon is Old English pattern, the other 5 are Fiddle pattern. The spoons are as follows:
1. Old English, Robert Cattle & James Barber, 1809, Mark 16, Baggott, pg 89 (An Illustrated Guide to York Hallmarks 1776-1858)
2. Barber, Cattle & North, 1828, mark 21 Baggott, pg 89 - half moon journeymans mark, engraved "Kathleen".
3. Barber, Cattle & North, 1831, mark 23 Baggott, pg 90, engraved initials ED in script, contemporary.
4. Barber & North, 1835, mark 24 Baggott pg 90, defect to corner of punch.
5 & 6). Pair, Barber & North, 1844, mark 25 Baggott pg 90, defect to edge of punch.
As can be seen form the photographs, the marks are well struck and quite varied.
Robert Cattle, originally in partnership with George Cattle, John Hampston and John Prince, took James Barber into partnership in 1808. The partnership was dissolved in 1814. Robert Cattle was Lord Mayor in 1840, he died in 1842 (Mu...
A Cape silver Fiddle pattern dessert fork, with contemporary engraved initial M. The fork has excellent hallmarks, makers mark WM and the Cape Stub mark (see our articles section) consisting of 4 English pseudo hallmarks, Lion passant, date letter capital A, Georgian kings head duty mark and leopards head (town mark for London). The fork is very good quality and weight, and is suitable for use. The tines are very long, longer than usual, this fork has probably not been used. What is interesting about this Cape stub mark is that the punch is showing signs of wear, particularly the Leopards head. This lead to a mistake in Morrison (The Silversmiths and Goldsmiths of the Cape of Good Hope, 1936, pg 59), and later Heller (History of Cape Silver), where the hallmark is mistakenly drawn as an anchor (MM63 in Heller, pg 154).
An interesting ornate antique silver belt buckle, with a cast "devils head" complete with horns, moustache, beard and toothy grin, which has been applied on a pierced background, complete with stylised lions heads and scrolling foliage. We imagine the buckle has some significance, perhaps to commemorate a popular opera or play at the time. Devils and demons were often portrayed on silver items in late Victorian times, some examples can be seen on the Acsas website (http://www.ascasonline.org/windowD20.html). Both parts of the buckle are hallmarked, the hallmarks are small but clear. The makers makr is HB cojoined. Hayes Brothers (William and Harry) worked from 73 Great Hampton Street, Birmingham, between 1889 and 1896, they specialised in buckles and small silver objects.
A delightful silver vinaigrette, one of the smaller ones we have seen. The vinaigrette is decorated with an attractive, irregular pattern, and has a vacant cartouche. The grill is plain, with a light yellow gilding, the interior of the box has a lovely reddy gold gilding. The hallmarks are clear, and include Georgian duty mark, makers mark L&Co (Jackson pg 355), sterling lion, anchor town mark for Birmingham, and date letter X for 1821.The grill is also hallmarked with a lion, before the holes were stamped.
The vinaigrette was an essential fashion accessory at the beginning of the 19th century, it contained scented vinegar on a sponge, used "to restore the sickly back to vigorous health" (Helliwell, Collecting small silverware, pg 148). Ledsam and Vale (1818-1826) are highly regarded makers, they were joined by Wheeler in 1826.
A lovely antique silver oar, a rowing prize for the Weymouth Regatta of 1870. Silver oars were popular prizes at regattas during early to mid Victorian times in England. The oar has good detail, including textured blade and locking pin. The oar is engraved "Weymouth Regatta, 1870, H.B. Winter, BOW", and has small but clear and well struck hallmarks. The original box has it's retailer label, Goldsmiths and Silversmiths, Lincoln Inn. Thomas Bartlett worked from St. John street in Clerkenwell, where he specialised in gold pens (Culme, Gold and Silversmiths). The Weymouth Regatta still exists today, although now it is a sailing event, held in Weymouth Bay and Portland harbour, the sailing venue for the 2012 Olympic games. Weymouth has a current rowing club, who row Cornish pilot gigs at sea - these craft were used to take pilots out to oncoming ships in the Atlantic approaches. We imagine this prize was awarded for traditional flat water rowing on a river, probably the river Wey.
Lovely Albert fob chain, of exceptional quality - each and every link in the chain is individually hallmarked with the lion sterling mark. One link has the citymark and datestamp as well. Both bulldog clips at the end of the chains are also hallmarked with the lion and date letter. Albert Cohen and Charles Solomon were highly regarded manufacturing jewellers, based in Holborn Circus, London, who were the sole representatives of the Parisian firm Baudet Freres & Cie in the UK and colonies. The Albert was named after Prince Albert, Consort to Queen Victoria. This particular one is a double, with 2 chain ends, and central attachment for a seal. The bar would fit into a waistcoat buttonhole. Given the length of this Albert, it could be worn as a necklace.
A beautiful scoop in excellent condition, with very clear hallmarks. In addition, this scoop has an interesting bundled snake crest, also in excellent condition. This scoop is also slightly larger and heavier than others we have seen.
Pear shaped baluster caster with spreading base made by the Daniel's, who specialised in casters. Initials ELN are scratch engraved on the base. Both pieces are clearly hallmarked.
A lovely American Arts & Crafts sterling silver caddy spoon, made by respected silversmith Katherine Pratt. The spoon has an unusual but striking curved shovel shaped bowl with a flat terminated bowl edge, most caddy spoons have rounded bowls. The bowl edges are slightly raised, this is a well made spoon. The handle is long and elegant, and very practical for use. The spoon is stamped "STERLING" and "PRATT". These are in different fonts, the Pratt font is quite distinctive and typically Arts & Crafts.
Katherine Pratt (1891-1978) has been described as "America's foremost 20th century woman silversmith" although information on her is sparse and her silver is rarely seen on the market today. She graduated from the Boston Museum School in 1914, and trained under both George Hunt and George Gebelein, both leading Arts and Crafts silversmiths. She worked at the Handicraft Shop, and was recognised by the Boston Society of Arts (Craftsman 1916, Master 1918, and the prestigious Medalist Craftsman in 1931, the only fe...
Plain but pleasing Nathaniel Mills snuffbox, with gilt interior and an attractive crest. The crest, which is slightly worn, has a scalloped cartouche containing a griffin, encased by scrolling palms.
A pair of antique sterling silver handled sewing scissors, with the sterling handles modeled as 2 snakes with their tails wrapped around their bodies, and steel blades protruding from open mouth. The steel blades have an indent, very similar to that seen on grape scissors, so these could be grape scissors. The steel blades have makers mark triple S around cross. The scissors have 2 sets of hallmarks on both handles, the first original makers mark (eagle device and N), we believe these are Hanau, Germany, possibly Neresheimer, founded 1893. The second set are London import marks for 1900, with F import mark, and importer mark SBL for Samuel Boyce Landeck. Landeck of Campden Town was a known importer of foreign silver from 1891, he died in 1907, his son Boaz Moses Landeck continued with the business.
A near pair of silver golf trophies from the Manchester Old Golf Club, both won by the same person. The first was made in Sheffield in 1900 by Fenton Brothers, the second in London in 1901 by Harris & Sons. The trophies are bowls, similar in shape to rosebowls, but smaller. They both have a half fluted design. Both are engraved, the first reads "Manchester Old Golf Club, Atherton Silver Medal, 1900, Edwin Oliver, 98-15-83", the second "Old Manchester Golf Club, Silver Challenge Bowl, 1903, E. Oliver". The hallmarks on both are clear, one makers mark is rubbed but still visible.
Delightful 8 piece miniature Coffee set including coffeepot, with composition handle, milk jug, sugar basin, 2 cups and saucers, and a two handled tray. The interiors are gilt, and each of the 8 pieces is clearly hallmarked (including the coffee pot lid). Saunders and Sheperd were well known for their miniatures.
A lovely porringer in the style of Charles II. Spot hammered, embossed with acanthus leaves and scroll handles with dolphin head. This porringer is very good quality, amongst the best we have seen. George Fox was a member of the well known Fox family of silversmiths, who supplied some of the leading silver retailers of the day. They are particularly well known for their fine copies of earlier styles (as is this piece). Britannia silver is higher grade than sterling silver, being 950/1000, as opposed to sterling's 925/1000.
A Royal Navy Sterling silver matchbook case, designed to hold the cardboard folder containing 2 rows of matches. The case is engine turned, with an applied Royal Naval Crown on the lid, the interior is gilded and has 2 wings for holding the matchbook in place. It is great quality, and has a lovely feel in the hand, with the engine turning giving a pleasing grip. The hallmarks are clear, both on the lid and the base, and the base rim is also engraved "Gieves Ltd London" , for the London retailer. Gieves (now Gieves & Hawkes) is a prestigious Savile Row Tailor, established in 1771, they hold numerous Royal Warrants, including the Queen, Duke of Edinburgh and Prince of Wales. They have long served the British Army, Royal Navy and the Royal family, clients include Lord Nelson, the Duke of Wellington, Churchill and Charlie Chaplin. More recent clients include David Beckham, Bill Clinton and the Braun Formula 1 team (source wikipedia).
A sterling silver tray, engraved "Troon Golf Club", above the club crest and motto "TAM ARTE QUAM MARTE", translated "as much by skill as by strength". The dish is rectangular with octagonal sides, the rim is engine turned with a wavy pattern. The tray is small, we imagine a pin tray, or perhaps to hold golf tees. The crest consists of 5 golf clubs entwined by a snake. The hallmarks are clear. Troon Golf club was established in 1878, and frequently hosts the British Open Championship (8 hosted so far, Hendrik Stenson won the 2016 Open at Troon). The par 3 eighth "Postage Stamp" is one of the most famous of all golf holes. Troon was awarded Royal status in 1978 to celebrate it's centenary, hence the lack of Royal on this dish made in 1933.
A rare Cape silver mustard spoon, in the Fiddle pattern with gilded bowl, and excellent hallmarks. The spoon has original engraved owners initials "J&MB". This is a lovely, well made spoon, and has pleasing proportions. The hallmarks include makers mark JT in damaged punch (Welz mark 123), and 4 pseudo marks (Georgian duty, lion passant, date letter a and tree mark). Heller does record Cape made salt and mustard spoons, and depicts 6 salt spoons in his book "History of Cape Silver" (pg 202, plate 67). Cape mustard spoons appear to be be much rarer than salt spoons, none are photographed in the literature. We now know of 4 known examples, S 1818 (sold) and a pair (S 1971), in addition to this one.
A beautifully modelled solid silver Kudu antelope, with impressive horns, this is very realistic. The kudu is a good size and weight, 2 silver pins on the feet connect it solidly to the wooden base, which has a felt base, this is heavy enough to be a desk paperweight. The kudu is clearly hallmarked, triangle antelope head mark (Zimbabwe), crescent moon makers mark and 865 standard mark, so slightly lower than sterling grade. Realistic animal sculptures by Patrick Mavros of Zimbabwe are held in high esteem, given the quality of the modelling perhaps this silversmith was trained by Mavros. Note - We have now identified the maker as Silver Creations of Harare, Zimbabwe circa 1987, from a similar set accompanied with Certificate of Assay by D Ewing. The owner has also established that Silver Creations has no links with Patrick Mavros. We would like to thank the owner of the set for sharing this information with us.
A Georgian silver wine label, with original engraving for Madeira, by the Phipps family of silversmiths, who have been described as one of the best known London firms producing labels (Wine Labels 1730-2003, page 168). The label is rectangular with fully rounded ends, and has a reeded border (note this is classified as a rectangular label rather than an oval label, which are more eye shaped (Wine labels page 51). The label has 2 holes for the suspensory rings connected to the original chain. The label is also engraved with original owners initials RB on the back just above the hallmarks. The hallmarks are very crisp and clear, they could not be better, the detail of hair on the duty mark and mane on the lion passant are clearly visible. The makers mark is interesting, TP over ER in quatrefoil punch, without pellets. This is an unregistered punch, not recorded in Grimwade (London Goldsmiths 1697-1837), Phipps and Robinson usual registered punch, similar but with clearly defined pellets, Grimwade 2891, used bet...
A British Bulldog Club antique sterling silver trophy spoon, which is in excellent condition. The spoon features a well modelled bulldog head, above legend "THE BRITISH BULLDOG CLUB". The spoon is based on a single struck Kings pattern, but was specially commissioned by the club who wanted to present a more useful trophy than a medal. The club was established in 1892, and still operates today (although I doubt they still have such beautiful silver spoon trophies!). The hallmarks are clear, this spoon was made in Birmingham in 1906 by J A Restall & Co, who worked between 1881 and 1934.
An interesting coin silver American Fiddle pattern tablespoon, made by Samuel Kirk in 1822. The spoon has original owners script initials JMC. The spoon has 4 hallmarks, makers mark S.Kirk in script in rectangular punch for Samuel Kirk, Baltimore Coat of Arms shield mark in clipped corner rectangle (quality mark), date letter F for 1822 and Head of Liberty mark. This dates to a very interesting period in US silver history, Baltimore between 1814 and 1830 was the only place and date where hallmarks were required on silver in the USA. The State Legislature of Maryland passed the Assay Act of 1814, which set the quality standard at 917, the Act was repealed in 1830 due to opposition by the affected silversmiths, including Kirk, who petitioned for its repeal. Thomas Warner was the Baltimore Assayer between 1814 and 1823, so he would have struck these marks. Samuel Kirk began working as a silversmith 1815, he founded the very successful firm of S. Kirk & Sons in 1846, it became the oldest surviving silversmithing ...
A Danish modernist silver strawberry serving spoon, in Georg Jensen style. The spoon is beautiful, and is a good weight and quality. The spoon has a large circular bowl, with a pierced strawberry leaf design, to allow the juices to be drained before serving. The handle is cast, and has 2 well designed strawberries amongst foliage, these are embossed so provide a nice grip for the handle. This spoon is a useful size, suitable for serving other items besides strawberries. The spoon has 4 hallmarks, all of which are well struck and clear. The Danish 3 tower mark and date letter 33 for 1933 indicates purity of 826/1000, the SJ assay master mark (Stadtsguardein) for Johannes Siggaard (worked between 1932 and 1960). The 3rd mark is "Haandarbejde" indicating this item was made by hand, and the 4th mark is the script F surrounded by oval dots, the assay master mark for Frederik Fabritius, who worked between 1787 and 1823. The presence of this older assay masters mark is a mystery, it has also been observed on other D...
A lovely Art Deco Norwegian silver spoon, made to commemorate the unveiling of the Mor Og Barn (Mother and Child) statue in Sandefjord. The spoon has an embossed copy of the statue, a naked mother holding her baby in front of her, standing on a plinth. The rounded bowl has a stunning embossed view of Sandefjord, the detail is exquisite, complete with boats in the harbour, church steeples, houses and trees, with "SANDEFJORD" underneath. The Art Deco look and feel of the spoon is completed with the 8 pillars at the top of the handle. The hallmarks include silver mark 830S (830 grade silver) and makers mark of a goblet in an oval punch for Thorvald Marthinsen of Tonsberg. The original bronze statue is by Norwegian sculptor Arne Durban (1912-1994), who was known for his naturalistic work, his work is featured in over 30 Norwegian towns. It was unveiled on 17 May 1950 (Norwegian Constitution Day), which celebrates Norway becoming an independent kingdom in 1814. This spoon has been described by the website www.spoo...
An Arts and Crafts silver wine label engraved WHISKEY, made by hand by the Guild of Handicraft, the Harts of Chipping Campden. The label is planished (hand hammered), is rectangular with rounded corners, and has an attractive hand engraved border of scrolls and dots. The Whiskey has been engraved by hand as well, the individual hammer strokes visible. The label has 2 eyelets on top, also hand made, and silver chain. The hallmarks are clear, including G of H makers mark.
A very interesting Norwegian silver Liberation spoon, made to commemorate the liberation of Norway from German occupation at the end of the Second World War. The spoon has a stylised well built male in Art Deco style with arms aloft holding a circular shield, with the Norwegian crown on a radiating 4 leaf clover, the figure has broken the chains of oppression which connect with the bowl. The circular bowl is embossed "NORGE 1945, BRUTT BLEV LENKER BAND OG TVANG", translated "Broken were chains, ties and constraints", a line taken from Ibsen's Peer Gynt. The back of the spoon is plain, and the hallmarks are clear - makers mark NM, 830.S (830 grade silver), goblet (makers symbol), letter N and MADE IN NORWAY. This particular spoon was made in two different sizes, this is the larger (and rarer) version, suitable for use as a serving spoon. Thorvald Marthinsen Solvvarefabrikk was based in Tonsberg.
An attractive Russian silver serving fork, made in Warsaw when it was under Russian rule (now Poland).The fork is decorated with flowers, leaves and ribbons, with the same design on the back and the front. The leaves with berries look like mistletoe to us, which is a traditional Christmas decoration, requiring a kiss. The handle is ribbed, the gauge is heavy, this fork is a pleasure to use. The fork has 3 clear hallmarks. The first is the Kokoshnik (Russian head dress) mark used between 1908 and 1926, indicating 84 grade (875 purity). The Kokoshnik has the Greek letter Iota, indicating Warsaw as region of assay. Warsaw was under Russian rule until the end of WW1 in 1918, Russian marks were used until 1920. We can then date this fork between 1908 and 1920, but it is probably pre 1914. The second mark is W.H, the makers mark for Wladyslaw Hempel . The third mark consists of a half moon and 3 stars in an oval punch, which is the workshop symbol for Wladyslaw Hempel. Wladyslaw Hempel co-owned Bracia Hempel (Broth...
A rare arts and crafts silver spoon, possibly a jam spoon, made for the iconic Liberty's department store in London. The spoon is very unusual, with a design and decoration we have not seen before. The spoon is hand made, and has a very heavy gauge, this is a lovely spoon to hold and use. The spoon has a "knob" on the stem, which adds to the attractiveness but which also has a practical use in increasing the grip. The engraved decoration is very simple floral design, the circles have been punched in. The small circles, both on the handle and in the bowl, were used to simulate rivets. The hallmarks are very clear, the L&Co makers mark in diamond punch is clear but slightly worn. The spoon also has it's own unique design number, 2339, perhaps some-one with access to the Liberty archives will be able to do further research. It is also interesting to note that this spoon was made early on during the First World War, before production was diverted to the war effort. Liberty used his shop to showcase the work of le...
A beautiful pair of Salters Company silver spoons, with the Salters Company coat of arms, and motto "Sal Sapit Omnia" (salt savours all) on a banner wrapped around the stem. The gilded bowls have a traditional shell design, these are very attractive spoons. The spoons are very good quality, are a good weight, and are perfectly preserved in their original box. The box also has the Salters Company coat of arms and motto on the lid, this is also a good quality box. The Salters Company is one of the 12 great livery companies of London, ranked 9th in order of precedence. Their origins were in the salt trade of medieval London, now they are a charitable organisation, focusing on chemistry. The Goldsmiths & Silversmiths Company was established in 1880 at 112 Regent Street, they amalgamated with Garrards in 1952. As can be seen from the box, they carried the Royal warrant, "By appointment to H.M. the King". The hallmarks on both spoons are very clear.
A regimental silver match box cover (large size matchbox), with gold crest of the 21st Empress of India Lancers. The box is engraved "Presented by MJ Stapylton Late 21st Hussars", and stands on 4 bun feet. The box is hallmarked, but these are now worn due to over zealous polishing in the mess. The box is also engraved "Asprey London". Major Miles John Stapylton of the Yorkshire Hussars and 21st Lancers was Lord of the Manor of Eston in Myton, York. He was born in 1869 and married in 1900, he had 3 children. The regimental history is interesting. The were designated 21st Hussars in India in 1861, and in 1897 they were re-designated and equipped as 21st Lancers in Cairo. In 1898 they were the only regular cavalry to serve with the army sent to re-conquer Sudan to end Dervish rule. In the now famous Charge at Omdurman, they lost 21 men and won 3 Victoria Crosses. Winston Churchill participatedin this action as a lieutenant. As a result of the charge, they were awarded the title "21st Empress of India Lancers" by...
An interesting antique Dutch silver miniature scale, with 2 circular weighing pans mounted on 4 supports, resting on a table with a drawer with handle. Four weights of different sizes are also present, along with 2 bars, we assume lifters to move the weights. The table is rectangular, on 4 feet with a skirt, and is decorated with S shaped scrolls. The scale is 835 grade silver, typical of continental silver (and slightly lower grade than 925 sterling silver). The scale contains a number of interesting hallmarks, but as they are quite small they are difficult to decipher. The first mark is ZII, which is the Netherlands purity mark for 835 grade silver, (Tardy, International Hallmarks, pg 327). The second mark is Ad81 in a rectangular punch, this is the makers mark for Jacobus van Dam, who worked in Schoonhoven between 1849 and 1888. The 3rd mark is 835 in an oval punch (silver purity mark), the 4th mark is tiny and difficult to read, looks like "42NO". Some additional marks are present, these are indistinct, c...
An attractive and dainty Georgian silver vinaigrette of very small dimensions, definitely made for a lady. It is engraved with a Scottish thistle on the base, and has a plain but decorative grill. The lid has a tiny cartouche surrounded by leaves in an oval design, the engraving is pretty but a bit chunky. The gilded grill has an unusual pierced pattern, done by hand, and the original sponge is still present. The hallmarks are very clear on both the lid and base, the grill is also hallmarked. Poole (Identifying Antique British Silver) identifies Bettridge working between 1817 and 1834, as this box is 1837 those dates must be considered erroneous. Bettridge is known for his fine quality silver boxes.
Attractive set of pierced and engraved fish servers, with a very comfortable feel. Albany pattern handles, which are loaded. The Albany pattern was the only 19th century pattern to join the standard patterns after 1860. It was named after Queen Victoria's youngest son, the Duke of Albany, who died in 1884. Very clear hallmarks.
A Cape silver Fiddle pattern tablespoon, with a set of extremely rare Cape silver hallmarks. The hallmarks include makers mark LT, and pseudo marks that include date letter A, lyre and duty mark. These marks are shown by Welz in his book Cape Silver (mark 144, page 156), they are also shown by David Heller in his book History of Cape Silver (mark MM84, page 156). The makers mark, A and lyre mark are well struck and very clear, the duty mark is worn at the top. The date letter A is quite distinctive, with one arm much thicker than the other.
A Bateman silver Crescent shaped Port wine label, with armorial above engraved "PORT". The label has a double reeded edge, and 2 eyelets for connection to original chain. The label is quite small and dainty, and an elegant shape. The hallmarks are clear (duty mark, sterling lion and date letter t for 1794) but the makers mark is only partially struck on the edge of the label (very clear PB, and only tip of AB underneath visible). The Bateman family of silversmiths were the leading exponents of the crescent shaped wine label (Wine Labels 1730-2003, pg 62).
A delightful Chester silver miniature card box, complete with complete set of "Little Duke" cards. Box and lid are both hallmarked with Chester marks. George Nathan and Ridley Hayes worked between 1897 and 1912, they had premises in Howard Street, Birmingham and also a retail shop at 13 Hatton Gardens, London.
Teapot, sugarbowl, creamer and tray. Teaservice oblong shaped, half fluted. Tray oval with two handles, ball feet and lattice design over wooden base. Gilt interiors. All items Birmingham except sugarbowl which has a Chester hallmark. All items fully hallmarked with clear hallmarks, even the teapot lid!
A Cape silver konfyt fork in the Old English pattern, with 3 tines. The fork has engraved original owners initials MMR, quite quaintly engraved, possibly by an amateur. The makers mark is very well struck and very clear, makers initials ICL between 2 floral devices with 7 petals (Welz mark 78, page 150). Lotter worked at the Cape between 1811 and his death in 1823, he shared a name with his father Johannes Casparus Lotter, who was also a silversmith (12 members of the Lotter family practised as silversmiths).
A rare pair of American Coin silver Fiddle pattern sugar tongs, made by John Ewan of Charleston, South Carolina, circa 1830. The tongs are plain, with no engraving, and have traditionally shaped rounded bowls. The tongs have very clear hallmarks on both arms, makers mark "J Ewan" in serrated rectangle, and pseudo English crowned leopards head and lion passant (both very quaint!). John Ewan lived between 1786 and 1852, he is believed to have produced silver between 1823 and 1852 (Ensko, American Silversmiths and their Marks, pg 294). Of interest is that these hallmarks are depicted in Wyler (The Book of Old Silver), where he incorrectly describes them as Jamaican (pg 207). Coin silver is the term used to describe silver produced in America from early Colonial times until just after the Civil war, when the Sterling standard was adopted. As the name describes, the source was European silver coins, which were melted down.
A rare pair of Chinese Export silver Fiddle pattern tablespoons, with a good set of pseudo-English hallmarks. The hallmarks include pseudo sterling lion, pseudo crowned leopard's head, makers mark YS and pseudo Georgian duty mark. One spoon has excellent marks, with good detail, the other spoon marks are still good, but have some wear.
Chinese Export silver is "stylistically Anglo-American, of the late Georgian period, of fine workmanship and exceptionally heavy weight" - (Kernan, China Trade Silver - Checklists for Collectors Nov 1965) - these spoons are no exception. The website www.chineseexportsilver.com also notes that "Yatshing silver is always of a high standard".
A boxed set of six sterling silver Hanoverian pattern teapoons, with matching sugar tongs. The spoons all have rat tails, and the tongs have the spoon pattern repeated on the arms. The quality is good, as you would expect from Mappin & Webb. The original box reads "Mappin & Webb Ltd, Regent Street, London W", this would have been an expensive item when new. All 7 items have excellent hallmarks, the 6 spoons are 1919, the tongs 1920. Mappin and Webb was founded in 1859, it still exists today and is one of Britain's most prestigious brands. In addition to Royal Warrants, Mappin and Webb are the Crown Jeweller.
A beautiful French Niello snuffbox with a huntsman in 17th century period dress with his dogs. Gilt interior with inscription - From William Yates to John Rutherford, Sept 16th 1888. The box is fully hallmarked on the lid rim with the Paris standard mark for 1819-1838, the middle guarantee mark, and a makers mark, which appears to be W&W (or M&W or V&W) below a head, above a wagon wheel, set in a diamond (very small so difficult to see).
A pair of Cape silver table forks, quite Colonial in character, with excellent Cape silver hallmarks. The forks are similar to Old English pattern with 4 tines, but have a wide flattened end and semi rounded stem, more continental in character than English. The forks have original engraved initials JR, this too is Colonial in style with bright cut flecks around the initials. The hallmarks on both forks are clear, crude anchor, makers mark IC, anchor, mark 22 in Cape Silver by Welz. One fork has 2 very old (and quite crude)repairs to both external tines, it looks like they were re-attached, now very secure. Despite the repair to one fork, we really like this pair, loads of character. We have dated these forks to early in Combrink's career, prior to the arrival of the English silversmiths in 1820.
Two interesting 19th century Spanish silver tablespoons, both with excellent hallmarks. Both spoons are 930 grade, so slightly higher grade than sterling (925). Both spoons are the same pattern, similar to Old English, but with a Continental flavour. The bowls have pronounced tips, no drops are present and the stems are flattened with an elegant oval stem. Both spoons have contemporary engraved initials, JL and I with lots of flourishes. Both spoons have 3 distinct hallmarks, denoting town, maker and assay master. The Barcelona spoon has town mark BAR under Maltese Cross in a domate punch, this mark was used circa 1825 (courtesy of Spanish silver website www.munozarce.com). The assay masters mark is P.FLORENSA, with P.FLO above RENSA. The makers mark is JA CARRERAS for Jacint Carreras. The Palma spoon has town mark M under palm tree in Loboid punch for Palma de Mallorca, this mark was used on large items in the 19th century (Tardy pg 108). The second mark is assay master A FORTEZA, the third mark is maker J M...
A set of 2 Cape silver Fiddle pattern tablespoons, by a lesser known Cape silversmith whose work does not appear very often. The spoons are a slightly different length (being handmade) and have similar but different hallmarks, so they were probably made at different times. Both have makers mark DC in between two floral or star devices, but both the makers mark and devices have differences, indicating they were struck by different punches. One DC makers mark has separate DC, the other DC appears to be cojoined. The floral or star device was used by a number of Cape silversmiths, including Beets, Hockly, Lotter, Townsend, Twentyman and Vos. The makers mark DC between 2 stars is depicted in Heller's Cape Silver Vol 2 (pg 122), where it is shown as mark NMM15.
Very fine pair of heavy, embossed rectangular salts on raised base by well known maker. The decoration is embossed scroll, shell and floral with gadrooned rims. The crest is a dove with an olive branch in its beak. These salts are heavy even without the glass liners.
A commemorative Irish silver caddy spoon, with the Gleninsheen collar handle and rounded square bowl, made to commemorate Ireland's entry into the E.E.C (European Economic Community). The original Gleninsheen collar is a gorget or neck ornament made from a sheet of pure gold, dating back to approximately 700 BC, it was dicovered by a farmer in 1932 in County Clare near the Gleninsheen wedge tombs, it is now in the National Museum. The collar has also featured on Irish stamps, and has been included in the book "The History of Ireland in 100 Objects" (which we can recommend). The caddy spoon also has the Gleninsheen Collar hallmark, which was only used in 1973. All the hallmarks are are well struck and very clear with no wear. An identical spoon was also part of the John Norie collection (lot 7, Part 1 of John Norie Collection of Caddy Spoons, Woolley & Wallis, April 2004). This spoon also features in the Pearson Silver Collection of post war British silver (www.pearsoncollection.com). Note - This spoon was als...
A rare Exeter silver caddy spoon, made by Henry Samuel Ellis, who was only mentioned in the Exeter records in 1853, silver by him is rare (he died in 1878). The spoon has a vine leaf on the front of the handle, and a gilded fluted shell bowl. This is an unusual design, only used by Ellis in 1853 as far as we know (a few 1853 spoons by Ellis have this design, it is now called the HSE trademark leaf terminal - see www.antiquesilverspoons.co.uk and Bonhams - Knowle lot 121, 19/9/2006). The hallmarks are clear, the HSE makers mark is slightly worn at the top. Henry Samuel Ellis was Mayor of Exeter in 1868, his photograph is courtesy of www.exetermemories.co.uk. Henry Ellis and Son, advertised that their spoons were made with silver from the Combe Martin silver mine Story of the Caddy Spoon, 1775-2015, exhibition catalogue, page 35). Combe Martin is in North Devon, the disused silver mines are now a tourist attraction. Silver from Combe Martin was used for items in the crown jewels, it also financed war expenses o...
A scale replica set of the Tichborne Celebrities, probably the most famous of all English spoon sets, originally made by William Cawdell in 1592 (Kent, London Silver Spoonmakers). The set was produced in 1977 by the Heritage Collection of Bristol, commemorating the Silver Jubilee, in a limited edition of 5000 (this set is no 1814). The sets sold for GBP 250 in 1977, with a royalty paid to the Hampshire County Museum, who bought the original set at Christies in 1975 for GBP 85000. The spoons are sterling silver with gilt finials, and each spoon is hallmarked with 5 marks - makers device, STG (sterling), antelope head (South Africa), date letter D and set number 1814. The spoons are good quality, with very detailed finials, and each is engraved with its name, as per the originals. The set comes in original box, complete with signed certificate with information on each "celebrity", and a booklet describing the set, its maker, and information on Sir Robert Tichborne. The set comprises of the "9 Worthies" of medie...
