A historical antique silver tennis trophy, presented to South Africa's first woman champion, Mabel Grant, in 1889. The trophy is the traditional shape, with a beaded knob on the shaft for ease of holding, and matching beaded foot rim. The trophy is decorated with leaf and fern engraving, and is engraved "Natal Lawn Tennis Championship Meeting, August 1889" on one side, the other side is engraved "Ladies Challenge Cup, Winner, 1889 Miss M Grant, 1890 Miss D Hickman, 1891 Miss M Grant, 1892 Miss M Grant, 1893 Miss M Grant". The trophy is a good weight, the rim has a strengthened lip, so a good quality trophy. The hallmarks are clear. Tennis first came to South Africa in 1877 (the year Wimbledon started) in Richmond, Natal (now Kwazulu Natal), the Berea Tennis Club was the first club in Durban, established 1882. Tennis became a major feature of Colonial life in Durban and Pietermaritzburg (source www.kzntennis.co.za), Mabel Grant of the Berea club became South Africa's first woman champion, she held the positio...
A Victorian silver Christening mug, beautifully engraved with roses and flowers, around 2 oval blank cartouches, perfect for engraving. The quality of the engraving is excellent, the design is repeated on both sides. The handle has 2 scrolls, and the interior is gilded. The hallmarks are clear, including a 6th unofficial mark, possibly a Hennell trademark, a device looking like a cross bar gate. Robert Hennell & Sons were highly respected manufacturers to the trade, they supplied many of the leading retailers of the time, including Hunt & Roskell, Hancocks and Elkington. It was established in 1735, 4 generations of Hennell's ran the firm, Robert Hennell IV took over in 1868 and sold the business in 1887 to Hollard, Aldwinckle & Slater on his retirement.
A rare set of Old English Military Thread and Shell pattern (also called Military Shell) tablespoons, tableforks and dessertspoons (6 of each). These are good quality and weight, the forks around 89 grammes each, tablespoons 94 grammes and the dessertspoons 63. All 18 have an engraved family crest, a raised lion facing right between 2 horns. The pattern has the regular Thread and Shell pattern, double struck (on both sides), but with scrolls instead of shoulders, as with all Military variants (Pickford, Silver Flatware, page 117). Pickford describes this pattern as "a rare pattern illustrated in the Chawner & Co Pattern book, Appendix page 218", where the Chawner book shows this pattern, termed as "Military Shell". Pickford did not illustrate a photographic example of this pattern , a further indication of its rarity. The hallmarks on all 18 items are very clear, makers mark GA for George Adams of Chawner & Co, and London date letter P for 1870, the tablespoons are 1869. In addition, some pieces carry addit...
A fabulous silver and enamel advertising cigarette case, featuring the famous English cricketer W.G. Grace. The case is rectangular, and is beautifully engraved with scrolling foliage, the quality is excellent. The interior is gilded, and has 2 elaborately pierced and engraved arms, both with hinges. The oval enamel plaque features Grace walking down the pavilion steps out to bat, carrying his bat, in striped MCC (Marylebone Cricket Club) hat, and the words "Like Grace" across his chest. Spectators can be seen in the background, the colours are superb. Both lid, base and 2 arms are clearly hallmarked, the makers mark A&J.Z is clear on both arms but worn on the case. The image is a very faithful copy of a Colman's Mustard advertising poster, which reads "Colman's Mustard, Like Grace, Heads the Field (see picture), circa 1895. This is a historic poster and image, as it represents the first time a sportsman had been used to advertise a general product. Colman's mustard was founded in 1814, and is one of the old...
A pair of Victorian silver toddy ladles, in the Old English Thread pattern, made in London for a Scottish family. The ladles have engraved Scottish crests of a hand grasping a dagger issuing from a heart, underneath motto "With Heart and Hand", the engraving on both is crisp and clear (only Scottish motto's are above the crest). The ladles are double struck, with pattern on both sides, and the thread is a double thread. They are good quality ladles, a pleasing weight, and preserved in excellent condition. Toddy ladles are uniquely Scottish, and usually single struck, so this London made double struck pair are unusual. The hallmarks on both are very clear, including makers mark H.H for Henry Holland, an important firm established in 1838 that became Holland, Aldwinckle & Slater, until absorbed into Francis Higgins in 1922. The crest and motto are for the Dudgeon family. A notable Victorian London based Dudgeon business was J&W Dudgeon, a shipbuilding and engineering company, they built blockade runners for the...
An interesting Scottish Provincial silver snuff box, presented in Wick in 1868. The box is rectangular, the construction is unusual with a solid wedge shaped lid, overall the box has a hand made feel, slightly crude in finish, the hinge is a little wonky. The box is quite heavy and solidat 82 grammes. The box is engraved with worn scrolls on the lid and front side, this contrasts with the clearer engraving, we assume the box was made earlier and the engraving added later in 1868. It reads "From LJB, Wm Bremner, New Harbour Works, Wick, 1868". No hallmarks are present. This box has an interesting history, Wick was once the world's largest herring fishery port. The harbour was improved and expanded in 1831, James Bremner (we assume father to William), the notable Scottish naval architect, completed the work using ingenious near vertical flagstones, still visible today. Between 1863 and 1868 the harbour was improved again (the New Harbour Works) by adding a breakwater comprised of stone Jennies, it was designed...
An early antique silver vesta case, with an applied cast golfer in full swing. The vesta is rectangular, with applied strike plate on the bottom of the vesta, the hinge lid has a suspension loop for adding to a chain. Dated 1886 this is an early vesta case, most vestas date between 1890 and 1920. The hallmarks are clear, and include makers mark WG/JL (William Gibson & John Lawrence Langman) of Goldsmiths & Silversmiths Co of Regent Street, a very prestigious firm founded in 1882, now the designated house of Crown Jewellers Garrards, following amalgamation in 1952 (both part of Sears via Mappin & Webb). John Langman was an interesting personality, he equipped and maintained the Langham Field Hospital during the Boer War (Culme, Directory of Gold and Silversmiths, page 184).
A very rare of Straight Tudor pattern flatware set, made by Chawner & Co, the leading flatware maker of Victorian England. The spoons and forks are fabulous quality, and are in excellent condition. The Straight Tudor pattern is a Gothic Revival pattern, it omits 2 small scroll circular projections on each side of the stem, this differentiates it from the "Tudor" pattern. All 48 pieces are clearly hallmarked, they also carry the British Registry design number and date chart diamond, which rarely occurs on silver flatware - class I for metal, date letter v for 1850, and R 14 indicating 14 August. The presence of the design mark indicates the Chawner design to protect their innovative design. Straight Tudor is described by Pickford (Silver Flatware page 149) as "a rare 19th century Chawner & Co design which appears in their pattern book (page 219), registered August 14th 1850, along with Tudor. Services and pieces are rare, building a service would be extremely difficult". The Tudor and Straight Tudor pattern...
A rare Victorian silver Armorial butter spade, where the whole blade displays an engraved family armorial. The butter spade has a bone handle, the blade is shield shaped (as opposed to usual triangular shape,) The armorial (centre cross with 4 crosses) is topped with an engraved lion rampant where the blade joins the handle. The bone handle is connected with a silver ferrule. The hallmarks are well struck and clear. Martin Hall & Co was established by Richard Martin and Ebernezer Hall in 1863 in Sheffield, they produced good quality silver until 1911. Butter spades are described by Ian Pickford as "quite rare" (Silver Flatware pg 180), we have not seen another armorial example.
A magnificent Victorian cast silver Cherub salt, a replica of a style introduced by Paul de Lamerie. The salt have a cast vine leaf bowl, supported by a cherub with arm outstretched, and two dolphin feet supporting the bowl. This is fabulous quality, and the condition is excellent. The cherub (also called amorini and putti, but not cupid as no wings present) is naked except for a small loincloth, he is well modelled, note the detail of his hair. The bowl is a cast vine leaf, also well modelled, and the 2 stylised dolphin feet are copies of those used by Lamerie. The salt is solid, and stands well on the table, no wobble at all. Traces of original gilding are still visible, especially on the harder to reach areas on the body of the cherub (we imagine much of the gilding has been polished off over the years. The cherub is hollow, the casting hole visible under his bottom. The salt is clearly hallmarked on the vine leaf, with makers mark WS in distinctive punch for William Stocker, along with Victorian duty mark...
An antique Dutch silver Zeeland Button costume belt buckle, in excellent condition. The buckle has 14 silver Zeeland buttons (Zilver Zeeuwse Knop), 2 large and 12 small, on a rectangular belt buckle, with central supporting strut for attachment to belt. The buttons themselves are made to a traditional design, with balls and filigree work, each Zeeland district has a slight variation. The buckle has 2 hallmarks, makers mark JW and the Dutch sword mark quality guarantee. The Dutch Button has been part of the Zeeland traditional costume since the 18th century.
An antique sterling silver bowl or ash tray, set in the centre with a copper 1 penny Zuid Afrik. Republiek coin dated 1898. The bowl is engraved "Kruger Coinage", still clearly visible but worn from polishing. This penny was part of the first Kruger coinage, initiated in 1892 by President Paul Kruger. The bowl is dated 1900, which co-incides with the Anglo Boer War, we are not sure of the significance. The hallmarks are visible but slightly worn from polishing. The coin is in good condition, it has been protected by the raised silver rim.
A pair of Victorian silver grape scissors, with attractive handle design of symmetrical scrolls and loops. The set is very finely engraved (on the front side only) with a foliage pattern, very intricate, in typical Victorian fashion. The blades are the traditional grape scissor design, with one blade thicker with right angle to accommodate the other blade. The hinge has a silver cover, also engraved, the pin is silver as well. The hallmarks are clear but hidden by the engraving, both arms are hallmarked, including makers mark A&S for Aston and Son of Regent place, Birmingham, Thomas and William Aston ran the business between 1856 and 1861. Henry Aston (we assume another son) took over the business in 1862, it was still operating in 1930 as wedding ring manufacturers (Culme, Gold and Silversmiths, page 18).
Two interesting 19th century Spanish silver tablespoons, both with excellent hallmarks. Both spoons are 930 grade, so slightly higher grade than sterling (925). Both spoons are the same pattern, similar to Old English, but with a Continental flavour. The bowls have pronounced tips, no drops are present and the stems are flattened with an elegant oval stem. Both spoons have contemporary engraved initials, JL and I with lots of flourishes. Both spoons have 3 distinct hallmarks, denoting town, maker and assay master. The Barcelona spoon has town mark BAR under Maltese Cross in a domate punch, this mark was used circa 1825 (courtesy of Spanish silver website www.munozarce.com). The assay masters mark is P.FLORENSA, with P.FLO above RENSA. The makers mark is JA CARRERAS for Jacint Carreras. The Palma spoon has town mark M under palm tree in Loboid punch for Palma de Mallorca, this mark was used on large items in the 19th century (Tardy pg 108). The second mark is assay master A FORTEZA, the third mark is maker J M...
An Exeter silver sifter ladle in the Fiddle pattern, with an engraved family crest featuring a dog or wolf. The sifter is the traditional shape, with beautiful scroll and cross-hatch piercing. The hallmarks are excellent, and include makers mark JAP, Victoria duty mark, lion passant, castle town mark and date letter gothic C for 1839. James Andrew Page worked between 1833 and 1862 in Plymouth, he died in 1898. In 1862 the business became Page, Keen & Page, which survived being destroyed by bombs in 1941, and merged with Bowdens in 1970. Page, Keen & Page produced interesting silver replica spoons complete with early Plymouth hallmarks.
A rare set of Old English Military Thread and Shell pattern (also called Military Shell) tableforks and dessertspoons (3 of each). These are good quality, the forks around 90 grammes each and the spoons over 60. All 6 have an engraved family crest, a raised lion facing right between 2 horns. The pattern has the regular Thread and Shell pattern, double struck (on both sides), but with scrolls instead of shoulders, as with all Military variants (Pickford, Silver Flatware, page 117). Pickford describes this pattern as "a rare pattern illustrated in the Chawner & Co Pattern book, Appendix page 218", where the Chawner book shows this pattern, termed as "Military Shell". Pickford did not illustrate a photographic example of this pattern , a further indication of its rarity. The hallmarks on all 6 items are very clear, makers mark GA for George Adams of Chawner & Co, and London date letter P for 1870. In addition, all pieces carry additional journeyman's marks (Y, K, 3 petal flower, O), so the particular silversmit...
A fabulous Victorian silver prize medallion, one of the finest we have encountered. The medallion is oval, surrounded by a cast rim of flowers. A silver suspension loop is attached to an ornate scroll. This medallion is large and heavy, the quality is exceptional. Both oval plaques are engraved, the first reads "TAIN ROYAL ACADEMY AWARDED TO G.ERNEST ROSS FOR EXCELLENCE IN CLASSICS", the second reads "PRESENTED BY D. FOWLER ESQ. PROVOST OF TAIN JULY 1899". The hallmarks are small but clear, very well struck. Donald Fowler was Provost (the Scottish equivalent of Mayor) of Tain between 1898 and 1910, he was a chemist by profession.
A fabulous set of 6 Tiffany Sterling silver Indian Chrysanthemum tablespoons, in immaculate condition, they could not be better. The pattern is truly beautiful, it extends right down the back of the spoon bowls as well. All 6 spoons are clearly hallmarked "TIFFANY & Co STERLING PAT.1880.M, the M indicates these are early pieces (the pattern was produced from 1880-1934). This must be one of the most beautiful example of hallmarks, with the design wrapping over and through the hallmarks. Each individual spoon weighs 120 grams, certainly the heaviest tablespoons we have encountered (the very best quality English tablespoons can reach 100 grammes). Indian Chrysanthemum has been described as "one of the most magnificent and celebrated sterling silver designs of the 19th century. Chrysanthemum represents one of the last great designs of the Victorian period" -(www.replacements.com), it was designed by Charles Grosjean. "Master silversmith Charles T. Grosjean joined the Tiffany firm as the Superintendent of Silverwa...
