A wonderful collection of 10 silver and enamel continental souvenir spoons, 8 of which are gilded. 6 spoons have enamelled bowls, all 10 have enamelled finials. Eight of the spoons commemorate German towns, while one is Romanian and one is Danish. The spoons include Leipzig Altes Rathaus, Berlin Reichstagsgebaude, Nurnberg Bratwurstglocklein, Chemnitz Rathaus, Augsberg, Rheinfall, Tirol Kitzbuhel, Nuppertal, Kobenhavn and Bucuresti Managtireacurteadearges. All ten spoons are clearly hallmarked with grade and makers mark, eight spoons are 800 grade, 1 is 930 (Copenhagen) and one is 935 (Tirol).

A sterling silver spoon made to celebrate the bicentennial (200 year anniversary) of the USA in 1976 by leading international silversmith Georg Jensen. The spoon has a large 200 engraved on the front, whilst the back is engraved "1776 United States of America 1976". The spoon itself is an unusual shape, circular spherical bowl with long flat handle, similar to a measuring spoon with flat top, we love this design, very different to a usual spoon shape. The hallmarks are clear, Georg Jensen in dotted oval above "Sterling Denmark".

An antique silver cigarette case, presented to Captain and Adjutant W.P.E. Newbigging of the 1st Manchester Regiment in 1894. The case is rectangular, with a gilded interior, with a very good quality spring loaded clasp, which is still in perfect working order. The case is engraved "W.P.E. Newbigging, 1st Manchester Regiment" on the exterior, and is also engraved in script on the interior "Biggins, from T.T., 1894", we assume Biggins was his nickname. The hallmarks are very clear on both lid and base. Zimmermans (Arthur & John) worked from 1889 until their liquidation in 1929. William Patrick Eric Newbigging was an interesting character, born in Bengal, India in 1871, son of Lt. Colonel William Newbigging of the Manchester Regiment, so he followed his father's footsteps. He co-authored a book entitled "Rough Diary of the Doings of the 1st Battn. Manchester Regt. During the South African War 1899-1902", with Major Marden. He was severely wounded at Elandslaagte, leading the charge of the Manchesters, for whi...

A lovely 15 carat gold and enamel RAF (Royal Air Force) sweetheart brooch, with very good detail. This is very pleasing quality, it would have been an expensive item when first made. The brooch has RAF in red enamel under a red enamel crown, above a green enamel laurel wreath, all set in gold, with the feathered wings either side. In addition to the attachment pin, the brooch has a fine gold safety pin and chain, for added security, to prevent the brooch being lost. The back is clearly stamped "15", indicating 15 carat gold, which was a British Commonwealth standard until it was discontinued in 1932 (hence our dating the brooch between 1918 when the RAF was established and 1932).

A beautiful sterling silver and blue enamel dish, with a stylised viking ship complete with vikings, spears, shields and a fish. The dish is sterling silver with engraved rim, which reads "AIR VICE MARSHAL L.O. BROWN, C.B., C.B.E., D.S.C., A.F.C. DEC. 1943 - NOV. 1944, FROM NORWEGIAN PERSONNEL OF No. 132 (N) WING". The enamelling is fabulous quality, different tones of blue with different, intricate patterns, the pattern is also raised. The base is clearly hallmarked "DAVID-ANDERSEN NORWAY STERLING". Air Vice Marshal Leslie Brown was a South African who served with the Royal Air Force (RAF) in both World Wars, he was born in 1893 and died in 1978. He commanded 84 Group during the Allied advance across Noth West Europe. 132 Wing consisted of 2 Norwegian Squadrons (331 and 332) flying fighter spitfires, formed by exiled Norwegian pilots, they fought with distinction first with Fighter Command in the Battle of Britain and later with D-Day, the liberation of Holland and crossing the Rhine, as part of 84 Group und...

A Boer War silver Gentleman in Khaki (originally Kharki) sugar tongs, made in 1899 to support fundraising for the 2nd Anglo Boer War. The tongs have the cast image on both arms, the "Gentleman in Khaki beneath crown, with "JUSTITIA" above and "Souvenir" below. The tongs are not engraved. The hallmarks for London 1899 are clear, with makers mark GJ over DF for George Jackson and David Fullerton of Josiah Williams & Co of Bristol, one of the leading flatware manufacturers of the period. The Gentleman in Khaki, wounded but defiant, stands stalwart against the foe, with his head bandaged, this image by Richard Caton Woodville became associated with Kipling's Absent Minded Beggar poem, written for the Daily Mail to raise funds for the war fund (described as unprecedently successful, raising over GBP 250000).

A set of 4 sterling silver fob medallions, with a bicycle and rider, awarded as cycling trophies. One medallion has a 9 carat gold cycling plaque, this was awarded as a first prize. 2 Medallions are identical, the third has same central cycling plaque with differnet outline, and the 4th has a different gold cyclist. All four medallions were awarded by FWCC (possibly Foster Wheeler Cycling Club) in 1937 to R Richardson, all as first or second prizes for Club 25, 30 or 50 (we assume different distances). All 4 medallions are in excellent condition, and all are clearly hallmarked for Chester 1934 and 1935 by maker TJS, Thomas James Skelton who worked between 1909 and 1961 in Birmingham, they specialised in fob medallions.