An early Victorian cast silver caddy spoon, with beautifully detailed vines, leaves and grapes. The spoon has an oval shaped bowl with pointed bowl end, the handle realistically modelled. The back of the bowl is partially covered with vine leaf and grapes. The hallmarks are clear, including date letter for 1844 and makers mark CR/WS for Charles Rawlings and William Summers, a well known business that traded between 1829 and 1897. They are known for very fine snuff boxes, wine labels and small items.
A pair of Scottish Provincial silver toddy ladles, made by James Douglas in Dundee. The ladles are Fiddle pattern, and have a well engraved and attractive crest of a raised fist holding a bundle of arrows. The hallmarks include makers mark JD, and pot of lilies struck 4 times. The 4th pot of lily is at right angles to the other 3. Both ladles have good hallmarks.
The crest is the Brodie family crest, a dexter hand holding 5 arrows.
A lovely Queen Anne Dognose (also called wavy end) spoon in Brittania silver. The Dognose was popular during the Queen Anne period, and the transition between the earlier Trefid and later Hanoverian can clearly be seen. This spoon is engraved "KH" on the back of the spoon, which is correct as spoons were placed bowl down on the table at this time. The spoon has a very pronounced rat-tail, and is quite good quality, this spoon has a nice feel. The hallmarks are quite clear but squashed, as is usual for this period, as the stem was shaped after the hallmarks were struck. The hallmarks include Britannia, lions head erased, and date letter O for 1709. The makers mark is partially worn, but enough is present to positively identify Henry Greene (Grimwade 878, Jackson pg 160), with the R, distinctive shaped shield and pellet below. Greene was apprenticed to Thomas Allen (one of the First Fifteen spoonmakers), and freed in 1700. He was one of the London goldsmiths who signed the petition against "necessitous strange...
A Scottish silver quaich of traditional shape, and medium in size. It is quite plain but very good quality, and a pleasing weight. The base is engraved "Brook & Son, 87 George St, Edinburgh", and the hallmarks, including makers mark B&S, are clear. The quaich is a traditional Scottish drinking vessel, the large sized ones were passed around at ceremonial occasions. They are popular christening presents in Scotland.
Two sterling silver napkin rings, both shooting trophies for the Natal Rifle Association. The first reads "The Emma Thresh Trophy, 1914, 2nd Prize, won by" surrounding the engraved badge of the NRA, reading "Natal Rifle Association, Semper Paratus, 1868", around a mounted rifleman. We assume the award of this trophy was cancelled due the the start of World War I in 1914. The second reads "Murray-Smith Memorial, 1926, 1st Team", alongside an applied cast shield of the Natal Rifle Association, as described above. The hallmarks are clear on both napkin rings, the first has an additional hallmark "6" in a quatrefoil punch, all suggestions welcome as to the meaning of this additional punch. The Emma Thresh Trophy itself belongs to the Natal Carbineers, South Africa's senior regiment. The trophy itself is 16 kilograms of silver, and was donated in 1903 by Emma Thresh, as the shooting trophy for Colonial Forces. Lieutenant-Colonel William Murray-Smith of the Natal Mounted Rifles saw distinguished service in bothe th...
A lovely pair of Early Georgian Hanoverian dessert or Child's spoons, made by the leading Huguenot spoonmaker of his day. The spoons are nicely proportioned, and have a double drop. The spoons are engraved on the back (as is usual for this period) with an interesting original family armorial, an Eagle wearing crown, clutching a quarter circle (sextant?) in its talon. The spoons are bottom marked, as is usual for this period, as a result the hallmarks are slightly squashed but still clearly legible, including makers mark PH under acorn for Paul Hanet. The date letter K is also clear, in unusual square outline (only K and M, 1725 and 1727, are not in Norman Shield, the only anomalies between 1561 and 1739). The lion passant and crowned leopards head town marks are partially visible. Paul Hanet is described by Grimwade (London Goldsmiths, page 532) "from the evidence of the survival of pieces bearing his mark, Hanet was clearly one of the principal Huguenot spoonmakers of his day". Hanet entered his first Lond...
A lovely 9 carat gold and enamel RAF (Royal Air Force) sweetheart brooch, with very good detail. This is very pleasing quality, it would have been an expensive item when first made. The brooch has RAF in red gold under a red enamel crown, above a green enamel laurel wreath, all set in gold, with the feathered yellow gold wings either side. The contrast between the red gold RAF and yellow gold wings is lovely, set off by the red and green enamel. The back is clearly hallmarked "9 CARAT", indicating 9 carat gold. The badge and both clasp connectors are 9 carat gold, the pin itself is a whiter colour so may not be gold.
A rare Georg Jensen sterling silver # 42 pattern fork, this design has been called pea pod. The fork is hand hammered, with hammer marks visible, this is a lovely fork, exceptional quality. The fork has 4 tines, and at 14.5 cm length could be either a Child's fork, or small serving fork (ideal for cold cuts). The design is informally known as pea pod, but officially just called pattern # 42. The design is lovely, with 6 cast peas alongside a series of leaves, it has also incorrectly been described as "flattened magnolia". Georg Jensen himself produced this design in 1918, it is one of the "Numbered Ornamental Pieces" that were made in small quantities so not often found. It is depicted in the book "Georg Jensen A Traditional of Splendid Silver", by Janet Drucker, pages 290 and 291, we highly recommend this book. The hallmarks are clear, 42 (pattern number) above Georg Jensen in dotted oval, above "STERLING DENMARK".
Two Chinese Export silver dessert forks in the Fiddle pattern, which we have grouped together as we believe they are by the same maker, Sunshing. The forks have slightly different sizes, shape and weight, the longer fork is slightly heavier at 46 grammes. The smaller fork has engraved script initials PK, this is worn. The larger fork has a turn up end, the smaller turn down, so 2 very different interpretations of Fiddle pattern , interesting to compare. The larger fork has clear makers mark SS, with distinctive font, for Sunshing, and 3 pseudo marks, duty mark, crowned leopards head (struck upsidedown, and indistinct), and a strange lion passant (without tail), these pseudo marks are different from the ones usually used by Sunshing, the punches are also showing signs of wear. The second fork has 4 pseudo marks but no makers mark, the 4 hallmarks are those usually associated with Sunshing (pseudo lion passant, crowned leopards head, date letter C and Georgian duty mark) - see www.925-1000.com. These marks are...
An interesting silver tablefork in the Fiddle pattern, with four pseudo hallmarks, clearly struck, but a bit of a mystery. The fork is clearly Fiddle pattern, but with a very flat handle, so uncomfortable to hold, and probably Colonial in origin. The hallmarks are well struck, and include pseudo lion passant looking left, pseudo crowned leopards head town mark (could be floral device?), pseudo date letter and pseudo Georgian duty mark. We have tentatively identified it as Chinese Export, given the style of the pseudo marks, but cannot find this combination of marks (or the q) in the referrence books. This fork needs further research, all comments and feedback welcome.
A Unidor sterling silver pendant, in Modernist style, circa 1970. The pendant is circular, the disc has been cut, folded and partly textured, and 17 silver balls of different sizes have been applied. The disc hangs from a long connecting rod, also with 4 balls, the pin has 2 arms similar to a hair-clip. The top of the pin has a connecting loop for a silver chain. The pin is hallmarked "925 UNIDOR", which is small but very clear. Unidor was a German jeweller operating from Pforzheim, the "Goldstadt" or Golden City, renowned for its jewellery industry.
A pair of Georgian Irish silver serving spoons, made by William Ward of Dublin. The spoons are Fiddle pattern, we have described them as serving spoons as they are noticeably larger than tablespoons, very suitable for use as serving spoons. The spoons both have an interesting engraved family crest, a hand above heart, this is well engraved. The hallmarks are clear on both spoons, makers mark W.W (mark 580 in Irish Silver by Douglas Bennett, page 180), date letter I for 1805, and Hibernia and Harp Crowned in rectangular punches with canted corners. Note the absence of a duty mark, which only came into use in 1807 in Ireland. William Ward was a noted spoonmaker, he was freed in 1774 and died in 1822.
A rare antique sterling silver 1/3 gill tot measure, in the traditional shape of a tankard. The tankard is baluster in shape, the handle just large enough for a finger. The tankard rim is raised, we assume the base indicates the measure point. The base has a design number 74642, the London hallmarks on the side are very clear. The tankard measures 42 millilitres, so a generous double tot, this is 1/3 of a gill using the traditional measures. Tot measures such as this are commonly found in brass, copper, pewter and other base metals, occasionally found in silver plate, solid silver versions such as this one are rare. The gill measure dates back to the 14 Century in Great Britain, 1 gill is a quarter of a pint, 1/6 gill was the traditional single shot whisky measure. Horace Woodward & Co operated between 1875 and 1916.
An antique Dutch silver lodereindoosje, made in Amsterdam in 1809. The english translation would be vinaigrette, pomander of scent box. The box is in the form of an armoire (kabinet) in traditional shape, with domed lid and shaped doors, decorated with swags and urns, with drawers in the base. The sides and lid are decorated with traditional Dutch scenes, the lid a man with angel alongside tree and horse, the back with a couple in horse drawn cart, and the sides with women churning butter and carrying milk. The base has original owners engraved initials P.V.I., nicely engraved. The hallmarks on the base are clear, and include date letter b for 1809, Amsterdam town mark of 3 crosses without crown (only used between 1807 and 1812 during Kingdom of Holland period). The 3rd mark is 10, the 10 penningen silver standard mark (833/1000), see "Netherlands Responsibility Marks from 1797" page 37, and the 4th mark is makers mark of a heart under device, this mark is slightly worn. This is the mark of Dirk Goedhart, so ...
A Cape silver konfyt fork in the Old English pattern, with 3 tines. The fork is hallmarked with makers mark OA in oval punch, this is faintly struck but still visible, between two square devices with 4 dots, these are both clearly struck ( Welz mark 2). Ahlers worked as a silversmith between 1810 and his death in 1827. He married the widow of silversmith Jan Brevis, which may have facilitated his entry into the trade. He was the son of Oltman Alders of Germany, his mother was Dorothea of Bengal, who presumably arrived in the Cape as a slave. His silver is quite scarce.
Two Cape silver tablespoons (not a pair), but both in Old English pattern and both by Johannes Combrink. The first has engraved owners initials JM in script, this spoon has excellent hallmarks, makers mark IC and the anchor (Welz mark 25), and a rounded drop. It also has the initials AFDT struck on the back of the stem, we assume another owner. The second has a slightly wider handle, no initials, and very clear makers mark IC (Welz mark 32).
A rare set of 6 Rose pattern Victorian silver teaspoons, by the highly respected firm of Elkington. These are the heaviest and best quality teaspoons we have ever encountered, each teaspoon averages over 44 grammes, no expense was spared when these were made. The pattern is double struck, and has good detail, with trailing roses, and Anthemion heel (Pickford, Silver Flatware, pg 131. The crest area has not been engraved. The hallmarks are clear, it appears the Elkington and Co Ltd makers mark is overstriking another maker, indicating Elkington purchased these from a specialist maker (possibly CJ Vander, who are known to have possessed Rose pattern dies, depicted in Pickfords book, pg 25) and overstruck their mark, a common practise. Pickford describes the pattern as rare, and he notes 2 different types (different heels). Close examination shows that these spoons have a slightly different design from the one depicted in Pickfords Flatware book (pg 131), with more leaves, so different dies must have been made.
A rare and unusual Victorian silver sovereign case, which holds 5 gold sovereigns. The case is circular and is beautifully designed, it opens on a central swivel, into a semi-circle, with slots for 5 sovereigns. The case has a loop, for attachment to a watch chain (Albert), it can also be worn as a pendant. Both sides of the case are decorated with scrolling foliage, and a tulip like flower. This case is good quality, we have not seen this design before. The hallmarks are clear. Edward and Noble Haseler were established in 1883, they had London premises at 94 Hatton Gardens (Culme, Gold & Silversmiths, pg 220).
A very pleasing pair of Scottish Provincial silver sugar tongs, by David Gray of Dumfries. The tongs are plain but have lovely proportions, which are noticeably different from English made tongs. The hallmarks are excellent, unicorn, makers mark DG, and fouled anchor. This combination of marks is unusual and is not recorded by either Jackson (pg 597) or by Turner (Directory of Scottish Provincial Silversmiths). The tongs are engraved with script initials EB, which is original.
An interesting pair of Victorian silver serving spoons, with very ornate cast handles, topped with a harvest maiden, holding wheat sheaves and what appears to be a cauliflower? The bowls have an unusual rectangular shape, and a small rat-tail. The stems are very ornate, twisted tree stems decorated with a lion, dolphins and a harvest God. The well modelled finial is a maiden in flowing dress, holding the produce. The spoons are in their original box, and appear to have never been used. The hallmarks on both spoons are very clear, with makers mark H.W for Lee & Wigfull, who worked between 1895 and 1931. These spoons are suitable for use as serving spoons (bowls 6.3 cm * 5.3 cm.)
A magnificent Hanau silver serving spoon, commemorating the 100 year anniversary of Frederick the Great (Frederick II of Prussia), whose nickname was "Der Alte Fritz" (Old Fritz). The handle of the spoon is a very detailed full length cast figure, with detail on both the back and front. Frederick is standing on a plinth with the dates "1740-1786", the dates he reigned, on top of the Imperial Prussian Eagle and Crown. The spoon bowl (also cast) is heart shaped, with decorative flowers and foliage. The spoon is excellent quality, suitable for display or use.
Frederick, also Prince Elector of the Holy Roman Empire, modernised the Prussian army and won military acclaim, so much so that even Napoleon regarded him as one of the greatest tactical geniuses of his time.
J.D. Schleissner & Sohne were Hanau's "pre-eminant producer of antique style silverware in the latter 19th century (www.925-1000.com), they exhibited at the 1893 Chicago and 1904 St Louis international expositions. The hallmarks are clear, and inclu...
A Scottish provincial antique silver toddy ladle, Fiddle pattern with engraved initial L, and long elegant handle (longer than most toddy ladles). The hallmarks are very clear, AC, C, thistle, pot of lilies, AC. Alexander Cameron added the thistle mark to the Dundee pot of lilies in the early 19th century, after the manner of Edinburgh marks (Jackson, pg 599).
An interesting antique silver milk (or cream) jug, hallmarked in Exeter but possibly made in Devon. It is oblong in shape, with an unusual cast rim with different types of flowers and thistles, and a very fine engraved band of scrolling foliage around the body. The jug has an ornate leaf and rose capped scroll handle, and 4 bun feet. The jug, casting and engraving is very fine quality, the work of a master craftsman. The 5 hallmarks are all clear, including makers mark SL. The base has an engraved number "10", possibly an inventory number. The oblong shape was popular for tea services between 1805 and 1815 in London, we often see a style lag in provincial centres. Simon Levy produced Exeter hallmarked silver between 1818 and 1832. Of Jewish origin, he was buried in the Jewish burial ground in Exeter, just outside the Roman wall. He was the son of Emanuel Levy, also a silversmith. They resided in the parish of St Thomas, Devon.
A silver 2 handled wine bottle coaster, with an attractive applied cut card decoration of a spade shaped leaf. This coaster is solid and well made by Wilson & Gill of Regent Street, London, who were known for their novel and artistic silver (they stocked silver by Christopher Dresser, William Comyns and Hukin & Heath). The coaster is stamped on the base with "Wilson & Gill, London, Rd No 556257". The hallmarks are visible but worn. This could also be used as a bowl.
A delightful associated pair of Madeira wine labels, with Bacchus masks amongst foliage. The labels were made 4 years apart, but obviously cast from the same mould, by the same maker. The hallmarks on both labels are very clear. The order of the hallmarks is the same, but different punches were used as they are different sizes. This design must have been popular for Willmore to have been producing it for at least a 4 year period. Note the slightly different chain fixture (one has an arm with single loop, the other 2 loops but no arm). One chain appears original, the other is a later replacement.
A unique set of 12 Hanoverian teaspoons, six of which are shellbacks, the other six are scrollbacks. These spoons predate the common practise of making and selling flatware in sets, complete sets are extremely rare. As is usual of the period, these spoons only have 2 hallmarks, the sterling and makers mark, which given the small size of the spoons were often poorly struck. The makers mark is present on all spoons but discernable on only 8, with 5 being by Charles Hougham (one set of 3 and another set of 2), and one each by Hester Bateman, Ebernezer Coker and Thomas Devonshire & William Watkins. Nine spoons have contempory initials, and 2 have a later crest.
A lovely cast silver belt buckle, probably a nurses buckle depicting a bird, butterfly, flowers and bullrushes (on each buckle). The quality is exceptional, the design is well modelled with lovely detail. The buckle was designed by Winifred Green (wife of Charles), who was a talented designer (Source Culme, London goldsmiths). Charles established the firm in 1903, so this buckle was one of their earlier pieces. The firm still exists today, and has a showroom in Cross St, Hatton Gardens, London. The hallmark is extremely clear.
Delightful heart shaped vesta case in excellent condition, with engraved initials FVB. The hallmarks are very clear, the lid is also hallmarked. This case has a nice feel in the hand. Vesta cases (called matchsafes in USA) were used to carry wax vesta matches (predate safety matches), they were struck on the serrated edge of the case.
A beautiful set of Queens pattern tableforks, extremely heavy (over 100 grams each!), they are wonderful to hold! Interesting crest of a curved topped escutcheon containing a wagon wheel, topped with a helmet and a heron. Hallmarks very clear.
A set of 3 Cape silver tablespoons by Johannes Combrink, who worked in Cape Town between 1814 and 1853. These spoons are excellent quality and robust, well suited for use. The spoons resemble the Old English pattern, but are Continental in design, with a V shaped drop, strong lip on tip and flattening to the top half of the handles. Given the Continental style of these spoons, which is confined to early Cape flatware, we can assume they were made early in Combrink's career, probably between 1814 (when Combrink started producing silver) and 1820, when the English 1820 settlers arrived in the Cape, bringing with them English styles. Each spoon has a small identification nick on the back at the top of the handle (1-2 mm). The makers mark IC (Welz mark 32) is clearly struck on all 3 spoons.
An Irish Georgian silver punch ladle, quite small in size, identical in form to the larger punch ladles, we are not sure if it is intended for punch or another liquid (bowl very similar in size to Scottish toddy ladles, so perhaps an Irish Whiskey toddy ladle?). The bowl is circular, with a substantial pouring lip, and angled handle, the turned wooden handle is stained black. The wooden handle is securely fastened with silver pin, we believe this to be original, with no repairs. The interior of the bowl has 3 hallmarks, makers mark J.T in rectangular punch, partially struck (due to curved surface) harp crowned for Dublin, and clearly struck duty mark for William IV, the punch with 4 indents, this punch was only used in 1831 and 1832. This particular makers mark is interesting, J.T in rectangular punch, it is not recorded by Bennett in his book "Collecting Irish Silver (highly recommended), it is recorded by Jackson (page 655) preserved on a pewter plate, but listed as unknown. Amongst the most likely candidat...
A pair of Indian Colonial silver salt and pepper castors, cylindrical in shape standing on a raised circular foot, with removable dome shaped lids. Each castor has 3 gadrooned rims, and retain their original engraving "salt" and "pepper". The pepper castor has smaller holes in a different pattern (salt having larger holes for shaking), the pepper also has its original interior gilding. A similar pair is depicted on page 152 of "Indian Colonial Silver" by Wilkinson, who describes their shape and design as being unique to Indian Colonial silver (pg 165). The hallmarks include makers mark TB&Co, 2 pseudo marks (crowned lion passant and lion rampant holding a crown, pg 155 Wilkinson). The lion rampant mark is a reproduction of the crest of the HEIC (Honorable East India Company), which may have indicated official patronage (Wilkinson, pg 155). Twentyman & Beck, who worked between 1822 and 1826 from 4 Tank Square, Calcutta, were also the only Indian Colonial firm to use a crowned lion passant. The 2 castors also h...
A beautiful set of 6 art deco gilded sterling silver and enamel coffee spoons, with seal top finials. The gilding is a deep yellow colour, which provides a lovely contrast to the enamel. The back of the spoon bowls are beautifully decorated with fan shaped guilloche enamel, in 6 different bold colours (green, red, yellow, purple and light and dark blue). Guilloche enamel is a technique where a precise pattern is engraved on the silver base using a rose engine lathe, also called engine turning. The hallmarks on all 6 spoons are clear, including makers mark SLd for William Suckling Ltd, who worked between 1922 and 1955.
A lovely Irish soup ladle in the Fiddle pattern, with an attractive, naive tulip crest. The handle is beautifully curved, so much that the top of the handle is at right angles to the bowl, which makes holding this ladle a pleasure. The bowl, which is quite large, is shaped with high edges which assists pouring the soup out of the ladle. The hallmarks are very clear. Sawyer worked from Fishamble Street from 1797 - 1812, when he died - meaning this ladle was one of his last works.
A sterling silver caddy spoon, with the engraved armorial of the South African Mint (Suid-Afrikaanse Munt). The spoon is substantial, a pleasing weight and good quality. The armorial has the coat of arms of the Union of South Africa (1910-1961), with the symbols of the 4 provinces (Hope with Anchor for the Cape, 2 wildebeests for Natal, orange tree for Orange Free State, and wagon for Transvaal), with motto "Ex Unitate Vires", translated Union is Strength. This is surrounded by 2 wreaths with South African Mint in both English and Afrikaans (the 2 official languages at the time), a building which we think could be the SA Mint building, and strangely a small armorial which appears to be the old Transvaal Republic coat of arms. (explanations welcome!). This spoon is identical in shape and form to the caddy spoon produced by the Pretoria Royal mint between 1923 and 1941, (see examples on our website, S1362 and S 1652), when the Mint became the South African Mint, with the armorial replaced to reflect the change ...
A Jugendstil (Art Nouveau) silver pendant by the famed Murrle Bennett & Co. The pendant is hammered silver, set with a turquoise cabochon, flanked by eight studs and four cut out scrolls. The pendant has the MB&Co makers mark, and 950 standard mark (incuse). Murrle Bennett was founded by Ernst Murrle and JB Bennett, they specialised in high quality but reasonably priced jewellery in the Art Nouveau (Jugendstil) style. They were London based, but production took place in Pforzheim, Germany. They had their own catalog and shop, but also sold through Liberty & Co.
A fabulous pair of Garrard silver napkin rings, of exceptional quality and weight, amongst the heaviest we have encountered, at 85 grammes each (3 ounces each). They are plain, and are engraved with a family armorial and motto "FUGIT", which translates as "It passes". The armorial has 2 parts, the first 3 nags (or horses) heads, with 3 stars and crescent moon, the second a sunflower on barred background (indicating a marriage between 2 families). The napkin rings are perfectly preserved in original box, which reads "By Appointment to HM THE QUEEN, Goldsmiths & Crown Jewellers, Garrard & Co Ltd, 112 Regent Street W1". The hallmarks are very clear on both rings. The arms are those of the family of Borwick impaling Sola, described as "Argent three escarbuncles fesswise sable between three bears' heads erased of the last muzzled or a crescent for difference (Borwick), and Azure a sunflower proper (de Sola)". The armorial commemorates the marriage of The Honourable George Borwick (1922-1994) to Ester Ellerman (nee...
A German silver cigarette case, with an engraved horseshoe and riding crop, with a ruby embedded in the horseshoe. The case is 800 grade silver, and has post 1888 German silver hallmarks (moon and crown, followed by 800). The horseshoe signifies good luck, the ruby passion, and the crop is a riding or hunting crop.
An interesting Needham's Patent mechanical silver calling card case, with a ribbed sliding mechanism to push out a calling card. The case is rectangular, with a hinged lid, the sliding mechanism is easy to control with the thumb. Both the case and lid are clearly hallmarked, the lid is also stamped PATENT. These have also been described as vesta cases for long vestas, the slide being the matchstrike, we think this attribution is incorrect. Henry Williamson worked between 1894 and 1914, so a career cut off by the advent of World War I. Note - we have 2 similar examples of this needhams patent card case.
A private die silver Victorian dessert fork, made by Elkington & Co in 1898. The fork is an excellent gauge, over 60 grammes, a good quality fork. It is double struck with a variant of Kings pattern, but with an ornate scrolling design below the raised family crest. The crest is a griffin holding a branch with leaves in its beak, described as "Griffin's head erased argent holding in the baek a sprig or rose branch proper", this is the Watson family crest. This branch of the Watson family came from Silsden, Yorkshire, descendants of Rowland Watson, Silsden Moor late 16th century. The hallmarks are very clear. Private die flatware was individually commissioned with the family crest die-stamped rather than engraved on a stock pattern (Pickford, Silver Flatware, page 173. Most 19th century private die patterns were supplied through Hunt & Roskell to members of the peerage and other wealthy clients. Pickford describes these as "fascinating, but obviously impossible to build into services". Note - this fork is acco...
An Arts & Crafts silver caddy spoon, with a round bowl, curved fish tail handle, and planished (hand hammered) finish. A very similar caddy spoon is depicted in the book "The Caddy Spoon in the 20th Century", page 15, illustration d, which was made by George Hart of the Guild of Handicraft in 1977 (our spoon lacks the thread decoration). The spoon is clearly hallmarked for London 1963, with makers mark W.H.W. for William Henry Warmington (Harry). Harry Warmington was "an integral member of the Guild of Handicraft workshop for some 50 years, he was one of the best silversmiths to have worked in Campden, he was also a fine engraver. Despite his abilities, he never applied to become a Freeman of the Goldsmith's Company", quote from the book "The Harts of Chipping Campden, pg 31. Harry was recruited by George Hart in 1912 from the local grammar school, he joined the infantry in 1914 on the outbreak of World War I, then the Royal Flying Corps in 1916, he was based at Farnborough at an aircraft repair depot, he rej...
An interesting pair of cast silver acorn spoons, very good quality, with lovely naturalistic detail. The spoons have cast acorn bowls, the bowls are quite deep, the stems are modelled as a textured branch with nodes of baby acorns, the finial is also an acorn between 2 leaves. With the texture these spoons are pleasing to hold, they could be used for condiments, they could also be used as coffee spoons (although they are quite long). The hallmarks on both spoons are very clear, including makers mark G.W in diamond punch for Graham Watling. Watling began his career as a Royal Marine Commando, then moved to teaching Arts & Crafts, before becoming a silversmith around 1970, based in the National Trust village of Lacock in Wiltshire. He died in 1996, his children have continued the business in Lacock (www.watlings.com). Watling is represented by no less than 8 pieces in the Pearson Collection of post war British silver (www.pearsonsilvercollection.com), a testament of his ability. Watling features in the newly pu...
A novelty pincushion of a chick, with original pincushion intact, and generally in very good condition. The chick is realistically modelled with fine detail and is good quality, as is usual for items made by Sampson Mordan. The hallmarks are very clear, including makers mark SM&Co.
A set of 6 Art Nouveau silver buttons, with a typical Art Nouveau style female head with long flowing hair. The detail is good, and the hallmarks are clear on all 6 buttons. The buttons are still in their original fitted case, which is intact and in working order, but scuffed on the outside and faded and worn in the interior.
An exceptionally large Danish serving spoon, the largest we have ever seen. The spoon is Fiddle and Thread pattern, and has an hourglass shape. An attractive stylised design is engraved on the back of the handle. The hallmarks are clear, being the Danish Copenhagen towers with 89 underneath (indicating 1889), the makers mark ROST and the assaymasters mark (SG entwined) for S. Groth, who was in office from 1863-1904. This is a good solid spoon, ideal for regular use, especially if you are feeding an army!
An unusual silver and ivorine crumb scoop (these usually have silver plate blades, this one has a solid silver blade), with an attractive turned ivorine handle. This is both a practical and beautiful object, which would be a talking point at any dinner table. It is very good gauge, very solid, and with very clear hallmarks. The ring covering the join to the handle is also hallmarked silver.
A set of Indian Colonial silver Dessert spoons in the Fiddle pattern, with rare hallmarks from little known Calcutta goldsmiths. 3 spoons are by RS and 3 are by BG (both makers are listed but unidentified by Wilkinson in his book "Indian Colonial Silver"). The hallmarks are clear but a little worn, BG with tally mark 14 (Wilkinson, pg 27) and RS with the Fish tally mark (Wilkinson, pg 116). Tally marks are thought to be the mark of the indigenous workman who finished the piece. The tally mark 14 also appears on silver from Twentyman & Co. This set was probably put together when new in Calcutta circa 1830, as they all have the same initials DI, exhibiting some wear. Given the differential wear to the bowl tips, we can only assume that the 3 by BG are softer, higher grade silver than the 3 by RS.
Rare set of 3 Old English tablespoons made in Carlisle, with Newcastle hallmarks, which are very clear. These spoons all have the same engraved initial B as the 4 tablespoons with the incuse duty mark (item S 1184). John Brown worked between 1822 and 1826, he was an ironmonger and jeweller of English Street, Carlisle, who made a variety of small silverware.
Interesting double lidded snuffbox with trellis and diaper engraving and a crest, by well known silversmiths. Both the box and both lids are clearly hallmarked.
A rare silver and green enamel annular brooch designed by Alexander Ritchie, the famous Iona silversmith. The brooch has a Gaelic inscription "A h-uile latha sona dhuit", translated "May all your days be happy". These brooches are traditional wedding presents to celebrate a marriage. The Alexander Ritchie website (see our links page) shows 2 similar brooches, one in blue and the other in red enamel, both are described as rare, they do not show a green enamel example. Ritchie began to use the Birmingham assay office in 1931, and he had close links to the Birmingham firm of Darby & Sons, who made items for him. After Ritchie's death in 1941, some of his original moulds were used by Darby until the 1950's, this is one of these (see Ritchie website). The hallmarks are small but visible, the pin is also hallmarked.
Set of Russian silver Fiddle pattern tablespoons, with very clear hallmarks on all 6 spoons. These are very good gauge, suitable for everyday use. The makers name is in cyrillic, our best translation is A. Schenker or Shenker. The assaymaster is Nicholai Stradomsky (HC in cyrillic, NS in English), who worked in Moscow and Vilnius (Geoffrey Watts, Russian Silversmiths' Hallmarks, pg 84).
A lovely Dutch silver sugar sifter in the Empire style, made by Pieter Kuijlenburg in Schoonhoven in 1830. The sifter ladle has a wide oval curved bowl, quite deep, with a beaded rim, and intricate piercing of the bowl. The centre is an eight pointed star, with 8 radiating arrows interspersed with patterned dots, surrounded by a cross and semi circle pattern. The curved, elegant handle has a pointed terminal, it is beautifully engraved with a bright cut pattern, including stems with leaves and flowers. The Empire style is a Neo-Classical revival style, that became popular in France, Belgium and the Netherlands after the rise of Napoleon. The hallmarks include makers mark PKB under kappie for Pieter Kuijlenburg, Lion passant 2nd standard (833 purity), Minerva head duty mark, and date letter script V for 1830 (the date letter struck inside the bowl). Kuijlenburg worked in Schoonhoven as a silversmith between 1818 and 1831, he was born in 1791 and died in 1868, he had 6 children including Adrianus who was also a...
An interesting set of 6 Salisbury seal top silver coffee spoons, perfectly preserved in their original box. The spoons have gilded seal tops, flattened stems and fig shaped bowls, with the leopard's head town mark struck in the bowl. These are replicas of seal top spoons circa 1600. The spoons are good quality, we really like these spoons. The set is accompanied by an original pamphlet, depicting 7 seal top spoons, it reads: "The Salisbury Seal Top Spoons, actual copies of the seven spoons dug up in 1906, on Lord Pembroke's Estate, Netherhampton, reproduced as fruit, jam and teaspoons. The originals are now in the British Museum, and are valued at GBP 300-400, circa 1596-1632". Thomas Bradbury and Sons worked between 1736 and 1943, Frederick Bradbury was the author of "History of Old Sheffield Plate" (Culme, Gold and Silversmiths, page 57).
