A Fiddle pattern Cape silver table fork, with excellent pseudo hallmarks. The fork is a good weight, and the tines are long, this is a good quality fork. The pseudo marks include duty mark, leopards head town mark, date letter a and date letter J, Welz mark 122, but struck in a different order.
An interesting Edwardian novelty silver menu holder featuring a happy fox, we love this item. It sits on a rectangular filled pedestal base, quite substantial so it could also be used as a desk paperweight, it can also hold a business card. The hallmarks are clear. This matches a pair featuring cartoon golfers, also by Deakin & Francis 1908, on the Steppes Hill website www.steppeshillfarmantiques.com, a site we highly recommend.
A Scottish provincial toddy ladle in the Old English pattern, with circular bowl and a long, elegant, curving handle. The ladle is engraved with script initials AP, which are contemporary. The hallmarks include makers mark DM struck twice, either side of the Dundee town mark, a "Pot of Lilies". The pot of lilies is the arms of the burgh of Dundee (Jackson pg 598), the pot has 2 handles, clearly visible here. The hallmarks are clear, with slight wear to the lilies at the top of the mark. David Manson worked between 1809 and 1818, his work is quite rare.
A Cape silver table fork in the Fiddle pattern, with very clear Cape silver pseudo hallmarks for Lawrence Twentyman. The fork is engraved with an interesting family crest, a wolf's head erased, the engraving is still clearly visible. The engraving is on the back of the fork, dating back to a time when forks were placed on the table with tines pointed down. The fork is clearly hallmarked with makers mark LT and 4 pseudo hallmarks, all struck individually, pseudo duty mark, pseudo date letter e, pseudo Edinburgh Castle town mark and bird. this is mark 131 in the book "Cape Silver and Silversmiths" by Stephan Welz, but struck in a different order. Lawrence Twentyman was the most prolific of all Cape silversmiths, he had the first shop on Heerengracht (now Adderley Street) with a shop window. He worked between 1818 and 1837.
A set of 6 Art Deco sterling silver coffee spoons, well preserved in original half moon box. The spoons have horseshoe shape bowls, and classic Art Deco finials, the 4 tower shape. All 6 spoons have clear hallmarks. The box is also lovely, half oval fan shape. Both box and spoons are small and dainty, smaller than most spoon boxes.
A lovely set of Art Deco silver grapefruit spoons, with unusual and decorative pierced terminals. The spoons are good quality and a pleasing weight, a pleasure to use on a grapefruit. The piercing is robust, these spoons are very suitable for use. The hallmarks are clear on all 6 spoons. The spoons also have a registration mark, RD 787919, which indicates the design was registered and protected by the patent office. Cooper Brothers worked between 1900 and 1979.
An antique sterling silver thimble, size 10, with a panelled gold band over the sterling silver. The panelled bands alternate between larger concave panels and smaller convex panels, with a decorative floral band between each panel. The interior of the thimble is marked "10, STERLING, and anchor", and the gold panelling is marked with makers mark SBC, with a large S, and smaller B and C inside the S. This is the mark for Stern Brothers & Co of Philadelphia, who were well regarded makers of antique silver thimbles. Stern used the combination of the SBC makers mark and anchor between 1908 and 1912, hence we can accurately date this thimble. Prior to 1908 they only used the anchor, after 1912 they used a GBC makers mark, as the firm changed names to Goldsmith Stern. They folded in 1933, a victim of the great depression. We had previously incorrectly ascribed this mark to Simon Brothers, also thimble manufacturers of Philadelphia.
A typical Art Nouveau silver belt buckle, probably a nurses belt buckle. The buckle is an interesting shape, and has an Art Nouveau Female head, with flowing locks and flower in hair. The head is actually a separate piece of silver, also hallmarked, which provides depth to the buckle. The buckle is also engraved with different flowers and leaves.
Typical Scottish silver toddy ladle, in the Fiddle pattern, with engraved initail P. The ladle was made by Andrew Wilkie, a Dundee silversmith, but was assayed in Edinburgh. Silver by Wilkie is found with both Dundee marks (pot of lilies) and with Edinburgh marks, as is the case with other Scottish provincial silversmiths, brought about by the imposition of duty on hallmarked silver. According to Turner (Directory of Scottish provincial silversmiths and their marks), certain makers had a proportion of their silver fully stamped in Edinburgh, to keep their registration as a silversmith valid - and to keep the Revenue service happy that duty was being paid.
Engine turned vinaigrette with beautiful grille. The cartouche is initialled with initial T, the base has bright cut wrigglework with flowerhead. The interior is gilt. Joseph Willmore is described by Eric Delieb (Silver Boxes) as "a superlative silversmith, who worked in the trade for almost half a century".
Beautiful pair of Fiddle pattern Cape salt spoons. Vos died age 27 in 1862, having been a silversmith for 8 years at 127 Long street in Cape Town. Very clear hallmarks showing makers initials, in hexagonal outline, and pseudo English sterling and duty mark.
Stunning pair of very good quality 2 pronged pickle forks of 800 purity, with a beautiful jugendstil design on both the back and the front of the forks, and horseshoe pattern above the prongs. The box is intact, but showing signs of its age. The hallmarks are very clear, depicting the German moon, crown, 800 purity and a double headed eagle, the makers mark for Bruckmann. Bruckmann were the largest silver producer in Germany, and were noted for their Jugendstil designs.