A set of 4 Canadian silver teaspoons in the Fiddle pattern, made by John Ramage of Kingston, Ontario between 1851 and 1869. The spoons are quite large for teapoons, and a pleasing weight, around 18 grammes each. All 4 spoons have engraved original owners initials AW, in a beautiful flowing script, quite different to English engraving of the period, so distinctly Colonial. All 4 spoons are hallmarked with maker mark "J. Ramage" in rectangular punch, clear on one spoon, and some wear to the last few letters on the others. John Ramage Senior was a Scottish immigrant who arrived in Quebec in 1817 on the Prompt, he settled in Lanark County before moving to Edwardburg (source www.ramagefamilyhistory.com). Both John senior and his son (also John) were listed as "working silversmiths, jewellers, clockmakers and watchmakers" in Kingston, Ontario in 1857, at 63 Brock Street, before moving to Princess Street (source Langdon, Canadian Silversmiths 1700-1900, page 118).

A magnificent 18th Century Dutch silver sugar caster (strooibus), made in The Hague in 1761 by Pieter van der Kruyf. The caster is large, just under 24 cm, and heavy at 511 grammes, the quality is superlative, this is a museum quality piece. The caster is the traditional baluster shape, but the main body has four twisted ribs, beginning at the foot, which swirl upwards, a very pleasing design feature. The roughly octagonal and cast base has 4 raised leaf like designs. The caster lid also has an attractive design, with very intricate piercings (rococo scrolls) and textured engraving. The finial is a cast flower bud. The hallmarks on the caster lid are clear, crowned lion rampant standard mark (fineness 934), The Hague (Den Haag or S Gravenhage) city mark (stork holding eel below coronet), date letter P crowned for 1761, all 3 of the marks are well struck. The 4th mark is makers mark PK in rectangular punch, the P is worn but the K is clear. There are no hallmarks on the base. A very similar sugar caster, made ...

A Clan MacGregor (or Gregor) Scottish sterling silver clan badge, with pin to be worn as a brooch or kilt pin. The badge is the traditonal shape, with cast silver crowned lion erased, surrounded by belt with motto "'S RIOCHAIL MO DHREAM", translated "Royal is my Race". The badge is lovely quality and is in excellent condition. The badge is clearly hallmarked for Edinburgh 1950, with makers mark H&I for Hamilton & Inches, the leading Edinburgh silversmith from Princes Street, they worked between 1870 and 1977. The current MacGregor clan chief is Sir Malcolm Macgregor, 7th Baronet of Lanrick and Balquhidder. The clan dates back to the early 800's, they were amongst the first clans to play bagpipes, and their most famous member was the outlaw and folk hero Rob Roy MacGregor.

A Patrick Mavros silver sculpture of a lion on a black hardwood base, medium in size. The lion is realistically modelled, roaring with raised paw, standing on black hardwood base. The base has a silver PM button trademark, the lion is also fully hallmarked with PM makers mark and the Zimbabwe sable in triangle standard mark. Patrick Mavros (www.patrickmavros.com) has built a luxury Africa themed silver sculpture business over the last 35 years, he is based in Harare, with outlets in London, Mauritius and Nairobi. His customers include the Royal Family, Prince William and Kate are collectors. Other customers include JK Rowling and King Carlos of Spain. This model is an early Mavros model, and is no longer in production.

A fabulous modernist sterling silver bracelet, made by celebrated Danish silversmith Knut V. Andersen. The bracelet consists of 13 cast silver diamond shaped links, with a textured bark finish, the detail is lovely, both back and front. It is extremely well made, the quality is excellent, even to the screw fasterner which prevents the clasp from opening.. The hallmarks are clear, and include "Denmark S 925S KvA" for Knut Andersen, who worked in Copenhagen 1975-1989. Earlier in his career he worked for the famous firm of Anton Michelsen, he was the last designer employed by the firm. We love this bracelet.

An interesting silver spoon, made by the Leeds College of Art in 1953, to commemorate the coronation of Queen Elizabeth II in 1953. The spoon is teaspoon size, has a curvilinear handle and is struck with a large coronation mark as key decoration on the front of the spoon, this was an optional hallmark. The spoon is clearly hand made, the bowl and drop a little wonky, so perhaps made by an apprentice. The hallmarks are clear, including makers mark LCA for Leeds College of Art. Leeds College of Art, which still exists today, had a good reputation for silver in the 1950's and early 1960's (Source Designer British Silver, Andrew & Styles, page 372). Silver by Leeds College of Arts is scarce, occasional pieces assayed at Sheffield with the LCA sponsors mark appear on the secondary market (we have seen a few examples on the internet, spoons, beakers and a gravy boat). In addition to being a rare Leeds College of Art piece of silver, the use of the large optional coronation hallmark as decoration is also unusual. Du...