Mordan perfume bottle in fabulous condition, which has probably never left its original box. Attractive chased decoration of scrolling foliage. Initials TL. Original glass stopper in perfect condition. Gilt lid interior and very clear hallmarks.
A set of fabulous quality antique silver teaspoons, in the Fiddle and Thread pattern, made by the leading silversmiths of the Victorian era. The teaspoons are quite large and a very pleasing weight, over 30 grammes each, they have engraved initials AMI. The hallmarks are excellent on all 6 teaspoons.
A lovely pair of rat tail Hanoverian tablespoons, with an armorial engraved on the back of each spoon. The spoons are very pleasing quality and weight, and in excellent condition. They were made in 1766 by John Lampfert, who worked between 1748 and 1769, he was predominantly a spoonmaker (Grimwade, London Goldsmiths, pg 574). The spoons are "out of period", their style is 1710-1730, so were probably made to match an existing set. The hallmarks are bottom marked, and are in excellent condition.The arms are those of the family of Ridge impaling those of the family of Brooke with the husband dexter (right), Ridge and the wife sinister (left), Brooke. We have commissioned a heraldic report (which accompanies these spoons), it identifies George Ridge and Elizabeth Brooke of Portsmouth, who were married in 1735. The Ridge family estate was Kilmeston Manor, Hampshire. Their son Captain William Ridge was Aide-du Camp to Lord Halifax, Lord Lieutenant of Ireland. He also served in America in the 60th Royal American Reg...
A Cape silver konfyt fork in the Fiddle pattern, with 3 tines. The fork has the original owners initials PJS, quite quaintly engraved in Colonial style.The fork has excellent hallmarks, they could not be better. They include makers mark MLS and the leaf device, with the veins clearly visible (Welz mark 117). Smith was a Dane who arrived in the Cape as a VOC employee in 1757 aged 35, he died in 1806. He led an interesting life, he married 4 times, and had 10 children.
A pair of Cape silver Fiddle pattern table forks, with traditional pseudo English hallmarks, which are clear on both forks. 5 hallmarks are present (Welz mark 4 in his Cape silver book, although struck in different order), they include makers mark LB, pseudo lion passant (quite fat with "camel hump"), pseudo Georgian duty mark, pseudo 3 turreted castle town mark (copy of Edinburgh town mark), and date letter a (which is struck upside down). Lodewyk Beck worked between 1847 and 1867 from Shortmarket Street and Greenmarket Square (still a vibrant market today), he was one of 6 Cape silversmiths who used pseudo English hallmark punches.
An interesting set of 6 Fancy back or Picture back sterling silver teaspoons, these are replicas or Georgian silver originals circa 1750 to 1770. Each spoon has a different die stamped bowl decoration, these 6 spoons are replicas of some of the rarest designs. They include:
1. Fleur de Lys, a stylised French lily used in heraldry.
2. Milkmaid in period garb, with yoke and 2 pails.
3. Fox and crop, with fox head above 2 crossed riding crops.
4. Stag, with antlers, running across grass.
5. Birdcage with bird on top under "I LOVE LIBERTY", commemorating the release of John Wilkes from unjust imprisonment.
6. Urn of flowers, with a Georgian garden urn filled with flowers.
All 6 pictures are well struck in perfect condition, with no wear. All 6 spoons are also clearly hallmarked. The set comes with original leaflet entitled "Reproductions of Georgian Sterling Silver Teaspoons", with explanatory notes and explanation of hallmarks.
A Georgian Scottish silver Kings pattern basting spoon, with matching tablespoon. Both spoons are single struck, as is usual with Scottish flatware, and are engraved with initials H in fancy script, on the back of the spoons. These are lovely, substantial spoons, very suitable for use as serving spoons. The basting spoon is by Alexander Wotherspoon (1834), the tablespoon is by unknown maker WS, 1830. Both have excellent hallmarks.
A rare Iona silver scarf ring, in the Celtic Arts and Crafts style. The ring is very good quality, and has a classic Ritchie Viking longship motif, with celtic knotwork side panels, and terminals of wolf like celtic beasts. The ship is copied off an 11th century stone carving in Iona's Abbey museum, and the beasts are similar to those found in the Book of Kells. The hallmarks are very clear, "AR IONA" incuse, along with makers mark ICA (Iona Celtic Arts) and Birmingham hallmarks for 1934. Ritchie registered the ICA makers mark in 1931 in Birmingham. Alex Ritchie's work was inspired by the ancient Celtic and Viking carvings on Iona. He is regarded as one of the most respected and sought after Scottish silver jewellers of the 20th century. (All information courtesy of Alexander Ritchie website, see link on our links page. A similar scarf ring is shown on the website.)
Beautiful, solid, engine turned box with vacant cartouche. Excellent hinge and very snug closure. This box is a very good weight and slightly larger than other snuffboxes. Attractive thumbpiece and gilt interior.
Elegant, plain, oval shaped boat shaped salts with beaded rim, on an oval pedestal. Interiors are gilt. Very clear hallmarks. These are good quality salts by a well regarded maker.
A set of 6 sterling silver grapefruit spoons in the Kings pattern, double struck, in excellent condition, they appear unused. The spoons are very ggood quality and weight, over 30 grammes each, and the hallmarks are excellent on all 6 spoons. Cooper Brothers was established in 1866, they were successful manufacturers, eventually being sold in 1983. The original box has a label that reads "Bracher & Sydenham, Queen Victoria Street, Reading, est 1790", the firm has a long and illustrious history, and still operates today after being acquired by Goldsmiths chain in 1974. They received a Royal warrant from King Edward VII, who visited the shop personally. Note - 5 spoons are 1966, one is 1965, so made over the date letter change.
A fabulous sterling silver letter opener, with an impressive cast silver Leopard's head, the detail is superb. The letter blade has well struck large hallmarks along the front, these form part of the decoration. The quality is excellent, it has a lovely feel in the hand, and when you leave it on your desk you cannot resist picking it up. The animal may not be a leopard, my wife suggested Jaguar, please see the photograph's.
Note - The Delft spoon has been sold, only the Amsterdam spoon is available. Price listed is for Amsterdam spoon only.
Two 18th century Dutch silver Memorial or Figural spoons, very similar in style so we have grouped them together. Both spoons have figures mounted on pedestals, auricular style triangular handles, rudimentary rat tails and deep gilded spoon bowls (deep lemon colour). The first spoon from Amsterdam has a figure holding a long implement with notches (all suggestions welcome), and has a hole under his arm (possibly a missing piece?). The handle or stem is triangular, with zig zag scratches, the 4 hallmarks grouped on back of bowl at left side are clear (as is usual for Amsterdam spoons of this period). The marks include makers mark JS in oval punch (very clear), for Johannes Selling, date letter V (1780), Dutch purity lion for first grade (934) silver, and Amsterdam town mark. The spoon has a later well struck mark struck in the bowl, the axe or hatchet mark, used between 1853 ...
A rat tail Hanoverian pattern tablespoon, with clear hallmarks. The spoon the traditional rat tail used before 1730, the Hanoverian rib on the front of the stem, and original owners engraved initials W*C on the back of the stem, as is usual for 18th century spoons. 3 hallmarks are very clear, the crowned leopards head has excellent detail. The makers mark W.S in oval punch is partially worn, the W slightly worn. William Soame was freed in 1720, he was a largeworked, he died in 1772, after being retired "many years". (Grimwade page 665, mark 3295).
A fabulous Dutch rococo silver teaspoon, made by the master silversmith Johannes Schiotling. The spoon has an asymmetric handle, with scrolls and foliage in C and S shaped curves. The spoon bowl is long and elegant, the drop is also asymmetric foliage. The quality and condition is excellent. The hallmarks include makers mark ISL in rectangular punch for Johannes Schiotling (1730-1799), a Swede from Gothenburg (freed 1753) who settled in Amsterdam in 1762. He specialised in rococo silver, his silver is now in numerous museum collections, including the Rijksmuseum. A portrait of Schiotling and his wife hangs in the Amsterdam museum, see below. The other hallmarks, all clear, include 934 standard mark, Amsterdam town mark and date letter K for 1794. The spoon has additional later hallmarks, Dutch dagger and makers mark AW9 for A Willemse, whoc worked between 1932 and 1941. We are not sure why these later marks are present, perhaps for inspection prior to export, we cannot find any signs of repair. Note - A Lead...
A Royal Navy Gold Officers Sweetheart brooch, with gold pin and clasp in full working order. The cast badge has the Royal Navy fouled anchor under Crown, surrounded by laurel wreath, the badge has good detail. No hallmarks are present, but we are certain the pin is solid gold (we assume 9 carat).
A pair of sterling silver serving spoons, with large bowls, ideal for serving decent portions. The spoons have rounded bowls with good depth, the handles are decorated with a bright cut border with small engraved flowers. The spoons are a pleasing weight, and have been perfectly preserved in their original box. The hallmarks on both spoons are excellent. The box is also in good condition, marked "Depree & Young Ltd, Silversmiths, Exeter", just missing lid closure clasp. Depree & Young traded from High Street, Exeter, from Victorian times (originally Depree, Raeburn and Young until 1908), they were Gold & Silversmiths, Watchmakers & Jewellers.
A Scottish Provincial toddy ladle, made by David Manson in Dundee. The toddy ladle is in the Fiddle pattern, and has original owners engraved initials RG. The ladle has 4 hallmarks, a partially struck D makers mark for Manson, and 3 well struck and clear "pot of lilies", from the Dundee coat of arms. Manson worked between 1809 and 1830, his work is quite scarce.
A rare Cape silver sauce ladle, in the Old English pattern, made by Johannes Combrink circa 1820. The ladle has a long drop, which given the date shows it's Colonial nature, and has nice proportions. It is engraved with an attractive family crest, a bent raised arm holding a dagger, this is very crisply engraved. The ladle has 2 makers marks, both clearly struck, (Welz mark 31). Johannes Combrink was born in the Cape in 1781, he married Aurelia Lotter in 1807 and died in 1853. He worked from Dorp Street.
A set of 2 Cape silver dessert forks in the Kings pattern, one by Lawrence Twentyman and the other by Fredrik Waldek. These forks match S 1864 and S 1865, we have put these 2 together to show an unusual variance in length. Whilst both are Cape Kings pattern dessert forks, they have a 1.2 cm difference in length (the shorter fork is also lighter, 54 vs 62 grammes). The difference is the stem only, the decoration top and bottom is identical, as are the length of tines. It is believed that Twentyman imported dies for Kings pattern to the Cape circa 1830 and that Waldek took over the dies in 1836, but we cannot explain the difference in length, all suggestions welcome. We have carefully studied the forks, there is no evidence they have been lengthened or shortened. The forks are double struck (pattern on both sides), and have the diamond heel, as is usual with Cape silver Kings pattern. Cape silver in Kings pattern is quite rare, it was only produced by these 2 silversmiths, Twentyman and Waldek, who took over T...
A pair of Cape silver dessert forks in the Kings pattern, by Lawrence Twentyman. The forks are very good quality and gauge, a pleasure to hold. The forks are double struck (pattern on both sides), and have the diamond heel, as is usual with Cape silver Kings pattern. Cape silver in Kings pattern is quite rare, it was only produced by 2 silversmiths, Twentyman and Waldek, who took over Twentymans business. The hallmarks are very clear on both forks, and include pseudo lion passant, Georgian duty, date letter a and crowned leopard's head, along with makers mark LT. The forks have no monograms or engraving, and none has been removed.
A pair of Cape silver dessert forks in the Kings pattern, by Fredrik Waldek. The forks are very good quality and gauge, but a little shorter than usual. The forks are double struck (pattern on both sides), and have the diamond heel, as is usual with Cape silver Kings pattern. Cape silver in Kings pattern is quite rare, it was only produced by 2 silversmiths, Twentyman and Waldek, who took over Twentyman's business. The hallmarks are very clear on both forks, and include pseudo Georgian duty, date letter a and crowned leopard's head, along with makers mark FW, which is slightly worn. The forks have no monograms or engraving, and none has been removed. Waldek had a long career as a Cape silversmith, chronometer, clockmaker and jeweller, he worked between 1830 and 1877. He took over Twentyman's shop and partnership on Heerengracht in 1836. The forks have shorter stems than other examples, see S 1866 for a comparative example.
A Cape silver konfyt fork in the Fiddle pattern, with 3 tines. The tines are different from most konfyt forks, these are quite fat, widely spaced and short (3.3. cm). The fork has original owners initials TFM, the engraving in an unusual script, quite pleasing overall. The fork has makers mark I.B in oval punch, with the I and B co-joined. This is depicted in the book "Cape Silver and Silversmiths" by Stephan Welz as mark 20, page 146, for Johan Anton Bunning, a German soldier who arrived in the Cape in 1758 and died in 1793. He mark is confirmed as he made silver for the Dutch Reformed Church, whose records confirm him as maker, but the Fiddle pattern style of the fork is problematic, as it was only introduced circa 1800, so it is unlikely he made this fork. A number of alternatives exist, it could have been made by a son (Cape silversmiths regularly carried on using punches created by fathers). More likely is that this is the mark of another Cape silversmith, whose mark has not yet been attributed. IB or JB...
A rare pair of Cape Silver lemoen lepels (orange spoons), with an interesting provenance, they featured in the book Cape Silver and Silversmiths by Stephan Welz, pg 93. The spoons are the traditional lemoen lepel shape, with narrow, pointed boat shaped bowl, and triangular terminal, and Cape prick engraving. The spoons have a very elegant shape, the bowls deep and curved, the drop is distinctly v shaped, they have a lovely feel in the hand. Both spoons are clearly hallmarked with makers mark IL in rectangular punch for Jan Lotter, and also are punched with initials HB, we assume the original owner. Welz describes orange spoons as"probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). Jan Lotter, who died young after a short career (1813-1817), was part of the Lotter family of Cape silversmiths, he ma...
A Cape silver konfyt fork, in the Old English pattern with feather edge decoration and 3 tines, dating it around 1790 to 1800. The fork is struck with a makers mark only, i:V:G in an unusual shaped punch, which moulds around the dotted i. This fork matches S 1787, the main difference being longer tines (we believe original, these have not been shortened) and a makers mark that is good but not as clearly struck as the other. Welz describes this maker as unknown, but Heller (History of Cape Silver Vol I, pg 163) lists this maker as Johann Voigt? Both authors depict a different IVG punch from this one, with an additional fish hallmark (see our tablespoon S 1571 by the same maker to see the different punch and fish hallmark). Overall we agree with Welz and are not convinced by the attribution to Voigt, it seems far more likely to belong to a "van G" maker (for example van Graan, a known Cape name). Overall an interesting hallmark that requires further research. Note - a matching konfyt fork by the same maker is a...
An interesting Arts & Crafts silver 2 pronged fork, hallmarked by Harry Warmington of the Guild of Handicraft, run by the Hart's of Chipping Campden. The fork has 2 flat tines, with shaped ends replicating an earlier style, the handle has 2 bumps, similar to Scottish Fiddle pattern of the 18th century. The fork is hand hammered, as you would expect from this studio, with individual hammer marks visible, and is engraved with initial T (also done by hand). The fork has a pleasant feel, and would be very suitable for serving cold meats. Harry Warmington was "an integral member of the Guild of Handicraft workshop for some 50 years, he was one of the best silversmiths to have worked in Campden, he was also a fine engraver. Despite his abilities, he never applied to become a Freeman of the Goldsmith's Company",quote from the book "The Harts of Chipping Campden, pg 31. Harry was recruited by George Hart in 1912 from the local grammar school, he joined the infantry in 1914 on the outbreak of World War I, then the Roy...
A Cape silver konfyt fork by the respected silversmith Johan Hendrik Vos, part of the Vos family of Cape Silversmiths. The fork is quite long and elegant, in the Old English pattern, and has no engraving. It has 3 tines, (later forks have 4 tines), so probably dates to before 1800. The fork also has a wide semi circular drop, also indicative of a date before 1800. The hallmarks are excellent, and consist of a square punch with 4 dots struck twice, either side of makers mark JHV in script in oval punch (Welz mark 152, Cape Silver and Silversmiths). Vos worked between 1766 and 1810, he apprenticed with Johann Hasse between 1761 and 1766. He married in 1770 and had 12 children, his wife Elizabeth continued his business after he died in 1810 by adding the hallmark Wed (Weduwee, or widow) next to his JHV makers mark (Welz mark 154). The Vos Family produced over 10 Cape Silversmiths between 1748 and 1862 (Heller, History of Cape Silver Vol 1, pg 66-71, and page 269 for a family tree). The 4 dot square punch was als...
An interesting silver caddy spoon made to commemorate the Royal Wedding of Prince Charles to Lady Diana in 1981. This is a lovely caddy spoon, quite heavy, excellent quality, and with a very pleasing design. The bowl is circular with stylised Prince of Wales feathers with Royal crown and motto "ICH DIEN". The handle is rectangular with diamond lozenge with the Spencer family Coat of Arms, 3 scallop shells between 2 devices, above Spencer family motto "Dieu Defend Le Droit", translated "God defend the right". The back of the handle is engraved "Des A. G. Styles, Garrard & Co Ltd, 42". It is also engraved with the name "George Ware" underneath the hallmarks, which are clear (we assume a previous owner). Alex Styles was one of Britain's leading silver designers of the 20th century, he spent most of his career as lead designer at Garrards, the Royal silversmiths, until he retired in 1987. The Times newspaper described him as "the finest designer of hand made silver in England" in 1966. He served with the RAF duri...
A Tiffany silver baby or child's spoon and fork, intended as a Christening present. These are quite small, suitable for use by a toddler, they are really sweet. The pattern on the back and front has a double reeded edge, terminating in a V shape in the bowl. The fork tines are quite fat and blunt, so not dangerous. Both are hallmarked "Tiffany & Co Sterling M", the M indicating a date between 1907 and 1947.
A very fine Edwardian silver replica of a Baluster Seal Top spoon, made by Crichton Brothers, who were the leading British dealers of their time, with 3 Royal appointments. The spoon is very good quality, and a pleasing size and weight, a pleasure to use. The seal top is engraved with initial H, this spoon was probably a Christening present. Lionel Alfred Crichton, 1890-1938, was known for it's fine quality replica silver, see our photo of their advertisement. Lionel Crichton also set auction records for silver purchases in 1914, he paid the record sum of 5600 pounds at Christies for a silver standing salt, dated 1508 (Henry VIII), from Lord Ashburnham's collection. This spoon could be a copy of the "massive and heavy baluster sealtop, London 1592", depicted in "English and Scottish Silver Spoons", Volume 1, pg 236, by Commander How. The hallmarks are clear, and include makers mark LAC.
A sterling silver caddy spoon, with the engraved crest of the Royal Mint of Pretoria. The spoon is good quality, a pleasing weight and the crest is very clear. The Royal Mint of Pretoria was opened in 1923 as a branch of the Royal Mint of London. It broke ties with London in 1941, becoming the South African Mint. The Royal Mint of Pretoria branch was one of 6 Royal Mint branches, the others in Canada (Ottawa), Australia (Sydney, Melbourne and Perth) and India (Bombay). The Pretoria Mint produced British gold sovereigns between 1923 and 1932, these carry the SA mint mark. The caddy spoon hallmarks are clear, being 925, silver and RMP makers mark. We assume the spoon was made in 1923 to commemorate the opening of the Mint. This matches item S1362, which we have already sold.
A magnificent silver cigarette case, of exceptional quality, one of the finest we have seen. It is rectangular, and decorated with very finely engraved scrolling foliage on a stippled background, which is most attractive. The case has a gilt interior, and the original elastic bands. The case has a circular cartouche, decorated with the Hayes family crest, an attractive lion holding a standard with the motto "Renovate Animos", translated "Renew your Courage". The original owners name, "William Andrew Hayes" is engraved underneath the crest. The hallmarks are very clear, even the clasp knob is hallmarked, a sign of quality. Deakin & Francis, who still exist today after being founded in 1786, are known for their high quality small silverware.
A good set of early Old English tablespoons, with narrow elegant handles characteristic of the earlier Old English pattern. These spoons also have the initial B, and very clear hallmarks. These spoons all have the rare incuse duty mark (George III looking left), which was only in use for 18 months. As can be seen from the photographs, these marks are well struck and remain crisp, with no wear. George Smith was a prolific spoonmaker, this period predates his partnership with William Fearn (1786), the firm later became Eley and Fearn.
A very typical Cape snuff box, relatively crude in comparison to its English counterparts. Rectangular, rounded corners, bright cut wrigglework enclosing initials ECP, gadrooned thumbpiece. Interior has gilt remnants. Very clear makers mark.
Set of 3 gilt spoons (caddy, sugar sifter and jam) with exquisite decoration in the style of the Aesthetic Movement. This movement flourished in the period 1865 - 1885, after the International Exhibition in London led to a an interest in Japanese decorative arts. The decoration consists of abstract patterns of bamboos, birds and butterflies. Original silk lined box, and very clear hallmarks.
A Danish silver Skonvirke (Arts & Crafts) cream ladle, made by the respected Danish silversmith Evald Nielsen in 1924. The ladle is the No 4 pattern, which has organic flowing scrolls in relief, so quite pleasing to hold. The ladle is hand hammered, with the planish marks visible in the bowl and the stem. The ladle has a flat circular bowl with a narrow lip, about 0.7 cm deep. The ladle is 830 grade silver, as is usual for Danish silver. The well struck hallmarks include "Evald Nielsen" in an attractive script, with "No 4" indicating pattern, date letter "ANNO 1924", the letter "S" surrounded by dots in shaped punch for silver, and "830" in oval punch surrounded by dots for grade of silver. Evald Nielsen worked between 1905 and 1958 from Copenhagen, he designed all his own designs (as opposed to his contemporary Georg Jensen). He won numerous awards internationally, and his silver can be seen in numerous museums, including the Metropolitan in New York, V&A in London, and Kunstmuseum in Denmark. Nielsen produ...
A lovely set of 6 single struck Kings pattern with shoulders (Kings Front French Shoulder, Pickford, Silver Flatware, pg 123) Newcastle silver teaspoons. The spoons are the larger size teaspoons, and have a good gauge, over 20 grammes each, these are pleasing quality. Single struck flatware is usually found in Scotland, it is unusual in England, where the patterns were usually double struck (pattern on both sides) The hallmarks on all 6 teaspoons are excellent, and include makers mark TS for Thomas Sewell I, who worked between 1846 and 1875. They include an additional 5 hallmarks, uncrowned Victoria duty mark, lion passant, three castle town mark, leopards head uncrowned, and date letter I in circular punch for 1847. It is clear the date letter and makers mark were struck individually, the other 4 marks struck together in a stub (the date letter punch overlaps slightly on 2 spoons). These are interesting hallmarks, the uncrowned leopards head was only used for 5 years between 1846 and 1850, when it reverted b...
Lovely Art Deco soup ladle in 800 silver, of exceptionally good quality and gauge.This ladle is truly a pleasure to hold and use (as long as you have strong wrists!). Wilkens & Son were one of the "big 3" German silver producers, and were highly regarded. The hallmark consists of the Wilkens makers mark bracketed by the letters MC, standing for Michelangelo Clementi & Cie of Bologna, Italy. Wilkens & Son entered into a strategic partnership with Michelangelo Clementi in 1912. The makers mark is alongside the 800 purity mark. Another mark is present, but it is worn/poorly struck, so not legible. Clementi Fabbrica Argenteria still exists today, manufacturing Buccellati
A lovely set of 6 Rat-tail Hanoverian coffee spoons with gilded bowls, and matching sugar tongs. These spoons have wavy rat-tails, a very unusual feature we have not seen before. The arms of the tongs are modeled as matching spoons, complete with the wavy rat-tail. Hallmarks on all 7 items are clear. Harry Synyer and Charles Beddoes worked between 1897 and 1949, from Vyse Street, Birmingham.
Delightful Gorham Sterling nursery rhyme plate, with embossed pictures depicting scenes from nursery rhymes around the rim. Rhymes depicted include "the cat and the fiddle", "the cow jumped over the moon", "sing a song of sixpence", "4 and 20 blackbirds" and some we haven't identified (teapot, cock, spoon and bowl, teacup and rose, wolf). 31 pictures are present, with 9 different designs, repeated in a random fashion. The plate is very good quality, the embossing is superb, with very fine detail. The plate is engraved on the back "J.M.W., X mas 1885" - indicating it was a Christmas present. The initials "W.W.S." in different script are below, we assume a later owner. The hallmarks are very clear, the Gorham trademarks (Lion, Anchor and capital G), along with "Sterling" and "L93" (L is the yearmark for 1879). This beautiful antique silver Gorham plate would make an ideal Christening present. This plate is depicted in the book "Gorham Silver 1831-1981", by Charles Carpenter, pg 212, which is shown with a matchi...
A very rare Cape Silver konfyt (preserve) fork, in the Feather Edge pattern. The fork has makers mark DHS, well struck and clear, along with a bunch of grapes with vine leaves in a circular punch (mark 109 in Cape Silver by Welz). Schmidt arrived in the Cape from Strelitz, Germany, as a soldier in 1768. He worked as a sword cutler for the Dutch East India Company, and became a burgher and silversmith in 1779. He died in 1811 (Cape Silver by Welz, pg 139). He is described by David Heller (in his book History of Cape Silver) as the "greatest Cape silversmith". Heller goes so far to describe Schmidt as a "master craftsman, whose work can be compared to Paul Storr" (History of Cape Silver, pg 79).
An interesting sterling silver wine taster, made to commemorate 1000 years of English Monarchy between 973 and 1973. The taster is circular, set with a cast replica coin featuring King Edgar the Peaceful, with inscription "EADGARRE" between two maltese crosses, and head and shoulders of the King. The taster also has a fabulous cast silver handle, rectangular in shape with circular cut away, the handle is textured with a sun ray pattern, both top, bottom and sides, this has a lovely feel in the hand. The taster also has a circular foot, and engraved crown above 1000 and the dates 973-1973. It is a good weight and size, it holds 175 millilitres, so is a good size. King Edgar the Peaceful was crowned at Bath in 973, it was the first British coronation ceremony, other British Kings pledged allegiance. He strove successfully to unite the English and Danes, he also recalled St Dunstan from exile and made him Archbishop of Canterbury. The hallmarks are clear, including makers mark GGM, thers is slight wear to the f...
A lovely set of 12 sterling silver demitasse or coffee spoons, with baluster finial. The spoon size and shape are nicely balanced, we really like these spoons. The hallmarks on all 12 spoons are clear, including makers mark B&S in serrated punch for Brook & Son of Edinburgh. Brook and Son were leading Edinburgh silversmiths and retailers from 1891 to 1939, they succeeded William Marshall & Sons.
A fabulous pair of Scottish silver Hanoverian tablespoons, made in Edinburgh in 1753. The spoons have the traditional central rib, and double drop, the spoon bowls are oval in shape. These are quality spoons, around 75 grammes each.Both spoons are engraved with a family crest and motto, the crests are worn from polishing but still legible. The crest is a "broken terrestrial globe surmounted by a rainbow issueing out of clouds", above motto "AT SPES INFRACTA", translated "Yet my Hope is Unbroken". Above the globe is an Earls coronet, showing these spoons were owned by John Hope, 2nd Earl of Hopetoun, who lived between 1704 and 1781, he became Earl in 1742. The hallmarks on both spoons include makers mark K&D for Ker & Dempster, who worked between 1749 and 1771. This is followed by castle town mark, assay master mark HG for Hugh Gordon, who worked between 1744 and 1758. The 4th mark is date letter Y for 1753, this is slightly worn but still visible. Hopetoun House, which was completed by the 2nd Earl, still exi...
A lovely pair of Old English pattern tablespoons, with Leopards head family crest. The leopard is quite realistically engraved, and looks quite fierce. The hallmarks are excellent, as good as they could be, a journeyman's mark (the silversmith who made the spoons in the Wallis workshop) of 2 dots is also present. What is of interest about these hallmarks is the double cusp on the duty mark, to the right and base, this mark was only used between 6 July 1797 and 28 May 1798, 6 July being the date at which duty on silver was doubled from sixpence to one shilling. Jackson shows the 2 cusps to the left and base, this mark was never used on spoons, it was only used on tongs and knife blades that did not require the London town mark (Tony Dove, in an article entitled "The cusped duty used at the assay offices from 1797", in the Finial Vol. 14-04). 1797 was the first year a cusp was used, it was used again periodically when duty changed. The different assay offices applied the usage of cusps differently.
A set of 12 Dutch silver cake forks, with a threaded border pattern, with the traditional thicker cake cutting tine. The forks are quite dainty, but still good quality, around 18 grammes each. All 12 forks are hallmarked with makers mark V.K. in horseshoe (or capital G), and the Dutch dagger used for small items of silver. Koninklijke Gerritsen & Van Kempen were based in the Dutch town of Zeist between 1924 and 1960, when they merged with Van Kempen & Begeer. Their head designer between 1934 and 1977 was Gustav Beran, a pupil of Josef Hoffman in Vienna (Art Nouveau & Art Deco Silver, Krekel-Aalberse, page 254).
An interesting Sampson Mordan antique silver bowl, with a Victorian silver half crown dated 1900 set into the bowl. The bowl is engraved "God Save The Queen, The Last Coinage of the Nineteenth Century". The bowl is good quality, the coin is very fine, protected by the rim on the base. The hallmarks are excellent, including Sampson Mordan makers mark. The bowl is also stamped "copyright" in small letters below the coin. Sampson Mordan are well known for their collectable novelty silver.
Unusual set of 6 Arts and Crafts coffee spoons, made by Liberty, each set with different semi precious stones - malachite, amethyst, sodalite, turquoise, garnet and a green stone we cannot identify. The spoons are still in their original box, showing they were retailed by Mappin and Webb, Regent St, London. The spoons were made the year after Liberty closed their Cymric business (1901 - 1926), which was a partnership with William Haseler. The hallmarks are very clear on all spoons.
A Cape silver sauce ladle in the Fiddle pattern, by Peter Clarke Daniel. The ladle has original owners engraved initials JEB, and has excellent hallmarks - makers mark PD, pseudo date letter B and pseudo duty mark with notable cusp (Welz mark 42, but struck in different order). Daniel was an Irish immigrant to the Cape, one of the original 1820 settlers. His father, who has the same name, was also a silversmith, he worked as a jeweller in Grahamstown.
Beautiful set of ornate berryspoons, originally by Hester Bateman but converted during Victorian times. The conversion must have been done by a master craftsman as the quality is excellent. The gilt bowls display no wear, these spoons have not seen much use. Delightful crest of a dove holding an olive branch, so I suppose these are peace spoons! The hallmarks are very clear, including the Hester Bateman makers mark.
A lovely gold lady golfer medallion or brooch, with a lady golfer in full swing, above a scroll reading "R D L G C", possibly Royal Durban Ladies Golf Club. The medallion has 2 different colours of gold, a redder colour and also brighter yellow colour, which combined with the texture makes the picture stand out. The back of the medallion is engraved "W.m PAY LOVING CUP, 1935, J HEY", the original winner of the medallion. The medallion has a 14 carat gold pin and clasp on the back, allowing it to be worn as a brooch (this could be easily removed, allowing the medallion to be worn as a pendant). The hallmarks are clear, including makers mark for Marples and Beasley, who were jewellers and medallists, they worked between 1899 and 1994. The other hallmarks include 9 and .375 indicating 9 carat gold, and date letter for 1921, so it was made some time before it was awarded.