A rare Victorian silver Old English Military Thread and Shell pattern soup ladle, of exceptional weight and quality. The pattern has the regular Thread and Shell pattern, double struck (on both sides), but with scrolls instead of shoulders, as with all Military variants (Pickford, Silver Flatware, page 117). The ladle has an interesting engraved family crest, a collared lion between 2 horns. The hallmarks are very clear, including makers mark GA (George Adams, who took over the Chawner business in 1840), and also includes 2 journeyman's marks S and N (the silversmiths who made the ladle in the Chawner & Co workshop). Ian Pickford, in the book Silver Flatware, describes Old English Military Thread and Shell as "a rare pattern, illustrated in the Chawner & Co. Pattern book(appendix pg 218). Any services and pieces are rare" - page 107. Chawner & Co were the most important firm of silver spoon manufacturers in Victorian England (John Culme, Directory of Gold & Silversmiths, page 82).
A private die silver Victorian dessert fork, made by Elkington & Co in 1898. The fork is an excellent gauge, over 60 grammes, a good quality fork. It is double struck with a variant of Kings pattern, but with an ornate scrolling design below the raised family crest. The crest is a griffin holding a branch with leaves in its beak, described as "Griffin's head erased argent holding in the baek a sprig or rose branch proper", this is the Watson family crest. This branch of the Watson family came from Silsden, Yorkshire, descendants of Rowland Watson, Silsden Moor late 16th century. The hallmarks are very clear. Private die flatware was individually commissioned with the family crest die-stamped rather than engraved on a stock pattern (Pickford, Silver Flatware, page 173. Most 19th century private die patterns were supplied through Hunt & Roskell to members of the peerage and other wealthy clients. Pickford describes these as "fascinating, but obviously impossible to build into services". Note - this fork is acco...
A magnificent set of 4 Victorian cast silver Cherub salts, replicas of a style introduced by Paul de Lamerie. The salts have a cast vine leaf bowl, supported by a cherub with arm outstretched, and two dolphin feet supporting the bowl. These are fabulous quality, they weigh between 232 and 273 grammes each, averaging at 255 grammes each, and the condition is excellent. The cherub (also called amorini and putti, but not cupid as no wings present) is naked except for a small loincloth, he is well modelled, note the detail of his hair. The bowl is a cast vine leaf, also well modelled, and the 2 stylised dolphin feet are copies of those used by Lamerie. The salts are all solid, and stand well on the table, no wobble at all. Traces of original gilding are still visible, especially on the harder to reach areas on the body of the cherub (we imagine much of the gilding has been polished off over the years. The cherub is hollow, the casting hole visible under his bottom. One salt is clearly hallmarked on the vine leaf,...
A pair of Victorian silver grape scissors, once an essential implement in an upmarket Victorian drawing room, used to cut the stems of a bunch of grapes. This is the rarer type, with traditional scissor blades, as opposed to the more usual 2 wide flat faced blades with a 90 degree angle on one blade, sometimes called grape shears. This set is long and elegant, with a beaded border, and engraved leaf decoration on the back and front, and 2 vacant cartouche's for family crest or initials. The handles are oval rings, and the original steel hinge pin has an attractive circular silver cap with a floral design. The hallmarks are clear, and include makers mark CB on both arms, with date letter C for 1878, London town mark, sterling lion and Victoria duty mark. Charles Boyton & Sons was founded in 1809, and survived until 1933. They were manufacturing silversmiths, they supplied many prestigious retailers locally and internationally. A very similar example is depicted in the book "Millers Silver Buying Guide by Danie...
A rare early Victorian coffee percolator, we have been unable to trace a similar example in the literature or internet. The percolator consists of 4 separate components, all sterling silver. The first is a cylinder with a finely perforated base, this has 3 rims, the top to hold the lid, one two-thirds of the way down, we presume to hold the cylinder in a coffee pot, and the third inside to hold the coffee container. The top portion is finely engraved with shells and c scrolls, which matches the lid. The second is the lid, which has a beautifully cast rose finial, which acts as the handle, held in place with a hand made silver wing-nut, the lid is also finely engraved. The third is a cylindrical coffee container, also perforated but with larger holes, and central cylinder to hold plunger, this sits inside the main cylinder snugly. The fourth is the strainer or plunger, with central silver rod, and flat perforated base, also large holes. All the components are pleasing quality, this was a well made item. A coff...
A charming Dutch silver miniature foot stove, also called a foot warmer. The stove is bucket shaped, circular with a swing handle, and has an engraved 6 pointed star on top, with 6 holes on each star point, and a central flower shaped hole. This is surrounded by a zig zag pattern, repeated on the sides (top and bottom), the engraving is done by hand and is a little crude. The aperture on the side (for loading wood or coals) is also shaped in an eight pointed pattern. The base has one hallmark, a makers mark, Z2, for Karel Nicolaas zur Muhlen (mark 22153, in the book Netherlands Responsibility Marks since 1797).Muhlen worked between 1895 and 1905, he moved between Roosendaal, Alkmaar, Arnhem and Hertogenbosch. The handle ring is struck by the Dutch silver dagger, used between 1814 and 1953 on small items. A similar Dutch silver miniature foot stove is depicted in the book "Tall and Small, Antique Dutch Silver Miniatures by Aardewerk, item 40, this one made in 1771 in Amsterdam by Jan Bonket.
A fabulous pair of scarce Kings Fiddle Husk tablespoons, of exceptional quality and weight, made by Elizabeth Eaton. These spoons both weigh over 105 grammes each, amongst the heaviest we have encountered. The spoons have the Husk heel, and have no initials or engraving. Kings Husk pattern is a scarce variant of the Kings pattern, the most obvious difference being the omission of the central honeysuckle and a husk shell rather than a concave shell (Pickford, Silver Flatware, pg 136). In addition there is no shell on the back. It was first produced during the Regency, Paul Storr also produced this pattern. The hallmarks are clear on both spoons, including makers mark EE in a bifoil punch, for Elizabeth Eaton. Eaton inherited the firm in 1845 on the death of her husband William, her son John joined the business in 1854, they sold the business to Henry Holland in 1864. (Culme, Directory of Gold and Silversmiths, pg 134). The firm had a good reputation, Elizabeth Eaton exhibited silver spoons and forks at the Gr...
A pair of Cape silver Fiddle pattern table forks, with traditional pseudo English hallmarks, which are clear on both forks. 5 hallmarks are present (Welz mark 4 in his Cape silver book, although struck in different order), they include makers mark LB, pseudo lion passant (quite fat with "camel hump"), pseudo Georgian duty mark, pseudo 3 turreted castle town mark (copy of Edinburgh town mark), and date letter a (which is struck upside down). Lodewyk Beck worked between 1847 and 1867 from Shortmarket Street and Greenmarket Square (still a vibrant market today), he was one of 6 Cape silversmiths who used pseudo English hallmark punches.
A fine set of 12 Victorian Scottish silver table forks, in the plain Old English pattern, these forks have a very good weight and feel in the hand. The forks are engraved with the original owners initial A with a typical Victorian flourish. The forks are in excellent condition, with long tines, these forks have not seen much use. All 12 forks have excellent hallmarks that are well struck and very clear, event Queen Victoria's hair is visible in the duty mark. The town mark also has clearly defined bird, bell and fish in the tree, the coat of arms of Glasgow. Robert Gray and Sons of Glasgow produced "some of the finest British silver of the period" (Walter Brown, Finial, June 2006).
A Coin silver American tablespoon in the Fiddle pattern, made by A F Burbank in Boston, Massachusetts, made around 1853. The spoon is the usual American Fiddle pattern, quite different to English Fiddle pattern, with flat broad handle and pointed bowl. The spoon has very clear hallmarks, A.F. Burbank. and Boston, which are both well struck and very clear. This is the earlier Burbank mark, the later one is incuse, hence we believe this spoon was made early in his career. The spoon has a 3rd hallmark, a very small swan in oval punch (tiny but very clear), this is a French import mark used between 1893 and 1970, indicating legal fineness, so this spoon spent some time in France (Tardy, international Hallmarks, pg 208). The term "Coin Silver" is used for American silver flatware made before 1870 that is not Sterling, slightly lower grade at 90% silver (sterling is 92.5%), made from melted coins, prior to discovery of silver in the USA.
A magnificent Arts and Crafts silver Apostle spoon, one of the finest we have seen. The spoon has a well cast Apostle complete with Nimbus in flowing robe, with one hand raised in blessing. The detail is lovely, including the full beard and flowing hair. He stands on an attractive pedestal with scrolls and foliage. The stem is very unusual, with an open pear shaped loop at the base and central groove (front and back), it is hand hammered and is wrapped in an applied entwined scroll. The bowl is also hand hammered, circular but tapered as it joins the stem, with a fascinating drop (or join), the tapered bowl splits into two strands which are curled into rolls, held in place by 2 silver balls - we have never encountered this before in a spoon. The hallmarks are clear, including makers mark F.C in quatrefoil punch for Frederick Courthope. Courthope took over the business of respected George Angell in 1884. he started trading in his own name in 1889, he worked until 1912. He was a master silversmith, who hand mad...
A rare and interesting Victorian silver vesta case, with an enamelled Malta Blue twopence halfpenny stamp, used between 1885 and 1890. The vesta itself is rectangular in shape, with striker in base, and silver ring attachment (for attachment to Albert chain). The vesta is hallmarked in the usual place, along the inside top rim, with Lion Passant, anchor, date letter P (only in use from May to July 1890, after the duty mark was retired), and partial makers mark C. in shield punch, possibly Charles Usher of Usher Manufacturing Company. This vesta previously sold at Sotheby's London in 1988, their description stated "very rare, the only example we have seen", they also described the "superb enamelled representation of the Malta 1885-90 2&half d blue".
A rare and unusual Victorian silver double lidded twin stamp box, one of the most practical designs we have seen on a stamp box. The box is rectangular, and is good quality, a pleasing weight, with gilded interior with 2 sloped compartments, and twin lids on separate hinges. The lids have separate silver frames which hold the glass in place covering the representative stamp. The box is clearly hallmarked, both lids and both frames are hallmarked as well. Cohen & Charles worked between 1890 and 1974, founded by Albert Cohen and Charles Solomon. They were the sole English agents for the leading French firm of Baudet Freres & Cie, so were a prestigious firm (Culme, Gold & Silversmiths, pg 88).
An interesting pair of Cape Silver Old English pattern teaspoons, by the rare maker J De Jongh. The spoons have a Continental feel, with a rounded drop and strong overhang at the end of the spoons. They are stamped with full makers mark "J.DE.JONGH" (Welz mark 43, pg 148, Cape Silver), and are also stamped with initials IFP, the initials here being individually struck, as can be seen from their irregular pattern. Welz provides no details for De Jongh, saying only it appears on silverware as though it was a makers mark. David Heller (History of Cape Silver, pg 77) refers to De Jongh as a "seldom found" maker, indirectly connected to the Lotter family (relation of Hendrik de Jongh, married to Johanna Combrink in 1795, sister to silversmith Johannes Combrink). The initials IFP are retailers marks for Johan Frederik Pollnitz, of the firm Wagner & Von Pollnitz, who retailed silver amongst other goods from Longmarket Street between 1837 and 1847 (Morrison, The silversmiths and goldsmiths of the Cape of Good Hope, ...
Two Victorian silver vinaigrettes, both very similar in shape and design, reflecting the style of the time. Both are oval in shape with a wavy rim, concave sides, both have engine turned engraving, and both have vacant cartouche (for initials or family crest). Both also have an ornate floral grille, and both are gilded. Both also have clear hallmarks on both base and lid, the grille on the Smith example is also hallmarked. The first, by Edward Smith 1845, has an attractive snake shaped thumb piece, the base design is distinctly different from the cover design. The second still has its original sponge. Edward Smith was a specialist boxmaker, he worked between 1827 and 1865. James Cronin and Sarah & George Wheeler worked between 1846 and 1852 from St Pauls Square, Birmingham.
A magnificent and rare pair of silver-gilt Victorian Bacchanalian pattern grape scissors, in excellent condition. The scissors are completely silver gilt (apart from screw), and are completely sterling silver (no steel inserts). They are the traditional shape, and are decorated with the rare Bacchanalian pattern, designed by Stothard for the Royal Goldsmiths Rundell, Bridge & Rundell, originally made by Paul Storr, pieces are still in the Royal collection today. This is one of the rarest English silver flatware patterns, it shows Bacchus, the Roman God of wine, riding a lion, whilst a topless Diana looks on, with another figure asleep at her feet. The back is also beautifully decorated, with tilted amphora of wine, bunches of grapes and vine leaves complete the decoration. Bacchanalian pattern is shown in the book "Silver Flatware" by Pickford (pg. 127), where an identical pair of grape scissors is shown, made by Wakely and Wheeler. The hallmarks are very clear, and include makers mark HJL for Henry John Lia...
A lovely set of 6 Rat-tail Hanoverian coffee spoons with gilded bowls, and matching sugar tongs. These spoons have wavy rat-tails, a very unusual feature we have not seen before. The arms of the tongs are modeled as matching spoons, complete with the wavy rat-tail. Hallmarks on all 7 items are clear. Harry Synyer and Charles Beddoes worked between 1897 and 1949, from Vyse Street, Birmingham.
An interesting British Arts & Crafts medallion, which could be worn as a pendant. The pendant has the Manchester Coat of Arms, complete with sailing ship and globe signifying Manchester's world trade, with bees on the globe signifying the industrial revolution. The supporters include an antelope and lion, and the motto "Concilio et Labore", translated "By Wisdom and Effort". The medallion also has Arts and Crafts symbols, including hammer & anvil, paintboard and brush, and hammer & wheel. The back is engraved "Awarded to Mabel Maynard for Miniature Painting, Manchester April 1901". The hallmarks are clear, and the loop is also hallmarked.