An interesting 17th century style silver notched 2 pronged fork, a replica of the earliest known English table fork. The fork has 3 notches at the top of the stem, a rare feature seen occasionally on puritan spoons. The hallmarks are beautiful, large and well struck, they form part of the decoration. The original, made in 1632, is known as the Manners Fork, and is in the V&A museum in London. The original belonged to the Rutland family of Haddon Hall, and has the crest of John Manners, 8th Earl of Rutland. This fork is a good gauge, very pleasing to use, we tested it on cold meats and olives! The hallmarks are excellent, and include makers mark FH for Francis Howard, the firm worked between 1900 and 1986. The fork comes in it's original box, with pickle fork explanatory card, and expalnation of the hallmarks. A real talking point for your dinner table. This fork is identical to S 1568 which we have already sold, and S1808.

A fabulous set of six antique sterling silver goblets, perfectly preserved in their original box. The goblets are very pleasing quality, over 30 grammes each, and are quite small, so we imagine used for sherry or liqueur. The shape is lovely, a traditional goblet shape, with spreading foot and baluster stem. The goblets are perfectly preserved in their original wooden box, with blue velvet and silk interior, also in remarkable condition, with hinges and clasp in full working order. All 6 goblets are clearly hallmarked for Birmingham 1911, and makers mark W&F.R, for Walter Hayes and Frank Rabone, who worked between 1911 and 1916, with the partnership dissolved in 1918, we assume sadly interrupted by World War 1.

A rare early Cape Silver three pronged fork, in the Hanoverian pattern. The fork is a lovely shape, long and elegant, with long tines. The fork has makers mark DHS, with some wear but clearly visible, along with a bunch of grapes with vine leaves in a circular punch (mark 109 in Cape Silver by Welz). This fork also has a small Dutch ZII hallmark, for 835 purity, indicating the spoon was imported into the Netherlands at some stage. The fork also has a small owners cross hatch scratch mark next to the makers mark. Three pronged forks were common in the early 18th century, they were gradually replaced by 4 prongs after 1760, perhaps a little later in the colonies, but we believe this dates to the early part of Schmidt's career. Schmidt arrived in the Cape from Strelitz, Germany, as a soldier in 1768. He worked as a sword cutler for the Dutch East India Company, and became a burgher and silversmith in 1779. He died in 1811 (Cape Silver by Welz, pg 139). He is described by David Heller (in his book History of Cape...

A rare pair of Prince of Wales' feathers picture back teaspoons, in the Hanoverian pattern, with Prince of Wales' feathers to the reverse of the bowl. The crown is well struck and clear, the feathers less well struck with some wear, but still clearly visible. As is typical for a teaspoon of the period, these Hanoverian pattern spoons are struck with two marks - lion passant and maker's mark. All the marks are squashed, the maker's mark could be W*L or possibly I*M, depending on which way you read the marks (all assistance welcome), with mullet between the letters. The spoons have no engraving, and are in great condition with just minor wear to the picture back. The motif on the back of the bowl probably commemorates the life of Frederick Louis, Prince of Wales (1707-1751) and heir apparent to the English throne. He was the eldest and estranged son of King George II, but he pre-deceased his father and so the crown passed instead to his eldest son who became George III. John Luddington, in his book "Startin...

An Irish Georgian silver pair of sugartongs, decorated in bright cut engraving, and featuring the rare "Dublin Bow" engraved on both arms. The tongs are lovely quality and a good weight, they have shell grips, concave arms, and are slightly longer and heavier than their English counterparts (See Hodges, Georgian Silver Sugar Tongs, page 197, where he also states that Irish tongs of this period are beautifully made, with distinctive bright cut engraving, commanding prices 2 to 3 times more than English equivalents). The tongs are engraved with original owners initials ER in script. Bright cut engraving was popular in Ireland between 1790 and 1800, the bright cut glitters in candlelight, the Bow pattern is much rarer than the Dublin Star pattern, the Star, Bow and Prince of Wales Feathers (unique to Limerick) are unique to Irish silver. The hallmarks are clear, under the bow, makers mark BT in serrated punch for Taitt who worked between 1784 and 1791, and Irish harp and Hibernia in rounded punch used before 17...

A beautiful sterling silver master butter knife in the Moresque pattern, made by Wendt of Boston and retailed by Starr & Marcus of 5th Avenue, New York. The butter knife has a twist handle (at 90 degrees to the flat handle version), the blade is engraved with bright cut foliage on one side, on the reverse it is engraved "Christmas 02" (for 1902). It also has engraved initial P in fancy script, the original owner. The Moresque pattern was designed by Bernhard Beiderhase for John Wendt, it was patented in 1873 during the "Persian Revival" period (other patterns include Arabesque, Hinostanee and Persian). It has been described as "one of the nicer American exotic patterns, arguably the most complex". John Wendt has been described as "one of the most important American silversmiths of the mid 19th century", his work is highly collectable. He was a German immigrant, he emigrated to the USA in 1848. The hallmarks are clear, "STARR & MARCUS, STERLING, PATENT". Wendt worked as a manufacturer for prestigious retailers...

An engraved Victorian silver castletop cigarette case, featuring Edinburgh Castle. The case is rectangular, and is clearly hallmarked. The engraving is well done and in excellent condition, with clear details, scottish thistles surround the castle. The case also has original owners initials AP in script.