A very fine Maltese Basting spoon, of good gauge, with an unusually large and deep bowl. The spoon also has a deep lip and point. The hallmarks are clear, being 1855 with a small scratch through it (looks intentional?), the letter R (Maltese mark indicating Roman Fineness, 11 deniers) and the circular makers mark for Geraldo Pace (circular mark with small bird under PACE). A truly lovely spoon. Note - we previously incorrectly attributed this spoon to the Naudi family silversmiths.
A set of 6 Irish Georgian silver Celtic Point teaspoons, with bright cut "Dublin Star" engraving. The oval shield under the star is vacant, this was originally intended for a family crest or owners initials. This engraving was popular in Ireland between 1790 and 1800, the bright cut glitters in candlelight, the Star pattern is unique to Irish silver. The 6 spoons were made by 4 different makers, and have very slight differences, but the hand engraving was done by the same hand, so we believe the set was assembled by the engraver. All 6 spoons are hallmarked with the Dublin Hibernia and Harp Crowned, no date letters are present (as is usual with Irish teaspoons of this period). 4 Makers marks can be identified, 2 J.S for John Shiels (1762-1790), one AM for Arthur Murphy, and one JB for John Bayly, the fifth mark is ?D, the last is not legible. Slight differences includethe shapes of the drops, and the bowl shapes, some move oval than others (very slight differences).
A Cape silver konfyt fork in the Fiddle pattern, with 3 tines. The fork is quite colonial in character, the tines have slightly different thicknesses, overall a little crude but clearly hand made. The fork has makers mark DBD between 2 five pointed stars (Welz mark 44), this is clearly struck with slight wear along the top. Dominique Baudouin Du Moulin worked between 1818 and 1833, he arrived in the Cape from Brabant (now Belgium) and married the sister of Cape silversmith Johannes Hendricus Beyleveld (Cape Silversmiths by Welz, page 131.). His work is only found occasionally.
A rare early Cape Silver spoon, in the Hanoverian pattern. The spoon is a lovely shape, long and elegant. The spoon has makers mark DHS, with some wear but clearly visible, along with a bunch of grapes with vine leaves in a circular punch (mark 109 in Cape Silver by Welz). The spoon also has a small Dutch ZII hallmark, for 835 purity, indicating the spoon was imported into the Netherlands at some stage. The spoon also has a small owners cross hatch scratch mark next to the makers mark. Schmidt arrived in the Cape from Strelitz, Germany, as a soldier in 1768. He worked as a sword cutler for the Dutch East India Company, and became a burgher and silversmith in 1779. He died in 1811 (Cape Silver by Welz, pg 139). He is described by David Heller (in his book History of Cape Silver) as the "greatest Cape silversmith". Heller goes so far to describe Schmidt as a "master craftsman, whose work can be compared to Paul Storr" (History of Cape Silver, pg 79). Note - we have two matching forks, S 11124 and S11125.
A Charming Cape silver Konfyt (preserve) fork, in the Old English pattern, with 3 tines. The fork has a large oval drop, which along with 3 tines (later forks had 4 tines), shows it's age. The fork has makers mark only, quite clear, it appears to be HNS, this is mark 175 in Welz, Cape Silver. This mark is recorded as "unknown" by Welz, but is now thought to be a worn punch used by Daniel Heinrich Schmidt, the greatest of all the Cape Silversmiths (Heller and Welz) - see the similarity with Schmidt's DHS mark, Welz mark 110.
A fabulous sterling silver basting spoon (gravy or serving spoon) in the popular Fiddle, Thread and Shell pattern, with engraved Marais Family coat of arms, which is very clear. The basting spoon is a substantial size and weight, the quality is excellent. The hallmarks are very clear, including makers mark D&J W, for Daniel & John Wellby, who worked between 1827 and 1974 from Garrick Street, London. The Marais family coat of arms is described as "Azure, a chain sable fesswise, in chief a crescent reversed and a base of two hills vert" - Pama, Heraldry of South African Families, page 53, depicted on Plate 18, no 280, of the Bell Krynauw Collection. It dates back to Charles Marais of the farm Plasir de Merle, who arrived in the Cape in 1688, and was "murdered by a Hottentot on the farm in 1689". Note - we have other matching items with the Marais Family armorial.
An antique Dutch silver miniature horse and carriage, made in Hoorn late 19th century. The carriage is drawn by 2 prancing horses, with good detail, ropes and whip all intact. The quality is excellent, very solid, just under 100 grammes, so quite heavy for a miniature. The carriage has a driver and guard standing at the rear, and 2 passengers inside. The carriage is attractively engraved, and all 4 wheels turn perfectly. All 4 wheels are hallmarked with the Dutch dagger, used between 1814 and 1953. The carriage bar connecting to the horses also has the Dutch dagger, along with clear makers mark V.S.39, for Gebruder (Brothers) van Straten, who worked in Hoorn between 1885 and 1891 (Netherlands Responsibility Marks Since 1797, mark 20717). The Gebruder van Straten appear to have specialised in miniatures, a number are now in the collection of various museums. A set of miniature chairs and table by the Gebruder Van Straten was formerly in the collection of Queen Juliana of the Netherlands, sold at a Sotheby's Ch...
A set of three sterling silver items, namely ladle, saltspoon and butterknife, in the popular Fiddle, Thread and Shell pattern, with engraved Marais Family coat of arms, which is very clear on all 3 items. The ladle is a pleasing size and weight,108 grammes, the quality is excellent on all 3 items. The hallmarks are very clear, including makers mark D&J W, for Daniel & John Wellby, who worked between 1827 and 1974 from Garrick Street, London. The Marais family coat of arms is described as "Azure, a chain sable fesswise, in chief a crescent reversed and a base of two hills vert" - Pama, Heraldry of South African Families, page 53, depicted on Plate 18, no 280, of the Bell Krynauw Collection. It dates back to Charles Marais of the farm Plasir de Merle, who arrived in the Cape in 1688, and was "murdered by a Hottentot on the farm in 1689". Note - we have other matching items with the Marais Family armorial.
An extremely rare Cape silver dessert spoon in the Fiddle Thread without Shoulders pattern, to our knowledge Cape silver in this pattern is unknown, we have not encountered it before and cannot find an example in any of the known literature. The spoon is double struck (pattern on both sides), and has a single thread, but notably without the usual shoulder where the bowl joins the handle. The spoon also has a long drop, slightly different from it's matching partner, showing this spoon was hand made. The spoon is lovely quality, a pleasing weight, and in excellent condition. The hallmarks are excellent, a variant of mark 138 in Welz, Castle, date letter C, and Georgian duty mark, with makers mark LT, all well struck. We have a matching spoon, S 11120.
An extremely rare Cape silver dessert spoon in the Fiddle Thread without Shoulders pattern, to our knowledge Cape silver in this pattern is unknown, we have not encountered it before and cannot find an example in any of the known literature. The spoon is double struck (pattern on both sides), and has a single thread, but notably without the usual shoulder where the bowl joins the handle. The spoon also has a long drop, with an unusual curve, showing this spoon was hand made. The spoon is lovely quality, a pleasing weight, and in excellent condition. The hallmarks are excellent, a variant of mark 138 in Welz, Castle, date letter C, and Georgian duty mark, with makers mark LT, all well struck. We have a matching spoon, S 11122.
A Worshipful Company of Joiners and Ceilers antique silver spoon, with the Company armorial as a cast silver finial. The spoon is a good weight and quality, as expected from Elkington, it also has a rat-tail bowl. The cast finial has lovely detail, the back has a vacant shield cartouche intended for engraved initials. The company is one of the Livery companies of the city of London, ranked 41st in order of precedence, it was founded in 1375 and received Royal Charter in 1571. The company motto, "Join Loyalty & Liberty" was created by past Master John Wilkes in 1774, John Wilkes is remembered as the founder of "Freedom of the Press", his statue is in Fetter Lane. He was also Lord Mayor of London, his "I love liberty" slogan on silver spoon picture-backs are highly collectible. The armorial has 2 pairs of compasses over a globe, under 2 roses and a scallop shell, with a demi savage holding a spear, supported by 2 naked boys, one holding a female figure, the other a square - all this detail is clearly visible. T...
A rare solid silver version of the Voortrekker Aandenking (memorial) 1838 - 1938 bowl, in 835 grade silver. The circular bowl with foot is well modeled, with ox wagons on trek, with Boer (farmer) on horse, cattle in the foreground and mountains in the background, framed by trees. The other image is of the Voortrekker Monument in Pretoria, and in between are two lit candles in a candlestick, surrounded by chains, with Zulu shields above and ox horns below. One candle reads "VOORTREKKER AANDENKING", the other "1838 - 1938". This design was done by the famous South African artist JH Pierneef (1886-1957), probably South Africa's greatest landscape artist. The hallmarks are clear, and include makers mark V over moon for Zilverfabriek Voorschoten, and 835 indicating the grade of silver (835/1000). Zilverfabriek Voorschoten is a brand name of Koninklijke Van Kempen & Begeer, founded in 1764 and still in existence today, they moved from Utrecht to Voorschoten in 1858. The Voortrekker Aandenking bowls were made in a v...
A pair of Arts and Crafts antique silver serving spoons, with raised shell finial and planished (hand hammered) bowls, both the front and the back of the bowls. These are good quality, a pleasing weight, and a useful size for use. The hallmarks are clear on both spoons, and include a registration number, indicating Atkin Brothers protected the design.
A rare early Cape Silver three pronged fork, in the Hanoverian pattern. The fork is a lovely shape, long and elegant, with long tines. The fork has makers mark DHS, with some wear but clearly visible, along with a bunch of grapes with vine leaves in a circular punch (mark 109 in Cape Silver by Welz). The fork also has a small owners cross hatch scratch mark next to the makers mark. Three pronged forks were common in the early 18th century, they were gradually replaced by 4 prongs after 1760, perhaps a little later in the colonies, but we believe this dates to the early part of Schmidt's career. Schmidt arrived in the Cape from Strelitz, Germany, as a soldier in 1768. He worked as a sword cutler for the Dutch East India Company, and became a burgher and silversmith in 1779. He died in 1811 (Cape Silver by Welz, pg 139). He is described by David Heller (in his book History of Cape Silver) as the "greatest Cape silversmith". Heller goes so far to describe Schmidt as a "master craftsman, whose work can be compare...
An interesting Swiss Silver preserve set, consisting of a matching fork and slotted spoon in their original box. They are 800 grade silver, and both the spoon bowl and fork (excluding handle) are gilded, to protect the silver from corrosive salt. The matching handles are a beaded pattern, with the pattern on the back different from the pattern on the front. The spoon has seven slots in an attractive pattern, the fork has 4 tines. Both items are clearly hallmarked with the Jezler makers mark and 800 standard mark. The original box has a retailers label, which reads "Otto Leuenberger, Uhren & Bijoutier, Langnau (Bern) - Brugg (Aargau)".
An Art Nouveau antique silver mustard pot, complete with original green glass liner. The pot is oval in shape, and has traditional Art Nouveau stylised flowers on the 4 corners, repeated on the lid thumbpiece. The glass pot sits on a circular support, which is also hallmarked (as is the main body and lid). The hallmarks are clear, and include registration mark RD 436134, meaning Walker and Hall registered this design to prevent copying by competitors.
An Edwardian silver pocket stamp case, with a spring loaded interior for holding stamps in place. The case is rectangular, with an engine turned design with vacant circular cartouche for initials or family crest, and ring attachment for attachment to an Albert chain. The interior is gilded, the stamp compartment is also engine turned. The case, lid and stamp compartment are all hallmarked. Saunders & Shepherd are a well known firm, first established in 1869 by Cornelius Saunders and Frank Shepherd.
A pair of Canadian silver tableforks in the Fiddle pattern, with original owners script initials EB engraved on the back of the forks. The hallmarks on both forks are clear, and include pseudo lion passant (with a very thin body), pseudo oval Georgian duty mark, and makers mark PB for Peter Bohle. The lion passant is struck upside down on both forks, indicating the striking of marks was rather haphazard. Peter Bohle (1786 -1865) was the son of silversmith David Bohle, both his brothers (David & Francis) were also silversmiths. Peter was apprenticed to leading Canadian silversmith Robert Cruikshank for 7 years between 1800 and 1807, but spent his career working in Montreal, Quebec. He is known to have manufactured for the trade (sold to Savage & Lyman), he also partnered with Robert Hendery between 1853 and 1856 (Canadian Silversmiths 1700-1900, John Langdon, page 50). The family were German immigrants from Hanau (known for its silver industry).
An antique Dutch silver vinaigrette (zilveren lodereindoosje) in the form of an armoire (kabinet). These have also been described as pomanders, scent boxes, and also incorrectly described as snuff boxes and peppermint boxes. The box is rectangular in shape, with an engraved armoire, complete with drawers, it also has a pierced rim on the lid. The back is decorated with an engraved flower, while the base, sides and lid have engraved wrigglework decoration. The lid is clearly hallmarked with maker mark IS under star (makers mark 10121 in the book "Netherlands Responsibility Marks since 1797") for Johannes Jacobus Smits, who worked in Schoonhoven between 1823 and 1824. The lid also has a very clear date letter O for 1823. The rim of the box also has makers mark and Minerva head office mark (duty mark). Loderein comes from the French "l'eau de reine" translated "water of the king", as only the wealthy could afford the perfumed cologne.
A rare Cape silver mustard spoon, in the Fiddle pattern with gilded bowl, and excellent hallmarks. This is a lovely, well made spoon, with a marked angle at the drop, and pleasing proportions. The hallmarks include makers mark JT in damaged punch (Welz mark 123), and 4 pseudo marks (Georgian duty, lion passant, date letter a and tree mark). Heller does record Cape made salt and mustard spoons, and depicts 6 salt spoons in his book "History of Cape Silver" (pg 202, plate 67). Cape mustard spoons appear to be be much rarer than salt spoons, this is the only known example we have encountered. Note: We have now acquired an additional 3 Cape silver mustard spoons by John Townsend, see S 1971 (pair) and S 11082, which brings the total of known Cape silver mustard spoons to 4, all by Townsend.
A Swiss 800 silver scalloped silver bowl, with an inserted Canton Zurich 20 Batzen coin dated 1813. The bowl is planished (hand hammered in Arts and Crafts style), has 7 segments, and has an applied coiled rope rim. The bowl has a good weight and is very good quality, we believe hand-made. The coin reads "DOMINE CONSERVA NOS IN PACE", translated "Lord save us in peace". The bowl is hallmarked 800 (800 grade silver), EM, MEISTER for the prestigious Meister of Zurich, established in 1881 and a leading Swiss silver and jewellery brand today.
A Canadian Coin silver tablespoon pair in the Fiddle pattern, with engraved initial H. The spoons have excellent hallmarks, comprising of makers mark IM, NB for New Brunswick, and pseudo hallmarks lion passant, anchor and Georgian duty mark bust (this last one sideways). Canadian Maritime silversmiths of the early 19th century favoured imitation hallmarks, dictated by competition from imported English silver. St John silversmiths adopted the NB hallmark for New Brunswick, following their colleagues in Halifax (Langdon, pg 22). John Munro was born in 1791, and freed in 1813, he took over his father's shop in 1819. His premises were destroyed twice by fire, first in 1837 and again in 1874. He used a number of different pseudo marks, and also used IM and JM as makers marks (Donald Mackay, Silversmiths and Related Craftsmen of the Atlantic Provinces, page 107). Note - we earlier attributed this makers mark to James Melick, see details below, based on the book "Canadian Silversmiths 1700-1900, published 1966, pag...
A rare solid silver version of the Voortrekker Aandenking (memorial) 1838 - 1938 bowl, in 835 grade silver. The circular bowl with foot is well modeled, with ox wagons on trek, with Boer (farmer) on horse, cattle in the foreground and mountains in the background, framed by trees. The other image is of the Voortrekker Monument in Pretoria, and in between are two lit candles in a candlestick, surrounded by chains, with Zulu shields above and ox horns below. One candle reads "VOORTREKKER AANDENKING", the other "1838 - 1938". The hallmarks are clear, and include makers mark V over moon for Zilverfabriek Voorschoten, and 835 indicating the grade of silver (835/1000). Zilverfabriek Voorschoten is a brand name of Koninklijke Van Kempen & Begeer, founded in 1764 and still in existence today, they moved from Utrecht to Voorschoten in 1858. The Voortrekker Aandenking bowls were made in a variety of materials, including porcelain, brass and silver plate, the solid silver variant is quite rare. Another example can be see...
A Cape silver konfyt fork, in the Old English pattern with feather edge decoration and 3 tines, dating it around 1790 to 1800. The fork is struck with a makers mark only, i:V:G in an unusual shaped punch, which moulds around the dotted i. This mark is well struck, and is clearly different from the I:VG mark depicted in Cape Silver by Welz (mark 170, pg 158), the key differences being the shaped punch above i and the second : between the V and G. Welz describes this maker as unknown, but Heller (History of Cape Silver Vol I, pg 163) lists this maker as Johann Voigt? Both authors depict a different IVG punch from this one, with an additional fish hallmark (see our tablespoon S 1571 by the same maker to see the different punch and fish hallmark). Overall we agree with Welz and are not convinced by the attribution to Voigt, it seems far more likely to belong to a "van G" maker (for example van Graan, a known Cape name). Overall an interesting hallmark that requires further research. Note - a matching konfyt fork ...
A rare Hanoverian pattern 3 prong Cape silver Konfyt (preserve) fork, by Gerhardus Lotter, this fork has loads of character, we really like it. The fork has a pronounced Hanoverian rib on the front, and original engraved initials PM on the back (18th century flatware was engraved on the back, when they were placed tines down on the table). The fork also has an unusual V shaped drop, more Continental in style than English. The fork is hallmarked twice with makers mark GL (Welz mark 70), the punch is quite crude, the G looks more like a C, possibly worn. Gerhardus Lotter, son of Johannes Casparus Lotter, was part of the Lotter family of Cape silversmiths. He was born in 1764 and died in 1824, Welz records him working between 1810 and 1824 (Cape Silver, pg 135). From the style of this fork we would date it circa 1785, well before English influence arrived at the Cape, so perhaps Lotter worked earlier than suggested by Welz.
A set of 3 Danish Sterling silver serving pieces, comprising a spoon, fork and ladle. Each is topped with matching sterling silver Danish Royal crown, which is well modeled. The set comes in its original silk and purple velvet lined box, they do not appear to have been used. The fork is long and elegant with 2 prongs, the spoon bowl is quite wide for serving, and the ladle has a deep bowl. All three are hallmarked clearly with "STERLING DENMARK" and makers mark SDG, with the D and G inside the curves of the S. We believe this indicates they were made post 1977, when the Danish official hallmarks were retired. The crown is a replica of the Danish Royal closed crown of Christian V, so it is also possible these were made to commemorate the coronation of the current Danish Queen Margrethe II in 1972.
A 9 carat gold Natal Cadet Bisley shooting trophy medallion for 1907. The medallion has the emblem of the Natal Carbineers, South Africa's senior regiment, used prior to 1910, with the British Royal Coat of Arms above two running antelope. The Royal arms include mottoes "Honi Soit Qui Mal Y Pense", and "Dieu en Mon Droit" clearly readable. The medallion has clear hallmarks, including E & Co for Elkington, a leading British silversmith, and the numbers 9 and 375 representing 9 carat gold. The original loop is also gold, and is hallmarked with tiny marks. This medallion would be suitable to be worn as a pendant. Bisley is a small English village that since 1890 has been the home of the National Rifle Association championships, hence the name of the shooting medallion. The Bisley revolver has been used for target shooting since 1894.
An Art Deco silver bowl, with deco bakelite handles, engraved to celebrate the Johannesburg Golden Jubilee celebrations of 1936. The bowl is rectangular in shape from above, and a half circle from the front, almost boat shaped, sitting on a raised foot. The handles are tri-lobed, in classic art deco fashion. The inscription "Johannesburg Golden Jubilee Celebrations 1936", is above the Johannesburg city crest used between 1907 and 1939, featuring 3 gold stamp mills depicting the history of Johannesburg as the golden city. This is above the city motto "Fortiter et Recte", translated either "Boldly & Rightly" or "With Valour and Justice". This is accompanied by an original invite from the Mayor, Councillor Maldwyn Edmund, to Mr E Bam and Miss Buchholz to the Johannesburg Golden Jubilee Garden Party at the Zoological Gardens, 23 September 1936, this has an old cellotape repair (seems like it was torn in half).The base is engraved "Prov Pat. No 28764". The hallmarks are clear, slight wear to Birmingham anchor, an...
An interesting Dutch miniature silver toy chestnut roaster, with the roasting pan suspended from the frame with 3 silver links (the links are not original). The frame is circular with a long handle and pan for holding the embers, the pan has an attractive 6 petalled flower cut in the base to allow airflow. The frame sits on 3 curved feet. The frame has one hallmark on the handle, the Dutch silver "Boars Head", which was used on miniature silver made before 1813, and brought back into trade, as an authorisation to put back into circulation (Houart, Miniature Silver Toys, pg 155). The roasting pan also has a hallmark, the letter V in rectangular shield under a crown, a mark used between 1813 and 1893 on items of foreign made silver (Voet, Nederlandze Goud & Zilverwerken, pg 46 and 61), this is a tax mark. We assume this item was made around 1813, and straddled the change in hallmarking introduced in that year - but welcome other interpretations!
A Chinese jade pendant with 14 carat gold clasp and ring. The jade is light green, with some natural dark green patches. The pendant is kidney shaped, and both sides have a carved tree. The gold ring is hallmarked "14 K, 585" indicating 14 carat gold, which is 58.5% pure. 14 Carat gold is often used for jewellery. According to Chinese tradition, sons are thought fortunate, and in celebration male progeny is often presented with a piece of jade.
A set of 4 Scottish Provincial silver teaspoons in the Celtic pointed pattern, by James Douglas of Dundee. The spoons have original script initials BS. The hallmarks include makers mark ID for James Douglas, followed by a crowned shield and topped heart, used by Douglas (Turner, Directory of Scottish Provincial Silver, pg 62). The hallmarks are clear, especially the topped heart mark, which is in an unusually shaped punch, almost heart shaped. James Douglas worked in Dundee between 1796 and 1820.
A pair of Georgian silver wine labels, engraved "Madeira" and "Teneriffe". They are rectangular in shape, with a reeded border, and are complete with their original chains. Both are fully hallmarked, with makers mark DH for Daniel Hockly, duty mark, lion passant and date letter P for 1810. Daniel Hockly is an interesting silversmith, he started his career in London, entering a mark as a smallworker in 1810, it seems he specialised in wine labels. In 1819 he boarded a ship with his family and sailed for the Cape Colony, as part of the wave of English settlers (now known as the 1820 Settlers). He continued working as a silversmith in the Cape, he is known to have worked in Grahamstown and Graaf Reinet. His most famous work is the staff of office made for Andries Waterboer, Chief of the Griquas (Heller, Cape Silver, pg 62). It is currently in the 1820 Settlers Memorial Museum (a picture can be seen in Cape Silver by Welz, pg 94). Hockly was born in 1787, he sailed for the Cape in the ship Chapman with his wife a...
A Georgian silver baluster Christening mug, embossed with a delightful scene of a child sitting with a squirrel under trees, with a butterfly hovering overhead. Additional decoration includes a variety of flowers and scrolling foliage. The double scroll handle is capped with an acanthus leaf scroll, and the spreading base is gadrooned. The mug is engraved "EW, The Gift of his Grandmother, Mrs Walton", and the interior is gilded.
Joseph Angell I was the first member of the Angell family of silversmiths, described by Pickford as "very fine 19th century family of goldsmiths" (Jacksons hallmarks). The makers mark, lion and London town mark are very clear, the date letter and duty mark are worn but still legible. 1821 is the year the London townmark leopard's head lost his crown.
A delightful Hanau silver box, the lid and sides decorated with embossed panels, including bowl of flowers, musical instruments, laurel wreath and claret jug, complete with goblet and grapes. The panels are bordered with a floral leaf design. The interior of the box is gilt. The box has a very clear set of Hanau pseudo hallmarks, which have been described as amongst the "most difficult and confusing area of silver hallmark study", as the marks were never registered and no records exist. The marks include pseudo crowned leopards head (Scheffler 538), pseudo lion passant (Scheffler 540) and pseudo dolphin (Scheffler 534). The small mark is genuine, being the Austro-Hungarian mark for imported articles between 1901 and 1921 (Tardy, pg 75). The mark, which also appears on the lid, has a capital B, indicating the city of Lienz. The Hanau silversmiths specialised in antique reproductions, generally of very good quality, so much so they often exhibited at international expositions. Gebruder Dingeldein was founded i...
A Liberty Cymric dressing table set comprising of shoe-horn, button hook and glove stretcher, all steel with silver handles set with classic Arts and Crafts turquoise cabochons, on both sides (8 cabochons in all). The set must have been accumulated over time, with the shoe-horn 1905, glove stretcher 1907 and button hook 1909. All are fully hallmarked with the Liberty and Co hallmarks, in addition the shoe-horn is stamped "Cymric" on both sides. This set matches the Liberty Cymric vanity set (item S 1360). It is widely believed that this is an Archibald Knox design.
Exquisite set of six cast teaspoons, in original box, with Medusa head and snake finial. The detail is excellent, these spoons are extremely high quality. The box has a retailers name - H Greaves, Hew & Corporation St, Birmingham. The hallmarks are clear, 3 spoons are dated 1900, 1 is 1901, 2 are 1902, but they are clearly a set. The spoons are a very good gauge, and are pleasing to hold. Wakely and Wheeler (James and Frank), which still exists today, has long been a highly regarded firm. It was originally founded by John Lias in 1791.
Set of 12 Fiddle pattern dessert spoons and forks, made by Hamilton & Co, the "Garrards of India". All 12 have a crest and set of initials (AD), the crest (which are worn but visible) is a dove with an olive branch in its beak, under the motto "Nil Nisi Fidum" (translated "Nothing but Trust"). All are clearly hallmarked with maker mark, elephant, the capital letter A and a variety of tallymarks.
Extremely rare marrow spoon (as opposed to the commomer marrow scoops), with a lovely shellback. Hallmarks are very distinct. Bennett was a well regarded silversmith who worked on London Bridge.
A set of six sterling silver place card holders, all containing a very rare hallmark, the Queen's Award for Export Achievement. The holders are rounded rectangular in shape, with a zig-zag border, with supporting circular foot and holder to hold the place card in place. The front of the holders is blank, designed for personalised engraving, these have never been engraved. All 6 holders have 7 hallmarks, all clearly struck, including marks for London 1990, along with makers mark AN in shield, the sterling silver convention hallmark (scale with 925), additional 925 standard mark, and a rare and unusual 7th hallmark, the Queen's Award for Export Achievement (Royal Crown above cog device, with centre letter E). Ari Norman was the first British silversmith to be granted this award in 1989, he was then allowed to use the hallmark in 1989 and 1990, as per these pieces. The Queen's award was established in 1965, and still operates today. We are not aware of any other silversmith who has won this award, hence the scar...
A set of 12 identical sterling silver golf trophy spoons, all with identical engraving of BIGC in Gothic script (or IBGC) for a golf club. The spoons are great quality, with cast handles featuring golf clubs and balls, the club handles are also textured. The spoons are all in excellent condition, they do not appear to have been used, and have no engraving on the bowls. They are contained in a box which looks like it was custom made for the set, with purple velvet. All 12 spoons have very clear hallmarks, 9 were made by Robert Chandler (dates 1907-1910), and 3 were made by William James Dingley (2 are 1912, one later at 1925). We assume these were trophy spoons, won over the years by a golfer, who decided to safeguard them with a custom made box.
A fabulous sterling silver soup ladle in the popular Fiddle, Thread and Shell pattern, with engraved Marais Family coat of arms, which is very clear. The ladle is a substantial size and weight, the quality is excellent. The hallmarks are very clear, including makers mark D&J W, for Daniel & John Wellby, who worked between 1827 and 1974 from Garrick Street, London. The Marais family coat of arms is described as "Azure, a chain sable fesswise, in chief a crescent reversed and a base of two hills vert" - Pama, Heraldry of South African Families, page 53, depicted on Plate 18, no 280, of the Bell Krynauw Collection. It dates back to Charles Marais of the farm Plasir de Merle, who arrived in the Cape in 1688, and was "murdered by a Hottentot on the farm in 1689". Note - we have other matching items with the Marais Family armorial.
A collection of ten sterling silver shipping and sporting souvenir spoons, 7 with enamel finials. The spoons include:
1, 2 & 3. Steamships SS Virginian, Tunisian, Mauretania, Chester 1906, Alfred Wigley, gilded bowls
4. SS City of Poona, JRE SS, Birmingham 1929, James Fenton
5. Wembley Bowling Club, Birmingham 1913, Birmingham Medallion Co, 3 swords crested medallion, lovely quality
6. Bowling medallion trophy spoon, Birmingham 1931, Turner & Simpson
7. Bowling shield trophy spoon, Sheffield 1936, Gladwin Ltd
8. Pretoria Golf Club, Miss Whitfield, Birmingham 1902, James Fenton, beautiful crest
9. Lady golfer, Birmingham 1921, Herbert Bushell & Son, nice detail
10. UK & PC Bulldog club, Mrs BH Arnold 18/1/13, London 1912, Robert Pringle & Sons, beautiful enamel bulldog.
A lovely silver seal top spoon made by the Guild of Handicraft, to commemorate the Queen's Golden Jubilee in 2002. The spoon has a traditional seal top, hexagonal stem, hand hammered fig shaped bowl and a rat tail. Unusually the spoon has six hallmarks, including maker's mark G of H for the Guild of handicraft, sterling lion, 925 standard mark, leopard's head town mark, date letter C and the Queen's golden jubilee mark, only used in 2002. The spoon is handmade in the traditional manner, it is a pleasure to use and hold. The spoon would make an ideal Christening spoon, it could also be used as a jam spoon. The Guild of Handicraft is operated today by the Harts of Chipping Campden, "www.hartsilversmiths.co.uk". They have also published a book called: "The Harts of Chipping Campden - An insight into four generations creating fine silver in the Arts and Crafts tradition", we highly recommend this book.
A lovely set of 6 cast silver buttons, with a realistically modelled kingfisher in flight, surrounded by flowers and foliage. It appears each button was cast individually by hand, as the details in each is slightly different. Each button is fully hallmarked, but of interest is that the hallmarks are struck in different places, and some are partially obscured. William Walter worked between 1897 and 1906, and was based in Newgate St, London. They supplied high quality jewellery and silver smalls.
A typically Victorian silver Christening set, consisting of a dessert sized spoon, knife and fork, with a very ornate pattern. The pattern consists of a standing "putti" with arm raised, supporting a blank shield (meant for the recipients initials). The shield is surmounted with a crown, and as can be seen other decoration includes flowers, leaves and scrolling foliage. The pattern is repeated on both sides, on the front the putti is a boy, and the rear of the fork and spoon the putti is a girl with long hair. The set is very good quality, and is still in it's original leather and brass bound box, with blue velvet and silk lining. The hallmarks on all 3 pieces are clear, both the knife blade and hilt are hallmarked - indicating the blade is also sterling silver. The Martin Hall & Co (Richard Martin and Ebernezer Hall) first entered their mark in 1863, so this would have been one of the earliest items they produced. They used this mark until 1878, and remained in business until 1911. They worked from Shrewsbur...