An interesting Sampson Mordan antique silver bowl, with a Victorian silver half crown dated 1900 set into the bowl. The bowl is engraved "God Save The Queen, The Last Coinage of the Nineteenth Century". The bowl is good quality, the coin is very fine, protected by the rim on the base. The hallmarks are excellent, including Sampson Mordan makers mark. The bowl is also stamped "copyright" in small letters below the coin. Sampson Mordan are well known for their collectable novelty silver.
An interesting set of 4 Cape silver Fiddle pattern tableforks, by Lodewyk Beck. They have no initials, although 1 fork has the remnants of an initial just visible. It appears 1 fork was made at a different time, as the hallmarks are struck differently from the other 3. The hallmarks include makers mark LB with 4 pseudo English hallmarks, including lion, duty mark, castle town mark and date letter a. What is interesting about the hallmarks is that they are all individually struck, with not too much care, both the sterling lion and the date letter have been struck upside down on one, it appears the order and orientation of hallmarks was not important to Cape silversmiths. The 4th fork, has the same hallmarks but struck further apart. Lodewyk Willem Christiaan Beck worked between 1847 and 1867, from Shortmarket street and Greenmarket Square.
An extremely rare Victorian silver Palm pattern butter knife, with initial W. Pickford describes the rarity of Palm pattern in his book "Silver Flatware", pg 148, this is the only Palm pattern butter knife we have seen. The hallmarks are clear, but the makers mark is worn. Palm pattern appears in the Chawner & Co (George Adams) pattern books, who were the most important 19th century silver flatware makers. Please note we also have Palm pattern soup spoons (S1612), made by George Adams in 1876.
An antique Danish silver christening spoon, this is a 19th century replica of a 16th century spoon, originally used for Royal coronations. This is a beautiful spoon, extremely good quality, it has a lovely feel. The circular bowl is engraved in traditional style, the gilded front with Madonna holding 2 babies, one with a crown, and surrounded by traditional religious inscription in ancient Scandinavian (translation assistance would be most welcome!). The back of the bowl is engraved with St Olaf of Norway, holding battleaxe and orb, standing on a lion with crowned head, also surrounded by inscription. The cast handle of the spoon is very decorative, a head above a warrior with sword, above traditional implements (thor hammer, hand). The back of the handle has an attractive celtic design. The hallmarks include makers mark A.M (possible Anton Michelson?), the Copenhagen town mark (3 towers), date letter for 1868, and assay masters mark SG for Simon Groth, who worked between 1863 and 1904. Wayne Bednersh, author...
A very rare set of 4 Palm pattern soup spoons, made by George Adams of Chawner & Co, who were the most important mid 19th century firm of spoon makers (Pickford, Jacksons Hallmarks, pg 56). The spoons are exceptional quality and weight, just under 100 grammes each, they are a joy to hold. The spoons are engraved with the original owners initials, "JK & CK". The Palm pattern is described as "very rare, produced by Chawner & Co, in whose pattern book it appears" by Pickford in his book "Silver Flatware, pg 148". The book also has a photo of a Palm pattern fork and spoon from the V&A museum. The spoons are beautifully made, with good detail on the palm leaves. The hallmarks on all 4 spoons are extremely clear, marked on the bowl to prevent damage to the pattern. Two interesting journeymans marks are also present, 3 dots and K, probably the craftsmen involved in making the spoons. A Palm pattern tablespoon sold as lot 73, Finial postal auction January 2012. Please note we also have a Palm pattern butter knife, S1...
A Chinese jade pendant with 14 carat gold clasp and ring. The jade is light green, with some natural dark green patches. The pendant is kidney shaped, and both sides have a carved tree. The gold ring is hallmarked "14 K, 585" indicating 14 carat gold, which is 58.5% pure. 14 Carat gold is often used for jewellery. According to Chinese tradition, sons are thought fortunate, and in celebration male progeny is often presented with a piece of jade.
A lovely Emerald and God Neckpiece, with 21 Brazilian emeralds set in a decorative 12 carat gold necklace. The emeralds have an average size of 0.365 ct, the clarity is good, cut good and colour very slightly blueish green.
The neck piece was appraised in 2010 by a registered Gemologist Appraiser (ISG) and member of the Jewellery Council of South Africa, the replacement value then was R 27 187 (South African Rands, approximately US $ 3200). The original certificate accompanies this purchase. Note - This necklace was revalued in May 2017 by Gemlab (www.gemlab.co.za), certifying 7.81 carats of oval mixed good colour heavily included emeralds, with 10.44 grams of 14 carat gold, replacement value R 93100, this certificate is included.
A rare Victorian silver postal scale, in full working order. The scale is intended for measuring postal items, so that the correct postage could be applied. This scale would have been used in a wealthy household, not a Post Office. The front is engraved "Postal Scale" on top, on the side "Postal Union Rates 2 1/2 d for each 1/2 ounce." To the left is engraved "English Rates" above measuring scale from 1d - 4d in 1/2 increments. To the right are 2 measures, 1 marked "LB" for pounds (scale 0 to 1 LB), to the right "OZ" for ounces measuring from 1-16. The engraving is exquisite, this is a lovely item. The base is rectangular with a Chippendale rim. The scale also has a knob (for adjusting scale) behind the pan, and a silver screw for opening the scale. The side of the scale is fully hallmarked, a registration number RD 308820, is also present. The top pan is also hallmarked, these are worn from polishing. Levi & Salaman were established in 1870, they were known for their high quality silver novelties...
An unusual set of Scottish Silver Hanoverian tablespoons, made in Victorian times. These spoons are lovely spoons, very good quality and weight, a pleasure to use. The spoons have a double drop, are bottom marked and have script initials "AW" engraved on the back of the spoons, in 18th century style. The spoons were probably made to order, as they are replicas of an earlier style. The hallmarks on all 4 spoons are excellent, including makers mark "G&MC" for George and Michael Crichton, who worked between 1864 and 1876.
A magnificent pair of Victorian silver gilt spoons, with a beautiful figure of a maiden (or Goddess), sculpted with lovely detail. She is full figure, with a long flowing dress with a high slit, with flowers adorning the front. She holds her arms crossed, and has her hair in a bun. The design has a strong Art Nouveau look and feel, these spoons were well ahead of their time when made in 1873. The spoons are very good quality and gauge, very suitable for use as serving spoons for a dessert. The hallmarks are very clear on both spoons. Henry William Curry took over the business of Augustus Piesse in 1868, which he continued until 1889. Of interest is that Curry was in trouble with the Goldsmiths Hall in 1880 in a matter of counterfeiting hallmarks (John Culme, Directory of Gold and Silversmiths, pg 366). Curry has left behind some fabulous silver, top notch quality and beautiful intricate designs, he deserves further study. Henry William Curry's brother Charles John Curry was in partnership with Alexander Crich...
A Cape silver Fiddle pattern dessert fork, with contemporary engraved initial M. The fork has excellent hallmarks, makers mark WM and the Cape Stub mark (see our articles section) consisting of 4 English pseudo hallmarks, Lion passant, date letter capital A, Georgian kings head duty mark and leopards head (town mark for London). The fork is very good quality and weight, and is suitable for use. The tines are very long, longer than usual, this fork has probably not been used. What is interesting about this Cape stub mark is that the punch is showing signs of wear, particularly the Leopards head. This lead to a mistake in Morrison (The Silversmiths and Goldsmiths of the Cape of Good Hope, 1936, pg 59), and later Heller (History of Cape Silver), where the hallmark is mistakenly drawn as an anchor (MM63 in Heller, pg 154).
A Victorian silver wine bottle stand, with blank central cartouche (suitable for engraving), with embossed shell and scroll decoration, raised edge and 4 very ornate scrolling feet. It is a good weight and is good quality, and suitable for use. The base is engraved "Hunt & Roskell, Late Storr & Mortimer, 8095". The sterling lion, town mark, date letter and duty mark are clear, but the makers mark is very faint and barely visible (although not necessary with the full name engraved on the base). Hunt & Roskell were the most prestigious silversmiths of Victorian England, having descended from Paul Storr, the most famous of English silversmiths. They were silversmiths and jewellers to Her Majesty Queen Victoria, and had an important display at the Great Exhibition of 1851. In 1865 it was recorded that they were the largest holders of precious stones in Europe (John Culme, Directory of Gold & Silversmiths, pg 245).
Two Scottish silver toddy ladles in the Fiddle pattern, both made in Glasgow but by different makers at a different time (not a pair). The earlier one by D. McDonald is slightly longer, and has an engraved initial W. The later one by W. Allan is shorter, and has a less pronounced bowl angle. Both have a very clear and full set of Glasgow hallmarks, the fish, bird and bell being fully visible in the town mark.
An interesting pair of Victorian silver serving spoons, with very ornate cast handles, topped with a harvest maiden, holding wheat sheaves and what appears to be a cauliflower? The bowls have an unusual rectangular shape, and a small rat-tail. The stems are very ornate, twisted tree stems decorated with a lion, dolphins and a harvest God. The well modelled finial is a maiden in flowing dress, holding the produce. The spoons are in their original box, and appear to have never been used. The hallmarks on both spoons are very clear, with makers mark H.W for Lee & Wigfull, who worked between 1895 and 1931. These spoons are suitable for use as serving spoons (bowls 6.3 cm * 5.3 cm.)
An interesting ornate antique silver belt buckle, with a cast "devils head" complete with horns, moustache, beard and toothy grin, which has been applied on a pierced background, complete with stylised lions heads and scrolling foliage. We imagine the buckle has some significance, perhaps to commemorate a popular opera or play at the time. Devils and demons were often portrayed on silver items in late Victorian times, some examples can be seen on the Acsas website (http://www.ascasonline.org/windowD20.html). Both parts of the buckle are hallmarked, the hallmarks are small but clear. The makers makr is HB cojoined. Hayes Brothers (William and Harry) worked from 73 Great Hampton Street, Birmingham, between 1889 and 1896, they specialised in buckles and small silver objects.
An interesting antique Dutch silver miniature scale, with 2 circular weighing pans mounted on 4 supports, resting on a table with a drawer with handle. Four weights of different sizes are also present, along with 2 bars, we assume lifters to move the weights. The table is rectangular, on 4 feet with a skirt, and is decorated with S shaped scrolls. The scale is 835 grade silver, typical of continental silver (and slightly lower grade than 925 sterling silver). The scale contains a number of interesting hallmarks, but as they are quite small they are difficult to decipher. The first mark is ZII, which is the Netherlands purity mark for 835 grade silver, (Tardy, International Hallmarks, pg 327). The second mark is Ad81 in a rectangular punch, this is the makers mark for Jacobus van Dam, who worked in Schoonhoven between 1849 and 1888. The 3rd mark is 835 in an oval punch (silver purity mark), the 4th mark is tiny and difficult to read, looks like "42NO". Some additional marks are present, these are indistinct, c...
A lovely example of an American souvenir spoon, which were very popular at the turn of the 20th century, and one of the finest we have encountered. The spoon depicts a Canadian Indian, complete with bow and arrows, tomahawk, feather headdress, Canada ribbon, and delightfully detailed moccasins. This is a rare spoon, the Indian here is not depicted in "Collectible Souvenir Spoons", the authority on souvenir spoons, by Wayne Bednersh. The spoon bowl depicts Brandon College, Brandon, Manitoba, and the Indian figure is holding the enamelled Royal Coat of Arms of the UK, with quarters of England, Scotland and Ireland, under the Royal Crown. This was used in Canada prior to the confederation in 1867, so it is a little mysterious why a Canadian spoon from 1900 is still using these arms. Brandon College was founded in 1899 as a Baptist institution, and was completed in 1901, this spoon would have commemorated the opening. Over 200 students of Brandon College fought during WWI, 2 were awarded the Victoria Cross. Brand...
A lovely pair of decorative Hanau silver Christening (or anointing) spoons, with an Apostle carrying a baby standing on a winged cherub's head. The stems are twisted, the base decorated with a peacock eating fruit, above a face. The back of the bowls are richly decorated with a diamond pattern and scrolling foliage, and the spoons have a rat tail. The spoons are cast, and as such are quite solid, with a pleasing weight. As is usual with Hanau silver, they are replica's of fine 17th century German silver.
The spoons, which have no Hanau hallmarks, were imported into Britian in 1889 by David Bridge of the firm John Smith & Co, as can be seen by makers mark D.B and capital F (hallmark for foreign silver, used between 1867 and 1903). The spoons also have date letter O for 1889. The hallmarks on both spoons are very clear. John Smith & Co. imported a great deal of decorative silver into Britian, much of which was of German origin, presumably Hanau (Culme, Gold and silversmiths).
A magnificent Hanau silver serving spoon, commemorating the 100 year anniversary of Frederick the Great (Frederick II of Prussia), whose nickname was "Der Alte Fritz" (Old Fritz). The handle of the spoon is a very detailed full length cast figure, with detail on both the back and front. Frederick is standing on a plinth with the dates "1740-1786", the dates he reigned, on top of the Imperial Prussian Eagle and Crown. The spoon bowl (also cast) is heart shaped, with decorative flowers and foliage. The spoon is excellent quality, suitable for display or use.
Frederick, also Prince Elector of the Holy Roman Empire, modernised the Prussian army and won military acclaim, so much so that even Napoleon regarded him as one of the greatest tactical geniuses of his time.
J.D. Schleissner & Sohne were Hanau's "pre-eminant producer of antique style silverware in the latter 19th century (www.925-1000.com), they exhibited at the 1893 Chicago and 1904 St Louis international expositions. The hallmarks are clear, and inclu...
