A very fine pair of Georgian silver barrel shaped beakers by the well known Bateman family; Peter, Ann and William. The beakers are patterned as half barrels, complete with individual staves and the hoops to hold them in place. This set is not intended to fit together to form a single barrel, as is sometimes the case with this form, they do not have the push-fit rim, and the crests are both aligned the same way (one crest would have been reversed if intended to fit together). The beakers are very good quality, a satisfying gauge and weight, they have a lovely feel in the hand, suitable for use (with a fine scotch whisky!). Both beakers have an interesting family crest, a dragons head above a Ducal coronet, between feathered wings, the engraving is crisp. This crest can be associated with the Dalton, Draycott and Codrington families. Peter Bateman was Hester Bateman's 2nd son, Ann Bateman was married to his brother Jonathan (who unfortunately died young in 1791), and Willam was the son of Ann and Jonathan. T...

A fabulous set of six Georgian Silver Old English table spoons by Hester Bateman, the most famous of all English female silversmiths. The spoons are bottom marked, and the hallmarks are slightly squashed but clearly visible. The spoons have a double drop. The spoons are excellent quality and are in extremely good condition, this is a lovely set. The spoons also have a interesting family crest, an armoured fist holding a dagger. Hester Bateman took over her husband's business on his death in 1760, and retired in 1790 when her sons, Peter and Jonathan took over the business.

A Georgian silver wine label by Hester Bateman, engraved for Brandy. The label rectangular with a pierced fret dome, this neoclassical design originated in the Bateman studio, and was copied by others, including Susannah Barker and Hampston & Prince in York (Wine Labels 1730-2003, pages 174 and 234). The label has a zig zag feather edge border, raised eyelets, the piercing of the scrolls in the dome is lovely. The label has 2 hallmarks, both clearly struck, makers mark HB in script for Hester Bateman and lion passant. The absence of a duty mark enables us to date the label to before 1784 when the duty mark was introduced, this neoclassical design is thought to orininate around 1770 (Wine Labels page 50).

Rectangular, plain but elegant teapot on 4 ball feet, characteristic of the style between 1805 and 1810. Wooden handle and ivory finial. Beautiful tree stump crest, excellent hallmarks, including lid.

Beautiful set of ornate berryspoons, originally by Hester Bateman but converted during Victorian times. The conversion must have been done by a master craftsman as the quality is excellent. The gilt bowls display no wear, these spoons have not seen much use. Delightful crest of a dove holding an olive branch, so I suppose these are peace spoons! The hallmarks are very clear, including the Hester Bateman makers mark.

An interesting pair of cast silver sugartongs by Hester Bateman, the most famous 18th century female silversmith, she has also been described as the Queen of British silversmiths. The tongs are bow shaped, with attractive cast silver pierced arms, decorated with foliage, scrolls and flowers, and shell grips. The bow is shaped, and has a cartouche for owners initials, which has not been engraved. The side of the bow has faint remnants of owners initials, P/IM, now very worn. Cast sugartongs followed scissor style sugar nips (also called tea tongs), most date between 1770 and 1780, when they were replaced by standard sugar tongs. Cast sugar tongs were complex to make, the arms were cast separately and then soldered onto the bow (Hodges, Georgian Silver Sugar Tongs, page 11). This particular tongs was made from 5 separate pieces, the bottom thinner portion of the arms were cast separately, all the solder joints are visible. We believe this is how the tongs were originally produced, there is a possibility they we...

A Bateman silver Crescent shaped Port wine label, with armorial above engraved "PORT". The label has a double reeded edge, and 2 eyelets for connection to original chain. The label is quite small and dainty, and an elegant shape. The hallmarks are clear (duty mark, sterling lion and date letter t for 1794) but the makers mark is only partially struck on the edge of the label (very clear PB, and only tip of AB underneath visible). The Bateman family of silversmiths were the leading exponents of the crescent shaped wine label (Wine Labels 1730-2003, pg 62).

A beautiful pair of Adam style Georgian silver sugar tongs by Hester Bateman, the most famous 18th century female silversmith, she has also been described as the Queen of British silversmiths. This is an early pair of Hester Bateman tongs, probably 1778-1780, the design is quite restrained, a simple yet lovely bright cut flower on both sides, with an engraved border. An almost identical pair is depicted in the book "Georgian Silver Sugar Tongs" by Graham Hodges, page 55, figure 46, the engraved flower is slightly different, he describes the tongs as "Adam Style circa 1780". The tongs have original owners engraved initials FS on the bow. The hallmarks are clear, makers mark HB in script for Hester Bateman, and lion passant (tongs prior to 1784 only have the lion passant and makers mark. Hester Bateman took over her husband's business on his death in 1760, and retired in 1790 when her sons, Peter and Jonathan took over the business.

Pair of bright cut Hester Bateman sugar tongs with very clear hallmarks. Decoration swag and wrigglework with initials JR on bow.

Dainty set of Old English pattern silver teaspoons, 4 spoons by Ely & Fearn and 2 by the Batemans, but all with a matching crest (crest is contempory, indicating this set was put together soon after manufacture). The crest is very fetching, with a lion rampant holding a scallop between its fore-paws. Clear hallmarks.

A delightful ladle shape sugar sifter, with an unusual pattern of stars, crosses and a half moon oval device. The pattern was cut by hand, and appears a little crude. The handle is initialled HI, and the hallmarks are clear with the exception of the makers mark, which is poorly struck, although still discernable.