A Liberty Cymric silver matchbox holder, set with a single cabochon of turquoise, typical of the designer Archibald Knox for Liberty. The hallmarks are clear, although the makers mark is only partially visible, but clearly identifiable as Liberty. This box is not stamped "Cymric", although it undoubtably belongs to the Cymric range.
A Georgian silver Christening mug, in the shape of a barrel, decorated with reeded bands. The interior is gilt, and the handle is also decorated with reeded bands. This type of Christening mug was popular between 1800 and 1820 (Waldron, Price Guide to Antique Silver, pg 190). The hallmarks are clear with the exception of the makers mark, which is only partially visible. The first letter T is clear, but the second letter is worn (could be D, P or R).
A sterling silver wine coaster, with a finely pierced attractive border, and a central circular silver plaque (for engraving). The coaster has a wooden base with 4 circular grooves, the base has blue felt to protect the table. The silver plaque has never been engraved. The condition is pleasing, often these coasters have suffered damage to the piercing, this one is in excellent condition. The hallmarks are clear, Springbok head (South African standard mark post 1975), S925, and makers mark E T in separate punches, for E Tiessen, Manufacturing Jewellers who worked from 14 Juta Street, Braamfontein, Johannesburg, in the 1970's. This style of pierced wine coaster first appeared in the 1780's. Note - we have received correspondance from a leading collector that this piece is possibly not by E Tiessen, but by maker E, with T being date letter for 1994 - possibly J&L Martin of EM-ESS silversmiths, who were leading silversmiths, noted for quality holloware, they are known to have exhibited at the Rand Easter Show (1...
A Victorian silver Christening mug, beautifully engraved with roses and flowers, around 2 oval blank cartouches, perfect for engraving. The quality of the engraving is excellent, the design is repeated on both sides. The handle has 2 scrolls, and the interior is gilded. The hallmarks are clear, including a 6th unofficial mark, possibly a Hennell trademark, a device looking like a cross bar gate. Robert Hennell & Sons were highly respected manufacturers to the trade, they supplied many of the leading retailers of the time, including Hunt & Roskell, Hancocks and Elkington. It was established in 1735, 4 generations of Hennell's ran the firm, Robert Hennell IV took over in 1868 and sold the business in 1887 to Hollard, Aldwinckle & Slater on his retirement.
A pair of Gorham sterling Medallion serving implements, the first a pastry fork and the second a pickle knife. Both have the medallion motif of a classical femaile looking left, with hair braids, the face is strong. Both are pierced with the "tulip cut", the knife also has bright cut engraving. Both have the original owners initials MMC in Gothic script engraved on the back. Gorham medallion pattern was designed by George Wilkinson in 1864, it is a multi-motif pattern, with 4 different medallion options. Medallion pattern proved popular, it was copied by numerous other firms, but the original Gorham items are most collectable today. The hallmarks are clear on both pieces, and include Gorham makers mark, PAT 1864 and STERLING. Gorham Corporation, which still exists today, was founded in 1831, they dominated the solid silver flatware market in the USA for 125 years (Gorham Silver, page 50). The medallion pattern was even retailed by Tiffany.
A collection of 10 sterling silver Royal souvenir spoons. Six spoons have enamel finials, 1 has enamel bowl as well. Six spoons are English, 3 are Canadian and 1 is Dutch. 4 spoons commemorate coronations. The spoons include:
1. Edward VII in commemoration of the Coronation, Westminster Abbey 1902, Birmingham 1901, Henry Griffiths & Sons, Abbey in bowl
2. Edward VII, Birmingham 1901, S Blanckensee & Sons, Edward in bowl, pierced cast Edward handle, gilded, a lovely spoon
3. Victoria Queen and Empress, London 1898, Saunders & Shepherd, imported F mark, gilded
4. King George V, Mary Queen Consort, Crowned at Westminster June 22 1911, Birmingham 1910, BH Joseph & Co, coronation chair in cast handle
5. Elizabeth II, Crowned 1953, Birmingham 1952, Mappin & Webb, coronation hallmark, "Fire Triumphs over Materials" for JK Smit & Sons, diamond drilling company
6. Royal visit to South Africa, King George VI and Queen Mother, South African coat of arms, Dutch dagger hallmark and makers mark for Van Kempen
A collection of 10 sterling silver souvenir spoons, all from a different British town. The spoons were made in Birmingham, London, Chester and Sheffield, with dates ranging from 1893 to 1919. All 10 spoons have clear hallmarks. The 10 include:
1. Ripon, Birmingham 1912, Levi & Salaman, crest in bowl
2. Bideford, Chester 1906, John Millward Banks with flower trademark, engraved Bediiforde 1577 Sicillun Comvne De
3. Brighton, Birmingham 1918, Levi & Salaman, engraved In Deo Fidemus
4. Scarborough, Birmingham 1905, Levi & Salaman
5. Canterbury, Birmingham 1901, Turnbull Brothers, Cathedral in bowl
6. Oxford, Birmingham 1911, gilded armorial in bowl
7. Manchester Ship Canal, Sheffield 1893, Henry Wigfull, gilded armorial in bowl, cast handle with Navigation & Commerce
8. Unknown town, London 1899, Saunders & Shepherd, cast floral handle, lovely quality
9. Unknown town, Birmingham 1908, Joseph Cook & Sons
10. Oxford University, Sheffield 1919, Joseph Rodgers
Note- The earlier spoons pre 1900 are notic...
A matching pair of nursery rhyme silver baby implements, a spoon and baby pusher, intended as Christening gifts. Both have short handles, the spoon with Jack and Jill picture, the pusher with Little Boy Blue. The detail on both is lovely, as can be seen from the photographs. Both are clearly hallmarked, the spoon was made in 1932, the pusher in 1936, but both by the same maker WH Collins, and both part of their nursery rhyme collection. The pusher has original owners initials MJ, lightly engraved so this could be removed. The pusher also has a registration number, indicating the design was protected.
A set of 6 silver and enamel teaspoons, with 6 different coloured enamel roses, made in 1976 to commemorate the "Year of the Rose", and the 100 year anniversary of the RNRS (Royal National Rose Society). The back of each spoon reads "Year of the Rose RNRS 1976" on a stippled background. The spoons are perfectly preserved in their original box, which reads "By Appointment to Her Majesty the Queen, Suppliers of Gold and Silver Laces, Insignia and Embroidery, Toye, Kenning & Spencer Ltd London", under the Royal coat of arms. The hallmarks are clear on all 6 spoons. Each individual spoon weighs over 20 grammes, these are good quality spoons, very suitable for use. The Royal National Rose Society is not only the world's oldest specialist plant society but the foremost global authority on the cultivation and care of the rose. Toye & Co was founded in 1685, they still hold a Royal warrant, they recently produced the Queen's Diamond Jubilee medals.
A collection of ten American sterling silver souvenir spoons, 5 of which have decorated bowls and 6 of which have decorated stems, 2 decorated front and back, and 2 are gilded. As is usual for these American souvenir spoons, the details are lovely. The spoons include:
1. California, by Gorham, Golden Gate bowl, Eureka, Sutters Fort and California on front, State Capitol, Mission Dolores and Golden gate on back - a lovely spoon
2. Honolulu, maker R in wing, Surf Rider
3. Boulder Dam
4. Philadelphia, Hamilton & Diesinger, Founding Father
5. Hawaii, 1959, maker EJTC, 50TH State, Aloha Tower, Hawaii front, Admitted to the Union Aug 21 1959, The Aloha State rear
6. Washington, Abram French Co, Tip Top House 1852, Washington
7. Detroit, Mechanics Sterling, Detroit Harbour bowl
8. Detroit, Mechanics Sterling, Belle Isle Bridge bowl
9. Detroit, Mechanics Sterling, Water Works Park bowl
10. Chicago, Whiting, Ft Dearborn bowl.
A cast silver commemorative wine label engraved "RUM", made to celebrate the coronation of Queen Elizabeth in 1953. The label is curved rectangular shape, with central peak topped with the Royal crown, and beautiful applied lion supporters on each side. The label is lovely quality, quite heavy, a pleasure to hold. These wine labels were distributed by the wine merchants Saccone & Speed, as can be seen in the photograph of the advert (courtesy of www.steppeshillfarmantiques.com). The hallmarks are very clear, and include the coronation mark, and makers mark LGD for Leslie Durbin. Leslie Durbin was one of the most admired silversmiths of the 20th century, his silver is in the Royal collection, he was also honoured with a 1 man exhibition at the Goldsmiths hall entitled "50 Years of Silversmithing" in 1982. He produced the silver components for the Stalingrad Sword during WW II, he also designed British coinage. He apprenticed with Omar Ramsden, his students included Benney, Mellor and Robert Welsh. Durbin is a...
A fabulous Victorian silver prize medallion, one of the finest we have encountered. The medallion is oval, surrounded by a cast rim of flowers. A silver suspension loop is attached to an ornate scroll. This medallion is large and heavy, the quality is exceptional. Both oval plaques are engraved, the first reads "TAIN ROYAL ACADEMY AWARDED TO G.ERNEST ROSS FOR EXCELLENCE IN CLASSICS", the second reads "PRESENTED BY D. FOWLER ESQ. PROVOST OF TAIN JULY 1899". The hallmarks are small but clear, very well struck. Donald Fowler was Provost (the Scottish equivalent of Mayor) of Tain between 1898 and 1910, he was a chemist by profession.
A fine and heavy cast silver commemorative caddy spoon made to celebrate the investiture of the Prince of Wales in 1969. The caddy spoon bowl is made up of the 3 Prince of Wales feathers, joined to the handle with a Royal crown and the motto "ICH DIEN", translated "I Serve", the handle has a Welsh dragon. The bowl is quite deep, the feathers have been shaped, the detail of the feathers is also very fine. The spoon is fully hallmarked with clear hallmarks, including makers mark G&Co Ld. for Garrards, the Crown Jewellers (founded in 1722, it retained the Royal Warrant until 2007). The back of the caddy spoon is also marked "Garrard & Co Ltd 112 Regent St W". Another example of this caddy spoon is shown in the book "The Story of the Caddy Spoon 1775-2015" produced by the Society of Caddy Spoon Collectors, page 63. It also was part of the John Norie Collection, Part II, lot 384.
An interesting 17th century style silver notched 2 pronged fork and matching spoon, the fork a replica of the earliest known English table fork. Both are faithful replicas of the puritan style, with 3 notches at the top of the flat stem. Both carry 2 family crests, the top a griffiths head and wings, the Montagu family crest, the second is a peacock in pride, the crest of John Manners, 8th Earl of Rutland of Haddon Hall, the owner of the original fork. This fork, made in 1632, is known as the Manners Fork, and is in the V&A museum in London. Frances Montagu was the wife of John Manners. The hallmarks are exceptionally well struck, they could not be better. They include makers mark "GOF Lo under star" for George Lowe & Son of Bridge Street, Chester, who date back to 1770 and who still trade today. They also include the Chester wheat sheaf town mark (struck in the spoon bowl as is usual for 17th century spoons), date letter and lion passant. The original box, marked "Lowe & Sons, Silversmiths, Bridge St Row, Ch...
An interesting and unusual antique sterling silver gilded Christening mug, with textured body and ox eye eye handle. The mug is great quality, a good weight, and in excellent condition. The textured body is caused by thousands of circular punch marks, all applied by hand, the mug has a border and sits on a circular raised foot. The circular ox eye handle replicates a 17th century style, found on College presentation cups at Oxford. Both the interior and exterior have original gilding, this is a rich colour, the base and top rim are not gilded. The base is engraved "Thomas, 153 New Bond St", underneath Crown and Prince of Wales feathers, trademarks of FB Thomas. The hallmarks are very clear, but the feather over FBT makers mark is obscured. F.B. Thomas & Co. was a well known firm of retail silversmiths, established in 1759. Francis Boone Thomas joined the firm aged 21 in 1851, he took control in 1871, he died age 71 in 1900. The firm traded until 1941 when it was severely damaged in an air raid during World Wa...
A matching antique sterling silver knife, fork and spoon, made as a Christening present. They are dessert size, and in an unusual scrolling pattern, possibly an Onslow pattern variant. This scrolling pattern reminds us of the Auricular style, a 17th century German Mannerism style, rarely seen today. The knife has a pistol grip, the blade is also hallmarked sterling silver. They are gilded with a rich golden colour, this gilding is original. All 3 items are clearly hallmarked, the knife handle has an additional FH makers mark for Francis Higgins, so the knife handle was outsourced. F.B. Thomas & Co. was a well known firm of retail silversmiths, established in 1759. Francis Boone Thomas joined the firm aged 21 in 1851, he took control in 1871, he died age 71 in 1900. The firm traded until 1941 when it was severely damaged in an air raid during World War II.
Two early Georgian silver Hanoverian tablespoons, engraved with the Davy family crest. The spoons both have a strong front rib and double drop, both features of early Hanoverians. Both are clearly engraved with original armorials for the Davy family of Beckley, Sussex, on the back of the spoons (spoons were displayed bowl down during this period). The crest is described as "sable a fess or between three cinquefoils argent, the lozenge is tied at the top with a lovers knot that denotes the arms of a spinster", see heraldic report which accompanies these spoons. The spoons probably belonged to an unmarried daughter of the Davy family of Beckley, Sussex. The first spoon has clear hallmarks, including WH makers mark for William Hunter, and date letter i for 1744. The second spoon has squashed marks, but the makers mark JL for Jeremiah Lee is clear.
An early Irish silver rat-tail Hanoverian tablespoon, made in 1729 by Edward Barrett. The spoon is lovely quality, a pleasing weight, and in remarkably good condition. The spoon has a deep frontal rib running halfway down the handle, with a strong turn-up, and the traditional rat-tail used before 1730. The spoon has original engraved family crest on the back of the spoon (spoons were placed face down at this period), the crest featured a raised arm in armour holding a cross (slight wear to the cross). The 3 hallmarks are clear, makers mark EB in oval punch (slight wear to B, looks more like EE), date letter gothic K for 1729, and crowned harp, with slight wear but clearly discernable. This spoon predates the Irish Hibernia mark which was introduced in 1731. Edward Barrett worked between 1698 and 1730, a number of his spoons have survived. He was freed in 1702 and elected Warden in 1722, so he was a prestigious silversmith (Collecting Irish Silver by Douglas Bennett, page 139).
A pair of Georgian Silver Hanoverian Tableforks, dated 1806, with the Douglas family crest, and motto "Jamais Arriere", translated "Never Behind". The crest is beautifully engraved, on the back of the forks in 18th century style, and is described as "on a chapeau, a green salamander surrounded by fire", with the motto above the crest (which is only done in Scotland). The crest is under an Earl's coronet, so these forks probably belonged to the 9th or 10th Earl Hamilton. The hallmarks on both forks are clear, the makers mark is worn but visible.
A rare Irish Provincial teaspoon in the Fiddle pattern, made in Cork by Samuel Green circa 1800, with a very rare Irish retailers mark. The teaspoon is quite long with a narrow bowl, and is hallmarked with incuse makers mark SG for Samuel Green, incuse STERLING guarantee mark, and retailers mark L.O.H in a rectangular punch, which is believed to be for Laurence O'Hagan, a watchmaker and presumably retailer in Limerick. Laurence O'Hagan, Watchmaker appears in the Hibernian Journal in 1791 on his marriage to Miss Quinn and again in 1804 on his marriage to Miss Bryan (source Silver Forums at 925-1000.com, on the Limerick and Irish Retailers marks pages). All the hallmarks are clear, especially the retailer mark, the G from STERLING is only partially struck. Irish provincial silver is quite rare, and often the hallmarks are worn or poorly punched, so this spoon is a nice example. Cork did not have an assay office, so the silversmiths adopted an unofficial STERLING mark to denote the 925 quality standard. This i...
A set of 6 sterling silver grapefruit spoons, with pointed bowls for easy access to the fruit. The spoons have a threaded border pattern with pointed terminals, sometimes referred to as French pattern. The spoons are very pleasing quality and weight, they have a solid feel in the hand, as is often the case with pre-war silver. All 6 spoons are clearly hallmarked with Sheffield hallmarks for 1939 and makers mark EV for Viners Limited, started by Adolphe Viner in 1901, the E refers to his son Emile. Viners was a leading 20th century British cutlery brand, known for good quality, they were acquired by Oneida in 2005. These spoons also have an additional set of 3 hallmarks, smaller but clearly struck, these are Irish import marks that were struck on foreign silver. These marks include the Dublin assay office Boujet mark, .925 sterling standard mark, and Dublin date letter X for 1939, meaning these spoons were exported to Ireland as soon as they were made. The Boujet mark is a stylized representation of a medieval...
An interesting and practical silver double stamp case, with a twin stamp compartment that swivels into a rectangular case, for easy access and carrying. The case has an engraved linear design, and ring attachment for attachment to a Albert chain. The interior compartment swivels on a pin, has a pin and hole clasp to hold it shut, and a thumbpiece for easy opening, an ingenious design. The box is clearly hallmarked, but the makers mark J&W is worn. The box is also stamped "PAT APPd FOR 18816", which indicates the makers had applied for a patent to protect their design. One of the most practical stamp cases we have seen, we really like this box.
A fabulous pair of Art Nouveau Dutch serving spoons, made in Utrecht in 1914 by C.J. Begeer, possibly based on a design by Jan Eisenloeffel. The spoons are a lovely shape, with a fan shaped design repeated on both back and front of the terminal, long elegant handles and a tear shaped bowl, which is quite deep and suitable for use. This spoon is described as a Brijlepel in Dutch. This pattern is now called the "Waaier Model" (translation Fan pattern) or "Palmet Model" (Palm pattern). As far as we can determine, 1914 is the first year this pattern appeared, so these are early spoons. This pattern is also produced by Van Kempen (model 1008) and Gerritsen (see www.zilver.nl). The hallmarks on both spoons are clear, makers mark B under 2 stars in shield for Stichtsche Zilverfabriek, 833 purity mark lion passant, Minerva head with letter B for Utrecht, and date letter E for 1914. Cornelis J. Begeer studied in Hanau, and worked in the family firm before founding Stichtsche Zilverfabriek in 1904. He focused on modern...
A lovely pair of octagonal silver trencher salts, these are replicas of a highly desirable early Georgian style, circa 1720. The salts have gilded interiors, the gilding is in very good condition. The salts are really good quality, a very pleasing weight, and they both have clear hallmarks. High quality replicas of earlier styles were quite popular in the early part of the 20th century. These are almost an exact copy of the pair depicted in the "Price Guide to Antique Silver, Peter Waldron, pg 103, number 303. William Comyns & Sons is an important firm of manufacturing silversmiths, established in 1859 and still in existence today (John Culme, Directory of Gold and Silversmiths, pg 93). William died in 1916, his son Charles Comyns died in 1925 while attending a Christies auction (so dedicated until the end!). An advert of 1923 recorded "Reproductions from the Antique a speciality". William Comyns & Sons also made all the coronets for the Queen's coronation (V&A website), they also hold over 30 thousand silver...
A lovely set of 12 rat-tail trefid silver teaspoons and matching sugartongs, also with rat-tail, well preserved in original box. This set is antique, being over 100 years old, but was made as a replica of an earlier style (circa 1680). In late Victorian and Edwardian times good quality replicas of earlier styles were popular, this set is also very good quality, and is suitable for use. The hallmarks on all 13 pieces are excellent. James Dixon & Sons is a well known firm, first established in 1806 and still in business today.They employed over 600 people during Victorian times (Culme, Directory of Gold & Silversmiths).
A pair of Fiddle pattern toddy ladles, along with an Old English example, but all made by the same maker in the same year. Given Edinburgh hallmarks, the maker WC could be confused with William Cunningham of Edinburgh, but his makers mark is always in a shaped cartouche. The hallmarks on on all 3 are very clear. Note the switching of the order of the duty mark on the pair.
Small Liberty cymric bowl set with turquoises, probably designed by Archibald Knox. Knox was renowned for his use of semi precious stones with silver.
Two interesting pairs of sterling silver wine labels, we have grouped them together as they are almost identical in style and we believe they were made by the same maker. All the labels are kidney shaped, and have a double reeded border. The first pair are gilded, chains are also gilded, the chains are shorter on this pair. They are engraved "Tia Maria" and Mandarine", both names are unrecorded in the book "Wine Labels 1730-2003", although "Mandarinette" is recorded. The second pair are engraved "Chartreuse" and "Kirsch", the engraving has black fill, the chains are longer on this pair. All 4 labels are hallmarked "925" indicating sterling silver, no other marks are present.
A rare sterling silver cooks measuring spoon, we have not encountered one of these before. The spoon has the traditional measuring spoon shape, with circular spherical bowl and long flat handle. The spoon has an interesting triple rat-tail joining the bowl to the handle. The hallmarks are on the front of the spoon, and are well struck, they could not be better. The detail on the sterling lion passant and London town mark leopards head is fantastic, please see the photographs.
An interesting pair of Cape Silver Old English pattern teaspoons, by the rare maker J De Jongh. The spoons have a Continental feel, with a rounded drop and strong overhang at the end of the spoons. They are stamped with full makers mark "J.DE.JONGH" (Welz mark 43, pg 148, Cape Silver), and are also stamped with initials IFP, the initials here being individually struck, as can be seen from their irregular pattern. Welz provides no details for De Jongh, saying only it appears on silverware as though it was a makers mark. David Heller (History of Cape Silver, pg 77) refers to De Jongh as a "seldom found" maker, indirectly connected to the Lotter family (relation of Hendrik de Jongh, married to Johanna Combrink in 1795, sister to silversmith Johannes Combrink). The initials IFP are retailers marks for Johan Frederik Pollnitz, of the firm Wagner & Von Pollnitz, who retailed silver amongst other goods from Longmarket Street between 1837 and 1847 (Morrison, The silversmiths and goldsmiths of the Cape of Good Hope, ...
An interesting Irish Silver dish commemorating the 50th anniversary of the Easter Rising (Irish: Eiri Amach na Casca), also known as the Easter Rebellion or Sinn Fein Rebellion. The dish is circular with a scalloped edge, and contains a sterling silver medallion, with the burning Post Office "AIS EIRI na CASCA", 1916-1966. The back contains 7 signatures who were the signatories of the proclamation, all were executed by the British. They include: Tom Clark, Sean MacDermott, Thomas MacDonagh, Padraig Pearse, Eamon Ceannt, James Connolly, Joseph Plunkett. All were members of the Supreme Council of the Irish Republican Brotherhood (IRB). Their graves in the former military prison of Arbour Hill in Dublin is now a National Monument. The dish has 5 hallmarks in the bowl, including maker's mark RISL for Royal Irish Silver Limited, Hibernia, Harp Crowned, date letter Y and the Sword of Light 1916-1966 Jubilee mark, only used in 1966 to celebrate the anniversary. The medallion is also hallmarked, including mak...
An antique Danish silver christening spoon, this is a 19th century replica of a 16th century spoon, originally used for Royal coronations. This is a beautiful spoon, extremely good quality, it has a lovely feel. The circular bowl is engraved in traditional style, the gilded front with Madonna holding 2 babies, one with a crown, and surrounded by traditional religious inscription in ancient Scandinavian (translation assistance would be most welcome!). The back of the bowl is engraved with St Olaf of Norway, holding battleaxe and orb, standing on a lion with crowned head, also surrounded by inscription. The cast handle of the spoon is very decorative, a head above a warrior with sword, above traditional implements (thor hammer, hand). The back of the handle has an attractive celtic design. The hallmarks include makers mark A.M (possible Anton Michelson?), the Copenhagen town mark (3 towers), date letter for 1868, and assay masters mark SG for Simon Groth, who worked between 1863 and 1904. Wayne Bednersh, author...
A lovely set of 3 Georg Jensen sterling silver Acorn pattern items, perfectly preserved in their original box. The first is a jam spoon, the second a sugar shovel (or caddy spoon) and the third is a cold cut fork (or oyster fork). All 3 are beautiful quality, as you expect from Jensen. The Acorn pattern was designed by Johan Rhode in 1915, and is one of the most popular of all Jensen flatware designs. All 3 are hallmarked with the oval Georg Jensen mark, above "Sterling Denmark", this mark has been in use since 1945. What is interesting about this set is the different style, shape and size of the acorn, dependant on the size of the item and handle.
A beautiful barley twist perfume bottle with gilt interior. The original glass stopper is in perfect condition. This bottle has a lovely feel in one's hand.
An interesting set of 6 Victorian silver teapoons and matching sugartongs, with a 15th Century soldier carrying a halberd. This appears to be a private pattern, we have not been able to trace it in the pattern books (all assistance welcome). The pattern is very detailed, both on the front and the back, we love these spoons. In addition to the soldier, complete with collar, the front has what could be an apple tree, the back has a shield (unengraved, intended for family crest) and a different flowering plant, with a stipple background. The spoons and tongs are also great quality and a good weight, as one would expect from Elkington. All 7 pieces are clearly hallmarked, they also carry a registration mark "RD105810", so Elkington protected the design. All the spoons are 1892, the tongs are 1893. Elkington was one of the leading British Silversmiths in the 19 and 20th centuries, they were founded in 1836, and are known for their excellent quality.
An antique Essex crystal brooch, set in an attractive 18 carat gold setting with rope border. The brooch contains the burgee (yacht club pennant) of the Royal London Yacht Club, with the London crest under a crown. The brooch is of extremely good quality, and is in immaculate condition. The crystal is convex, polished into a cabochon, the image itself is carved and hand painted, and the viewer is given a 3 dimensional view. The Royal London Yacht Club was founded in 1838, and is now based in Cowes on the Isle of Wight.
The hallmarks are very clear, and include the crown and "18" indicating 18 carat gold, Chester wheatsheaf town mark, date letter gothic "S" for 1881, and makers mark R.N. for Richard Nevill, who was a manufacturing jeweller based in Birmingham (Chester Gold and Silver Marks, Ridgway and Priestley, pg 360), they worked between 1880 and 1917. The rim has additional 18 ct hallmarks, and the gold pin is also hallmarked.
Rare set of 6 Cape fiddle pattern dessert forks, with very clear English pseudo hallmarks and makers mark on all 6 forks. They have an interesting crest, a roaring half rampant lion with his front paws on a strange shaped object (we guess a church with a spire?).
A Gold and enamel sweetheart brooch for the Middlesex Regiment (Duke of Cambridge's Own), set on a gold safety pin for attachment. The brooch has the regimental badge, complete with battle honours "ALBUHERA" in white enamel, "ICH DIEN" and "MIDDLESEX REGT" in blue enamel, and the Royal coronet of the Duke of Cambridge in red enamel. The badge also has gold Prince of Wales plumes, and the cypher of Prince George, Duke of Cambridge. The brooch has no hallmarks, but most brooches of this period were 15 Carat gold. The regiment existed between 1881 and 1966, but has battle honours from Albuhera (Peninsular War, 16 May 1811), their nickname was the "Die Hards". They fought during the Anglo Boer War (Relief of Ladysmith), First World War and Second World War, when they were a machine gun regiment. We believe this brooch to be either Boer War or WWI period.
A collection of 10 sterling silver and enamel souvenir spoons, all from a different British town. All 10 spoons were made in Birmingham, with dates ranging from 1900 to 1965. All 10 spoons have clear hallmarks. The 10 include:
1. Guildford, 1902, Levi & Salaman
2. Hastings, 1900, Levi & Salaman, Hastings Castle in bowl.
3. Morecambe, 1965, AJ Bailey
4. Blackpool, 1960, Turner & Simpson
5. Nottingham, 1955, James Fenton
6. Llangollen, 1909 Spurrier & Co
7. Carlisle, 1903, Levi & Salaman, Be Just and Fear Not
8. Canterbury, 1950, Deakin & Francis, Ave Mater Anglia
9. Isle of Wight, 1907, Spurrier & Co
10. Chester, 1951, Barker Brothers, Antiqui Colantantiquum Dierum
A Danish silver Skonvirke (Arts & Crafts) pastry or cake server, made by the respected Danish silversmith Evald Nielsen in 1925. The server is the No 4 pattern, which has organic flowing scrolls in relief, so quite pleasing to hold. The server is hand hammered, with the planish marks visible on the blade and the stem. The blade is nicely shaped, and has a raised lip which increases away from the pointed tip, so very practical to use. The server is 830 grade silver, as is usual for Danish silver. The well struck hallmarks include "Evald Nielsen" in an attractive script, with "No 4" indicating pattern, date letter "ANNO 1925", the letter "S" surrounded by dots in shaped punch for silver, and "830" in oval punch surrounded by dots for grade of silver. Evald Nielsen worked between 1905 and 1958 from Copenhagen, he designed all his own designs (as opposed to his contemporary Georg Jensen). He won numerous awards internationally, and his silver can be seen in numerous museums, including the Metropolitan in New York...
9 carat gold, beautifully cast and chased in the form of a clam shell. Beautiful hinge.
A Scottish provincial silver basting (or gravy) spoon in the Fiddle pattern, made by Alexander Cameron in Dundee, with Edinburgh hallmarks for 1824. The spoon is good quality and has a good feel, it is suitable for use as a serving spoon. The hallmarks are excellent, and include the "CAM over ERON" and "DUN over DEE" marks used by Cameron, along with very clear Edinburgh marks. Cameron was apprenticed to Robert Keay of Perth, and worked between 1818 and 1849. Following the re-imposition of duties in Great Britian in 1784, a duty mark had to be struck on silver, which in Scotland could only be done in Edinburgh. This meant that the provincial silversmiths had to submit their silver to Edinburgh - often a long arduous journey, so few did. By the 1820's when this spoon was made, provincial silversmiths such as Cameron submitted a portion of their silver to Edinburgh, to satisfy the authorities.
Design registered by the retailer Thornhill of New Bond Street on 21 June 1870. The bugle carries the registry mark, Thornhill engraving and full hallmarks for Sampson Mordan, London 1874. Has hanging chain and screw stopper on separate chain, both original. The perfume bottle cap is also hallmarked, and has the original cork stopper, in excellent condition. It is a screw cap which fits snugly and closes perfectly.
A pair of Cape silver sugar tongs, in the Fiddle pattern, with original engraved initials IB. The hallmarks are very clear, and include makers mark FW and the Cape stub, comprising of 4 pseudo hallmarks (lion passant facing right, date letter A, Georgian duty mark and leopards head town mark). Cape silver sugar tongs are rarely encountered.
An Arts & Crafts silver sauce boat, with planished (hand hammered) body and a beautiful curvi-linear bi-furcating handle. The sauce boat has 3 feet, and is the traditional shape with a deep lip, very suitable for pouring. The hand hammered body and handle picks up the light, this is a lovely item. The handle is Art Nouveau in shape and style. The hallmarks are very well struck and clear, including makers mark G.U for George Unite & Sons, the business was founded in 1825 by George Unite, who apprenticed with Joseph Willmore, it still trades today.
A truly stunning Nathaniel Mills gilt vinaigrette, slightly larger than average. The box is gilt with scrolling foliate decoration, and has the initials JL engraved on the lid. The grille is beautiful, with intricate flowers and scrolling vegetation. The inscription is engraved on an inserted plate (which covers the date stamp) and reads "Presented to Dr Lamprey as a token of gratitude for his kind and unremitting attention to the Rev.d Dr Fraill during his last illness 21 April 1847".