An important Royal silver brandy saucepan, which was given by Queen Victoria to her grandson Prince Christian Victor (Christle) of Schleswig-Holstein in 1868 as a christening present. The quality of the saucepan is excellent, it is the usual bulbous shape with a spout and turned ivory handle. It has a detachable domed lid, with a hinged projection for covering the spout, and an ivory and silver finial. The interior is gilt, it sits on a raised foot and has the traditional heart shaped join between body and handle. The saucepan and lid are both decorated with scrolling foliage and flowers, which is beautifully engraved. The lid fits snugly, the hinge is excellent, and the handle and finial are firmly secure. The saucepan is engraved "From his Grandmama Victoria R, 14 April 1868" on the front, the back has a scrolling foliate cartouche with the engraved initials "CV" below a coronet. The hallmarks are very clear, and are accompanied by the number 113 struck into the base (perhaps a pattern number?). The base al...
An extremely rare Cape silver knife, with ivory handle and engraved on the blade "EHM from HOM". The hallmarks are extremely clear, pseudo - English duty mark and castle, with makers mark JML (mark 82 in Welz, Cape Silver). These are accompanied by another mark, some sort of device, unrecorded in Welz. The knife is very well made, good quality and a pleasing weight. The ivory handle shows good texture and a changing colour from dark to light. The knife is extremely rare, being the only known example recorded to date. The leading authority on Cape Silver Stephan Welz said "I have been unable to trace any Cape silver knives" (Cape Silver pg 73), and David Heller said "the only type of silver knife in use at the Cape seems to have been the butter knife (History of Cape Silver, pg 202). Johannes Lotter was part of the highly regarded Lotter family of Cape silversmiths, being the son of Willem and the brother of Carel.
A Russian silver Fiddle pattern tablespoon, with very clear hallmarks, including town mark for Tallinn (now Estonia). The town mark is a shield containing 3 lions, and was used between 1842 and 1920 (Watts, Russian Silversmiths Hallmarks). The assay masters mark is very clear (YaN), the mark is recorded by Watts but unknown (pg 89). The makers mark CRH for Carl Reinhold Hefftler is very clear (we previously had this incorrectly identified as Rubert Hermann). The spoon has scripted initials "G et WP" on the front, and "H&TJ" on the back next to the hallmarks.
A set of 3 Fiddle pattern Cape silver tablespoons, which are notable for their strong colonial feel, being slightly crude in nature, and with hand hammered stems. Each spoon is slightly different, clearly each spoon was made by hand, probably in primitive conditions. The drops are also crude, and have an amateurish feel, perhaps these were made by a novice apprentice?
All 3 spoons have pseudo hallmarks, date letter a, date letter B and duty head, with no makers mark. The shape of the outline of date letter B is notched on both sides, making it very distinctive - hence our attribution to Peter Clarke Daniel (mark 41, Cape Silver by Welz). Mark 41 has the 2 date letters (a and B) together, with the duty mark - given the outline and occurrance we are pretty certain the same punches were used, but perhaps not by Peter Daniel himself. Further research is required, as we know Cape silversmiths occasionally interchanged punches amongst one another.
A beautiful set of 6 German Art Nouveau (Jugendstil) teaspoons, with typical sinuous lilies design. The spoons are 800 silver, and all have clear hallmarks. The makers mark of a man holding a stave is the mark of Gustav Haegermann of Burgdorf and Hannover. The set was retailed by Paul Hesse of Magdeburg (Breiteweg 64), who also stamped "Hesse" on all 6 teaspoons. The crescent and crown are the German silver marks used since 1888. The spoons are in their original box, also decorated in typical Art Nouveau or Jugendstil style.
A set of 6 Scottish Fiddle pattern teaspoons, the shape of the Fiddle typically Scottish. They are accompanied by matching sugartongs with shell bowls. The hallmarks on all 7 items are very clear. The punch outline of the JW makers mark is very unusual, having a wave shaped indentation at both sides. The punch shape is identical to unknown maker "AW" who worked between 1828 and 1843, we assume he was John Williamson's father. John Williamson worked between 1845 and 1881, so these are very early examples of his silver.
A charming Cape silver snuffbox, retangular in form, and quite small in size. It is decorated with typically Cape engraving, generally a crude series of lines and dots. The cover is quite unusual, having a central shield cartouche (engraved "MMM Le R 1851") surrounded by 2 Scottish thistles - this design is very rare on Cape silver. The surname "Le R" (possibly Le Roux?) is probably French Huguenot in origin, the Scottish thistles are a mystery. The sides of the box have a zig-zag design, the base a blank rectangular design. The interior is gilded, and the base of the interior has an engraved sunburst design. The hallmarks are on the rim of the lid, and consist of makers initials JJV surrounded by 2 acorn devices (Welz mark 159). They are quite small but clear and well struck, but given the location difficult to see. JJ Vos was one of the last 2 surviving Cape Silversmiths, he worked between 1841 and 1882 (Welz).
A Victorian silver commemorative trowel with ivory handle, of very good quality, with presentation inscription surrounded by scrolling foliage and flowers. The inscription reads "To commemorate the laying of the first stone of the New University of Cape Town by Mrs William Hawke, 28th February 1925". William Hawke of Hawke and McKinley was the architect responsible for the Groote Schuur campus of UCT, a magnificent set of buildings still in use today. UCT is ranked today as one of South Africa's leading universities. The hallmarks are very clear. Atkin Brothers was in business from 1853 to 1958, when they were taken over by CJ Vander Ltd.
William Hawke and his partner W McKinley were trained and worked in the UK, Hawke worked in the London Admirality Office of Works, where he assisted with the design of the Simonstown sanatorium (now Naval Signal School). They had a flair for prize winning designs, and in 1905 they won first premium for the Cape of Good Hope University buildings (later UCT). They moved to Ca...
A sterling silver fob medallion depicting a footballer (soccer player) kicking a ball. The detail is good, and the surrounding design of laurel wreath, triangles and crown is interesting. The hallmarks are clear. The connecting ring is also hallmarked. James Fenton worked from Great Hampton Street between 1856 and 1954. Fob medallions would have been attached to a gentlemen's "Albert" (watch chain), the now make attractive necklace pendants.
A delightful Hanau silver box, the lid and sides decorated with embossed panels, including bowl of flowers, musical instruments, laurel wreath and claret jug, complete with goblet and grapes. The panels are bordered with a floral leaf design. The interior of the box is gilt. The box has a very clear set of Hanau pseudo hallmarks, which have been described as amongst the "most difficult and confusing area of silver hallmark study", as the marks were never registered and no records exist. The marks include pseudo crowned leopards head (Scheffler 538), pseudo lion passant (Scheffler 540) and pseudo dolphin (Scheffler 534). The small mark is genuine, being the Austro-Hungarian mark for imported articles between 1901 and 1921 (Tardy, pg 75). The mark, which also appears on the lid, has a capital B, indicating the city of Lienz. The Hanau silversmiths specialised in antique reproductions, generally of very good quality, so much so they often exhibited at international expositions. Gebruder Dingeldein was founded i...
A Hanoverian rat-tail basting spoon, of good size and weight, suitable for everyday use as a serving spoon. This spoon has the typical Hanoverian "turn-up", oval bowl and rat-tail. This example is late Victorian, an example of the Victorian practice of "reviving" earlier styles - original Hanoverian rat-tail spoons would be circa 1720. The hallmarks are clear.
A lovely late Victorian American Sterling silver hand mirror, by the highly regarded Gorham company. The mirror is embossed in deep relief with roses, with very fine detail. The quality is exceptional, this is a lovely item, a real work of art by a master craftsman. The hallmarks are clear, the Gorham Lion, Anchor and Gothic G, "Sterling" and date letter O.
An unusual Russian silver kvass jug in Trompe L'Oeil style ("deceive the eye"), which is a type of chased decoration designed to imitate a surface or texture, to create a 3D impression. The jug is typically Russian in style, and the texturing imitates rush work or raffia (woven birch wood strips). The detail is amongst the best we have seen, the silversmith was definitely a true artist. The interior of the jug is gilded, and the hallmarks on the base are clear, although part of the makers mark is worn. The handle also has the St Petersburg hallmark. The assay master is Aleksandr Frans Fan der Flit (or van der Vliet), who worked in St Petersburg 1882 to 1894, his Cyrillic initials are AF, source www.925-1000.com. This assay master is described as unknown by Watts (Russian Silversmiths Hallmarks 1700-1917, Geoffrey Watts, pg 73). We are not experts on cyrillic makers marks, so are not certain we have correctly identified the maker - all opinions welcome. Kvass is a traditional Russian and Ukrainian fermented b...
A pretty Glove button hook, with silver ring for suspension from a chain. The handle is polished honey coloured tigers eye, a gemstone, the silver hook has attractive engraving. Buttonhooks for gloves were much smaller than those used for boots. This could be worn as a necklace pendant. The hallmarks are small but visible.
American Fiddle pattern tablespoon, complete with pseudo English hallmarks (duty mark, lion and date letter C). The back of the handle is engraved with the initials JWK. James E.H. Wallin worked in New York City between 1842 and 1849. he married Elizabeth Kitchell Sayre in 1844.
Fiddle pattern Cape silver tablefork with Pseudo English hallmarks, which are clear, and makers mark WM. This hallmark punch was used by 5 different Cape silversmiths, including Twentyman, Combrink, Townsend and Beck, leading Welz (Cape Silver, pg 95) to speculate that all the silver with this mark came from the same workshop.
A magnificent set of unusual silver gilt cast teaspoons and sugartongs, all of exceptional quality, in original silk lined leather box. Each individual spoon is a replica of an earlier spoon design, covering 300 years of spoon history. They include (as best we can identify):
1. Moors head, twisted stem
2. Onslow with flowers
3. Bearded monks head (Rococo)
4. Pierced handle (rare 18th century design)
5. Apostle spoon. pilgrims staff and book
6. Bacchus (Roman clothes) holding wine goblet
7. Stag with antlers
8. Aphrodite, Goddess of Love, dancing with tambourine
9. The devil, with horns
10. Warrior with raised arm, helmet and brestplate
11. Angels head (blowing clouds?)
12. Cherub's head, ornate stem
13. (Sugartongs) Cupid with wings.
Manoah Rhodes was established in Bradford, Yorkshire in 1836, Thomas Ackroyd Rhodes was appointed Managing Director in 1888. He lived in Frizinghall and Thornbury in Bradford. They also had premises in Hatton Gardens, London. They were Diamond merchants, Goldsmiths ...
Lovely Victorian silver christening mug, with banded body and gilt interior. It is a pleasant size, shape and design. John Keith was a well regarded silversmith, as well as a deeply religious man, who specialised in Church silver. The hallmarks are clear.
Unusual pair of knife rests, shaped as a pair of "jacks", with a central ball with 6 arms, each ending in a small ball. They are nice and solid, and a very good weight. In addition to clear hallmarks, they also carry a registration number (111097), indicating the design was registered by Roberts & Belk, and a small crest depicting a Roman oil lamp. Roberts and Belk were a well known firm, first established in 1809, and bought by CJ Vander in 1961.
Set of 6 Cape Dessert Fiddle pattern spoons, that match the set of 12 Tableforks (item S 1193). All 6 spoons have very clear English Pseudo hallmarks and makers mark, and the same pair of worn double initials. The spoons are of of good weight, and are robust enough to be used.
Rare matching set of Cape Tableforks, in the Fiddle pattern, of good weight, and robust enough to be used. All 12 forks have very clear Pseudo English hallmarks and makers mark. The forks all have 2 sets of initials, but these are worn. These forks match the 6 Dessert spoons (item S1194), having the same maker and initials. Waldek, who produced silver from 1830 - 1877, took over Lawrence Twentyman's shop on Heerengracht street when Twentyman left the Cape.
A beautiful barley twist perfume bottle with gilt interior. The original glass stopper is in perfect condition. This bottle has a lovely feel in one's hand.
A delightful Chester silver miniature card box, complete with complete set of "Little Duke" cards. Box and lid are both hallmarked with Chester marks. George Nathan and Ridley Hayes worked between 1897 and 1912, they had premises in Howard Street, Birmingham and also a retail shop at 13 Hatton Gardens, London.
Interesting set of 8 Fiddle pattern spoons by the Cape maker William Moore. The dessert spoons are beautiful spoons, in excellent condition. The teaspoons have seen more use, with 2 having worn tips (possibly reshaped). Very clear pseudo English hallmarks are present on all 8 spoons.
Attractive set of pierced and engraved fish servers, with a very comfortable feel. Albany pattern handles, which are loaded. The Albany pattern was the only 19th century pattern to join the standard patterns after 1860. It was named after Queen Victoria's youngest son, the Duke of Albany, who died in 1884. Very clear hallmarks.
This spoon has an original inscription, "IIH en EL, 1812". These are presumably the initials of the owners and the date of their wedding. A set of 6 tableforks by the same maker and with the same inscription are pictured in David Heller's 2nd Cape Silver book, "Further researches in Cape Silver", page 46, plate 5, with description on page 41. An additional pair of tableforks with the same inscription are present in the Africana Museum, and are pictured in the book "Cape Silver" by Stephan Welz, pg 67.
Beautiful pair of heavy egg spoons with Madras Artillery crest, in the Fiddle, Thread and Shell pattern. Very clear hallmarks. George Adams was the proprietor of Chawner and Co., the most important firm of silver spoon and fork manufacturers in Victorian England.
Typical Cape konfyt fork in the Fiddle pattern, with an unknown makers mark, not recorded by Morrison, Heller or Welz. The mark is clear, JB between an unknown device, possibly a bird?
A very typical Cape snuff box, relatively crude in comparison to its English counterparts. Rectangular, rounded corners, bright cut wrigglework enclosing initials ECP, gadrooned thumbpiece. Interior has gilt remnants. Very clear makers mark.