An interesting Roman silver Ligula (or spatula), used for getting cosmetics (or medicinal products) out of long necked jars (balsamaries). The ligula has a rounded shaft with a slight knob on the end, a baluster decoration on the stem (perhaps to improve grip), and a feather or leaf shaped bowl, the 2 sides joined at a 135 degree angle. The bowl also has 3 curved engraved lines, possibly for decoration. The stem is quite rough to the feel (the opposite of smooth and even), it has a number of knocks, small cracks and holes, and discouloured patches, perhaps the result of a long and rough life, but we feel more likely from impurities in the silver when it was made (we welcome opinions, this is certainly not our area of expertise, thanks)
A lovely set of replica lace back trefid coffee spoons, perfectly preserved on original box, they do not appear to have been used. They are decorated in traditional style, both on the front of the stems and back of the bowls. The rat-tail is ribbed, the floral scrolls in relief are elaborate, with the pattern on the front matching the lace back back of bowl. The spoons ends also have the traditional notched pattern. All 6 spoons also have clear hallmarks, with FH makers mark for Francis Howard Ltd, who worked between 1900 and 2012. They are in their original box marked "H Perovetz Ltd, 51 Chancery Lane, London WC 2", Perovetz were leading London silver dealers until 1995. The set is also accompanied with its original explanatory card, "Sterling silver Charles II Trifid Lace Back spoon c1680", with notes on the spoon history, description, and explanation of all the hallmarks.
Pair of bright cut Hester Bateman sugar tongs with very clear hallmarks. Decoration swag and wrigglework with initials JR on bow.
An amusing sterling silver wine label, with the traditional PORT engraving crossed out and replaced underneath with STARBOARD, a nautical reference to the left (port) and right (starboard) sides of a boat. The label is rectangular, with a heavy gadrooned border with 4 shell motif's, so a very traditional shape. The label is stamped, has it's original silver chain and clear hallmarks for Birmingham 1957. David Hollander & Son was established in 1908, and continued to produce silver until 1975. This name of Port being replaced by Starboard is unrecorded in the master list of wine label names in the book "Wine Labels 1730-2003".
A lovely pair of Cape silver teaspoons in the Fiddle pattern, in excellent condition and with very clear hallmarks. The spoons are clearly hand made, you can see very slight differences in the shape and size of the Fiddle and bowl shape when comparing closely. The spoons are good quality and a good weight. The spoons have no engraving with no initials removed, completely original. Both spoons are clearly hallmarked with 4 pseudo hallmarks, all struck individually in the same order - pseudo duty mark, bird, pseudo Edinburgh Castle town mark and pseudo date letter B. This is mark 134 in the book "Cape Silver and Silversmiths" by Stephan Welz, without makers mark - but clearly Twentyman as he was the only Cape silversmith who used these punches. Twentyman was the most prolific of all Cape silversmiths, he had the first shop on Heerengracht (now Adderley Street) with a shop window. He worked between 1818 and 1837. We really like these spoons. Note - we have a matching set of 6 , S 11196.
A Irish Georgian silver tablespoon, in the Old English pattern, with original owners engraved initials PRM. The spoon has a lovely feel, full of character, with quite a large bowl. The hallmarks are bottom marked, and very clear, they could not be better. They include Dublin Hibernia, Crowned Harp, date letter R for 1765 and makers mark C.S in diamond punch, with star above and below, very distinctive. Skinner worked between 1739 and 1765, so this spoon was made right at the end of his career. He was a highly respected silversmith, he was elected Warden in 1751, Master in 1754 and in 1755 was elected to the Dublin City Common Council (Bennett, Collecting Irish Silver, page 153).
An Irish Provincial silver Bright Cut Celtic Point tablespoon, made in Cork and hallmarked in Dublin in 1804. The spoon is quite large, over 23 cm, and has intricate bright cut engraving, the quality is excellent. The spoon has engraved family crest of a Boar's head, this too is beautifully engraved, and very crisp and clear. The hallmarks are clear, Dublin hallmarks for 1804, and JK in script makers mark for Joseph Kinselagh of Cork, he worked between 1802 and 1807, he may have been a descendant of earlier silversmith of same name, 1750-1783, perhaps the makers mark was passed down the family. More research is required on this maker.
A sterling silver and white enamel Guildhall School of Music & Drama medallion, perfectly preserved in it's original box. The medallion is good quality, a pleasing weight, with music scrolls, mask and City of London crest. The medallion reads "DIPLOMA L.G.S.M.", for Licentiate of the Guildhall of the School of Music. The back is engraved "Albert Edward Honey Teachers' Flute", surrounded by laurel wreath. Albert Honey was born in Devon in 1919, he was principal flute for the Band of Royal Dragoons during the war. He then joined the Scottish National Orchestra from 1951-1954 and BBC Review Orchestra 1954-1964. He then emigrated to South Africa to teach at Rhodes University in Grahamstown, he retired in 1984 after being awarded M.Mus and Ph.D. He palayed in the National Symphony Orchestra after retirement and died in 2001. The hallmarks are clear.