A rare pair of Cape Silver sugartongs, in the Kings pattern with diamond heel. They are very good gauge, solid and well made with a strong bow, suitable for use. Whilst Cape sugartongs are known, most are plain (Welz, Cape Silver), this is the only example of Cape sugartongs in the Kings pattern we have ever encountered. The hallmarks are very clear, makers mark FW and the "Cape Stub", 4 pseudo - English hallmarks (lion passant, date letter, duty mark and leopard's head) struck mechanically in a fly press (see article on Cape Stub in "The Finial, 2007, and in the articles tab above). Fredik Waldek was also a chronometer, clock maker and jeweller. Heller (History of Cape Silver) commended Waldek for "excellent workmanship", these tongs are no exception. Only Waldek and Twentyman produced Kings pattern in the Cape.
An interesting early Georgian Irish Hanoverian tablespoon, made by Alexander Richards in Dublin 1764. The spoon has a frontal rib, strong turn-up and a very narrow oval bowl. It is engraved with a Griffin crest on the back of the spoon, showing this spoon was placed on the table bowl down. The spoon is bottom marked, the date letter is very clear, but the makers mark , crowned harp and Hibernia are are worn, but still discernable. Alexander Richards, a noted Irish spoonmaker, worked between 1724 and 1768 (Bennett, Irish Silver, pg 152).
An unusual pair of Fiddle pattern silver sugar tongs, with crude rounded shell grips. The pair is unusually large and heavy, and has flared and shaped arms, and a strong rounded bow. They are quite plain, with no monograms or decoration, besides the shape and shell grips. They are unusual, very unlike any of the sugartongs depicted in "Georgian Silver Sugar Tongs" by Graham Hodges, leading us to believe they are Colonial or Provincial. The only hallmarks are makers mark TH struck twice (once on each arm), the hallmarks are clear. The T is well cut, but the H is fat and less well defined in the punch. There appears to be a faint device between the letters, but this could be an imperfection in the punch. We have been unable to identify any Colonial makers with initials TH (but suggestions welcome!). However, one possible candidate for the TH makers mark is Theophilus Harvey of Clonmel, Tipperary, Ireland, circa 1810. A fish server by Harvey, with only the TH makers mark in rectangular punch, is pictured in an a...
An unusual Edwardian antique silver sauce or gravy boat, in Modernist style, at first glance it looks out of style with it's age. The sauce boat is a beautiful shape, tear drop with long elegant spout (pours very well), and 3 horn shaped legs, and a very stylish handle, with angular top and curved base. The handle works well, practical as well as stunning, the angular top fits well with the thumb for easy pouring. This design would have been leading edge when it was produced. The hallmarks are excellent, very clearly struck, so there can be no doubt about the age. Lee and Wigfull worked between 1871 and 1969, Henry Wigfull was the driver of the business, he employed over 100 people in 1880, and won awards at the Melbourne International Exhibition of 1881.
An interesting antique cast silver wine label, pierced for SHERRY, made by the Barnard family of silversmiths. This design is called the "Five Barred Gate", the 5 bars are surrounded by grapes, vines and tendrils. This label is of particular interest as it is upside-down, the central vine leaf is usually on top, here it is underneath. The label is quite balanced so it is not easy to see it is upside-down, so an easy mistake for the engraver who did the piercing and applied the chain to make. The five barred gate design was first produced circa 1820 by Emes & Barnard, it remained popular for 30 years, and was copied by a number of other silversmiths, including Reily & Storer (Wine Labels 1730-2003, page 35, Fig 37, where a Port label is displayed the correct way up, also page 156, F Champagne). A number of other examples, all the correct way up, can be seen on the Steppes Hill website (www.steppeshillfarmantiques.com), all by the Barnards, dating between 1823 and 1830. Another version of this label is depicted...
A 9 carat gold and green enamel sweetheart brooch, for the Irish regiment the Royal Ulster Rifles. The brooch has the regimental crest of Irish winged harp below Royal crown, and motto " Quis Separabit" (Who shall separate us). It also has a shamrock and hunting horn below the harp, the detail is lovely, this is a very good quality brooch. It is mounted on original gold brooch safety pin, which is in perfect working order. It is stamped with 9CT indicating it is 9 carat gold. The original leather box with gold trim is also lovely and well preserved, even the silk lining is still good. It is marked "W.P. Lewis & Co, Goldsmiths, Successors to Pim Bros Ltd, 19 Exchequer St, Dublin", the original retailer. The Royal Ulster Rifles also served in the Anglo Boer War, so this brooch could be older than our World War 1 date, as sweetheart brooches were also popular then. As this is a high quality gold brooch, it probably would have been presented by an officer. The Royal Ulster Rifles have won 7 Victoria Crosses, 4 in...
A lovely pair of collectable Sampson Mordan silver owls, for use as place or menu holders. The owls have lovely detail, and the hallmarks are very clear on both. Each owl is lovely quality, as is usual for Mordan items. Each owl has 2 original amber glass eyes, each with a small and large pupil.
Sampson Mordan became famous for producing high quality, innovative novelty items, which enjoyed wide appeal. The firm existed between 1823 and 1941.
A pair of antique silver serving spoons, with beautiful pierced and engraved handles, in pristine condition. The detail of the piercing is excellent, an architectural feature surrounded by foliage. The spoons are a useful size, ideal for serving. The spoons appear to have never been used, such a pity for such beautiful items. The hallmarks on both spoons are clear, and include makers mark for the Sheffield firm of Hawksworth & Eyre, who worked between 1841 and 1932, when they were taken over by Ellis of Barker Brothers. Charles Hawksworth and John Eyre exhibited a wide variety of goods at the Great Exhibition of 1851, they had showrooms in London Fleet Street and Montreal, Canada. (Culme, Directory of Gold & Silversmiths, page 222).
A pair of Georgian silver wine labels, engraved for Gin and Rum, made by Thomas Phipps and Edward Robinson in 1792. The labels are rectangular but with very pronounced cut corners, which gives them an octagonal shape. They also have a double reeded border. Both are hand engraved, the Gin with incisions emphasizing the engraving and the Rum with black infill. Both labels have very clear hallmarks, makers mark T.P/E.R in indented puch, this mark was used by Phipps & Robinson between 1790 and 1805. The Georgian duty mark has excellent detail, the remaining marks are sterling lion passant and date letter r for 1792, no town mark is present. Rectangular wine labels remained pure rectangles for about 20 years until 1787, when cut corners started to appear. Phipps & Robinson, along with Hester Batemand and James Hyde, were leaders of the new style (Wine Labels 1730-2003, page 50). Phipps & Robinson were one of the best known firms in London for wine labels, known for their high quality of workmanship and innovative ...
An early Keswick School of Industrial Arts silver caddy spoon, instantly recognisable as Keswick from its distinctive arts and crafts design and finish, with planished bowl, fish tail handle and mock rivet punches. The Keswick silver hallmark was only registered in 1905, so this is one of their earliest silver spoons. Close inspection shows the rivets are not evenly spaced, so clearly struck by hand. The hallmarks are very clear, including makers mark KSIA in oval punch. The Keswick School of Industrial Arts was established in Keswick, Cumberland in 1884 by Canon Rawnsley, Vicar of Crosthwaite and Canon of Carlisle, and his wife Edith, as a metalwork class following the teachings of John Ruskin and William Morris. Many famous artists, including Harold Stabler and Leslie Durbin, were part of the faculty. Hand finished metal work proved a difficult competitor to machine finished work and the School closed in its centenary year, 1984. Although they produced furniture and furnishings, it is for their metalwork t...
An antique silver and enamel vesta case, with the coat of arms of Kirkwall, Orkney Islands. The vesta is rectangular with rounded corners, and has a safety suspension ring. The applied cast coat of arms has red, blue and yellow enamel, and features a three masted sailing ship with sails furled, above KIRKWALL and below motto "Si Deus Nobiscum", translated "If God be for us" from Romans 8:31. The hallmarks are clear, including makers mark R.C. for Robert Chandler, who worked between 1902 and 1924. Kirkwall is the capital of the Scottish Orkney Islands, the original Kirk was the 11th century St Olaf's of Norway. Kirkwall is also the home of Highland Park whisky, so is on my list of places I would like to visit.
A matching set of six antique silver teaspoons and 2 saltspoons, all engraved with an Earl's coronet above monogram with letter C. The monogram is quite intricate, 2 S scrolls intertwined, with central letter C. The spoons are good quality, teaspoons 28 grammes each, all have a double drop. The hallmarks are clear on all 8 spoons, the makers mark LAC is only lightly struck, but still visible. Lionel Alfred Crichton, 1890-1938, was known for it's fine quality replica silver. Lionel Crichton also set auction records for silver purchases in 1914, he paid the record sum of 5600 pounds at Christies for a silver standing salt, dated 1508 (Henry VIII), from Lord Ashburnham's collection. He had retail outlets in Bond Street London, and New York.
A private die silver serving or basting spoon featuring a King Protea, South Africa's national flower. The pattern is single struck, and contains a well modelled King Protea on the end of the spoon, the stem is decorated with a triple ribbed pattern with bands, ending in a diamond shape at the spoon bowl. We imagine this is a rare pattern, probably a special commission for a South African event or for a family with South African ties (all suggestions welcome). The hallmarks are clear, and include makers mark R.C for William Comyns & Sons, a firm that dates back to 1856, and still exists today. They are an important firm, their archive contains over 30 thousand patterns (in the V&A), they made all the coronets for the Queen's coronation. The spoon also has an additional hallmark in a very strange place, at the back of the spoon where the stem joins the bowl, this mark is circular and contains 3 C's in a pattern, we have now established this back to back C's hallmark is a trademark used exclusively by William C...
A very interesting (and large) Odd Fellows antique silver medallion or pendant, with a central Brittannia surrounded by a laurel wreath, in silver, on blue (enamel?) background, covered by glass. The oval medallion is engraved "VOTED BY THE YARMOUTH BRITANNIC LODGE OF ODD FELLOWS TO G. BOATWRIGHT P.G. 29 MARCH 1843". This is surrounded by an attractive engraved chain, the border is also engraved. The hallmarks are clear, and include the distinctive J.D makers mark with indented corners (Grimwade 3421). Dallinger was an engraver, lithographer and copper plate maker, he first worked in Ipswitch from 1824 and moved to Norwich in 1829 when he made this medallion. He is known as a maker of Odd Fellow regalia. The Odd Fellows is a Fraternal Society promoting philanthropy and charity, it dates back to 1745 and still exists today.
A set of three sterling silver tablespoons in the popular Fiddle, Thread and Shell pattern, with engraved Marais Family coat of arms, which is very clear. The spoons are a substantial size and weight, 105 grammes each, the quality is excellent (tablespoons over 100 grammes are rare). The hallmarks are very clear, including makers mark D&J W, for Daniel & John Wellby, who worked between 1827 and 1974 from Garrick Street, London. The Marais family coat of arms is described as "Azure, a chain sable fesswise, in chief a crescent reversed and a base of two hills vert" - Pama, Heraldry of South African Families, page 53, depicted on Plate 18, no 280, of the Bell Krynauw Collection. It dates back to Charles Marais of the farm Plasir de Merle, who arrived in the Cape in 1688, and was "murdered by a Hottentot on the farm in 1689". Note - we have other matching items with the Marais Family armorial.
A fabulous pair of antique silver tea knives (or butter knives), made in Sheffield but retailed in Oban, Scotland by R Drummond & Son. The knives have green hardstone handles, beautifully shaped, we guess Scottish green agate. The blades are nicely shaped and engraved, the hallmarks (which are excellent on both knives) are camoflagued in the engraving. The blades are blunt, so made for spreading, not for cutting, in the days everyone had their own knife for tea. The backs of both blades are clearly punched "R Drummond & Son, Oban", so we know they were retailed from their jewellery store in Queens Park, Oban. They also had a store in Stirling which traded between 1865 and 1904. Their advert has survived, and reads "Goldsmiths, Watchmakers and Opticians". Levesley Brothers worked between 1897 and 1916. The set is perfectly preserved in its original box.
A set of 6 Georg Jensen sterling silver coffee or demitasse spoons, in the Akkeleje # 77 pattern. The design is repeated on the back and the front, the Akkeleje can be translated as the Columbine flower, these are attractive, dainty spoons. The pattern was introduced in 1918, and was designed by Georg Jensen himself. All 6 spoons are clearly hallmarked with Danish hallmarks, including makers mark GJ above "STERLING DENMARK", they also have London import marks and 925 sterling marks for 1934 and 1935 (4 are 1934, 2 are 1935), along with makers mark G.J Ld, used by Jensen between 1931 and 1967 for items imported to their store in New Bond Street, London.
A set of 6 antique silver egg spoons, in the Fiddle, Thread and Shell pattern. The spoons are fabulous quality, just under 30 grammes each, a pleasure to hold and use. The spoons have the traditional shovel shaped bowls with distinct shoulders, where they meet the stem, so quite different to teaspoons. The hallmarks are clear on all 6 spoons, but the makers mark is only lightly struck, enough is visible to confirm the triangle shaped HA&S makers mark for Hollard, Aldwinckle & Slater, used between 1905 and 1919. Culme (Directory of Gold & Silversmiths) describes this firm as "an important firm of manufacturing silversmiths, established 1838, they purchased Chawner & Co in 1883, Hennell in 1887, they were absorbed by Francis Higgins in 1922". They supplied virtually all the leading silversmiths of the day, including Garrard, Elkington, Mappin & Webb, and Hunt & Roskell. A visitor in 1894 said "in passing through the galleries, the heavy thuds and ring of anvils, convince one that there is indeed such a trade as...
An early antique silver vesta case, with an applied cast golfer in full swing. The vesta is rectangular, with applied strike plate on the bottom of the vesta, the hinge lid has a suspension loop for adding to a chain. Dated 1886 this is an early vesta case, most vestas date between 1890 and 1920. The hallmarks are clear, and include makers mark WG/JL (William Gibson & John Lawrence Langman) of Goldsmiths & Silversmiths Co of Regent Street, a very prestigious firm founded in 1882, now the designated house of Crown Jewellers Garrards, following amalgamation in 1952 (both part of Sears via Mappin & Webb). John Langman was an interesting personality, he equipped and maintained the Langham Field Hospital during the Boer War (Culme, Directory of Gold and Silversmiths, page 184).
A set of 6 sterling silver Arts & Crafts salt or condiment spoons, made by Kurt Jobst circa 1950. The spoons have spiral design finials, round bowls and hand hammered "square" handles, they are a pleasure to hold and use. They are great quality, each individually made by hand by a master craftsman. All 6 spoons have clear hallmarks, and include his trademark "unicorn" KJ mark, along with "Jobst, Sterling and .925" marks. Jobst was born in Austria in 1905, he served his apprenticeship in Hanau, Germany, his influence was the Bauhaus movement. He emigrated with his family in 1936 from Austria to South Africa to escape Hitler, and became one of Johannesburg's leading silversmiths. He was commissioned by the South African Government to make the official wedding present for Queen Elizabeth in 1947 (a silver box with diamond necklace), he also made silver for Ernest Oppenheimer (cigar box, bowls and dishes). He died in a car crash in 1971 aged 66, in 1977 a book of his work was published. Nadine Gordimer (Nobel Pri...
A collection of six silver miniature animals, with lovely detail. 5 of the animals are sterling 925 silver, the smallest one is 800 grade (the mouse). The 2 dogs and pair of geese are from Germany, clearly hallmarked 925 and the post 1888 moon and crown German standard mark. The snail is Italian, made by Sorini of Arezzo post 1984, the hallmarks are small but clear. The other 5 animals we believe to be older.
A rare Victorian silver Armorial butter spade, where the whole blade displays an engraved family armorial. The butter spade has a bone handle, the blade is shield shaped (as opposed to usual triangular shape,) The armorial (centre cross with 4 crosses) is topped with an engraved lion rampant where the blade joins the handle. The bone handle is connected with a silver ferrule. The hallmarks are well struck and clear. Martin Hall & Co was established by Richard Martin and Ebernezer Hall in 1863 in Sheffield, they produced good quality silver until 1911. Butter spades are described by Ian Pickford as "quite rare" (Silver Flatware pg 180), we have not seen another armorial example.
A Pair of lovely French silver 2 pronged forks, with beautiful ornate baluster handles in 800 grade silver. The forks are finely decorated with flowers, scrolls and acanthus leaves, on a matted hand engraved textured surface, the central portion have a diamond engraved pattern with grooves, to improve grip. The steel prongs are long and elegant, sharp and slightly splayed. Both forks have 2 small hallmarks, the French silver Boars Head used for 800 standard (2eme titre) on small items, this mark was in use between 1838 and 1961, and an additional 800 standard mark. We date these forks to mid 19th century, copies of an earlier style.
A delightful Cape silver konfyt fork, one of the most charming we have seen. The fork is in the Hanoverian pattern, with turn up end, it has a form of feather edge engraving at the top of the handle, a long elegant stem (much longer than usual), and 3 tines. It has a v shaped drop, so overall quite different from many Cape silver konfyt forks. The fork is struck with makers mark IVC, this has no dots, the mark is clearly visible but the punch appears a little worn (hence the G being seen as a C). We believe this to be one of the marks used by Johann Voight, it is depicted in David Heller's book "History of Cape Silver", page 163. We have now confirmed 3 different IVG marks on Cape silver, which clearly come from 3 different punches, but probably come from 1 silversmith, or family of silversmiths as sons often took over the business of the father, and used the same punches. The other two IVG marks have different configurations of dots present, see Welz mark 171 with 2 dots, Welz described this maker as "unknow...
A rare and possibly unique variant of the Fiddle pattern, with a "fish tail" insertion in the handle of a Georgian silver butter knife, made by Thomas James. The blade of the butter knife is nicely shaped and has attractive engraving, but it is the handle that stands out. The knife also has original owners engraved initials IH, in a floral font. The hallmarks including makers mark T.J are well struck and very clear, note the lack of a town mark. Ian Pickford, in his book Silver Flatware, shows a picture of a different but similar Fiddle Pattern variant (Fig 139 page 109), which he describes as "odd and quite possibly unique", made in 1826. Thomas James was freed in 1789, he worked until 1827, he was a small worker. He was a noted maker of caddy spoons, many of which also included this "fish tail" design, but found near the spoon bowl, not up the handle as per this example.
A pair of Scottish Provincial silver tablespoons, made in Aberdeen by Peter Ross between 1819 and 1822. The spoons are Fiddle pattern, and have original owners engraved initials AGC. The spoons are in lovely condition, well preserved, and the hallmarks are clear. The hallmarks include makers mark PR between two A hallmarks for Aberdeen. Ross was admitted as an Aberdeen hammerman in 1819, but only lived for 3 more years until 1822 (Aberdeen Silver by Michael Wilson). His legacy is Fiddle pattern flatware, he is not known to have produced other silver items. Note - We have a matching single tablespoon S 1892.
A set of 4 Irish Georgian silver tablespoons in the Fiddle pattern, made by Samuel Neville of Dublin. The spoons have no initials or engraving, and no signs of removal. The hallmarks on all 4 spoons are excellent, all individually struck. They include makers mark SN, Hibernia, Crowned Harp and date letter I for 1805. Samuel Neville worked between 1795 and 1851, he was a respected member of the community, he was Warden between 1804 and 1807 and was also elected to the Dublin City Council in 1807. He was Master in 1807 and 1827.
A fabulous pair of Baltimore silver tablespoons, in the Kings pattern, by Samuel Kirk of Baltimore, and bearing Baltimore assay marks for 1824-1826. The spoons are very good quality and gauge, unlike many American spoons of the period, which were often thinner and lighter than their English counterparts. They are single struck (in Scottish fashion), the back of both spoons is engraved Lyon, we assume the original owner. In addition to makers mark S.Kirk in script in rectangular punch, the spoons have the oval Baltimore Coat of Arms quality mark, in rectangular punch with cut corners, and date letter C, used by Assay Master LeRoy Atkinson between 1824 and 1826 (see www.imperialhalfbushel.com for information on these marks). These date to an interesting period in American silver history, Baltimore between 1814 and 1830 was the only place and date where hallmarks were required on silver in the USA, following the passing of the Assay Act by the State Legislature of Maryland in 1814 (it was unpopular so repealed i...
A collection of 10 sterling silver and enamel souvenir spoons, all from Scottish towns. Eight of the spoons have enamel finials, one has additional enamel bowl, two are silver only. The spoons were made in Birmingham, London and Edinburgh, and two were imported from Europe. The dates range from 1900 to 1955. All 10 spoons have clear hallmarks. The 10 include:
1. Kilmarnock, Birmingham 1946, L Bros, Confide Virtute et Industria
2. Glasgow, Birmingham 1955, Barker Brothers
3. Edinburgh, London 1902, Saunders & Shepherd, Nisi Dominus Frustra, imported F mark
4. Glasgow, Birmingham 1926, Levi & Salaman, Let Glasgow Flourish, Cathedral in gilded bowl
5. Edinburgh, Birmingham 1900, Levi & Salaman, Nisi Dominus Frustra
6. Glasgow, Birmingham 1911, Joseph Cook & Sons, Exhibition 1911
7. Girvan, Birmingham 1902, William Henry Leather, Sigillum Burgi de Girvan
8. Dumfries, London circa 1900, imported F mark, Enamel bowl with High Street, Dumfries
9. Edinburgh, Birmingham 1926, Levi & Salaman, Nisi Dominus Fru...
A private die silver spoon featuring a King Protea, South Africa's national flower. The pattern is single struck, and contains a well modelled King Protea on the end of the spoon, the stem is decorated with a triple ribbed pattern with bands, ending in a diamond shape at the spoon bowl. We imagine this is a rare pattern, probably a special commission for a South African event or for a family with South African ties (all suggestions welcome). The hallmarks are clear, and include makers mark R.C for William Comyns & Sons, a firm that dates back to 1856, and still exists today. They are an important firm, their archive contains over 30 thousand patterns (in the V&A), they made all the coronets for the Queen's coronation. The spoon also has an additional hallmark in a very strange place, at the back of the spoon where the stem joins the bowl, this mark is circular and contains 3 C's in a pattern, we have now established the 3 back to back C's is a trademark used exclusively by William Comyns & Sons (Culme, Direct...
A pair of Cape silver Fiddle pattern konfyt (preserve) forks, with 4 tines, by Johannes Combrink. Both forks have excellent hallmarks, maker mark IC between 2 devices (possibly pomegranite?), see Cape Silver by Welz, mark 27, pg 147 - although on these forks the device has been reversed, with ball on inside, showing Cape silversmiths were not too concerned how hallmarks were struck. Johnannes Combrink worked between 1814 and 1853, he was a fine silversmith who produced good quality work.
A rare set of spring hinged Georgian silver sugar tongs, in perfect condition, which is quite unusual for these type of tongs. The tongs have a hinge with steel spring built into it, the steel is visible on the rear.The arms are cast, and have a bead and thread edge, the grips have an attractive pattern. The hinge bears the Innes family crest, of a lion holding a palm frond, under the motto "Ornatur Radix Fronde", translated "The root is adorned by the foliage". As is usual for Scottish crests, the motto is above (English crests the motto is below), the Innes family comes from the Moray area of Speyside (so perhaps these tongs should be used for adding ice to whisky rather than sugar to tea!). Both arms are hallmarked with makers mark IB and lion passant, which indicates they were made before 1784 when the duty mark was added. These type of tongs were made between 1765 and 1780 (Georgian Silver Sugar Tongs, Graham Hodges, pg 10, a book we highly recommend), and are rare in undamaged form. John Baker II worked...
A rare and beautiful set of 6 silver and enamel mocca spoons, complete with "coffee bean" terminal, gilded bowls, and beautifully enamelled back of bowls in chinoiserie style. These are gorgeous spoons with 6 very different pictures, beautifully enamelled with rich colours, including gold. Two scenes depict pagodas, and one has a Chinese figure complete with fan, golden trident and some Chinese script. The 4th spoon has a gold geometric design on deep blue enamel, with arrows and flowers. The final 2 (our favourites) have a floral theme. The spoons are in their original box, "By Appointment to HM the King, the Goldsmiths & Silversmiths Company Ltd, 112 Regent Street, London". The Goldsmiths & Silversmiths amalgamated with Garrards in 1952, now part of Mappin & Webb. The hallmarks on all 6 spoons are clear.
A lovely set of 6 miniature silver teacups with matching saucers, both cups and saucers are decorated with a hand engraved zig zag pattern. This is around the rims and centre of the saucers, and both inside and outside the rims of the teacups. All 6 saucers have 2 hallmarks, firstly makers mark "H goblet" in a 6 sided punch, we have not been able to identify the maker (we would welcome assistance, thanks!). All 12 pieces are hallmarked with the Dutch silver sword used on small items, this particular mark was used between 1814 and 1905.
An unusual set of Scottish Silver Hanoverian tablespoons, made in Victorian times. These spoons are lovely spoons, very good quality and weight, a pleasure to use. The spoons have a double drop, are bottom marked and have script initials "AW" engraved on the back of the spoons, in 18th century style. The spoons were probably made to order, as they are replicas of an earlier style. The hallmarks on all 4 spoons are excellent, including makers mark "G&MC" for George and Michael Crichton, who worked between 1864 and 1876.
A fabulous pair of Cape silver tablespoons in the old English pattern, with a beautifully engraved contemporary family crest, a rabbit or hare jumping over a rock. The spoons are good quality and weight, and are well preserved. Both are struck with makers mark IC for Johannes Combrink, one is very clear, the other is slightly worn. The spoon terminals have a strong turn and rib on the back, and an unusual shaped drop, very colonial in style. We have not identified the family crest (suggestions welcome), perhaps Haas or Haasbroek? This pair are amongst our favourite Cape silver items, they are lovely spoons.
A good quality antique silver replica of what is commonly referred to as "The Tudor Cup", which became famous when it was sold (as part of the Dunn-Gardner collection) at Christies auction in 1901 for GBP 4100, the highest price ever paid for a piece of silver at that time. John Dunn-Gardner, of Soham Manor, had a legendary collection of silver, the sale covered 6 volumes. The original cup of 1521, with scallop shell makers mark, is also known as the Holms cup, named after a previous owner. The original cup is now part of the collection of the Royal Scottish Museum, who purchased it in 1958 for GBP 9500. The museum's resources were augmented by the National Art Collection's fund, the Pilgrim Trust, the Worshipful Company of Goldsmiths, H.M. Treasury and 2 private donors, enabling the cup to be kept in Great Britian (Ian Finlay, Silver in the Royal Scottish Museum, Connoisseur June 1959), where the original cup is pictured. The original cup is also pictured in the book "Old London Silver" by Howard (pg 100).
An Arts and Crafts Swedish silver sugar bowl with lid, with circular hand hammered body on a raised circular foot, the lid with a ring finial. It is a simple but beautiful design, and is a very good weight and excellent quality. The hallmarks are very clear, having been protected by the raised foot. They include the Swedish State mark (3 crowns) and 830 silver standard (S in hexagon), Goteborg city mark (crowned G), date letter for 1962 (M9) and sponsors mark for Thore Eldh (SFS). Thore Eldh was a highly regarded Swedish designer who worked between 1935 and 1967. In addition to the hallmarks, the bowl is stamped "Cecilia" in script form, we assume a pattern name.
A rare set of 6 Scottish Provincial teaspoons, with engraved initial J. They are an unusual pattern, Fiddle without shoulders, and the edges are bevelled. Each spoon is slightly different, clearly each spoon has been made individually by hand. Each spoon is hallmarked with 3 "pot of lilies" followed by makers mark WC. The marks on 3 spoons are excellent, well struck and very clear, on 2 the bottom right hand corner is not visible, and on 1 spoon the marks are partially visible (but the pot of lilies still clearly visible) - as is often found with makers individually struck by hand. The pot of lilies townmark (azure a pot of growing lilies argent) is taken from the arms of the Burgh of Dundee (Jackson pg 598). Each pot has 3 lilies and 2 handles clearly visible.
A delightful pair of Cape silver Konfyt forks, in the rare Fiddle and Shell pattern. The forks also have a bevelled edge, and are single struck. Fiddle and Shell pattern is scarce (Pickford, Silver Flatware), Cape silver in this pattern is very rare. The hallmarks on both forks are very clear, being makers mark MLS between 2 Fleur de Lys. Smith was a Dane who arrived in the Cape in 1757. He married 4 times, had 10 children, and died in 1806 (Welz, Cape Silver).
A lovely set of Jugendstil German 800 silver teaspoons, of very good quality. The spoons all have a cast crest depicting an eagle within a shield, over a cross within another shield. This has the appearance of a military crest, but this is not our area of expertise. The spoons are in their original box, marked "HG Berg, Guldsmed, Sandefjord", which is in Norway - so the possibility exists that the spoons were manufactured in Germany for the Norwegian market, so the crest could be Norwegian.
Pair of Cape Silver Konfyt (preserve) forks, in the Fiddle pattern, with very clear hallmarks and initials JWH. Pairs of konfyt forks are fairly rare, most konfyt forks found are singles. The hallmarks on both forks are very clear, and consist of makers mark, pseudo English dutymark and castle town mark. Johannes Lotter was a member of the Lotter family of silversmiths, he was the son of Willem Godfried Lotter and the brother of Carel David Lotter. He also made the snuffbox featured on our website (item S 185).
A rare matching pair of twisted stem konfyt (preserve) fork and spoon, the fork having 3 prongs. They have spearhead handles, with typical Cape floral engraving, and very clear hallmarks. Similar forks and spoons are illustrated in Heller's History of Cape Silver (Vol 1, pg 148) and Welz's Cape Silver (pg 41). Byleveld worked from 53 Loop Street and 31 Waterkant Street from 1814 - 1827, when he died age 35.
A beautiful silvergilt engine turned snuffbox with a chocolate brown agate (mocha agate) set in a rim of chased flowers, by a silversmith well known for his boxes. This box has a lovely weight and a pleasing feel.
A pleasing, heavy caddy spoon by the well known caddy spoon maker Thomas James, whose spoons often have interesting handle shapes, and a "fish-tail" projection at the base of the handle. The spoon has a beautiful crest of a hand holding a cross, with the motto "VIRTUTI FORTUNA COMIS", translated "excellence, fortune and kindness". The hallmarks are very clear. This spoon appears to be an identical twin of a spoon sold by Woolley and Wallis from the John Norie collection, Part 1, April 2004, lot 132. We have now identified the family crest as belonging to the Mayne Family of Scotland, from Tullibody & Powis in Stirling. The crest is described as "Cubit arm, erect, proper habited sable cuff argent holding a cross crosslet gules", the motto above the crest denotes a Scottish family. One possible original owner of this spoon is Colonel William Mayne, who served as Captain of the 1st Life Guards at Waterloo. Thomas James was freed in 1789, but only entered his own mark in 1804.
Pleasing associated set of Cape tableforks, 5 by Lawrence Twentyman, one by his contempory John Townsend. Very clear hallmarks, showing the wide variety of hallmarking styles used by the Cape silversmiths. 2 forks have the initial W on the back.
An early James II silver trefid spoon, by one of the "First Fifteen" London spoonmakers (1580-1697), as identified by Tim Kent in his book "London Silver Spoonmakers". The trefid spoon has a ribbed rat-tail, and is prick engraved "M.P over C.G", indicating this spoon celebrated a marriage. The engraving is delightful, and is contemporary. The spoon is in lovely condition, well preserved given it's age. The makers mark is superb, very clearly struck and perfectly preserved, it could not be better - easily as good as the example illustrated by Kent (pg 36), taken from the original copper plate preserved by the Goldsmiths Hall. This is Thomas Allens' pre 1697 mark. It has 3 pellets above, and a rose below, all clearly visible. The other hallmarks are visible but worn, the crowned leopards head for London, and date letter h for 1685. The lion passant is just visible, but very worn. Thomas Allen was apprenticed to John King (another of the First Fifteen) in 1668, and freed in 1675 (Grimwade pg 422). He was a speci...