A rare Cape twisted stem teaspoon, with spearhead handle and typical Cape floral engraving, and clear hallmarks. It is very similar to those made by Jan Byleveld circa 1820, so we can only assume it was made by Vos to match an earlier one made by Byleveld. Vos worked from 127 Long Street for 8 years, before dying at the young age of 27. He was one of the last working Cape silversmiths.
Regimental spoon with Feather edge pattern and gilt bowl by George Adams, the highly regarded Victorian spoonmaker. The spoon has an engraved Royal Crown finial with mounted cross, containing 2 Fleur de Lys. The crown is above an 8 pointed star, containing a crest (hunting horn below ICRV) and the motto "Salus Populi Suprema Lex", which translates as "The health of the people is the supreme law". ICRV stands for Inns of Court Rifle Volunteers, which was a regiment supplied by members of the legal profession belonging to the 4 Inns of London (Lincoln's, Gray's, Inner Temple, Middle Temple). The regiment, which was active in the 18th century, was reformed in 1860 as the 23 Middlesex (Inns of Court) Rifle Volunteer Corps at Lincoln's Inn. The crest sits above an engraved chalice. The spoon is an unusual size, being larger than a teaspoon but smaller than a dessert spoon. The hallmarks are very clear, and in addition to the usual marks also include an additional mark C, possibly a journeyman's mark.
Small Liberty cymric bowl set with turquoises, probably designed by Archibald Knox. Knox was renowned for his use of semi precious stones with silver.
Delightful grape scissors with a fox amongst grapes and vines, definitely the nicest grape scissors we have ever seen. The handles are cast, with the design repeated on both sides. Both arms are clearly hallmarked. The shears are all silver, with no steel inserts. These scissors are still in their original box. James Edward Hutton joined his father's firm (William Hutton & Sons) in 1880. The firm supplied many leading retailers, including the Goldsmiths & Silversmiths Co, Mappin and Webb, and Neill Ltd of Ireland.
Cast silver gilt sifter spoon, with pirate finial, and shell shaped bowl. This is a lovely spoon of good quality, the pirate finial has very good detail. George Fox was part of the famous Fox family of silversmiths, who supplied many of the leading retailers in their day. As is common with Fox silver, this spoon replicates an earlier style. The hallmarks are well struck, but slightly defaced by a scratch.
Typically late Victorian sugar sifter with ornate cast handle depicting flowers and foliage, and gilded bowl. Hallmarks very clear.
Set of six Irish teaspoons, with an interesting falcon crest, in the Fiddle pattern. These spoons are larger than many other teaspoons (slightly longer and heavier). The hallmarks are very clear on all spoons.
Aide memoire with 2 pierced silver covers, with a rose amongst scrolling foliage, and rope border. The silver protects 2 tortoiseshell covers, which in turn cover the ivory pages. Both silver covers are fully hallmarked, as is the clasp. The original owners shopping list is still visible in pencil. This miniature notebook would have hung from a chatelaine. Oldridge was the sole partner of Grey and Co of Great Portland Street. The firm was noted for its novelties, and supplied many leading retailers, including Asprey & Co.
A lovely porringer in the style of Charles II. Spot hammered, embossed with acanthus leaves and scroll handles with dolphin head. This porringer is very good quality, amongst the best we have seen. George Fox was a member of the well known Fox family of silversmiths, who supplied some of the leading silver retailers of the day. They are particularly well known for their fine copies of earlier styles (as is this piece). Britannia silver is higher grade than sterling silver, being 950/1000, as opposed to sterling's 925/1000.
Melon shaped teaservice of extremely good gauge, consisting of teapot, creamer and sugarbowl, with gilt interior. The design is beautiful, and has angular engraving. This set is extremely well made, with fantastic attention to detail - the teapot hinge is an example of this (see photo). All 3 pieces are fully hallmarked with clear hallmarks, including the teapot lid. A truly beautiful tea service by very fine makers.
Scottish Fiddle pattern table forks, appear unused, with tines in excellent condition. Very clear hallmarks.
Pleasant set of Scottish Fiddle pattern tablespoons, of very good weight and by a well known maker. Extremely clear hallmarks on all spoons.
A silver "two-cigar" case, with Boer War inscription "Dr Kellner, from a Grateful "Australian" Patient, Bloemfontein, 1900". The Australian is in inverted comma's. The case is well made, good quality and gauge, and quite solid. The interior is gilded, and the hallmarks are clear on both sides of the case. H. Matthews was a large and well known Birmingham firm. Bloemfontein was the capital of the Orange Free State, and was surrendered to the British on 13 March 1900. Thirty thousand British troops entered Bloemfontein, and thanks to poor sanitation a typhoid epidemic broke out, which caused hundreds if not thousands of deaths. Doctors (who included Sir Arthur Conan Doyle) were in short supply, with 3 doctors per 350 patients (Pakenham, The Boer War, pg 382) - which no doubt led to the generosity of our unnamed "Australian". Today Bloemfontein hospital is on Kellner Street, we are not sure if there is a connection.
A truly stunning Nathaniel Mills gilt vinaigrette, slightly larger than average. The box is gilt with scrolling foliate decoration, and has the initials JL engraved on the lid. The grille is beautiful, with intricate flowers and scrolling vegetation. The inscription is engraved on an inserted plate (which covers the date stamp) and reads "Presented to Dr Lamprey as a token of gratitude for his kind and unremitting attention to the Rev.d Dr Fraill during his last illness 21 April 1847".
A lovely Victorian silver Christening spoon of very good quality in original leather case, reproducing the earlier 17th century Dognose pattern (as was popular in late Victorian times). The hallmarks are clear, including journeymans mark (the journeyman was the silversmith who made the spoon in the George Adams' workshop). George Adams was highly regarded, and was the leading spoonmaker of Victorian England
Realistically modelled cast silver shell, with 4 shell spikes used as feet. It has lovely detail, and is very good quality. The only hallmark present is 800. having never seen one of these before, we are not sure of its origin or use, perhaps it is a salt.
A collectable silver Castle-Top card case, depicting the Royal Exchange in high relief, by the famous Nathaniel Mills. This castle-top is very fine quality, the relief design stands out 1 cm from the case, and the detail is superb.The case is finely chased with flowers, leaves and C scrolls, and the rear cartouche is monogrammed MRI. The cartouche is a old replacement - a new cartouche has been cut out and added, to accommodate the initials of a new owner. This has been well done and does not detract.
The Royal Exchange is situated in London next to the Bank of England. It was opened for trading by Queen Victoria in 1845, this case was probably made to commemorate the opening. The Royal Exchange still exists today, but is now a luxury shopping centre. The hallmarks and makers marks are clear
Lovely Nathaniel Mills cigar case with a beautifully engraved hunting scene, a dog chasing two grouse. The entire case is engraved with scrolls, and the cartouche is engraved "Carole". Hallmarks on the lid and base are very clear.
A Boer War teaspoon, with a very detailed Lee-Metford rifle as the shaft. The bowl is engraved "Souvenir of the Anglo-Boer War, 1899-1900". The rifle is very detailed, even the strap holes and buckle are visible.The butt of the rifle is engraved Lee-Metford, and the bayonet connects the bowl to the rifle. The hallmarks are very clear, as is the registration number "Rd No 349937". A similar spoon is illustrated in the book "Boer War Memorabilia" by Pieter Oosthuizen, figure 8 on page 119. The Lee-Metford rifle was soon replaced by the Lee-Enfield, which had the advantage of smokeless powder.
Silver pierced vine leaf sherry label, made by the highly regarded Rawlings and Summers. The hallmarks, which are small but very clear, are on the front of the label. The chain appears original.
Exquisite set of six cast teaspoons, in original box, with Medusa head and snake finial. The detail is excellent, these spoons are extremely high quality. The box has a retailers name - H Greaves, Hew & Corporation St, Birmingham. The hallmarks are clear, 3 spoons are dated 1900, 1 is 1901, 2 are 1902, but they are clearly a set. The spoons are a very good gauge, and are pleasing to hold. Wakely and Wheeler (James and Frank), which still exists today, has long been a highly regarded firm. It was originally founded by John Lias in 1791.
9 carat gold, beautifully cast and chased in the form of a clam shell. Beautiful hinge.
Delightful heart shaped vesta case in excellent condition, with engraved initials FVB. The hallmarks are very clear, the lid is also hallmarked. This case has a nice feel in the hand. Vesta cases (called matchsafes in USA) were used to carry wax vesta matches (predate safety matches), they were struck on the serrated edge of the case.
Plain but pleasing Nathaniel Mills snuffbox, with gilt interior and an attractive crest. The crest, which is slightly worn, has a scalloped cartouche containing a griffin, encased by scrolling palms.
A typically Victorian silver Christening set, consisting of a dessert sized spoon, knife and fork, with a very ornate pattern. The pattern consists of a standing "putti" with arm raised, supporting a blank shield (meant for the recipients initials). The shield is surmounted with a crown, and as can be seen other decoration includes flowers, leaves and scrolling foliage. The pattern is repeated on both sides, on the front the putti is a boy, and the rear of the fork and spoon the putti is a girl with long hair. The set is very good quality, and is still in it's original leather and brass bound box, with blue velvet and silk lining. The hallmarks on all 3 pieces are clear, both the knife blade and hilt are hallmarked - indicating the blade is also sterling silver. The Martin Hall & Co (Richard Martin and Ebernezer Hall) first entered their mark in 1863, so this would have been one of the earliest items they produced. They used this mark until 1878, and remained in business until 1911. They worked from Shrewsbur...
A Tiffany sterling silver Olympian pattern sugar tongs, of very good quality, and with no monograms. Olympian pattern depicts various different scenes from Greek mythology, and has been described as the most elaborate and complex of all Tiffany flatware patterns. This scene shows Pan with 4 nymphs or satyrs, with horns and goat leg hindquarters, one nymph with erect phallus (which must be pretty unique on a flatware pattern!), demonstrating Pan's status as fertility God. Ther tongs are hallmarked "M Tiffany & Co Sterling PAT 1878". The M indicates a date between 1875 and 1891.
An exceptionally large Danish serving spoon, the largest we have ever seen. The spoon is Fiddle and Thread pattern, and has an hourglass shape. An attractive stylised design is engraved on the back of the handle. The hallmarks are clear, being the Danish Copenhagen towers with 89 underneath (indicating 1889), the makers mark ROST and the assaymasters mark (SG entwined) for S. Groth, who was in office from 1863-1904. This is a good solid spoon, ideal for regular use, especially if you are feeding an army!
A Cheshire Regiment 9 ct gold sweetheart brooch, with "Cheshire Regt" in blue enamel under the regimental oak leaves. The pin is stamped "9ct gold", no other hallmarks are present. The pin is still in its original box, marked "Dimmer & Son, 20 Eastgate Row, Chester".
The regiment was raised in 1689, and won the distinction of wearing the oak leaves at Dettingen, for protecting the king during the battle. The regimental motto is "Ever Glorious". They fought numerous engagements in the Anglo Boer War, including the capture of Johannesburg, and also raised 38 battalions during the Great war. In 2007 the regiment was merged into the Mercian regiment.
A near pair of silver golf trophies from the Manchester Old Golf Club, both won by the same person. The first was made in Sheffield in 1900 by Fenton Brothers, the second in London in 1901 by Harris & Sons. The trophies are bowls, similar in shape to rosebowls, but smaller. They both have a half fluted design. Both are engraved, the first reads "Manchester Old Golf Club, Atherton Silver Medal, 1900, Edwin Oliver, 98-15-83", the second "Old Manchester Golf Club, Silver Challenge Bowl, 1903, E. Oliver". The hallmarks on both are clear, one makers mark is rubbed but still visible.
A Scottish Provincial dessert spoon in the Fiddle pattern, made in Arbroath. The spoon is initialled with the letter C. The hallmarks include makers mark AD, crowned head * 2, portcullis. The makers mark AD is very clear, the portcullis is clear, the crowned heads are visible but have some wear, perhaps the punches were worn. Overall hallmarks are very good.
A rare pair of Cape Silver sugartongs, in the Kings pattern with diamond heel. They are very good gauge, solid and well made with a strong bow, suitable for use. Whilst Cape sugartongs are known, most are plain (Welz, Cape Silver), this is the only example of Cape sugartongs in the Kings pattern we have ever encountered. The hallmarks are very clear, makers mark FW and the "Cape Stub", 4 pseudo - English hallmarks (lion passant, date letter, duty mark and leopard's head) struck mechanically in a fly press (see article on Cape Stub in "The Finial, 2007, and in the articles tab above). Fredik Waldek was also a chronometer, clock maker and jeweller. Heller (History of Cape Silver) commended Waldek for "excellent workmanship", these tongs are no exception. Only Waldek and Twentyman produced Kings pattern in the Cape.
A lovely Russian silver sardine fork in traditional style, the handle a well modelled fish, connected to the 3 pronged fork with a curved, twisted stem. The 3 prongs are also curved, and have short wide tines with flattened ends, for ease of use. The hallmarks include makers mark CH (or CB?), 84 standard mark and town mark, which is a little worn. Our best estimate is Novgorod or Orel (Watts, Russian Silver Hallmarks, pg 42-45), we are open to correction here.
This sardine fork has now been featured in an article entitled "Russian Silver Flatware Servers" by Dale Bennett, in the Magazine "Silver", January 2015, pages 14-19. It is described as "a most unusual flatware server", the author has never seen or heard of another Russian sardine fork. He describes it as a "highly imaginative server, with solid cast realistic sardine terminal". He describes the prongs as spade shaped, not sharp or pointed as in American sardine forks used for spearing, this is a lifter. He confirms town mark of Novgorod and date mid 1...