A set of 6 Prussian silver teaspoons, made in Danzig, now Gdansk, Poland. The spoons are a lovely shape, with long elegant pointed terminals and elongated bowls, more similar to grapefruit or fruit spoons, or lemoen lepels in Dutch. The spoons have bright cut engraving, designed to reflect in candle light, and cartouche for initials. The original owners prick engraved initials G.V. J are very faintly visible. The spoons have 3 hallmarks, most marks are clear, some partially obscured. They include Danzig town mark (2 maltese crosses below crown) in irregular shield, used between 1790 and 1799, makers mark JGS in script, and a large cursive E, we believe this is the assay master mark rather than a date letter, all suggestions welcome. We have identified a Danzig silversmith Johannes Gottlieb Stegmann whose makers mark was JGS, he worked between 1772 and 1804, but his published mark (www.agraart.pl/silver), is different, not the script style as here, so it is possible we have mis-identified the silversmith, all...
A lovely late Victorian American Sterling silver hand mirror, by the highly regarded Gorham company. The mirror is embossed in deep relief with roses, with very fine detail. The quality is exceptional, this is a lovely item, a real work of art by a master craftsman. The hallmarks are clear, the Gorham Lion, Anchor and Gothic G, "Sterling" and date letter O.
An early antique silver trefid spoon, preserved in excellent condition, and with good hallmarks. The spoon is the traditional trefid shape (also called Pied de Biche, as the style originated in France), and has a lovely reeded rat-tail, which is quite rare. The spoon is engraved with contemporary initials "K * M", engraved correctly on the back of the spoon. The spoon is good quality, and has a lovely feel. The hallmarks include makers mark DO in diamond shaped punch with Fleur de Lys above and below. This mark belongs to Dorothy Grant (Grimwade 3591, Jackson pg 136, under 1680). Dorothy Grant was the widow of William Grant, she worked until 1712, both her sons Benjamin and William apprenticed under her (Grimwade pg 527). Other marks include crowned leopards head (worn), lion passant and date letter O for 1691, which is very clear. Note: We had originally ascribed this mark to John Downes (Jackson, pg 155, Wyler, pg 145, Grimwade pg 46), but this mark is clearly in a diamond rather than circular punch used by...
A collection of 10 sterling silver rifle shooting trophy and Boer War souvenir spoons. Five spoons have enamel finials, 8 spoons are shooting trophies and 2 spoons are Boer War. The spoons include:
1. P.E.R.C. (Port Elizabeth Rifle Club), E.F. Wilson, 103, enamel shooting range (round medallion), Birmingham 1928, Birmingham Medallion Company, gilded
2. P.E.R.C. (Port Elizabeth Rifle Club), E.F. Wilson, 1927, 100, enamel bulls eye, gilded, crossed rifles, Birmingham 1925, Birmingham Medallion Company
3. & 4. - Toll Gate Miniature Rifle Club, enamel finials with twisted stems, Birmingham 1912, William James Dingley, both engraved "Won by"
5. Man at Arms Competition, Lovely shooting soldier handle, Birmingham 1912, William James Dingley, engraved "Won by EF WILSON PET GRC, score 98, 18 Jan 1913
6. & 7. - Rifle Club, crossed rifles, Birmingham 1909 and 1911, Elkington & Co, engraved "D Coy CP Rifles and A Coy PWCRCPR", nice quality
8. Bloemfontein Rifle Club (English and Afrikaans), City armorial, gilded, B...
An unusual silver table bell, with cast silver handle of 2 young boys (cherubs or putti?), one holding the other upside down by the ankles. The casting has lovely detail, as can be seen in the photographs. The bell is quite heavy, and is good quality, with a clear ring. The clanger is also hallmarked silver. The hallmarks are clear, including makers mark JS, which appear to over strike another mark, so possibly JS is a retailer. We would welcome opinions on the significance of the cherubs, thank you.
A silver quaich of traditional shape, with 2 flat lug handles, and quite a large size. It is quite plain, which accentuates its lovely shape. The base is engraved "H.H. Plante, 12 Bury St, St James, S.W.", and the hallmarks are very clear. Quaiches are traditional Scottish drinking vessels, one's this size were passed around at ceremonial occasions. They are popular christening gifts in Scotland. The firm of H.H. Plante (Henry Hudson Plante) worked between 1907 and 1980.
A magnificent silver beaker, decorated with 10 silver staves, which in addition to being decorative greatly improve the grip. It is extremely good quality and weight, and a pleasure to hold. The base is engraved "Goldsmiths & Silversmiths Co, Regent St, W", and the hallmarks are clear. The Goldsmiths and Silversmiths company existed from 1880 to 1952, when it was absorbed into Garrards, the Crown Jewellers. Given it's date of 1916, we imagine it was used for water or whisky by an officer in the Great War.
This beaker is a replica of a medieval beaker dated 1496 (Henry VII), that used to belong to Cardinal Wolsey. It is featured in an advertisement for Alexander Clark Co Ltd of Oxford Street, London, priced at 3 pounds 10 shillings, that appeared in The Connoisseur magazine of July 1912, which advertised reproductions of historical and classic cups, including the tudor bowl and cup, and Pompeii jug. High quality reproductions of famous silver items were popular in the early years of the 20th century, they ar...
A nine carat gold fishing rod and reel brooch, with a cast silver and enamel rainbow trout jumping over the rod. The fish has lovely detail, and the colours are realistic, the enamel work perfect, with no damage. The rod is segmented, overall this is a lovely brooch. The rod is hallmarked 9CT for 9 carat gold in 2 places, and also makers mark A&W, the fish is stamped SILVER. The box is also good quality, leather and silk, and reads "Terry & Co, Goldsmiths & Silversmiths, Corner of Cross St & King St, Manchester. We have traced an advert of theirs to 1967.
A 15 carat gold and enamel RAF (Royal Air Force) sweetheart brooch, with red and green enamel, perfectly preserved in it's original leather and silk box. The only hallmark present is 15CT for fifteen carat gold. The box is lovely, and reads "Royal Appointment, Gieves Ltd, 21 Old Bond St London W1". Gieves is now Gieves and Hawkes after the acquisition of Hawkes in 1974, they hold Royal Warrants for the Royal Family and the Prince of Wales, now at 1 Savile Row.
A pair of Victorian silver toddy ladles, in the Old English Thread pattern, made in London for a Scottish family. The ladles have engraved Scottish crests of a hand grasping a dagger issuing from a heart, underneath motto "With Heart and Hand", the engraving on both is crisp and clear (only Scottish motto's are above the crest). The ladles are double struck, with pattern on both sides, and the thread is a double thread. They are good quality ladles, a pleasing weight, and preserved in excellent condition. Toddy ladles are uniquely Scottish, and usually single struck, so this London made double struck pair are unusual. The hallmarks on both are very clear, including makers mark H.H for Henry Holland, an important firm established in 1838 that became Holland, Aldwinckle & Slater, until absorbed into Francis Higgins in 1922. The crest and motto are for the Dudgeon family. A notable Victorian London based Dudgeon business was J&W Dudgeon, a shipbuilding and engineering company, they built blockade runners for the...
A Scottish Provincial silver Fiddle pattern dessert spoon, by a very rare maker, with excellent hallmarks. The spoon is engraved with initial F in contemporary style, a single initial as is often the case in Scotland. The hallmarks are excellent, well struck and very clear, and include makers mark CT, Gothic A, incuse Fleur De Lys, Gothic A, makers mark CT, for Charles Torchetti, who worked in Aberdeen from 1825 until his death in 1840. In the book "Aberdeen Silver" by Michael Wilson, he is described as a "rare maker, with occasional Fiddle pattern spoons and forks". He was described as a picture framer, optician and looking glass maker in the Aberdeen Trade Directory (Wilson pg 34), he worked from Queens Street. Wilson also notes that Alexander Grant used the same Gothic A and incuse Flear De Lys, and that they came from the same punch, so surmises that Torchetti bought spoons from Grant and applied his own makers mark. The provenance of this spoon is also interesting, it has spent the last 40 years as part...
A fabulous pair of scarce Kings Fiddle Husk tablespoons, of exceptional quality and weight, made by Elizabeth Eaton. These spoons both weigh over 105 grammes each, amongst the heaviest we have encountered. The spoons have the Husk heel, and have no initials or engraving. Kings Husk pattern is a scarce variant of the Kings pattern, the most obvious difference being the omission of the central honeysuckle and a husk shell rather than a concave shell (Pickford, Silver Flatware, pg 136). In addition there is no shell on the back. It was first produced during the Regency, Paul Storr also produced this pattern. The hallmarks are clear on both spoons, including makers mark EE in a bifoil punch, for Elizabeth Eaton. Eaton inherited the firm in 1845 on the death of her husband William, her son John joined the business in 1854, they sold the business to Henry Holland in 1864. (Culme, Directory of Gold and Silversmiths, pg 134). The firm had a good reputation, Elizabeth Eaton exhibited silver spoons and forks at the Gr...
An interesting Georgian silver snuffbox, with Finlayson family interest. The snuff box has an engraved cross hatch design, with 2 intersecting straps, copying an early suitcase or trunk. The snuff box is curved, so would fit snugly in a pocket. The interior is gilded. The straps are very suitable for engraving, and the names of 4 different generations of Finlaysons have been engraved on this one. The 4 names include "John Finlayson Merchant, Canongate 1760, John Finlayson S.S.C. Edinburgh 1824, Thomas B. Finlayson 1862, Mary H. Finlayson 1874". The base is also engraved with owners initials AF 1833, we assume another Finlayson. The script engraving of all 4 names is different, so was engraved at different times as ownership of the box transferred. The first date precedes the age of the box, so we assume the 2nd Finlayson started the tradition. The hallmarks are clear, and include makers mark ID without pellet (Grimwade 1250), this could be John Douglas or John Death, we assume Douglas as he was a known snuf...
An octagonal silver sparrow beak milk jug, a modern reproduction of a popular 18th century style, circa 1725. It is pitcher shaped, has a scroll handle, and sits on an applied octagonal foot. The base of the sparrow beak has 2 applied balls, completing the design. The jug is a very good weight and quality, as you would expect from Garrards, the Crown Jewellers. In addition to being a very pleasing design, it pours beautifully, so very suitable for use. The hallmarks are excellent, including makers mark "G & Co Ld". Garrards is a very prestigious firm, originally founded by George Wickes in 1722. They succeeded Rundell, Bridge & Co as Crown Jewellers in 1843, and are still based in Regent Street.
A set of 3 Fiddle pattern Cape silver tablespoons, which are notable for their strong colonial feel, being slightly crude in nature, and with hand hammered stems. Each spoon is slightly different, clearly each spoon was made by hand, probably in primitive conditions. The drops are also crude, and have an amateurish feel, perhaps these were made by a novice apprentice?
All 3 spoons have pseudo hallmarks, date letter a, date letter B and duty head, with no makers mark. The shape of the outline of date letter B is notched on both sides, making it very distinctive - hence our attribution to Peter Clarke Daniel (mark 41, Cape Silver by Welz). Mark 41 has the 2 date letters (a and B) together, with the duty mark - given the outline and occurrance we are pretty certain the same punches were used, but perhaps not by Peter Daniel himself. Further research is required, as we know Cape silversmiths occasionally interchanged punches amongst one another.
Lovely set of German 800 silver teaspoons, probably produced for a 3rd Reich organisation, of very good quality and weight, with an attractive scrolling border an an unusual crest. The crest is an angel, a young girl in traditional dress with angels wings, holding a shield containing a crown over 2 crossed arrows and circle. We have been informed that this is a Hitler Youth crest, but as this is not our area of expertise we cannot confirm that. We would welcome any views or comments, and hope we are not offending anyone in the event that it is a Hitler Youth crest. The hallmarks are clear, makers mark HTB, actually H hammer B, for the Hanseatische Silberwarenfabrik AG of Bremen, Germany. It was founded by 2 Bremen jewellers, Brinkmann & Lange, and produced flatware between 1933 and 1937, when it was absorbed into Wilkens. They were approved suppliers to the German 3rd Reich, RZM mark no. 241 of the NSDAP, and are known to have supplied a number of different military organisations.
Unusual and beautiful Fiddle pattern serving spoon and fork. The spoon bowl is an unusual oval shape. Forks of this size are rare, serving sets even more so. Beautiful stags head crest and clear hallmarks.
An interesting Indian Colonial 9 carat gold sweetheart brooch, featuring a well modelled cast elephant and battle honour ASSAYE. The brooch is good quality, and the original gold pin and clasp in full working order. The brooch is clearly hallmarked, makers mark H&CoLD, and 9Ct for nine carat gold. This makers mark was used by Hamilton & Co, the "Garrards of India", between 1926 when they became a limited company and 1936 when they introduced date letters. The battle of Assaye was a major battle of the Second Anglo-Maratha War fought between the Maratha Empire and the British East India Company in 1803, the future Duke of Wellington commanded the British, he "considered Assaye the finest thing he ever did in the way of fighting even when compared to his later military career" - Wikipedia. He had 2 horses shot under him during the battle. "Both British regiments and Indian units were awarded the Assaye battle honour and most were later given permission to adopt an Assaye elephant as part of their insignia. The ...
A set of 4 Cape Silver dessert spoons in the Fiddle pattern, with initials ACI clearly engraved on each spoon. The spoons have pseudo English hallmarks (duty mark, castle and date letter C), this is mark 139 from Welz (Cape Silver). No makers mark is present, but we can be confident the maker is Lawrence Twentyman, as he was the only Cape silversmith to use these particular hallmarks. The hallmarks are clear on all 4 spoons.
A lovely pair of Victorian silver fish servers, beautifully decorated with an unusual sea horse design (actual horses with mermaid tails). The decoration is pierced and very finely engraved. The servers consist of a fish slice and serving fork in the Fiddle, Thread and Shell pattern. The set is good quality, and has a substantial feel when used. They have been beautifully preserved in their original felt and silk lined box, we get the impression they have never been used. The box itself is intact, with hinge and clasp in full working order, but the box is a little battered and worn, with remnants of an old label on the lid - acceptable given its 160 year age. The hallmarks are well struck and very clear on both items. John Stone was a well regarded Exeter silversmith who worked between 1825 and 1867, from 30 Bridge Street, Exeter, he produced many items of flatware. He registered his mark in London in 1844 (Culme, Directory of Gold and Silversmiths, pg 436), perhaps he wanted his finer items to have London ra...
A modern reproduction of the rare "eagle's wing" caddy spoon, amongst the most collectable and desirable of all caddy spoons. The original versions of this spoon were produced by Joseph Willmore and Matthew Linwood in Birmingham circa 1815. It was also copied by George Unite in Birmingham circa 1865 (see John Norie Collection of Caddyspoons - Woolley & Wallis, 2004). John Norie himself described the eagles wing caddyspoon as "the most revered and sought after of all specimens" in his definitive book on the subject. This is a cast spoon (cast marks can be seen on the base), and is very good quality and gauge, and pleasing to hold. The plumage is textured and the hallmarks are very clear. The eagle's wing caddy spoon is the emblem of the Society of Caddy Spoon Collectors, who recently published the book "The Caddy Spoon in the 20th Century", with the eagles wing featured on the back cover. They note that Thomas Bradbury & Sons reproduced the eagle's wing caddyspoon (page 18) along with other traditional spoons,...
A very interesting silver drum salt, designed by Alex Styles and retailed through Garrard, to commemorate the 650th anniversary of the Goldsmiths Company in 1977. The body is decorated with a fabulous interpretation of the Goldsmiths Company Arms, and the dates 1327-1977. The arms (granted in 1571) include quartered leopards head and covered cup with 2 buckles, and a stylized demi-virgin (thought to possibly be Queen Elizabeth I) holding the scales (balances) of Justice and a touchstone, both used for testing precious metals. The armorial is supported by 2 unicorns (representing purity), and the motto JUSTITIA VIRTUTUM REGINA, latin for "Justice is Queen of Virtues". The design has been photo-etched onto the silver, a modern technique which we think does justice to the armorial. The Goldsmiths company is one of the 12 great Livery companies of London, they were granted Royal Charter in 1327. The Leopards head (actually a lion but in 1327 the word for lion and leopard was the same) comes from the Royal standar...
A mixed set of 6 Irish silver tablespoons, all with excellent hallmarks. 3 spoons are Old English pattern (a matching pair by John Pittar, 1779, bottom marked, with worn shellbacks, and a spoon by Michael Keating, 1799), and 3 are Fiddle pattern (1805 by J.S, 1812 by Richard Sawyer and 1832 by Samuel Neville, this last spoon has a rat-tail. 3 spoons have engraved family crest, 2 spoons have engraved initials, and one spoon has not been engraved. All 6 spoons have well struck and clear Dublin hallmarks, and clear makers marks.
An exceptionally large Danish silver serving spoon, in the Old Danish pattern (Dobbelt riflet), wih matching large bowl. The spoon is single struck, the pattern has a reeded edge, and the handle is fluted. This type of extremely large serving spoon is unique to Denmark, very suitable for serving a generous portion. The hallmarks include the Danish 3 towers mark (well struck but date letter not visible), makers mark VELTZIN, and an additional mark which reads 13L4G, which we think is a standard mark for 13 loth silver (812 purity). The makers mark Veltzin appears rare, we have not been able to trace this maker, or confirm the meaning of the 13L4G mark, all assistance welcome. We have sold a similar spoon S1293, and have a similar example S 11029.
A lovely antique 9 Carat rose gold Albert Chain bracelet, of exceptional quality. This has been converted into a bracelet from a Gentleman's Albert chain, used to hold his pocket watch in place, named after Prince Albert, Queen Victoria's husband. The links are gradated, with each link either slightly larger (or smaller) than the one next to it, the largest links are in the centre of the bracelet (0.8 cm across), the smaller at the end (0.6 cm). The original gold T-bar hangs from a few links off the end of the chain, so it hangs freely when the bracelet is closed. The gold has a noticeable lovely reddish tinge, hence our description rose gold, which is usually associated with Welsh gold. What marks this chain as exceptional quality is that each and every link is hallmarked, some more clearly than others, with the 9 carat mark (9.375). The T-bar has the same 9.375 mark, plus makers mark E.W&S for E Whitehouse and Sons, who worked in 1902, from Vyse Street, Birmingham. The shepherds hook clasp, which ensures a...
A rare Victorian silver postal scale, in full working order. The scale is intended for measuring postal items, so that the correct postage could be applied. This scale would have been used in a wealthy household, not a Post Office. The front is engraved "Postal Scale" on top, on the side "Postal Union Rates 2 1/2 d for each 1/2 ounce." To the left is engraved "English Rates" above measuring scale from 1d - 4d in 1/2 increments. To the right are 2 measures, 1 marked "LB" for pounds (scale 0 to 1 LB), to the right "OZ" for ounces measuring from 1-16. The engraving is exquisite, this is a lovely item. The base is rectangular with a Chippendale rim. The scale also has a knob (for adjusting scale) behind the pan, and a silver screw for opening the scale. The side of the scale is fully hallmarked, a registration number RD 308820, is also present. The top pan is also hallmarked, these are worn from polishing. Levi & Salaman were established in 1870, they were known for their high quality silver novelties...
Lovely set of Kings pattern (with diamond point) Cape tableforks, of very good quality and gauge - the forks are 100 grams each, very heavy to hold. Cape flatware in Kings pattern is fairly rare, the most prevalent patterns being Fiddle and Old English. These forks all have the same English pseudo hallmarks (leopards head, date letter A, duty mark and lion, Welz mark 135), struck by the same punch in the same workshop. However, 4 have the maker mark LT (Twentyman), and two have the makers mark FW (Waldek). This is not unusual, as Waldek worked for Twentyman, and probably took over the business when Twentyman departed for India, circa 1835.
Pair of Old English serving spoons of good gauge, with a nice feel.They are perfect for use as heavy duty serving spoons. They have an interesting crest of a tulip in front of 2 crossed crosses, each cross arm bearing another cross. Hallmarks very clear.
Gilt, engine turned vinaigrette with original sponge and very good hinge. Engraved "J Lang, 1835". Grille has flowers set amongst scrolling foliage.
A beautiful pair of Salters Company silver spoons, with the Salters Company coat of arms, and motto "Sal Sapit Omnia" (salt flavours all) on a banner wrapped around the stem. The bowls have a traditional shell design, these are very attractive spoons. The back of the armorial is embossed with the date "May 12 1853", which commemorates the date the Salters Company acquired ownership of it's Irish estates. The spoons are very good quality, are a good weight, and are perfectly preserved in their original box. The box reads "Carrington & Co. To his Majesty the King and Her Majesty Queen Alexandra, 130 Regent St W". Carrington & Co was established in 1873 by John Bodman Carrington, it still trades today. They were a very prestigious firm when these spoons were made, they had Royal warrants from Queen Victoria, Kings Edward VII and George V, as well as Czar Nicholas of Russia. The Salters Company is one of the 12 great livery companies of London, ranked 9th in order of precedence. Their origins were in the salt tr...
A set of four Early Georgian Dutch silver Hanoverian pattern tablespoons, made in Amsterdam in 1754 by Andries Vis. The four tablespoons (also called porridge spoons by the Dutch) have a central rib, and a very strong upturn, enough so it can hang from a finger. The spoons also have a double drop, with a prominent pip at the end of the second drop. The hallmarks are good on all 4 spoons, and include makers mark of a fish for Andries Vis, rampant lion with crown indicating first standard silver (925 sterling quality), town mark for Amsterdam (three crosses under crown) and date letter U for 1754. Andries Vis worked between 1741 and his death in 1799, he is known for his cast figural spoons. He was a very competent silversmith, in addition to spoons he produced teapots and other hollow-ware. His silver is well represented in museum collections, a very similar spoon to these is in the Boijmans museum.
A provincial silver trefid spoon, made in Exeter in 1714. The spoon has an oval bowl, rat-tail with ribs, a flat stem and the traditionally shaped end with 2 clefts, with a slight upturn. The spoon is engraved "MH 1707" on the back of the spoon, the MH are co-joined, and the engraving is contemporary. During this period spoons were placed on the table bowl down, hence the engraving on the back. The spoon is quite light, as is often the case with provincial spoons, but in very good condition, given its age. The spoon has 5 hallmarks, makers mark MA co-joined, 3 turreted castle (Exeter town mark), Brittania (very worn), lions head erased (used in Exeter between 1701 and 1720 to denote Britannia silver, which is higher grade than Sterling), and date letter O in shield for 1714. The makers mark appears to be MA co-joined, but could also be read the other way around (?W). We now believe this to be the mark of John Manley I of Dartmouth, who entered his mark in Exeter in 1705 (See mark 86, West Country Spoons and t...
An interesting pair of circular trencher salts, made to commemorate the coronation of Edward VII in 1902 by Elkington. The quality is superb, and they are a good weight. The salts are an exact replica of Carolean salts made in 1684, engraved "Ex Dono Edw Norman 1684" (donation of Edward Norman 1684). They have star crests, presumably that of the donor, and the crest of the "Worshipful Company of Innkeepers" (St Juliens cross sable and chevron between 3 oatsheaves) on the other side. The company, whcih still exists today, was created in 1514. The company has the original salts (a set of 12) and presumably commissioned the replicas to commemorate the coronation. The original salts are described in the article "The Old English Silver of the Innholders Company, London" by Arthur Butler (The Connoisseur Illustrated Vol 1 pg 236, Sept - Dec 1901). Butler believes they deserve "special distinction", due to their "graceful shape". The top of both salts are engraved "Edward VII, 1902", and the base is engraved 101 and...
Beautiful Arts and Crafts low tazza, with celtic design rim and 8 celtic buttons of two different sizes arranged around the rim. It is a pleasing size and weight, perfect for use as a fruit bowl. This is a truly stunning piece, by highly regarded makers. Hallmarks are very clear
An interesting gold miner or prospectors gold brooch, consisting of a gold spade, pick and rope, with 3 real 24 carat gold nuggets - the largest central on the handles, with smaller nuggets on the spade and pick end. The spade blade has stamped "rivets", the gold safety chain and safety pin is attached to the spade blaed. The brooch pin is also gold, but a redder colour compared to the bright gold nuggets, spade and pick. The brooch has no hallmarks, we believe the spade, pick and rope to be 18 carat, the nuggets pure 24 carat and possibly the pin is 9 carat. These brooches became popular at the turn of the 20th century, worn to advertise success in the goldfields.
Beautiful ladle by the famed maker Alwyn Carr, one of the leading silversmiths of the Arts and Crafts period. It dates from the period after the dissolution of his partnership with Omar Ramsden, which occurred in 1918 when Carr returned from the Great War as a wounded Captain. The ladle is double lipped, spot hammered, has a rattail and a heart shaped terminal. The hallmarks are very clear. Carr died in 1940.
An interesting and rare early vinaigrette, the grille of the vinaigrette does not have a hinge, but fits as a snug cap which can be completely removed. The vinaigrette is oval in shape, the grille is plain with irregular punch holes with no pattern, the grille and interior of the vinaigrette are gilded. The grille has a small thumbpiece on one side, this fits into concave opening in the side of the vinaigrette base. Close examination of the vinaigrette shows no sign of hinge removal, we are confident it was originally made to be a removable grille without hinge. The gilding is a lemon colour, with some scratches and imperfections. The original sponge is present. The hallmarks on the lid are very clear, and include date letter X for 1795, lion passant and makers mark T.W in oval punch. The hallmarks on the base include a very clear maker mark, good anchor town mark and partial duty mark. Thomas Willmore was the patriarch of the Willmore Genealogy, one of the leading families of Birmingham toy makers, known fo...
A rare pair of Cape silver mustard spoons, in the Fiddle pattern with gilded bowls, with pseudo English hallmarks. The hallmarks include makers mark JT in damaged punch (Welz mark 123), and 4 pseudo marks (Georgian duty, date letter a, leopards head and date letter J, Welz mark 122, page 153). One spoon has excellent hallmarks, the second has good hallmarks, some slight wear. Heller does record Cape made salt and mustard spoons, and depicts 6 salt spoons in his book "History of Cape Silver" (pg 202, plate 67). Cape mustard spoons appear to be be much rarer than salt spoons, none are known in any of the Cape silver reference books. We have sold a similar Cape mustard spoon by Townsend, (but slighty longer and different combination of pseudo marks), see S 1818.
A lovely Georg Jensen sterling silver brooch, pattern number 266. The brooch is rectangular, with a wavy crosshatch bar pattern interspersed with 3 different sizes of silver balls, this has been described as the Jensen "Silver Ball" brooch. The brooch is clearly hallmarked with interesting marks, 6 distinct punch groupings have been used, so quite unusual to have so many hallmarks on such a small piece. They include 1. "Georg Jensen Silversmiths LTD", 2. "Sterling", 3. "Denmark", 4."266", 5. "GJLd" (makers mark), 6. "London post 1906 import mark, .925, N" (London import marks for 1948). The first 4 marks would have been added in Denmark, the last 2 on import into London in 1948.
An interesting and rare silver wine label, in Art Nouveau style. The label is rectangular with canted corners, and has been pierced WHISKEY in Art Nouveau style, in a font that closely resembles the Charles Rennie Mackintosh Glasgow school. Whiskey spelt with an E indicates Irish whiskey, Scottish whisky is spelt without the E. The hallmarks are struck on the front of the label, and are very clear, including the W&H in flag punch, they worked between 1884 and 1960, when they were incorporated into Mappin & Webb. British Art Nouveau silver wine labels are rare, the book "Wine Labels 1730-2003" by John Salter, states that "perhaps surprisingly, there seems to have been no record of British Art Nouveau labels", further noting the "only Art Nouveau labels known are American and Continental". Note: we have a matching label for BRANDY S1849.
An interesting and rare silver wine label, in Art Nouveau style. The label is rectangular with canted corners, and has been pierced BRANDY in Art Nouveau style, in a font that closely resembles the Charles Rennie Mackintosh Glasgow school. The hallmarks are struck on the front of the label, and are very clear, including the W&H in flag punch, they worked between 1884 and 1960, when they were incorporated into Mappin & Webb. British Art Nouveau silver wine labels are rare, the book "Wine Labels 1730-2003" by John Salter, states that "perhaps surprisingly, there seems to have been no record of British Art Nouveau labels", further noting the "only Art Nouveau labels known are American and Continental". Note: we have a matching label for WHISKEY S1850.
Rectangular, plain but elegant teapot on 4 ball feet, characteristic of the style between 1805 and 1810. Wooden handle and ivory finial. Beautiful tree stump crest, excellent hallmarks, including lid.
An interesting set of 12 silver ice cream spoons, complete with matching larger ice cream serving spoon, of identical shape. The spoons have a circular flat bowl, with a raised lip on the right hand side to prevent ice cream sliding off. the spoons have a thread border, and pointed terminal, quite an attractive pattern. The back of each spoon is engraved with attractive interlocking initials BS (or SB?) in Gothic style, the B is shaded, the S is not. It is unusual to see initials on the back of spoons from this period, also the initials are 180 degrees from what is usually encountered (these face towards you), so designed to be read when laid on the table face down. The 12 smaller spoons each have 2 marks, the small sword used for small items (between 1906 and 1953) and makers mark V.K followed by a device. the large spoon is fully hallmarked with clear marks, these include makers mark V.K under crescent moon, lion passant over 2 for 833 grade silver, Minerva head duty mark with town letter on helmet (C for T...
A rare Iona silver letter opener, in the form of a sword, in the Celtic Arts and Crafts style, made by Alexander Ritchie of Iona. The letter opener is a substantial size and weight, a quality item, and is a pleasure to use. The sword is decorated with Celtic knotwork on the handle and blade. The hallmarks are very clear, "A.R." incuse makers mark, "IONA", and Glasgow hallmarks for 1929. Alex Ritchie's work was inspired by the ancient Celtic and Viking carvings on Iona. He is regarded as one of the most respected and sought after Scottish silver jewellers of the 20th century. (All information courtesy of Alexander Ritchie website, see link on our links page. An identical letter opener is shown on the website, http://www.alexander-ritchie.co.uk/other, it is described as "substantial, the design similar to one used on his much smaller sword brooches".)
Lovely Nathaniel Mills cigar case with a beautifully engraved hunting scene, a dog chasing two grouse. The entire case is engraved with scrolls, and the cartouche is engraved "Carole". Hallmarks on the lid and base are very clear.
An interesting pair of Scottish sterling silver miniature triangular bowls, intended as salt cellars, reproductions from the Traprain Treasure. The bowls have a large beaded rim, and rest on a circular foot, these are miniatures of the set we have (S 1099). They are quite heavy and well made. The hallmarks are very clear, Scottish thistle, Edinburgh castle and date letter X for 1928, along with "Brook & Son, Edinburgh. The bowls also have an additional hallmark, stylised S in diamond punch, this mysterious S in diamond punch is also present on other Traprain treasure reproductions, so we assume it was used by Brook on the Traprain reproductions. Brook and Son were the leading Scottish silversmiths in the early 20th century, they operated between 1891 and 1939 from 87 George Street, they had a Royal Warrant from King George V (Hamilton and Inches today). The bowls are reproductions of a Roman bowl that was part of the Traprain Law treasure hoard, which was discovered by George Pringle at Traprain Law, East Lot...
A beautiful pair of miniature antique silver pastry servers, perfectly preserved in their original box. The servers are in the Kings Husk pattern, single struck, this is a variant of the Kings pattern without the central honeysuckle decoration, and a husk shell. Both servers are a similar size and shape, one had a flat spade shape blade and the other has a serrated prong front, so quite versatile. The hallmarks on both are very clear. The box reads "By Appointment to his Excellency The Governor of Cape Colony, Morris Bros, Jewellers & Silversmiths, Kimberley & Johannesburg". We have not been able to trace any information about Morris Brothers, all assistance welcome. Note - We have now traced a 1905 advert for John Round & Son, they claim to be "The largest spoon and fork makers in the world".
A rare Regency rose pattern punch ladle, this is a beautiful ladle. The ladle is gilded, and has an engraved rams head family crest on the back. The ladle is the shape of a soup ladle, but is noticeably smaller, hence our description as a punch ladle (bowl is 7.0 cm by 5.5 cm). The pattern is double struck, and has good detail, with trailing roses, and Anthemion heel (Pickford, Silver Flatware, pg 131). The hallmarks are clear, the makers mark is slightly obscured, but the Script H used by Hayne is identifiable. Jonathan Hayne was freed in 1804, he had a flourishing business, and was Prime Warden in 1843, he died in 1848. Pickford describes the Rose pattern as rare, and he notes 2 different types (different heels). Close examination shows that these spoons have a slightly different design from the one depicted in Pickfords Flatware book (pg 131), with more leaves, so different dies must have been made.
Two interesting early 20th century American sterling silver hand forged Arts & Crafts silver spoons, by 2 of the leading silversmiths of the period. The first is by Old Newbury Crafters (ONC), in the panel antique pattern, with long narrow handle, fiddle handle and teardrop shaped bowl, with a pronounced rim around the back edge of the bowl. It is hallmarked "STERLING ONC", clearly struck, this mark was used before 1955. Hammer marks can be seen on the back of the bowl. The second is by Stone Sterling, founded in 1901 by Arthur J Stone, the "Dean of American Silversmiths". This spoon is slightly larger, it has an almost heart shaped bowl, and long elegant handle with pointed terminal. It is hallmarked with the STONE hammer mark, STERLING, and letter E, which denotes it was made by one of Stone's assistants, George C Erickson, between 1915 and 1932. Old Newbury Crafters was established in 1915, and still operating today, with 2 silversmiths, using traditional hand forging. The Boston Globe wrote "Paul Revere w...
A classic Kupittaan Kulta Sterling silver and moss agate ring, designed by Elis Kauppi of Turku, Finland. The ring is beautifully designed, it features 2 segments, with a stunning etched texture on both sides, around a central semi precious stone ball (we believe moss agate), orange and white in colour with black strands, with 4 sterling silver balls on the end of each segment. The ring itself is plain, adjustable for sizing, it is clearly hallmarked with Kupittaan Kulta makers mark and 925S sterling guarantee. The ring resembles an opening seed pod to us, one of the more innovative of the Kauppi designs. Elis Kauppi (1921 - 2004) established Kupittaan Kulta in Turku, Finland, in 1945 at the end of the Second World War, at age 24. His use of local semi-precious stones and innovative design resulted in increased attention, and by 1958 he was an award winning regular exhibitor at international shows. Today he is remembered as a foremost figure in modernist jewellery, who put Finnish design on the world stage. W...
Two Cape silver four prong Old English pattern konfyt (preserve) forks, by Johannes Combrink. The forks are similar but have slight differences when viewed together, so probably made at different times. The longer fork has a wider stem end, but shorter tines, and is 1 gramme heavier. Both are hallmarked with a single makers mark IC (Welz mark 32, pg 147), both are clear and well struck.
A set of Cape silver dessert forks in the Fiddle pattern, with engraved initials "WAM". These forks have a strong colonial feel, the shape and size differs from the traditional English Fiddle pattern. The forks are a small, delicate size, my better half describes them as "sweet". The hallmarks on all 8 forks are excellent, and consist of makers mark JT (with indent to top of makers mark) with individually struck pseudo English hallmarks (duty mark, lion passant, date letter a and tree), Welz mark 123 in Cape Silver. Townsend was described as "the most versatile of all the Cape English silversmiths" by Heller (pg 101).
A Liberty Cymric nail vanity set, complete with buff, tweezers, file, scissors, knife and shaper, all steel manicure tools with silver handles set with turquoise cabochons on each side (10 in total). Each piece is fully hallmarked with "L & Co" makers mark, townmark, date letter and sterling mark, but none have the "cymric" stamp, as they were probably too small. Handbeaten silver set with turquoise cabochons is classic Arts and Crafts, probably designed by Archibald Knox, who designed for Liberty until 1912. The scissors do not have cabochons, but are a lovely shape (unfortunately one steel tip is broken off). The nail buff has its original leather base, which is worn but still intact. This set matches item S 1361.
A fabulous cast silver vine leaf wine label, pierced for Sherry, made by Benjamin Smith II for Rundell & Bridge. The label is single leaf, symmetrical in design, with textured finish, with a vine branch for attachment to the chain. The label is large and heavy, at 41 grammes one of the heaviest we have encountered. Most vine leaf labels are stamped from dies, and as such are much lighter. The book "Wine Labels 1730 -2003" notes that "Philip Rundell and Benjamin Smith III produced elegant cast symmetrical leaf labels" (page 90), and they depict a similar label, for Burgundy (fig 342, page 91), but with different vine stem design. The hallmarks are clear for 1832, no town mark is present. The makers mark BS in rectangular shield is clearly visible, but slightly obscured by the underlying texture of the leaf. This is mark 230 in Grimwade "London Goldsmiths" for Benjamin Smith II, different in shape and style from the marks used by Benjamin Smith III, his son, so at odds with quote from Wine Labels above. Benjami...
A rare pair of Tudor pattern sauce ladles, made by Chawner & Co, the leading flatware maker of Victorian England. The ladles are fabulous quality, and in excellent condition, they could not be better. The Tudor pattern is a Gothic Revival pattern, it has 2 small scroll circular projections on each side of the stem, this differentiates it from the "Straight Tudor" pattern. Both ladles are clearly hallmarked, they also carry the British Registry design number and date chart diamond, which rarely occurs on silver flatware - class I for metal, date letter v for 1850, and R 14 indicating 14 August. The presence of the design mark indicates the Chawner design to protect their innovative design. Tudor is described by Pickford (Silver Flatware page 150) as "a rare Chawner & Co pattern registered August 14th 1850, along with Straight Tudor, it appears in the Chawner Pattern book (page 218). Odd pieces may on rare occasions, be found, but building a service would be extremely difficult". The Tudor pattern is showcased...
A Georgian silver wine label by Hester Bateman, engraved for Brandy. The label rectangular with a pierced fret dome, this neoclassical design originated in the Bateman studio, and was copied by others, including Susannah Barker and Hampston & Prince in York (Wine Labels 1730-2003, pages 174 and 234). The label has a zig zag feather edge border, raised eyelets, the piercing of the scrolls in the dome is lovely. The label has 2 hallmarks, both clearly struck, makers mark HB in script for Hester Bateman and lion passant. The absence of a duty mark enables us to date the label to before 1784 when the duty mark was introduced, this neoclassical design is thought to orininate around 1770 (Wine Labels page 50).
A Liberty & Co Arts and Crafts sterling silver milk (or cream) jug, with a planished (hand hammered) squat circular body, with a high pouring lip. The jug is decorated with embossed celtic style buttons (4) and matching border, with a little heart shaped design. The jug sits on 3 button feet, and has a plain handle. The jug is clearly hallmarked with Liberty's distinctive L&Co in diamond shaped punch mark, along with Birmingham hallmarks for 1928. The jug also has a design number, 50014, perhaps some-one with access to the Liberty archives will be able to do further research. Arthur Liberty used his shop to showcase the work of leading designers, including Archibald Knox, Rex Silver, Bernard Cuzner and Jessie King (Liberty's, Biography of a Shop, A Adburgham, 1975, pg 81). It is possible this jug was designed by one of these designers. The Liberty store founded in 1875, and still thrives today. Their current Tudor Revival building on Great Marlborough Street was completed in 1924, using the timbers of 2 wars...
A pair of Victorian silver grape scissors, with attractive handle design of symmetrical scrolls and loops. The set is very finely engraved (on the front side only) with a foliage pattern, very intricate, in typical Victorian fashion. The blades are the traditional grape scissor design, with one blade thicker with right angle to accommodate the other blade. The hinge has a silver cover, also engraved, the pin is silver as well. The hallmarks are clear but hidden by the engraving, both arms are hallmarked, including makers mark A&S for Aston and Son of Regent place, Birmingham, Thomas and William Aston ran the business between 1856 and 1861. Henry Aston (we assume another son) took over the business in 1862, it was still operating in 1930 as wedding ring manufacturers (Culme, Gold and Silversmiths, page 18).
A set of 6 Irish silver dessert spoons, in the Fiddle pattern with rat-tails, a feature of Irish flatware of the period. The spoons have original owners engraved initials WMH. The hallmarks on all 6 are excellent, and include makers mark IB for James Brady, who worked between 1821 and 1842. The spoons also have the retailer's mark, NEILL, which is very clear on all the spoons. Irish retailers were among the first to mark flatware, early adopters of corporate branding. NEILL was a leading Belfast retailer, first established by Robert Neill in 1803, the firm survived until 1960.
A pair of rare Old English Feather Edge and Cartouche silver tablespoons, made by William Pinder in 1771. The spoons are lovely quality and in excellent condition, we really like these spoons. The cartouche has been chased and engraved by hand, you can see small differences between the 2, notably the size and orientation of the scroll underneath. The cartouches are engraved with a family crest, a Griffin's head erased, this is the family crest of the Nalder Family (Fairbairns crests). Whilst Old English Feather Edge is a common pattern, the addition of the Cartouche, first produced around 1770 by Thomas Northcote, is rare (Silver Flatware, Ian Pickford, page 105). The pattern was revived late 19th century by Carrington, who called it Carrington Shield. The hallmarks are bottom marked, and include clear makers mark WP, with the W and P co-joined for William Pinder, who worked from Bunhill road between 1770 and 1784 (Grimwade page 624). The crowned leopards head and lion passant are partially worn but still cle...
A set of 6 Georg Jensen sterling silver Cypress pattern fruit spoons with triangular bowls, these would be called grapefruit spoons by the English. This is a fabulous set of grapefruit spoons, stunning design and very practical for use, strong bowl tips. This is a vintage set dating from 1960, all 6 pieces are fully hallmarked. The hallmarks include "GEORG JENSEN" in oval dots, above "STERLING DENMARK". All 6 pieces also carry London import marks, sponsors mark G.JLd for Georg Jensen (their London branch), oval U import mark, .925 sterling mark and date letters e and f for 1960 and 1961. The Cypress (or Cypres) pattern is #99 in the Jensen catalog, it was designed by Tias Eckhoff in 1954. The Cypress pattern won the design competition held for the 50th anniversary of the founding of the Georg Jensen company (Georg Jensen, A tradition of Splendid Siulver, page 282). Tias Eckhoff, a Norwegian, has been described as one of Norway's most versatile designers. Note: - We also have a Jensen Cypress pattern flatware...
A sterling silver stilton cheese scoop, with interesting ivory handle, carved with little knobs (we think simulated tree knots) to improve the grip of the handle. The grain in the ivory is clearly visible, the handle also has a small brown mark, which we think adds to its appeal. The scoop itself is the usual shape, and is quite sturdy, very suitable for use. The hallmarks are clear, including makers mark C.B over E.P (Charles Belk and E Parkin), the mark used by Roberts & Belk between 1881 and 1891. Roberts & Belk is a well known Sheffield based manufacturer, known for the excellence and variety of their designs, with every piece designed by the firm's own staff (Culme, Directory of Gold and Silversmiths, pg 389). They worked between 1809 and 1961, when they were taken over by CJ Vander. Note - We are unsure whether the handle is real or simulated ivory, we would welcome assistance, thanks.
A rare and lovely early Scottish Provincial Hanoverian tablespoon, with excellent marks. This is a very fine spoon, good weight and condition, a pleasure to hold. The spoon has a long drop, and quite a wide end with an oval shaped bowl. The spoon is initialled with script letter K, this is contemporary, and is engraved on the back of the spoon. The spoon has four very clear hallmarks, makers mark IS struck twice in a distinctive shaped punch, with two indentations on each side of the punch. The third hallmark is the Dundee "Pot of Lilies" town mark, the shape of each lily clearly visible. The forth mark is a letter "M" with unusual shape, occasionally used by John Steven (Turner, Directory of Scottish Provincial Silversmiths, pg 62, and Jackson, pg 600). A similar spoon by John Steven, without "M" mark, was sold as Lot 192 of "Private Collection of Scottish Provincial Flatware, Woolley & Wallis, January 2009, pg 34". John Steven was a very fine silversmith, we have just seen a pair of cast candlesticks...
A lovely 9 carat gold HMS Conway rowing medallion, awarded to L.H. Barradell, rowing at position 5 (we assume of 8). The medallion is beautifully cast, with a very realistically modelled ship. The medallion is perfectly preserved in its original box, marked "Old Fields Limited, Post Office Place, Church St, Liverpool". The hallmarks are very clear and include "9" and "375" indicating 9 carat gold. HMS Conway was a 19th century wooden battleship, used as a Naval Training School for cadets. It was stationed on the Mersey in Liverpool, which accounts for the origin of the medallion. It operated between 1859 and 1953. The motto was "Quit Ye Like Men Be Strong". L.H. Barradell rose to the rank of Commander, he completed his career in Kenya. He was awarded the Legion of Honour (Crois de Chevalier) by the President of the French Republic in recognition of his services during the war, during the battle of Jutland, when he was a Lt RNR (Lieutenant Royal Naval Reserve) (www.hmsconway.org web site). We have now...
A lovely antique silver child's porringer, in traditional Queen Anne style, although it was made in Georgian times. The porringer has a central cartouche with script initials MB, which are Victorian in style so would have been added by a later owner. The porringer is decorated with curved lobes and flutes, and the cartouche is surrounded by foliage. The porringer also has punched floral decoration, and the S shaped handles are banded. The gauge is quite thin, more suited for display than for use. The base of the porringer is engraved "RB over IG, 1769", in contemporary engraving, indicating the porringer could have originally been a wedding present, or a christening present for a child born the following year. Porringers of the small (child's size) size are quite rare, few have survived.
The hallmarks are very clear, and although the makers mark punch has some wear, it is still legible.
A lovely antique silver and enamel vesta case, with a circular dog enamel, we guess a border collie (assistance welcome, thanks!). The vesta is quite small, rectangular in shape, and is engraved with scrolling foliage, it also has a silver suspension ring, which is also hallmarked. The hallmarks are small but clear, in the usual position on the rim of the vesta case.
A collection of 10 sterling silver and enamel souvenir shooting trophy spoons, all with 2 rifles as the handles. Six spoons have crossed rifles, 4 spoons have enamel finials, and 7 are from Africa (Nyasaland, Northern Rhodesia, Southern Rhodesia - now Malawi, Zambia and Zimbabwe), with one from South Africa. The spoons include:
1. Nyasaland Volunteer Reserve, RMSB 1952, bare chested labourer crest, London 1911, Wakely & Wheeler, gilded bowl, fabulous quality
2. Nyasaland Volunteer Reserve, bare chested labourer crest, London 1912, Wakely & Wheeler, gilded bowl, fabulous quality
3. Birmingham Forward, enamel city crest of mural crown and arm with hammer (industry), Birmingham 1902, Arthur Fenwick
4. NVR Blantyre Limbe, RMSB 1954, enamel crest of leopard, Birmingham 1952, James Fenton
5. NVR Blantyre Limbe, RMSB 1953, crest of leopard, Birmingham 1953, James Fenton
6. Northern Rhodesia Rifle Association, fish eagle holding fish, no hallmarks
7. Southern Rhodesia Defence Forces, Lion holding tusk, Sheffi...
A rare Victorian silver triple stamp box, one of the nicer ones we have see. The box is rectangular with concave sides, and is on four ball feet, the hinged lid has a sliding insert with glass top, to enable stamps to be placed in the lid. The interior is gilded, and has 3 compartments for 3 different denomination stamps, with 2 original wooden curved inserts, to easily slide a stamp out. It is quite a substantial, well made box, it would have been an expensive item when new. The box is clearly hallmarked, the lid and sliding insert are hallmarked as well. George Unite was established in 1825, Unite apprenticed with Joseph Willmore, he died in 1896, the business was continued by his sons.
A rare set of Georg Jensen Beaded pattern ice cream (or sorbet) spoons (6), made in very limited quantities. The spoons are small teaspoon size, and have flat oval bowls for eating ice cream, the bowls are planished (hand beaten marks, hand forged). The beaded pattern (Kugle in Danish, Jensen pattern # 7) has a beaded pattern around the lower edge of the handle, it was designed by Jensen himself in 1916, described as "an elegant composition, that remains contemporary in design while imparting a timeless quality" - Georg Jensen, Tradition of Splendid Silver, page 267. All 6 spoons are hallmarked with Danish marks GJ in circular bead with 925 standard mark, and English import marks for 1925, with importers mark GS for George Stockwell & Co, (imported Jensen silver between 1909 and 1931).
A set of 5 Cape Silver tablespoons in the Fiddle pattern, with initials GHJ which are clearly engraved. The spoons have a chamfered edge (very Continental in style), and all 5 spoons have clear hallmarks (Welz mark 135). The marks include crowned leopards head, date letter a, duty mark and lion passant.
An interesting silver standing salt made to commemorate the coronation of Edward VII in 1902 by Elkington, who are known for their fine replicas of earlier styles. The quality is superb, and it is a very good weight. The salt is an exact replica of a salt made in 1626, engraved "This Salt is the Gifte of John Waterworth 1626". It has the crest of the "Worshipful Company of Innholders", with St Julien's Cross sable and chevron between three oatsheaves. The company, which still exists today, was created in 1514, and is no. 32 in order of precedence of the 107 London companies. The Company of Innholders has the original Waterworth salts (a pair), we assume the replica was commissioned by them in 1901. The originals are described in an article entitled "The Old English Silver of the Innholders Company, London" by Arthur Butler, in "The Connoisseur Illustrated Vol 1, pg 236, Sept - Dec 1901." Butler describes them as "of very massive silver, the well turned moulding and sensible proportions amply compensate for th...
A Liberty & Co Arts and Crafts sterling silver sugar bowl, with a planished (hand hammered) squat circular body. The jug is decorated with embossed celtic style buttons (8) and matching border, with a little heart shaped design. The bowl sits on 4 button feet, and has plain handles. The bowl is clearly hallmarked with Liberty's distinctive L&Co in diamond shaped punch mark, along with Birmingham hallmarks for 1928. The bowl also has a design number, 50014, perhaps some-one with access to the Liberty archives will be able to do further research. Arthur Liberty used his shop to showcase the work of leading designers, including Archibald Knox, Rex Silver, Bernard Cuzner and Jessie King (Liberty's, Biography of a Shop, A Adburgham, 1975, pg 81). It is possible this bowl was designed by one of these designers. The Liberty store founded in 1875, and still thrives today. Their current Tudor Revival building on Great Marlborough Street was completed in 1924, using the timbers of 2 warships. Note- we have a matching ...
An exceptionally large Danish silver serving spoon, in the Old Danish pattern (Dobbelt riflet), wih matching large bowl. The spoon is double struck (pattern on both sides), the pattern has a reeded edge, and the handle is fluted. The weight and quality is very pleasing, heavier and with a larger bowl than other examples we have seen. This type of extremely large serving spoon is unique to Denmark, very suitable for serving a generous portion. The hallmarks include the Danish 3 towers mark with date letter 36 for 1936, assay masters mark JS for Johannes Siggaard (who worked between 1932 and 1960), and makers mark HS in script for Horsens Solvvarefabriek which was established in 1904. We have sold a similar spoon S1293, and have a similar example S 11024.
A very interesting and beautiful German silver spoon made by J. F. Nicolassen in Hamburg, Germany, circa 1820. The spoon is well made and has lovely decoration, it has a deep fig shaped bowl, connected to the stem with a rat-tail. The handle is most unusual, with irregular scrolls finely engraved with a leaf pattern, with a tight scroll at both ends. This has been termed the auricular style (resembling ear lobe or conch shell) or lobate style, it originated from German Mannerism in the early 17th century, later adopted by the famous van Vianen Dutch silversmiths (Newman, Illustrated Dictionary of Silverware, pg 28, a book we highly recommend). This style was adopted by a few 17th century German and Dutch silver spoonmakers, but these spoons are rare today (see S 1181, Dutch silver Memorial spoon and fork set, for a similar example). This spoon is a 19th century replica of this earlier style, but still we believe a rare item, we cannot recall seeing similar examples. The hallmarks are very clear, and include t...
An Arts and Crafts silver sugar bowl with fitted lid, the lid has a foot and can also be used as a dish. It is a copy of an early Georgian design, circa 1735 (Miller's Silver and Plate Buyers Guide, pg 27). This is a lovely bowl, hand hammered in typical arts and crafts fashion leaving a planished finish, it is also very good quality and a pleasing weight. This would make an ideal Christening present. The Chester hallmarks are clear, the lid is also hallmarked.
In our opinion, a 19th century copy of an 18th century Dutch silver miniature chamber pot. This we believe has been cast from an original, the solder line joining the 2 halves of the casting are visible in the interior (although the base could be original?). The interior also has some crack marks, another sign this has been cast. The original would have been a rare item, a very similar miniature chamber pot, currently in the Rijksmuseum in Amsterdam, is depicted in the book "Dutch Silver" by MH Gans, pg 68, bottom right. The maker of the original, Arnoldus van Geffen, was one of the greatest of the Dutch silver miniature makers.
Whilst this is probably a copy, it is still well made, and a faithful copy of the original, so would still be a nice addition to a collection. A very similar miniature chamber pot, made in Amsterdam in 1670 by Wessel Jansen, is depicted in the book "Tall and Small, Antique Dutch Silver Miniatures", by the Dutch antique dealers Aardewerk, pg 101, image 226 - which is a book we highly ...
Swedish Art Nouveau bowl with superb bearded iris design repeated on 4 sides of the bowl, by a well known Swedish maker. The lip of the bowl is wavy, in keeping with the style. Hallmarks are clear, being CG HALLBERG, triple crown Swedish national mark, St Erik's head for Stockholm, and Y6 datestamp for 1901. (Note: please forgive our previous incorrect attribution of this bowl to Copenhagen).
A set of 6 Irish Georgian silver dessert spoons in the Fiddle pattern, made by Samuel Neville of Dublin in 1804. The spoons have no initials or engraving, and no signs of removal. All 6 spoons have good hallmarks, makers mark SN for Samuel Neville (struck both ways). They also have Hibernia and Harp Crowned, and date letter H for 1804 (note absence of duty mark, only introduced in Ireland in 1807). Samuel Neville worked between 1795 and 1851, he was a respected member of the community, he was Warden between 1804 and 1807 and was also elected to the Dublin City Council in 1807. He was Master in 1807 and 1827.
A sterling silver quaich, in the tradional form with engraved lug handles, sitting on a raised ring foot. The engraving on the handles is quite attractive, a repeated geometric pattern. This is a really solid and good quality quaich, most we see are much lighter (this is over 200 grammes), and in excellent condition. The hallmarks are clear, and include the Jubilee mark used in 1934 and 1935 to celebrate the Silver Jubilee of King George V and Queen Mary, and the base is engraved "Goldsmiths & Silversmiths Company, 112 Regent St". Quaich's have Scottish origins, dating back to the 17th century when they were used as marriage cups (Price Guide to Antique Silver, Waldron, pg 351), they are also used for tradional whisky tasting and are also used as Christening presents. Inverness, the capital of the Scottish Highlands, is regarded as the spiritual home of the quaich, about half of known antique Scottish quaich's originated there (Fothringham, Small Inverness Quaichs, Antique Collector April 1973, pg 73). This...
A lovely Scottish silver cigar or cheroot case, with motto "Should auld acquaintance be forgot", and the Carstairs family crest and motto "Te Splendente", translated "Whilst thou art shining". The case is beautifully engraved with a spectacular interlocking architectural pattern interspersed with different flowers, this is one of the nicest we have seen. The case has a pleasing shape and feel, easy to slide into a pocket given its curved shape. The front of the case has "Should auld acquaintance be forgot" in the top panel, and Carstairs family crest and motto in the bottom, along with "DC to FC", we assume members of the Carstairs family. The Carstairs armorial has a chevron between 3 primroses, with sun darting its rays on a primrose above. The back has 2 circular panels, with finely engraved flowers, we assume a primrose. The hallmarks are clear, but cleverly hidden in the engraving. George Cunningham only worked between 1855 and 1858, but given the quality of this case must have been a master craftsman.
A rare Cape silver marrow scoop, in the Fiddle pattern, by Willam Moore, who worked in the Cape between 1840 and 1863. The scoop is the traditional design, with 2 differently sized scoops at either end, used for eating bone marrow, a "popular delicacy at the Cape" (Welz, Cape Silver and Silversmiths, pg 76, where a similar fiddle pattern scoop by Moore is depicted, but in much worse condition than this one.) The scoop is in excellent condition, no dents, scratches or repairs, it does not appear to have seen much use. The Cape hallmarks are very clear, and include makers mark WM and the Cape Stub mark (see article in our articles section) of 4 pseudo English hallmarks struck in a stub (Welz mark 101). A very similar Cape silver marrow scoop by Willam Moore, but with makers mark struck the other way, can be seen on the Steppes Hill website (http://www.steppeshillfarmantiques.com/silver-and-porcelain/d/rare-19th-century-cape-silver-marrow-scoop/98455/216995).
A silver and enamel vesta case, with a circular enamel plaque depicting a smokers pipe and the words "Just one more". The case is rectangular, the interior and strike are gilded, so lovely quality inside. The vesta also has a suspension ring. The hallmarks are clear, the initials LA are engraved next to the hallmarks, we suspect an owners mark rather than makers mark.
A Cape Silver lemoen lepel, (orange spoon), in good condition, and with very clear makers mark. This spoon is typical of the Cape lemoen lepels, with pointed terminal and bowl, the bowl itself eye shaped and quite deep. The spoon has typical Cape engraving, with a 4 petal flower and wrigglework along the edges of the handles. It also has a distinctive V joint connecting handle to bowl. The spoon has a slight copper tinge, this is exaggerated in the photographs. The IC makers mark is well struck and clear (Welz mark 32 with canted corners). Welz describes orange spoons as"probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). As far as we are aware, only Jan Lotter and Johannes combrink made lemoen lepels, probably between 1800 and 1815. Note - this spoon matches the pair S 1922 and single S 1923.
A "New Nautilus" novelty silver sugar sifter, complete with patent and registration number. The bowl of the sifter is a nautilus shell, the top edge of the shell has 28 pierced leaf shaped sifter holes, the shell is realistically modeled. The handle is joined to the shell at right angles, to allow ease of use during sifting. The handle has an interesting unknown pattern, not found in the book " Silver Flatware" by Pickford, it appears to be a variant of Albert pattern, and is single struck. The hallmarks are clear, the handle also has a registration number indicating the design was registered. The shell has a patent number, PAT 17124, so this design was patented as well, quite unusual for silver flatware. The nautilus is a living fossil, dating back 500 million years, it is a cephalopod named after Sailor in Greek. Nautilus shell cups decorated in silver and gold became popular in the 16th century, the nautilus became popular again in Victorian times, first as spoon warmers, this sifter design is late Victori...
A set of six Victorian Scottish silver spoons, with matching tongs, in a Grecian pattern variant, not present in the book Silver Flatware by Ian Pickford, so we believe to be rare. The spoons can best be described as very large teaspoons, but definitely more suitable for eating dessert. The spoons and tongs have original owners engraved initials CS in fancy script. The pattern is very similar to Grecian, but noticeable differences include a shell at the top of the stem, and small beads as a border of the stem. The pattern is single struck, as is usual for Scottish flatware. Grecian pattern is a mid 19th century pattern, first exhibited by George Adams of Chawner & Co. at the Great Exhibition of 1851, the pattern is also present in the Chawner pattern book (pages 144, 145 and 218 of Pickford book above). The hallmarks are excellent on all 7 items, they could not be clearer, and include the Glasgow town mark with tree and fish. Robert Scott worked from Buchanan Street, Glasgow between 1849 and 1927. We really l...
A set of 4 cast silver and enamel wine labels, for Whisky, Brandy, Sherry and Gin. The labels are rectangular, with an attractive deeply chased scrolling border, the enamel is a deep Royal blue. These are cast, heavy labels, the quality is excellent, the original chains also have heavy links and are great quality. All 4 labels have clear hallmarks, they also have "Made in England" stamps. Turner and Simpson worked between 1912 and 1979 in the heart of the Birmingham Jewellery Quarter, they were a large firm but still employed traditional methods. A fascinating series of 27 photographs by Janine Wiedel of the Turner & Simpson workers can be viewed at the following link, http://wiedel.photoshelter.com/gallery-image/Jewellery-Quarter-Birmingham-UK-1970s.
A set of three Georg Jensen serving implements in the Old Danish # 100 pattern (Dobbelt Triflet) pattern, including serving spoon, gravy ladle and meat fork. The pattern has "undulating outlines and a pair of incised parallel lines, square bowls, the overall proportions are reminiscent of much earlier flatware designs, as the name Old Danish implies" Georg Jensen, A Tradition of Splendid Silver, page 269). The serving spoon is medium sized, the gravy ladle has a deep bowl, and the elegant meat fork has 2 tines. All 3 items are clearly hallmarked "Georg Jensen Sterling Denmark", the mark used after 1945. The Old Danish pattern was designed in 1947 by Harald Nielsen, the Artistic Director who took over from Jensen on his death, "his flatware designs Pyramid and Old Danish remain Jensen favorites (page 57 book above).
A rare pair of Cape silver tablespoons in the Old English pattern, engraved with the crest of the Cape Regiment. The spoons are engraved "CAPE.REG" above a bugle, suspended from a shamrock shape rope knot. This bugle was used as a crest for English Light regiments, currently still used by the Oxfordshire and Buckinghamshire Light Infantry (lightbobs). As is often the case with regimental silver, these spoons have been well used (and well polished), so the crest is worn, one is better than the other. Both spoons have clear Cape silver hallmarks, anchor, IC, anchor, mark 22 in Cape Silver by Welz, used by Johannes Combrink. The Cape Regiment was formed in 1795, and consisted of Khoisan and Coloured men under white officers, headquartered in Simonstown. In 1817 it was renamed the Cape Corps, it remained in existence until 1926. Major Matthew Richmond, a New Zealand Colonial administrator and politician, served with the Cape Regiment in 1817, so may have used these spoons. (note - we have 2 sets of these spoons)....
An interesting set of 4 Cape silver Fiddle pattern tableforks, by Lodewyk Beck. They have no initials, although 1 fork has the remnants of an initial just visible. It appears 1 fork was made at a different time, as the hallmarks are struck differently from the other 3. The hallmarks include makers mark LB with 4 pseudo English hallmarks, including lion, duty mark, castle town mark and date letter a. What is interesting about the hallmarks is that they are all individually struck, with not too much care, both the sterling lion and the date letter have been struck upside down on one, it appears the order and orientation of hallmarks was not important to Cape silversmiths. The 4th fork, has the same hallmarks but struck further apart. Lodewyk Willem Christiaan Beck worked between 1847 and 1867, from Shortmarket street and Greenmarket Square.