A magnificent set of early Victorian Elkington silver plate wine coasters, with an attractive cast grape vine design with lovely detail. The coasters have turned wooden bases, with a vacant central silverplate boss. The wooden bases are covered in green felt. Both coasters carry a full set of marks, including makers mark "EP&Co in shield under crown", "E", "M", "&Co", being the makers mark used by Elkington, Mason & Co between 1842 and 1864. Josiah Mason invested in the Elkington firm in 1842, hence the addition of his name to the company name. The makers mark is followed by the date letter "T in lozenge" for 1858. The coasters are also stamped "Elkington & Co" and "R1126", a pattern registration number.
Elkington & Co are one of the most important names in English silver. The firm was founded in 1836, in 1838 they patented a new way to electroplate, and in 1851 they exhibited at the Great Exhibition of 1851 (Crystal Palace in Hyde Park) with great success (www.ascasonline.org). The company held Royal warra...
Inkstand of superb quality, by reknowned maker George Fox. Both the inkwells and borders are pierced with an attractive design, and are adorned with 8 classical lion faces, 4 on each corner and 4 (with rings in mouth) around the inkwells. The stand also has a beaded border and bun feet. The lids, which are both individually hallmarked, have rose finials. The glass inkwells fit snugly into their holders.
Plain Cape Fiddle pattern Tablespoon, with very clear English Pseudo hallmarks. No makers mark is present, but the letter M is impressed twice, this has only been recorded on silver by Beck. Beck worked from Shortmarket Street and Greenmarket Square.
Beautiful pair of Fiddle pattern Cape salt spoons. Vos died age 27 in 1862, having been a silversmith for 8 years at 127 Long street in Cape Town. Very clear hallmarks showing makers initials, in hexagonal outline, and pseudo English sterling and duty mark.
A lovely pair of Victorian silver fish servers, beautifully decorated with an unusual sea horse design (actual horses with mermaid tails). The decoration is pierced and very finely engraved. The servers consist of a fish slice and serving fork in the Fiddle, Thread and Shell pattern. The set is good quality, and has a substantial feel when used. They have been beautifully preserved in their original felt and silk lined box, we get the impression they have never been used. The box itself is intact, with hinge and clasp in full working order, but the box is a little battered and worn, with remnants of an old label on the lid - acceptable given its 160 year age. The hallmarks are well struck and very clear on both items. John Stone was a well regarded Exeter silversmith who worked between 1825 and 1867, from 30 Bridge Street, Exeter, he produced many items of flatware. He registered his mark in London in 1844 (Culme, Directory of Gold and Silversmiths, pg 436), perhaps he wanted his finer items to have London ra...
Magnificent shooting trophy, with chased design of soldiers in uniform shooting across a field at a target, with trees in the background. The trophy is engraved "1866, Won by No 1 Company, John Rothwell Captain Commanding". The interior is gilt.
A silver beaker of extremely high quality, with lobed and reeded body on gadrooned foot, and gilded interior. The beaker is of good weight and has a lovely feel. The beaker has a lovely crest, with the motto "Manners Makyth Man", and a French motto "Honi Soit Qui Mal Y Pense" (shame upon him who thinks evil of it). The crest, which is well engraved, is that of the Bishop of Winchester, William of Wykeham (Winchester impaling Wykeham). The arms are surrounded by the motto of the Order of the Garter (as the Bishop of Winchester is ex officio Prelate of the Order), his personal motto is beneath the arms. Wykeham founded New College, Oxford and Winchester College, Winchester in 1382, both of which use his personal arms and motto, not those impaled with his bishopric. The French motto is the motto of the "Order of the Knights of the Garter", which was formed in 1348 by King Edward III. Edward Ker Reid, who traded from Fleet Street in London, was the Grandson of Christian Ker Reid of Newcastle, who established Reid...
A very fine Cape tablespoon by a maker who has a reputation of excellent quality, clearly evident in this spoon. Whilst this spoon was made c1850, it is a copy of an earlier 18th century style (Hanoverian with turn up, and the crest on the back of the spoon). The crest is beautiful, a hand holding an elaborate cross and the motto "TORTIS IN ARDUIS", ("twisted and difficult"?). The hallmarks are very clear, showing makers initials and pseudo English hallmarks. Waldek took over the business of Lawrence Twentyman when he moved to India.
Rare set of 6 Cape fiddle pattern dessert forks, with very clear English pseudo hallmarks and makers mark on all 6 forks. They have an interesting crest, a roaring half rampant lion with his front paws on a strange shaped object (we guess a church with a spire?).
Rare Russian tablespoon by Kordes, one of the very few silversmith's who were commissioned to work for the Imperial Family. The Assay Master is A. Mitin, who worked from 1842 - 1877. The town mark for St. Petersburg is the crossed anchors and scepter, and is in a square shield with corners, indicating the date of 1873. The 84 standard mark and makers mark are also clear. The assay master mark is clear, but the date letter is worn.
Attractive set of antique Tiffany sterling flatware in the rare Tiffany pattern, comprising matching set of Tablespoons, Tableforks, Dessertspoons and Dessertforks (6 of each). The Tiffany pattern (pattern No 1 in the book "Tiffany Silver Flatware, 1845-1905) was designed by Edward C Moore, and was the first pattern he designed. The pattern is lovely, described as "Renaissance Revival, with modified Greek double scroll with shell like antefix and honeysuckle blossom" in the Tiffany Flatware book. It was produced between 1869 and 1917. In 1956 this pattern was re-introduced as the Beekman pattern, which does not have the intriguing scrolls that protrude halfway up the stems. Each piece has a monogram JHC, and each is clearly hallmarked "C Tiffany & Co, Sterling, PAT 1889". They are of exceptional quality, as you would expect from Tiffany, and are all a good weight. The Tiffany Silver Flatware book describes this pattern as "rare, seldom seen" (page 171). This pattern was the first flatware pattern that Tiffany...
Delightful Gorham Sterling nursery rhyme plate, with embossed pictures depicting scenes from nursery rhymes around the rim. Rhymes depicted include "the cat and the fiddle", "the cow jumped over the moon", "sing a song of sixpence", "4 and 20 blackbirds" and some we haven't identified (teapot, cock, spoon and bowl, teacup and rose, wolf). 31 pictures are present, with 9 different designs, repeated in a random fashion. The plate is very good quality, the embossing is superb, with very fine detail. The plate is engraved on the back "J.M.W., X mas 1885" - indicating it was a Christmas present. The initials "W.W.S." in different script are below, we assume a later owner. The hallmarks are very clear, the Gorham trademarks (Lion, Anchor and capital G), along with "Sterling" and "L93" (L is the yearmark for 1879). This beautiful antique silver Gorham plate would make an ideal Christening present. This plate is depicted in the book "Gorham Silver 1831-1981", by Charles Carpenter, pg 212, which is shown with a matchi...
A set of 4 Continental (probably German or Dutch) silver teaspoons with realistically modeled Boer soldier finial, complete with beard, hat, bandolier and rifle. The spoons are 835 grade silver. The Boer finial rests on a plinth, above a 4 sided and twisted stem with traditional mask head above the join to the bowl. The spoons also have a short rat-tail. All 4 spoons are hallmarked "835" and makers mark "B2V".
Plain, good hallmarks, English Pseudo and makers name. Daniel arrived in the Cape in 1820 (one of the settlers) as a child from Dublin, his Father (who had the same name) was also a silversmith.
Set of Russian silver Fiddle pattern tablespoons, with very clear hallmarks on all 6 spoons. These are very good gauge, suitable for everyday use. The makers name is in cyrillic, our best translation is A. Schenker or Shenker. The assaymaster is Nicholai Stradomsky (HC in cyrillic, NS in English), who worked in Moscow and Vilnius (Geoffrey Watts, Russian Silversmiths' Hallmarks, pg 84).
A magnificent silver cigarette case, of exceptional quality, one of the finest we have seen. It is rectangular, and decorated with very finely engraved scrolling foliage on a stippled background, which is most attractive. The case has a gilt interior, and the original elastic bands. The case has a circular cartouche, decorated with the Hayes family crest, an attractive lion holding a standard with the motto "Renovate Animos", translated "Renew your Courage". The original owners name, "William Andrew Hayes" is engraved underneath the crest. The hallmarks are very clear, even the clasp knob is hallmarked, a sign of quality. Deakin & Francis, who still exist today after being founded in 1786, are known for their high quality small silverware.
A pair of magnificent Bacchanalian pattern fruit serving spoons. This is one of the rarest English silver flatware patterns, it was originally produced by Paul Storr. The spoons shows Bacchus, the Roman God of wine, riding a lion, whilst a topless Diana looks on, with another figure asleep at her feet. The back of the spoons are also beautifully decorated, with a masque over a theatre curtain, and tilted amphora of wine. Bunches of grapes and vine leaves complete the decoration. The spoons are extremely good quality, quite heavy to hold, sturdy enough to use as a serving spoon, and the hallmarks are clear on both spoons.
Bacchanalian pattern is shown in "Silver Flatware" by Pickford (pg. 127), where an identical dessert service made by Wakely and Wheeler is depicted. The pattern was originally designed by Thomas Stothard, the famous painter and designer, for Rundell, Bridge & Rundell, the Royal silversmiths, in 1812, the first service was used by King George III. The other rare patterns in the same series in...
A lovely German silver traditional marriage or bridal cup, in 800 silver, in the form of a lady in 17th century costume. The lady has a tight bodice, and wear a traditional hat. Her outstretched arms hold a foliate openwork support from which the small swivel cup is suspended. Her wide long skirt forms the bottom cup, the decoration is very fine, this is a truly lovely example. These cups originated in Nuremberg in the 17th century, they were called "Jungfraubecher" and were used in wedding banquets, where the spouse drinks from the bigger cup, the bride drinks from the smaller cup simultaneously, with the aim of not spilling a drop. The cups were also popular at the end of the 19th century, when they were used for wagers as well as weddings, hence the name wager cup. Richard Garten was active in Dresden between 1860 and 1905, he specialized in commemorative pieces and antique reproductions. His work is always very good quality, this piece is no exception. The hallmarks include the moon and crown (Germany po...
Design registered by the retailer Thornhill of New Bond Street on 21 June 1870. The bugle carries the registry mark, Thornhill engraving and full hallmarks for Sampson Mordan, London 1874. Has hanging chain and screw stopper on separate chain, both original. The perfume bottle cap is also hallmarked, and has the original cork stopper, in excellent condition. It is a screw cap which fits snugly and closes perfectly.
A miniature Continental silver teapot, with a magnificent birds head spout, with lovely detail. The teapot is oval shaped, and is decorated with an attractive band of vertical leaves, with a similar pattern repeated on the lid. The lid is domed and has a ball finial. the handle is dark composite, securely attached with brass pins. The teapot is a pleasing weight and is very good quality, clearly the work of a master craftsman. The makers mark ZV is distinct and clear, this is accompanied by another partially struck mark, a shield with 3 vertical staves under a band, with dots above (a crown?). We have not identified either mark, assistance most welcome! Note - This teapot is very similar to a normal sized teapot by Johann Diedrich Laue, Hamburg circa 1815, lot 1052 in the Woolley & Wallis sale, October 2010, which has a similar shape and acanthus leaf border.
A double sided Castle-Top card case, depicting Windsor Castle on one side, and Kenilworth Castle on the other. Both views have very fine detail, and are set on an attractive engine turned background. The Windsor Castle view is of the East Terrace, showing the new garden created for King George IV. The Kenilworth Castle view has a right facing heraldic bear in the left hand foreground, which signify ownership by the Dudley family (Cameron, The First Castle Tops, Silver Society Journal 12, pg 65). The hallmarks are very clear.
John Tongue, an established maker of boxes including Castle-Tops, worked between 1831 and 1865.
A beautiful and very good quality antique silver spoon, commemorating the Diamond Jubilee (60 years on the throne) of Queen Victoria in 1897. The spoon has the Royal Coat of Arms and motto "Dieu et Mon Droit", a medallion bust of Queen Victoria, a Scottish thistle, VR for "Victoria Reigns", and the dates 1837-1897. The spoon is a pleasing weight and quality, this would have been an expensive souvenir in its day. The hallmarks are good, and include makers mark WG over JL, for William Gibson and John Langman. Gibson & Langman, originally from Belfast, Ireland, founded the famous Goldsmiths & Silversmiths Co Ltd in 1880, which was amalgamated into Garrards in 1952. They used the WG/JL mark until 1898, when they switched to the more familiar G&S Co Ltd mark. John Langman equipped and maintained the Langman field hospital during the Boer War, he was created Baronet in 1906. A matching silver fork to this spoon was sold as Lot 38 in the postal auction of the Silver spoon club of Great Britain, March 2012, The Finia...
A Scottish Provincial sterling silver brooch from Aberdeen, with a silver rim surrounding a polished oval pink granite. Aberdeen is known as the "Granite City", with its' building stone quarried from Rubislaw Quarry. The brooch is hallmarked with makers mark R&S and ABD, the unofficial Aberdeen town mark. Rettie and Son worked between 1824 and 1892, and are well known for their jewellery with the local granite (Benjamin, Antique Jewellery, page 92). The book "Aberdeen Silver, A Collectors Guide, Michael Wilson, pg 56, describes Rettie & Sons as "famous for silver and granite jewellery" Wilson also explains that the salmon pink granite used in this brooch is from the Corrennie Quarry, granite from Rubislaw is grey (pg 14).
A very interesting silver gilt cast spoon, with a well modelled gentleman in 18th century period dress, complete with cane and hat. The figure stands on a pedestal on twisted stem which changes texture (almost bark like) as it joins the spoon bowl. The spoon is in it's original box, marked "By Appointment A. Stephen & Co, Manufacturing Jewellers, Calcutta", so this spoon is well travelled. The hallmarks are very clear, and include registration number "RD 179159", showing the design was protected at the patent office. The spoon was probably designed as a Christening present for a wealthy family We welcome opinions on the origin of the figure.
Mordan perfume bottle in fabulous condition, which has probably never left its original box. Attractive chased decoration of scrolling foliage. Initials TL. Original glass stopper in perfect condition. Gilt lid interior and very clear hallmarks.
An antique Essex crystal brooch, set in an attractive 18 carat gold setting with rope border. The brooch contains the burgee (yacht club pennant) of the Royal London Yacht Club, with the London crest under a crown. The brooch is of extremely good quality, and is in immaculate condition. The crystal is convex, polished into a cabochon, the image itself is carved and hand painted, and the viewer is given a 3 dimensional view. The Royal London Yacht Club was founded in 1838, and is now based in Cowes on the Isle of Wight.
The hallmarks are very clear, and include the crown and "18" indicating 18 carat gold, Chester wheatsheaf town mark, date letter gothic "S" for 1881, and makers mark R.N. for Richard Nevill, who was a manufacturing jeweller based in Birmingham (Chester Gold and Silver Marks, Ridgway and Priestley, pg 360), they worked between 1880 and 1917. The rim has additional 18 ct hallmarks, and the gold pin is also hallmarked.
In our opinion, a 19th century copy of an 18th century Dutch silver miniature chamber pot. This we believe has been cast from an original, the solder line joining the 2 halves of the casting are visible in the interior (although the base could be original?). The interior also has some crack marks, another sign this has been cast. The original would have been a rare item, a very similar miniature chamber pot, currently in the Rijksmuseum in Amsterdam, is depicted in the book "Dutch Silver" by MH Gans, pg 68, bottom right. The maker of the original, Arnoldus van Geffen, was one of the greatest of the Dutch silver miniature makers.
Whilst this is probably a copy, it is still well made, and a faithful copy of the original, so would still be a nice addition to a collection. A very similar miniature chamber pot, made in Amsterdam in 1670 by Wessel Jansen, is depicted in the book "Tall and Small, Antique Dutch Silver Miniatures", by the Dutch antique dealers Aardewerk, pg 101, image 226 - which is a book we highly ...
Impressive set of good quality Russian flatware, with an applied crest of what appears to be a basket of flowers over a shield, bearing the initials ES. They are of very good gauge, the individual spoons and forks weigh 80 grams each, the knives 130 grams each. The set was made in two different batches 2 years apart, the first 6 (2 of each) was made by Cyprian Labecki in 1883, the second 6 by C.H. Stern in 1885. All were assayed in Warsaw, Poland (which was part of Russia between 1850 and 1915) by O.C. (Josef Sosnkowski), who was the assaymaster in Warsaw between 1860 and 1896. The hallmarks are all clear, the 6 by Labecki have an additional hallmark of a bulls head, the 6 by Stern have a device that looks like a rams head. The knives are silver handled with steel blades (blades by Gerlach and S. Bienkowski). The hallmarks on the spoons and forks are very clear, those on the knife handles are present but worn (still discernable).
This caddy spoon is by Taylor & Perry, who are known for their good quality caddy spoons. The bowl is beautifully engraved with flowers and foliage, the handle with leaves. The cartouche has the initial H, and the hallmarks are very clear. The caddy spoon is Fiddle pattern.
Lovely boxed set of antique sterling silver Gorham flatware, in the attractive New Queens pattern, with double shell finial (concave on top and convex underneath), and triple shell on heel. The set includes: 6 tablespoons, 5 tableforks, 5 dessertspoons, 6 dessertforks, 12 teaspoons, 1 soupladle, 1 sifter ladle, 1 butterknife, 1 saltspoon, 1 condiment ladle, 1 serving spoon, 1 jamspoon (total 41 pieces).The soupladle, serving spoon and and jamspoon all have rattails. Each of the 41 pieces is fully hallmarked, with the Gorham hallmarks (lion, anchor, Gothic G), and "Sterling, PAT, 1899". An additional letter hallmark (T, D or H) is also present on some pieces (H on tablespoons, T on dessert spoons and forks, D on tableforks and teaspoons). We believe these additional marks refer to the weight, T being Trade and H being Heavy, unmarked pieces are regular weight. The set is housed in an attractive solid oak box, with brass mounts on corners, brass handles and nameplate, complete with lock and key in working order...
A Cape silver konfyt (preserve) fork in the Fiddle pattern, with 4 tines. The hallmarks are excellent, and include makers mark LB for Lodewyk Willem Christiaan Beck, and pseudo-English duty and town marks (castle), mark 7 in Cape Silver by Welz. Beck worked firstly from Shortmarket Street and then moved to Greenmarket Square, still today a vibrant market in the heart of Cape Town. Konfyt forks were made and sold as individual items, and are described by Welz as "having a great deal of charm" (pg 65, Cape Silver, Welz).
A Cape silver tablespoon in the Old English pattern, with a very rare Cape silver hallmark. The spoon is good quality and weight, well preserved, and has a colonial V shaped drop. The hallmarks include makers mark WM, and a very rare Cape silver stub mark that is not depicted in Cape Silver by Welz (Welz shows the regular Cape stub mark, used by 5 silversmiths including Moore, with 4 pseudo English marks). This stub mark has the lion passant, a gothic capital A, smiling leopards head and Queen Victoria duty mark, with detailed hair. As can be seen, this is a very different stub from the one usually seen, struck with a different punch (Welz mark 100). This rare stub mark is depicted by Heller (History of Cape Silver) as MM62 (pg 154), the regular Cape stub mark is MM61 (see also our articles section for an article on the Cape stub). The hallmarks are very well struck, this is a perfect example. A third stub mark, including an anchor, is also depicted in Heller (MM63), this same mark is also present in Morrison...
A lovely Scottish silver cigar or cheroot case, with motto "Should auld acquaintance be forgot", and the Carstairs family crest and motto "Te Splendente", translated "Whilst thou art shining". The case is beautifully engraved with a spectacular interlocking architectural pattern interspersed with different flowers, this is one of the nicest we have seen. The case has a pleasing shape and feel, easy to slide into a pocket given its curved shape. The front of the case has "Should auld acquaintance be forgot" in the top panel, and Carstairs family crest and motto in the bottom, along with "DC to FC", we assume members of the Carstairs family. The Carstairs armorial has a chevron between 3 primroses, with sun darting its rays on a primrose above. The back has 2 circular panels, with finely engraved flowers, we assume a primrose. The hallmarks are clear, but cleverly hidden in the engraving. George Cunningham only worked between 1855 and 1858, but given the quality of this case must have been a master craftsman.
A very fine Maltese Basting spoon, of good gauge, with an unusually large and deep bowl. The spoon also has a deep lip and point. The hallmarks are clear, being 1855 with a small scratch through it (looks intentional?), the letter R (Maltese mark indicating Roman Fineness, 11 deniers) and the circular makers mark for Geraldo Pace (circular mark with small bird under PACE). A truly lovely spoon. Note - we previously incorrectly attributed this spoon to the Naudi family silversmiths.
A rare Exeter silver caddy spoon, made by Henry Samuel Ellis, who was only mentioned in the Exeter records in 1853, silver by him is rare (he died in 1878). The spoon has a vine leaf on the front of the handle, and a gilded fluted shell bowl. This is an unusual design, only used by Ellis in 1853 as far as we know (a few 1853 spoons by Ellis have this design, it is now called the HSE trademark leaf terminal - see www.antiquesilverspoons.co.uk and Bonhams - Knowle lot 121, 19/9/2006). The hallmarks are clear, the HSE makers mark is slightly worn at the top. Henry Samuel Ellis was Mayor of Exeter in 1868, his photograph is courtesy of www.exetermemories.co.uk. Henry Ellis and Son, advertised that their spoons were made with silver from the Combe Martin silver mine Story of the Caddy Spoon, 1775-2015, exhibition catalogue, page 35). Combe Martin is in North Devon, the disused silver mines are now a tourist attraction. Silver from Combe Martin was used for items in the crown jewels, it also financed war expenses o...
A Boer War silver belt buckle, with pith helmet above 2 crossed rifles with bayonets attached, surrounded by a wreath with the British national flowers (rose, thistle, shamrock and leek). The engraving is quite attractive. Unfortunately we have not been able to identify the regiment, we have seen nurse's buckles similar to this, but feel the presence of rifles makes a nursing attribution unlikely.
A Victorian silver miniature replica of a porringer, probably intended as a toy. The porringer is typical 17th century style, with gadrooned and punched dot decoration, and scrolling handles. Daniel and John Wellby specialised in fine copies of early pieces (Pickford, Jackson's Hallmarks). The hallmarks are clear with the exception of the makers mark, which is partially worn but still identifiable.
A lovely antique silver oar, a rowing prize for the Weymouth Regatta of 1870. Silver oars were popular prizes at regattas during early to mid Victorian times in England. The oar has good detail, including textured blade and locking pin. The oar is engraved "Weymouth Regatta, 1870, H.B. Winter, BOW", and has small but clear and well struck hallmarks. The original box has it's retailer label, Goldsmiths and Silversmiths, Lincoln Inn. Thomas Bartlett worked from St. John street in Clerkenwell, where he specialised in gold pens (Culme, Gold and Silversmiths). The Weymouth Regatta still exists today, although now it is a sailing event, held in Weymouth Bay and Portland harbour, the sailing venue for the 2012 Olympic games. Weymouth has a current rowing club, who row Cornish pilot gigs at sea - these craft were used to take pilots out to oncoming ships in the Atlantic approaches. We imagine this prize was awarded for traditional flat water rowing on a river, probably the river Wey.
A lovely set of 6 miniature silver teacups with matching saucers, both cups and saucers are decorated with a hand engraved zig zag pattern. This is around the rims and centre of the saucers, and both inside and outside the rims of the teacups. All 6 saucers have 2 hallmarks, firstly makers mark "H goblet" in a 6 sided punch, we have not been able to identify the maker (we would welcome assistance, thanks!). All 12 pieces are hallmarked with the Dutch silver sword used on small items, this particular mark was used between 1814 and 1905.
Plain Cape saltspoon in the Fiddle pattern with gilded bowl, and very clear pseudo English hallmarks and makers mark.
A regimental silver match box cover (large size matchbox), with gold crest of the 21st Empress of India Lancers. The box is engraved "Presented by MJ Stapylton Late 21st Hussars", and stands on 4 bun feet. The box is hallmarked, but these are now worn due to over zealous polishing in the mess. The box is also engraved "Asprey London". Major Miles John Stapylton of the Yorkshire Hussars and 21st Lancers was Lord of the Manor of Eston in Myton, York. He was born in 1869 and married in 1900, he had 3 children. The regimental history is interesting. The were designated 21st Hussars in India in 1861, and in 1897 they were re-designated and equipped as 21st Lancers in Cairo. In 1898 they were the only regular cavalry to serve with the army sent to re-conquer Sudan to end Dervish rule. In the now famous Charge at Omdurman, they lost 21 men and won 3 Victoria Crosses. Winston Churchill participatedin this action as a lieutenant. As a result of the charge, they were awarded the title "21st Empress of India Lancers" by...
Set of 3 gilt spoons (caddy, sugar sifter and jam) with exquisite decoration in the style of the Aesthetic Movement. This movement flourished in the period 1865 - 1885, after the International Exhibition in London led to a an interest in Japanese decorative arts. The decoration consists of abstract patterns of bamboos, birds and butterflies. Original silk lined box, and very clear hallmarks.
A rare Victorian silver Cyclists Touring Club certificate holder, in the form of a pendant, with an original enamel membership certificate for 1899. The holder is in the shape of a bicycle wheel, complete with spokes, and is decorated with the badge of the Cyclists Touring Club, three feathered wings surrounding a central cog which says "trademark". The initials CTC in gothic script complete the logo. This logo should be familiar to all, it is still used today on Bicycle playing cards, which have been produced since 1885. The holder, which is silver, is unmarked, the pendant loop however is hallmarked with the English sterling lion passant. The enamel badge has the same logo with the date 1899 on a green background. The rear, which reads "Cyclists' Touring Club Membership Certificate", is signed by secretary Ernest R Shipton. The original member's details are still visible, it reads "No 23689, W.O. Trotter, Oak House, Brandon". Oak House in Brandon, Suffolk still exists at 70 High Street, it is the home of De...
A Canadian silver Fiddle pattern teaspoon, with an unusual gilded spoon bowl (gilded back and front of bowl), possibly for use as an egg spoon. The spoon has 2 interesting family crests, a raised fist holding a dagger and an envelope between 2 feathered wings, these are both very clear. The hallmarks are excellent, and include makers mark "SAVAGE.LYMAN & Co", pseudo Lion Rampant in circular punch, and pseudo duty mark in rectangular punch with canted corners. Joseph Savage and Theodore Lyman operated from Notre Dame Street, Montreal, between 1868 and 1879 when they were declared bankrupt. Their turnover suffered a major decline from $ 300000 to $ 90000 after the British Imperial forces were withdrawn from Montreal in 1870, so they must have catered to English clients. The firm was founded in 1818 by George Savage, who originally arrived in Canada as a soldier with Royal Welsh Fusiliers (Canadian silversmiths 1700-1900, John Langdon, pg 125, a book we highly recommend). Henry Birks, who founded the prestigious...
A rare Cape silver marrow scoop, in the Fiddle pattern, by Willam Moore, who worked in the Cape between 1840 and 1863. The scoop is the traditional design, with 2 differently sized scoops at either end, used for eating bone marrow, a "popular delicacy at the Cape" (Welz, Cape Silver and Silversmiths, pg 76, where a similar fiddle pattern scoop by Moore is depicted, but in much worse condition than this one.) The scoop is in excellent condition, no dents, scratches or repairs, it does not appear to have seen much use. The Cape hallmarks are very clear, and include makers mark WM and the Cape Stub mark (see article in our articles section) of 4 pseudo English hallmarks struck in a stub (Welz mark 101). A very similar Cape silver marrow scoop by Willam Moore, but with makers mark struck the other way, can be seen on the Steppes Hill website (http://www.steppeshillfarmantiques.com/silver-and-porcelain/d/rare-19th-century-cape-silver-marrow-scoop/98455/216995).
Pair of Cape Silver Konfyt (preserve) forks, in the Fiddle pattern, with very clear hallmarks and initials JWH. Pairs of konfyt forks are fairly rare, most konfyt forks found are singles. The hallmarks on both forks are very clear, and consist of makers mark, pseudo English dutymark and castle town mark. Johannes Lotter was a member of the Lotter family of silversmiths, he was the son of Willem Godfried Lotter and the brother of Carel David Lotter. He also made the snuffbox featured on our website (item S 185).
A delightfully decorative chamberstick, realistically modelled as a flower bud, stem and leaves, one of the finest chambersticks we have seen. The flower stem forms the ring grip, and the bud holds the candle, and the pan is octagonal. It is beautifully made and decorated, and is very good quality - truly the work of master craftsmen. Chambersticks were traditionally used to light your way to bed at night. The Angell's are described by Pickford as "very fine 19th century family of goldsmiths" (Jackson's Hallmarks). The hallmarks are clear, and include the duty mark of William IV (even though Victoria was already on the throne), indicating this piece was made between 29 May and 20 June 1837. Both the pan and one of the leaves are hallmarked, even the silver wingnut underneath is hallmarked. The makers mark is poorly struck and only partially visible, but sufficient can be seen to leave no doubt as to the makers identification.
A beautiful French Niello snuffbox with a huntsman in 17th century period dress with his dogs. Gilt interior with inscription - From William Yates to John Rutherford, Sept 16th 1888. The box is fully hallmarked on the lid rim with the Paris standard mark for 1819-1838, the middle guarantee mark, and a makers mark, which appears to be W&W (or M&W or V&W) below a head, above a wagon wheel, set in a diamond (very small so difficult to see).
A Cape silver snuff box, with an intriguing later inscription with both Bedfordshire and Boer War connections. The snuff box is rectangular with a shell thumb piece, and has typically Cape wriggle work engraving around the sides, which is worn from use. The interior is gilded, and has a later engraved inscription "Frank Pym from Frank Shuttleworth Xmas 1911". The box has a very clear JML makers mark on the lid. The box is well made, has very pleasing snug closure, very suitable for use. Frank Shuttleworth (of Old Warden, Biggleswade) was High Sherriff of Bedfordshire in 1891, he was followed by Francis Pym (of Hassells Hall, Sandy) in 1903. Shuttleworth (Colonel) raised the Bedfordshire Imperial Yeomanry in 1901 for service in the Boer War, we assume he acquired this Cape Silver snuffbox during his service in South Africa, answering the question why a Cape silver snuffbox has a Bedfordshire inscription. The Bedfordshire Yeomanry also served later in both World Wars. The Shuttleworth name today is known due ...
A ceremonial Indian Colonial Victorian silver trowel, used to commemorate the laying of the foundation stone of a L.M.S (London Missionary Society) church in India. The trowel is the traditional shape but quite small and dainty, it has a turned wooden handle, and a rounded blade. The handle has a silver band around the handle where it joins the silver blade, this has the same decoration as the blade. The band and top of the trowel is engraved with scrolling flowers, in addition the top of the blade has been finely prick engraved with a flowing pattern (each prick is triangular), probably added by a local craftsman. The trowel has no hallmarks at all. The back of the trowel is engraved "WITH THIS TROWEL A. SPICER ESQ LAID THE FOUNDATION STONE OF THE L.M.S. CHURCH AT SUNKE RYDROOG SALEM S. INDIA ON THE 25 th NOVr 1882". As you can see from the photographs, the engraving is very quaint, with uneven sized letters, and words flowing into one another, we assume it was done by a local silversmith who did not speak E...
Two very small Victorian silver vinaigrettes, both very dainty, very similar to S 1697, these are delightful boxes given their detail and size (half the size of usual vinaigrettes). The first is 1842 by Francis Clark, it is rectangular with tartan engraving, and a vacant cartouche for crest or initials. the grille has an attractive floral pattern, the interior gilding is good with some mild oxidation. The hallmarks are good on both base and lid, the grille is hallmarked as well. The second is 1866 by Frederick Marson, rectangular with engine turned engraving and vacant cartouche, this also has a silver ring attachment. The grille has a a floral engraved design, the piercing is random. The gilding is excellent, the hallmarks on lid, base and grille also very clear. Francis Clark was a specialist Birmingham toy maker who worked between 1827 and 1849, his boxes are well regarded, he also served as magistrate. He emigrated to Australia (Adelaide) with his family in 1850 for family health reasons, and established ...
An interesting Dutch miniature silver toy chestnut roaster, with the roasting pan suspended from the frame with 3 silver links (the links are not original). The frame is circular with a long handle and pan for holding the embers, the pan has an attractive 6 petalled flower cut in the base to allow airflow. The frame sits on 3 curved feet. The frame has one hallmark on the handle, the Dutch silver "Boars Head", which was used on miniature silver made before 1813, and brought back into trade, as an authorisation to put back into circulation (Houart, Miniature Silver Toys, pg 155). The roasting pan also has a hallmark, the letter V in rectangular shield under a crown, a mark used between 1813 and 1893 on items of foreign made silver (Voet, Nederlandze Goud & Zilverwerken, pg 46 and 61), this is a tax mark. We assume this item was made around 1813, and straddled the change in hallmarking introduced in that year - but welcome other interpretations!
A pair of Cape silver dessert forks in the Fiddle pattern, with contemporary engraved initials "WHG". The initials are engraved on the back of the forks, indicating the fashion to place forks with tines down at that time. The forks are very good quality, a pleasing weight and are in excellent condition. The hallmarks are clear, and include makers mark WM and the "Cape Stub" mark, with 4 pseudo English hallmarks (see our articles section for a description of the Cape Stub).
An interesting and decorative Portuguese silver toothpick holder, made in Porto between 1853 and 1862 by the unidentified maker MJG. The holder consists of a well dressed Chinese figure holding the vase shaped toothpick holder, standing on a ornamental pedestal, with 4 applied silver plaques, the pedestal standing on 4 cast silver scrolling feet. The Chinese figure wears an 8 sided conical hat, a flowing robe with engraved leaf decoration, baggy pants and pointed heeled shoes. The pedestal has a crenulated top, the sides with oval piercings and pierced dots nearer the base. The four plaques (attached with silver nut) consist of 2 Chinese pagodas, a bearded Chinese figue sitting crossed legged, and a European figure holding a conical object with a plume, we guess a fire plume (all assistance welcome!). The square cast base also has a patterned rim. This is a very well made cast item, pleasing gauge, and clearly made by a master silversmith. The hallmarks include makers mark MJG with beaded border, this maker i...
A rare set of 6 Rose pattern Victorian silver teaspoons, by the highly respected firm of Elkington. These are the heaviest and best quality teaspoons we have ever encountered, each teaspoon averages over 44 grammes, no expense was spared when these were made. The pattern is double struck, and has good detail, with trailing roses, and Anthemion heel (Pickford, Silver Flatware, pg 131. The crest area has not been engraved. The hallmarks are clear, it appears the Elkington and Co Ltd makers mark is overstriking another maker, indicating Elkington purchased these from a specialist maker (possibly CJ Vander, who are known to have possessed Rose pattern dies, depicted in Pickfords book, pg 25) and overstruck their mark, a common practise. Pickford describes the pattern as rare, and he notes 2 different types (different heels). Close examination shows that these spoons have a slightly different design from the one depicted in Pickfords Flatware book (pg 131), with more leaves, so different dies must have been made.
A pair of Fiddle pattern Cape silver teaspoons, with original engraved initials "RHL". The teaspoons are a pleasing weight, and are well made, good quality spoons, well preserved. The spoons have a Colonial feel, the Fiddle is more flattened than English examples. The engraving of the initials is lovely, they also has a Colonial feel. The hallmarks are excellent on both spoons. The include makers mark JJV in an unusual 6 sided punch (Welz mark 161), pseudo sterling lion, and pseudo duty mark (Queen Victoria's head with good detail, and hair bun). Jacobus Vos worked from 127 Long Street, unfortunately he died young, age 27, unmarried, which is a pity as he produced good quality silver.
A lovely set of 6 single struck Kings pattern with shoulders (Kings Front French Shoulder, Pickford, Silver Flatware, pg 123) Newcastle silver teaspoons. The spoons are the larger size teaspoons, and have a good gauge, over 20 grammes each, these are pleasing quality. Single struck flatware is usually found in Scotland, it is unusual in England, where the patterns were usually double struck (pattern on both sides) The hallmarks on all 6 teaspoons are excellent, and include makers mark TS for Thomas Sewell I, who worked between 1846 and 1875. They include an additional 5 hallmarks, uncrowned Victoria duty mark, lion passant, three castle town mark, leopards head uncrowned, and date letter I in circular punch for 1847. It is clear the date letter and makers mark were struck individually, the other 4 marks struck together in a stub (the date letter punch overlaps slightly on 2 spoons). These are interesting hallmarks, the uncrowned leopards head was only used for 5 years between 1846 and 1850, when it reverted b...
A Military Victorian silver presentation snuff box, with an erotic engraving of an amorous couple hidden away from view on the base. This is a pleasing quality, substantial in size and weight, more of a table snuff box intended for a desk than the portable versions intended for a pocket. The box is rectangular, with raised lid and base, and is casket shaped with engine turned sides. It also has applied cast foliate rims (base, lid and around the presentation panel), these have exquisite detail, overall a very attractive box. The engraved inscription reads "PRESENTED TO GEORGE BOYD ESQr. by the 20th R.R.V. 1863", and is supported by scrolls (note engraving is 18 years later than box was made). The base is engraved with a erotic scene, very finely engraved with loads of detail, this is protected by the base rim, so perfectly preserved. The interior is gilded with a beautiful lemon gold original gilding, it does not appear this box has seen much use. The hallmarks on both lid and base are very clear, maker mark ...
Delightful silver handled (hook is steel) boot button hook, shaped as a leopard's head, of exceptional quality. The cast leopard's head has fine detail, including the 4 teeth and tongue. Buttonhooks were an essential Victorian accessory, used for buttons on boots and tight fitting clothing. The only hallmark present is an English Lion passant, which is worn, but still visible.
A Cape silver salt spoon, in the Fiddle pattern, with original gilded bowl, and original owners initials TB. The original gilding is a light lemon colour, worn and scratched from use, but still clearly visible and quite charming. The hallmarks are clear, and include makers mark PD for Peter Clarke Daniel, alongside pseudo hallmarks date letter B in indented punch and Georgian duty mark (Welz mark 42, page 148, Cape Silver). Peter Clarke Daniel was born in Dublin, he arrived in the Cape with the 1820 settlers as a child.
Colonial silver child's fork and spoon, probably a Christening gift. It is very crudely made, and the pattern is a mix between Old English and Fiddle, more Continental than English, particularly the rounded shape of the drop . The set is finely engraved with the initials GPJ in elaborate script, and Madagascar. The hallmarks are clear, and consist of the makers mark I*D struck 3 times, in an irregular outline, so the punch was probably also handmade.
One mystery is the combination of very crudely made flatware, made by an amateur in possibly difficult conditions, with the fine engraving - so possibly added later. We welcome thoughts on their origin or identification of the I*D makers mark.
Cape Silver tablefork (Fiddle pattern) with interesting horse crest, initials HR and very clear hallmarks. The hallmarks include Pseudo English marks and the makers mark.
A rare Victorian silver triple stamp box, one of the nicer ones we have see. The box is rectangular with concave sides, and is on four ball feet, the hinged lid has a sliding insert with glass top, to enable stamps to be placed in the lid. The interior is gilded, and has 3 compartments for 3 different denomination stamps, with 2 original wooden curved inserts, to easily slide a stamp out. It is quite a substantial, well made box, it would have been an expensive item when new. The box is clearly hallmarked, the lid and sliding insert are hallmarked as well. George Unite was established in 1825, Unite apprenticed with Joseph Willmore, he died in 1896, the business was continued by his sons.
A set of 8 Fiddle pattern Russian silver teaspoons, with engraved contempory initial W, by the famous maker Sazikov. The spoons are of exceptional quality, and are in excellent condition, with perfectly preserved tips, and no scratches or dents at all. Sazikov was founded in 1793 by Pavel Sazikov, they received the Imperial warrant in 1846, meaning they were one of a few select firms chosen to supply the Russian Imperial family. All 8 teaspoons carry the Imperial Warrant double headed eagle hallmark, which is well struck. Sazikov produced very high quality silver until the Russian revolution of 1917, the firm being run first by Pavel's son Ignaty, later by Ignaty's sons Pavel and Sergei (Watts, Russian Silversmiths Hallmarks, pg 27). The hallmarks are very clear, and in addition to the Imperial eagle include Sazikov makers mark in Cyrillic, assay masters mark B.C. for Victor Savinkov, date letter 1862, standard mark 84 (zolotniks) and city mark for Moscow (St George killing dragon).
Lovely Colonial condiment spoon, complete with pseudo English hallmarks, which are clear, and engraved initials WJ. Condiment spoons are a similar size to English saltspoons, but the bowl is at right angles to the spoon stem, similar to English cream or sauce ladles. This spoon also has a half moon tally mark, which identified the indigenenous workman who finished the piece (see Wynyard Wilkinson's book on Indian Colonial Silver). The Lattey Brothers worked from 10 Government Street in Calcutta.
A Cape silver sauce ladle in the Fiddle pattern, by Peter Clarke Daniel. The ladle has original owners engraved initials JEB, and has excellent hallmarks - makers mark PD, pseudo date letter B and pseudo duty mark with notable cusp (Welz mark 42, but struck in different order). Daniel was an Irish immigrant to the Cape, one of the original 1820 settlers. His father, who has the same name, was also a silversmith, he worked as a jeweller in Grahamstown.